Marker Dedicated After Missing for 19 Years Panthers Swimmers Cut Down
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DEMO Magazine
ISSUE 18 SPRING/SUMMER 2013 DEMOThe Alumni Magazine of Columbia College Chicago The avant-garde fashion designs of AGNES HAMERLIK Revitalizing Detroit with PHILLIP COOLEY Lessons learned on KICKSTARTER May 17, 2013 ALUMNI AT Want to perform? Volunteer? Or just come out and be a part of the awesome Manifest audience? If you are an alumnus and would like an application to perform on the Alumni Stage, contact Cyn Vargas at [email protected]. Stop by, sit back, and ALUMNI LOUNGE relax in our alumni ALUMNI & lounge! You'll enjoy your Noon – 7PM fellow alumni performers GRADUATION PARTY singing, reciting, dancing, 623 South Wabash and other cool stuff. 8PM – 11PM Quincy Wong Center Hilton Chicago for Artistic Expression 720 S. Michigan Ave. Grand Ballroom colum.edu/alumnimanifest Art: Thumy Phan, Manifest Creative Director Creative Phan, Manifest Art: Thumy ’12) Jacob Boll (BA Photos: CONTENTS DEMO ISSUE 18 SPRING/SUMMER 2013 18 11 FEATURES PORTFOLIO SPOT ON DEpaRTMENTS 8 22 30 Justin “Nordic Thunder” 03 Vision A question for Howard (BA ’07) reigns as President Carter KICKSTART MY ART LIFE DURING king in the competitive world Columbia alumni, students, WARTIME of air guitar. 04 Wire News from the and faculty share lessons Photographer Andrew Nelles Columbia community learned on their way to crowd- (BA ’08) recounts his days 32 Karine Saporta (BA ’72), funding success. covering American troops in knighted in France, 38 Alumni News & Notes By Stephanie Ewing (MA ’12) Afghanistan. As told to Andrew stays in demand as a Featuring class news, notes, Greiner (BA ’05) dancer, choreographer, and networking 14 and photographer. -
Cover Next Page > Cover Next Page >
cover next page > title: Indian Music and the West : Gerry Farrell author: Farrell, Gerry. publisher: Oxford University Press isbn10 | asin: 0198167172 print isbn13: 9780198167174 ebook isbn13: 9780585163727 language: English subject Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. publication date: 1999 lcc: ML338.F37 1999eb ddc: 780.954 subject: Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. cover next page > < previous page page_i next page > Page i Indian Music and the West < previous page page_i next page > < previous page page_ii next page > Page ii To Jane < previous page page_ii next page > < previous page page_iii next page > Page iii Indian Music and the West Gerry Farrell OXFORD UNIVERSITY PRESS < previous page page_iii next page > < previous page page_iv next page > Page iv OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Gerry Farrell 1997 First published 1997 New as paperback edition 1999 The moral rights of the author have been asserted Database right Oxford University Press (maker) All rights reserved. -
“Punk Rock Is My Religion”
“Punk Rock Is My Religion” An Exploration of Straight Edge punk as a Surrogate of Religion. Francis Elizabeth Stewart 1622049 Submitted in fulfilment of the doctoral dissertation requirements of the School of Language, Culture and Religion at the University of Stirling. 2011 Supervisors: Dr Andrew Hass Dr Alison Jasper 1 Acknowledgements A debt of acknowledgement is owned to a number of individuals and companies within both of the two fields of study – academia and the hardcore punk and Straight Edge scenes. Supervisory acknowledgement: Dr Andrew Hass, Dr Alison Jasper. In addition staff and others who read chapters, pieces of work and papers, and commented, discussed or made suggestions: Dr Timothy Fitzgerald, Dr Michael Marten, Dr Ward Blanton and Dr Janet Wordley. Financial acknowledgement: Dr William Marshall and the SLCR, The Panacea Society, AHRC, BSA and SOCREL. J & C Wordley, I & K Stewart, J & E Stewart. Research acknowledgement: Emily Buningham @ ‘England’s Dreaming’ archive, Liverpool John Moore University. Philip Leach @ Media archive for central England. AHRC funded ‘Using Moving Archives in Academic Research’ course 2008 – 2009. The 924 Gilman Street Project in Berkeley CA. Interview acknowledgement: Lauren Stewart, Chloe Erdmann, Nathan Cohen, Shane Becker, Philip Johnston, Alan Stewart, N8xxx, and xEricx for all your help in finding willing participants and arranging interviews. A huge acknowledgement of gratitude to all who took part in interviews, giving of their time, ideas and self so willingly, it will not be forgotten. Acknowledgement and thanks are also given to Judy and Loanne for their welcome in a new country, providing me with a home and showing me around the Bay Area. -
Feed the Soul Good Food, Drink, and Cannabis for Bad Times
CHICAGO’SFREEWEEKLYSINCE | AUGUST | AUGUST CHICAGO’SFREEWEEKLYSINCE Feed the Soul Good food, drink, and cannabis for bad times The world’s best sandwich | Beer yoga | CBD Bliss THIS WEEK CHICAGOREADER | AUGUST | VOLUME NUMBER IN THIS ISSUE T R - dissectionofamasterpieceOne @ ChildNationuncoversbittertruths andWhere’dYouGoBernadette assessesasocietyinspiritualcrisis PTB ECKHSK DEKS MUSIC&NIGHTLIFE CLSK 32 ShowsofnoteNouraMint D P JR SeymaliDea idsMattMuseand CEAL M EP M morethisweek TD KR 26 PreviewMedusagoes 38 EarlyWarningsHotSnakes A EJL beyondsnakesandstonesand BookerTJonesPlaidandmore SWDI FOOD DRINK BJ MS CITYLIFE Collaboractiongivespeacea justannouncedconcerts SWMD L G 03 StreetViewAnartistwhose & CANNABIS chance 38 GossipWolfThePatientSounds EA SN L stylerefl ectsherbeliefthat“the 10 RestaurantReviewHimalayan 28 PlaysofnoteBlackBallerina labelgoesoutwithabangAndrew G D D C S MEBW morecolorthebetter” SherpaKitchengoesdeeperinto providesastunningshowcasefor Smith’sJungleGreenprojectdrops L CS C -J 04 TransportationWhatcancities Nepal KaraRoseboroughBoogieban itsfi rstalbumasabandandgoth F L CPF dotomakeescooterssafer? 12 SouthernComfortA erchurch tracestheeff ectsofwaronsoldiers popduoWingtipscelebratetheir CN B D C LCI comesLuella’s oftwodiff erenterasDiamondLil fulllengthdebutatLateBar G AG KT 14 HeartbreakSandwich &andthePansyCrazerevisitsa HR H JH Shawafelwrapascureforlife’s famousChicagonightclub JH IH DJM OPINION KS K MM disappointments 40 SavageLoveShrinkingin B MQJRN 16 LateNightWhatreallygoeson -
University of Surrey Students' Union 4Th October 1994 Welcome (Again) Chaos on Campus! '^Oday Is the Proverbial First Day of the X Rest of Your Life
Issue 820 University of Surrey Students' Union 4th October 1994 Welcome (again) Chaos on Campus! '^oday is the proverbial first day of the X rest of your life. And the next three or Today, the University of Surrey gets in- There are informative talks combined four years are going to be spent here, in vaded as over one thousand first year with the necessary registration during the Guildford, Surrey, England. So how do students move in. Students will be arriv- day. I hope the first years have a good you feel? ing with their posessions, clothes, stereos, time, and I look forward to seeing you all Well, however it may feel at first, you'll cuddly toys, and their parents. during the course of the year." soon get used to the idea of being at The day is being run by the Students' Throughout the week, there are various University. During Intro Week you'll be Union, with many existing students being entertainments, and the students are ad- bombarded with infonnation, and talked 'helpers', providing assistance wherever vised to make the most of them. A mixture to by so many people you'll start to won- it is needed. Masterminding the whole of music and comedy and general hilarity der if you'll remember any of it in three event is Heather Stych, Vice President for is plaimed. The Happy Hour on Wednes- weeks time. But don't worry, most people Education & Welfare. When asked about day is bound to be popular, so get there live to tell the tale. -
The History of Rock Music - the 2000S
The History of Rock Music - The 2000s The History of Rock Music: The 2000s History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2006 Piero Scaruffi) Bards and Dreamers (These are excerpts from my book "A History of Rock and Dance Music") Bards of the old world order TM, ®, Copyright © 2008 Piero Scaruffi All rights reserved. Traditionally, the purposefulness and relevance of a singer-songwriter were defined by something unique in their lyrical acumen, vocal skills and/or guitar or piano accompaniment. In the 1990s this paradigm was tested by the trend towards larger orchestrastion and towards electronic orchestration. In the 2000s it became harder and harder to give purpose and meaning to a body of work mostly relying on the message. Many singer-songwriters of the 2000s belonged to "Generation X" but sang and wrote for members of "Generation Y". Since "Generation Y" was inherently different from all the generations that had preceeded it, it was no surprise that the audience for these singer-songwriters declined. Since the members of "Generation X" were generally desperate to talk about themselves, it was not surprising that the number of such singer- songwriters increased. The net result was an odd disconnect between the musician and her or his target audience. The singer-songwriters of the 2000s generally sounded more "adult" because... they were. -
The Daily Egyptian, October 07, 1994
Southern Illinois University Carbondale OpenSIUC October 1994 Daily Egyptian 1994 10-7-1994 The aiD ly Egyptian, October 07, 1994 Daily Egyptian Staff Follow this and additional works at: https://opensiuc.lib.siu.edu/de_October1994 Volume 80, Issue 34 This Article is brought to you for free and open access by the Daily Egyptian 1994 at OpenSIUC. It has been accepted for inclusion in October 1994 by an authorized administrator of OpenSIUC. For more information, please contact [email protected]. Daily Egyptian Southern Illinois Univ.:rsity at Carbondale Friday, October 7, 1994, Vol. 80, No. 34, 20 Pages All ideas were heard-City Council not true .• afler 10 p.m. from Oct. 27-29 boundary will be allowed to remain compromise addressed some of Compromise Councilman John Mills said the which meant that !111 liquor stores open. thc;se concerns. city council listened to USG"s and and bars with B licenses or A-3 The compromise will keep the "I think the restrictions that were other people's suggestions a couple entenainment licenses must close original plan to ban the sale and passed provide everyone ample causes debate of weeks ago. and came up with the and restaurants with A-I license: transponation of alcohol in contain opponunity for entenainment," he best possible compromise to the must cease , 'ie sale of liquor at 10 ers of two gallons or more from said. among citizens original proposal. p.m. each of the three days. Oct. 27-29. Mills said people are missing the However. USG president Edwin The compromise the council Councilman John Yow said he point-the only thing which has By John Kmltta Sawyer said Wednesday USG's adopted deleted Oct. -
Alt-Nation: Everything Is New
Alt-Nation: Everything is New D Generation – Nothing Is Anywhere (Bastard Basement Records) D Generation return after 17-year hiatus since their last album, Through The Darkness, with Nothing Is Anywhere to serve up another gritty platter of rock ‘n’ roll from the bowels of Avenue A. On Thru The Darkness, D Generation dealt with the Rudy Giuliani-led Disney gentrification of New York City while the band was becoming in disarray, trapped in music business purgatory. Flash forward to 2016 where the hedge fund brigade has taken over New York City and rage is something one buys at Hot Topic. Nothing Is Anywhere kicks off with a nostalgia stomp-back reflecting back to a ’90s circus of freaks hanging out on a Tuesday night in “Queens of A.” The autobiographical anthem “Apocalypse Kids” channels hardcore sing-a-long swooping choruses in the most Cheap Trick way possible with all the “perfect imperfections” intact. Nothing Is Anywhere is no nostalgia go-cart as “20th Century Blues” has the swagger of a T-Rex chopping on The Hellacopters begging for change on the Bowery. “Militant” launches into a hardcore rage while defiantly ending with “you can’t touch my soul.” The infectious “Rich Kids” would be enough to make me actually heart radio if their DJs actually played it. “Piece of the Action” is an observation of the stark reality of looking out over the wealthy migrants who have come to New York looking for something that isn’t theirs. The reason why D Generation with their dirty Lower East Side Faces meets Dead Boys riffs and singer Jesse Malin’s clever turn of the lyrics matters is because Nothing Is Anywhere is raw and the real deal. -
Brad Cole – Songwriter & Musician
Brad Cole – Songwriter & Musician Brad Cole is an American singer, songwriter and musician. He plays guitar and percussion and is largely self-taught. Cole has devoted the bulk of his musical career to folk, country, Americana, and pop/rock. His songwriting is borne from the heart and focuses on relationships, struggles, experiences, and coming into one’s own. For over 20 years, Brad has been a fixture on the Chicago music scene sharing the stage with such greats as Uncle Tupelo, The Smashing Pumpkins, Material Issue, Nicholas Tremulis, and blues great Joanna Connor. Cole led several Chicago- based bands including Treatment, Psycholove, The Second Story, and toured with NYC-based The Subscribers. In recent years (since 2011), Brad has been touring nationwide with his own band and as a solo performer, playing to sellout Brad Cole audiences in New York, Chicago and Nashville, sharing the stage with other great folk and Americana artists such as Shovels & Rope, Dan Navarro, Chris Stapleton and Amy Speace. Brad Cole maintains homes in New York and Nashville, and continues to tour and write memorable, thought-provoking songs that speak to the human condition and uneasy truths we too often evade. Contents 1 Early Years Brad Cole performing live at the Bluebird Cafe 2 Early Financial Career & Musical Adventures (Nashville,TN) in 2012 3 Personal Milestones Born Bradley Fred Cole 4 Musical Career: 2000 - 2009 January 25, 1958 (age 56) 5 Personal Re-Awakenings Chicago, IL (USA) 6 Into His Own: 2010 - Present Occupation Songwriter, singer, musician 7 Awards & Accolades 8 Discography Years active 1990–present 9 Links Website bradcolemusic.com 10 References Early Years Bradley Fred Cole was born on January 25, 1958, in Chicago, IL, to father Sy Cole (1922-1999), and mother, the former Carolyn Gardner (1925-2011). -
Alt-Rock and College- Pop of the 1980S, Came to an Abrupt, Grinding Halt in the 1990S
The History of Rock Music - The Nineties The History of Rock Music: 1989-1994 Raves, grunge, post-rock History of Rock Music | 1955-66 | 1967-69 | 1970-75 | 1976-89 | The early 1990s | The late 1990s | The 2000s | Alpha index Musicians of 1955-66 | 1967-69 | 1970-76 | 1977-89 | 1990s in the US | 1990s outside the US | 2000s Back to the main Music page (Copyright © 2009 Piero Scaruffi) Alt-pop (These are excerpts from my book "A History of Rock and Dance Music") Pop renaissance in the USA TM, ®, Copyright © 2005 Piero Scaruffi All rights reserved. During the first half of the 1990s, pop music vastly outnumbered underground/experimental music. It was the revenge of melody, after a quarter of a century of progressive sounds. A cycle that began with the demise of the Beatles and the rise of alternative/progressive rock, and that continued with the German and Canterbury schools of the 1970s, and then punk-rock and the new wave, and peaked with the alt-rock and college- pop of the 1980s, came to an abrupt, grinding halt in the 1990s. The more fashionable and rewarding route was, however, the one that coasted the baroque pop of latter-day Beach Boys, Van Dyke Parks, Big Star and XTC, the one that coupled catchy refrains and lush arrangements. The single most important school may have been San Francisco's, which had originated in the 1980s with the Sneetches. Jellyfish (2), featuring guitarist Jason Falkner, wrote perhaps the most impeccable melodies of the time. Bellybutton (1990), a milestone of naive, bubblegum melodic music inspired by Merseybeat and later Beach Boys, was both cartoonish and shimmering, while the arrangements on Spilt Milk (1993) were almost baroque. -
Alex Nussbaumer Has Promoted the Following Artists & Tours Over the Last 18 Years in Austria
Reference of Alex Nussbaumer Alex Nussbaumer has promoted the following Artists & Tours over the last 18 years in Austria: A Accept (1993) Afro Celt Sound System (1997) Al Jarreau (1996) Alex Chilton (1990) Alice Cooper (1997) Alison Moyet (1991) Amen (2000) Amprphis (1996, 1999) Anathema (1997) Angélique Kidjo (1998) Anne Clark (1991, 1994) Annihilator (1993, 1995) Apollo 440 (1997, 1999) Asia (1990, 1992) Atom Seed (1991) Average White Band (1997) B Backyard Babies (1998 Bad Brains (1993, 1994) Bad Religion (1993, 1994, 1997, 1998, 2000, 2002) Beastie Boys (1995) Beck (1994, 1996) Bettie Serveert (1995) Big Country (1994) Biohazard (1993, 1994, 1995, 1997, 2000, 2002) Bitty McLean (1994) Björk (1995) Björn Again (1998) Black Crowes (1997) Blue Aeroplanes The (1995) Blues Traveler (1994) Blur (1996, 1997, 2003) Bobby Byrd Show The (1998) Bootsy Collins (1995) Boyzone (1997) Brand New Heavies (1994) -1- Reference of Alex Nussbaumer Brian May (1998) Brilliant Corners The (1991) Buzzcocks (1993) C Cancer (1995) Candy Dulfer & Funky Stuff (1998, 1999, 2001) Canned Heat (1990, 1991, 1992, 1993, 1995, 1998) Carter USM (1995) Cassandra Wilson (1996) Cathedral (1993, 1996, 1999) CELL The (1993) Chicken Shak (1990) Chris Carcavas (1990) Chris Thompson (1991, 1995) Chris Rea (2003) Chumbawamba (1995, 1997, 1998, 1999, 2002) Civ (1996) Clawfinger (1998) Clock DVA (1990) Connells The (1995) CONSOLIDATED (1993, 1996, 1997) Coolio (1996) Cradle of Filth (1997, 1998) Crash Test Dummies (1994, 1997, 1999, 2001) CROWBAR (1994, 1995) Cultured Pearls (1998) The Cure (1998) D D:A:D (1995, 1998) Damen Das (1989) Danzig (1992, 1995) Dark Angel (1991) David Byrne (1997) David Sanborn (1996) DeathMetal Festival (1992) Dee Dee Ramone (1994) Dentists The (1991) Dieter Thomas Kuhn (1997) Dirty Three The (1996) Dog Eat Dog (1994, 1996) Dogs D'Amour (1993) Doughboys (1990, 1991) -2- Reference of Alex Nussbaumer Downset (1995) DR. -
Columbia Chronicle College Publications
Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 9-30-1996 Columbia Chronicle (09/30/1996) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (09/30/1996)" (September 30, 1996). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/357 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. THE CHQ@!tJCLE 0 f COLUM5 C A C 0 September 30, 1996 New dorm director, new outlook New Residence Hall Director Daniel Betts wants to make more than mere cosmetic changes in his domain--he's calling for a whole new attitude By Leon Tripplett Senior Writer New Residence Hall Director Daniel Betts strode briskly into his new position with confidence, a rigorously trained staff of resident fioor Daniel Betts, leaders and a commitment to Col umbia 's ensure change, reshaping new Columbia's dorms from a build Residence ing of vi rtual strangers to a Hall Director, community of citizens. stands in front There is one undeniable fact, of a dor m though: Betts will be scruti mural painted nized, analyzed and challenged, by students much like most new ad ministra from tors.