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Bourdieu and the Music Field
Bourdieu and the Music Field Professor Michael Grenfell This work as an example of the: Problem of Aesthetics A Reflective and Relational Methodology ‘to construct systems of intelligible relations capable of making sense of sentient data’. Rules of Art: p.xvi A reflexive understanding of the expressive impulse in trans-historical fields and the necessity of human creativity immanent in them. (ibid). A Bourdieusian Methodology for the Sub-Field of Musical Production • The process is always iterative … so this paper presents a ‘work in progress’ … • The presentation represents the state of play in a third cycle through data collection and analysis …so findings are contingent and diagrams used are the current working diagrams! • The process begins with the most prominent agents in the field since these are the ones with the most capital and the best configuration. A Bourdieusian Approach to the Music Field ……..involves……… Structure Structuring and Structured Structures Externalisation of Internality and the Internalisation of Externality => ‘A science of dialectical relations between objective structures…and the subjective dispositions within which these structures are actualised and which tend to reproduce them’. Bourdieu’s Thinking Tools “Habitus and Field designate bundles of relations. A field consists of a set of objective, historical relations between positions anchored in certain forms of power (or capital); habitus consists of a set of historical relations ‘deposited’ within individual bodies in the forms of mental and corporeal -
Residential Property Owners As Of: 2/10/2021 Two and Three Family
Residential Property Owners as of: 2/10/2021 Two and Three Family Sect Taxkey Property Address Owner Name Secondary Owner Owner Address Owner CityState,Zip Property Use 32 415-0006-000 10006 W Bungalow Pkwy Aaron S. Jacobson Glenn Barber 671 S 100 St West Allis, WI 53214 940 Residential Duplex 32 415-0013-000 10202 W Bungalow Pkwy Ronald C. Shikora Doris J. Shikora 4085 Brook Ln Brookfield, WI 53005 940 Residential Duplex 32 416-0019-000 651 S 93 St Reddie Living Trust 651 S 93 St West Allis, WI 53214 940 Residential Duplex 32 416-0023-001 681 S 93 St Corry S. Eifert Sandra S. Eifert 2745 S 132 St New Berlin, WI 53151 940 Residential Duplex 32 416-9981-001 9732 W Schlinger Ave Shirley Kewan 9732 W Schlinger Ave West Allis, WI 53214 940 Residential Duplex 33 417-0009-000 9116 W Conrad Ln Jeffrey J. Raab N3430 County Rd K Jefferson, WI 53549 940 Residential Duplex 35 438-0001-000 705 S 57 St Gary J. Karabelas Carol A. Karabelas 6009 W Mitchell St West Allis, WI 53214 940 Residential Duplex 35 438-0009-000 804 S 58 St Santiago Rodriguez Iraviregen Rodriguez 804 S 58 St West Allis, WI 53214 940 Residential Duplex 35 438-0024-000 810 S 57 St Christopher J. Lake Rebecca T. Long-Lake PO Box 204 Big Bend, WI 53103 940 Residential Duplex 35 438-0029-004 702 S 57 St Jeffrey T. Anderson 125 N 70 St Milwaukee, WI 53213 940 Residential Duplex 35 438-0038-000 1000 S 58 St Gary L. -
The New Nuclear Weapons by John Laforge John Reed and the Russian
The new nuclear weapons by john laforge john reed and The russian revoluTion by p. sainaTh The presidenT and The porn sTar by ruTh fowler mexico’s big elecTions by kenT paTerson The fbi aT work by paul krassner TELLS THE FACTS AND NAMES THE NAMES · VOLUME 25 NUMBER 2 2018 AND NAMES THE · VOLUME THE FACTS TELLS editorial: 1- year digital edition (PDF) $25 [email protected] 1- year institutions/supporters $100 www.counterpunch.org business: [email protected] 1- year print/digital for student/low CounterPunch Magazine, Volume 25, subscriptions and merchandise: income $40 (ISSN 1086-2323) is a journal of progres- [email protected] 1-year digital for student/low income $20 sive politics, investigative reporting, civil All subscription orders must be prepaid— liberties, art, and culture published by The Submissions we do not invoice for orders. Renew by Institute for the Advancment of Journalis- CounterPunch accepts a small number of telephone, mail, or on our website. For tic Clarity, Petrolia, California, 95558.Visit submissions from accomplished authors mailed orders please include name, ad- counterpunch.org to read dozens of new and newer writers. Please send your pitch dress and email address with payment, or articles daily, purchase subscriptions, or- to [email protected]. Due call 1 (800) 840-3683 or 1 (707) 629-3683. der books and access 18 years of archives. to the large volume of submissions we re- Add $25.00 per year for subscriptions Periodicals postage pending ceive we are able to respond to only those mailed to Canada and $45 per year for all at Eureka, California. -
Farm Bureau News October 2013 Bytes
Farm Bureau News October 2013 bytes WVU Extension Sponsors General Motors Announces Added Discount for Farm Oil & Gas Drilling Bureau Members Only Educational Programs Effective immediately, and You must be a Farm Bureau West Virginia is home of one of continuing through April 1, 2014, member for at least 60 days to take the largest Marcellus Shale natural Chevrolet and GMC are offering advantage of this offer, and the gas deposits on the East Coast. exclusively to Farm Bureau address on your drivers license must As landowners and community members an additional $1,000 match your home mailing address. members began asking questions incentive on the purchase of any new Every member of your household of WVU Extension agents about 2013 or 2014 regular cab heavy duty can take advantage of this offer! this topic, they organized a series (2500/3500) And remember of workshops to help the public series truck. to remind learn about aspects of the oil and This is in dealers of your gas industry and how it could affect addition to the Farm Bureau them. standard $500 membership Farm Bureau so that you can “Gas Well Drilling and Your incentive - take advantage Private Water Supply” will be for a total of of all the presented on November 18, 6:00 $1500! This incentives you p.m., at the Winfield Community private offer is are eligible for! Building, Fairmont, WV; and also stackable November 19, 6:00 p.m., at the with all retail Can’t access Doddridge County Park Building, promotions - the website? West Union, WV. -
Tedde, Adriano Antonio
The Other America of Paul Auster, Jim Jarmusch and Tom Waits Author Tedde, Adriano Antonio Published 2019-10-23 Thesis Type Thesis (PhD Doctorate) School School of Hum, Lang & Soc Sc DOI https://doi.org/10.25904/1912/2054 Copyright Statement The author owns the copyright in this thesis, unless stated otherwise. Downloaded from http://hdl.handle.net/10072/388986 Griffith Research Online https://research-repository.griffith.edu.au The Other America of Paul Auster, Jim Jarmusch and Tom Waits Adriano Tedde, PhD candidate School of Humanities, Languages and Social Sciences Griffith University. Thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy March 2019 0 ABSTRACT This thesis employs popular culture texts (works of literature, film, and popular music) as companions to the understanding of contemporary America. It is about artworks that form a cultural resistance that enables the appreciation of social issues and cultural decline in the United States. The authors of these artworks are novelist Paul Auster, filmmaker Jim Jarmusch, and musician Tom Waits. Born between the late 1940s and the early 1950s, in different parts of the United States, Auster, Jarmusch, and Waits have produced a series of works that share strong similarities. In their novels, films, and songs, they portray an imagined “Other America” that is in stark contrast with the idyllic vision of the American Dream. Their America does not coincide with conventional middle-class values and goals of success, money and social upward mobility. It is an open, tolerant, and egalitarian country inhabited by marginalized “other Americans” who never escape from poverty and failure. -
John Mayall Performs at the Broward Center on May 12
May 6, 2015 Media Contact: Savannah Whaley Pierson Grant Public Relations 954.776.1999 ext. 225 Jan Goodheart, Broward Center 954.765.5814 THE GODFATHER OF BRITISH BLUES JOHN MAYALL PERFORMS AT THE BROWARD CENTER ON MAY 12 FORT LAUDERDALE – Legendary blues master John Mayall will perform on Tuesday, May 12 at 7:30 p.m. in the Amaturo Theater at the Broward Center for the Performing Arts. With a career spanning 50 years, the "Godfather of British Blues” has more than 60 albums to his credit, including the all-time classic Bluesbreakers with Eric Clapton, the Grammy-nominated Wake Up Call and Stories, which debuted on the Billboard blues charts at #1. In the early ‘60s, Mayall began putting musicians together in London under the banner of The Bluesbreakers that, over the years, featured a succession of rock greats including Eric Clapton, Mick Taylor of the Rolling Stones and Fleetwood Mac’s Peter Green, John McVie and Mick Fleetwood. In 1969, with his popularity blossoming in the U.S., Mayall released an acoustic live album entitled The Turning Point, from which his song "Room to Move" was destined to become a rock classic and for which he received a Gold record. Attracted by the West Coast climate and culture, he moved to Los Angeles and began forming bands with American musicians. Throughout the ‘70s, John became further revered for his many jazz/rock/blues innovations featuring such notable performers as Blue Mitchell, Red Holloway, Larry Taylor and Harvey Mandel. Throughout the ‘80s and ‘90s, Mayall's released a succession of dynamic albums such as Behind The Iron Curtain, Chicago Line, A Sense of Place and the Wake Up Call that featured guest artists Buddy Guy, Mavis Staples, Albert Collins and Mick Taylor. -
In Focus 5. Verano 2003. the Boogie Punkers. (PDF
Editorial Sumario LA CRÍTICA, EL CRÍTICO, EL CRITERIO REPORTAJES (004) Curiosos palabros estos tres. Al crítico no le (002) The Boogie Punkers gusta formar parte de la crítica pero se sabe (006) Los Del Tonos poseedor de criterio. El criticado cuando recibe (009) Doctor Deseo una buena crítica piensa que está hecha con cri- (015) Fito y Fitipaldis (016) Edu "Bighands" terio, así que si tiene ocasión se lo hace saber al (018) Gorka Gassman crítico, y el crítico, claro está, opina entonces que (020) Los Padrinos el criticado tiene criterio al criticar su crítica. (023) Sanchís y Jocano Suena críptico pero suele ser así. (027) Séan Keane (029) Tres Hombres Bien, ¿qué facultades debe tener un crítico? En (031) E- Bow el caso que nos ocupa, se supone que cultura (034) Bad- F Line musical. No problemo, si hay que escuchar dis- (036) The Cumshots cos, se escuchan, mola. Pero el problema está en (038) Dover las condiciones. Si eres de una discográfica y (040) El Drogas y el Kutxi quieres venderme a tu grupo, hazme el favor (043) Koniec (045) Mike Sobieski (ironía) de mandarme un disco, y no un Cd-R sin (046) Motorhead títulos, sin créditos, sin contactos y sin nada ("tie- (049) Obligaciones nes fotos en la güéf"). Si tu grupo está presen- (051) Los Reyes del KO tando su última grabación, no me entregues la (054) Peer Wyboris víspera de la rueda de prensa el disco ("por men- (058) Sharon Sahnnon (060) Shisha Pangma sajero, que corre prisa") y me sueltes encima la BREVES (062) puntilla: "les preguntas cuatro bobadas". -
Mick Taylor © Felix Aeppli 07-2020 / 08-2021
Blues Breaker Mick Taylor © Felix Aeppli 07-2020 / 08-2021 5001 January 17, 1949 (not 1948) Born in Welwyn Garden City, Hertfordshire: Michael Kevin (not James) Taylor. 5001A 1963 Hatfield, Hertfordshire, or London: THE STRANGERS, MEET THE STRANGERS (One-sided 10" acetate, 1963): 1. A Picture Of You (Beveridge, Oakman), 2. The Cruel Sea (Maxfield), 3. It’ll Be Me (Clement), 4. Saturday Night At The Duck Pond (Owen, based on a section from Tchaikovsky's Swan Lake) MT, Alan Shacklock: guitar; Malcolm Collins: vocals (1, 3); John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5001B 1964 Hatfield, Hertfordshire, or London: THE JUNIORS, Single (Columbia DB 7339 [UK], Aug. 1964); MADE IN ENGLAND VOL. 2 – BRITISH BEAT SPECIAL 1964 - 69 (LCD 25-2, CD [France], Spring, 2000): 1. There’s A Pretty Girl (Webb), 2. Pocket Size (White) MT, Alan Shacklock: guitar; Malcolm Collins: vocals; John Glass (later Glascock): bass; Brian Glass (later Glascock): drums. 5002 May, 1967 Probably London THE GODS (THOR, HERMES, OLMPUS, MARS), Single (Polydor 56168 [UK], June, 1967): 1. Come On Down To My Boat Baby (Farrell, Goldstein), 2. Garage Man (Hensley) NOTES: Cuts 1, 2: MT’s participation in this session is very much open to speculation and his own interviews on the subject are full of contradictions; most likely MT had taken part in some live shows, but he never was in THE GODS’ actual line-up (Lee Kerslake: guitar; Ken Hensley: organ, vocals; John Glascock: bass, back-up vocals; Brian Glascock, perhaps alternating with Lee Kerslake: drums); – Nor is MT identical with MICK TAYLOR playing guitar and singing on a Single (CBS 201770 [UK], June, 1965), London Town, Hoboin’ (both Taylor - produced by Jimmy Duncan and Peter Eden); or involved in Cockleshells (Taylor), a track recorded by MARIANNE FAITHFULL (NORTH COUNTRY MAID, Decca LK 4778 [UK], Feb. -
Chronology of Women in the West Virginia Legislature
Chronology Wof men in the West Virginia Legislature 1922-2020 West Virginia Legislature’s Office of Reference & Information, Joint Committee on Government & Finance. 2019. Chronology of Women IN THE West Virginia Legislature When the first woman was elected to office in the mountain state in 1922, West Virginia couldn’t have prepared for the unstoppable force that would become the female politicians the state has to offer. Since Mrs. Anna Gates’s election as a Delegate in 1922, hundreds of empowered women from all over the state have won elections and held a seat in the statehouse, where they helped to craft the policies that have shaped West Virginia for decades. Without the courage and stamina of these women to challenge the men who occupied these seats and hold their own on the chamber floors, West Virginia would look drastically different today. This extensive Chronology of Women in the West Virginia Legislature helps to commemorate the legacies of the hard-working and powerful women who overcame societal expectations to make a difference in the state that they loved and called home. Revised NOVEMBER 2019 7 Delegates 1920s (4 elected, 3 appointed) Delegates 1922 - 1 Delegate (elected) Mrs. Tom (Anna) Gates (D) Kanawha, elected (First woman elected to the West Virginia Legislature.) 1924 - 2 Delegates (both elected) Mrs. Thomas J. Davis (R) Fayette, elected 192 Dr. Harriet B. Jones (R) Marshall, elected 0s 1926 - 2 Delegates (both appointed) Hannah Cooke (D) Jefferson (Appointed Jan. 27 by Gov. Howard Mason Gore upon the death of her husband.) Mrs. Fannie Anshutz Hall (D) Wetzel (Appointed Apr. -
Chronology of Women in the West Virginia Legislature Revised July 30, 2009 7 Delegates 0 Senators 1920S (4 Elected, 3 Appointed)
Chronology Wof men in the West Virginia Legislature 1922-2009 West Virginia Legislature’s Office of Reference & Information, Joint Committee on Government & Finance - January 2009 The Chronology of Women in the West Virginia Legislature Revised July 30, 2009 7 Delegates 0 Senators 1920s (4 elected, 3 appointed) Delegates 1922 - 1 Delegate (elected) Mrs. Tom (Anna) Gates (D) Kanawha, elected (first woman elected to the West Virginia Legislature) 1924 - 2 Delegates (both elected) Mrs. Thomas J. Davis (R) Fayette, elected Dr. Harriet B. Jones (R) Marshall, elected 1920s1926 - 2 Delegates (both appointed) Hannah Cooke (D) Jefferson (Appointed Jan. 27 by Gov. Howard Mason Gore upon the death of her husband.) Mrs. Fannie Anshutz Hall (D) Wetzel (Appointed Apr. 2 by Gov. Gore upon the death of her husband.) 1928 - 2 Delegates (1 elected, 1 appointed) Mrs. Minnie Buckingham Harper (R) McDowell (Appointed Jan. 10 by Gov. Gore upon the death of her husband.) Frances Irving Radenbaugh (R) Wood, elected 7 Delegates 2 Senators 1930s (4 elected, 3 appointed) (both appointed) Senators 1934 - 1 Senator (appointed) Mrs. Hazel E. Hyre (D) Jackson (Appointed Mar. 12 by Gov. Herman Guy Kump upon the death of her husband.) 1939 - Mrs. John C. Dice (D) Greenbrier (Appointed in Dec. by Gov. Homer Holt upon the death of Sen. William Jasper.) 1930sDelegates 1931 - Mrs. Lucille Scott Strite (D) Morgan (Appointed by Gov. William Conley upon the death of James C. Scott.) 1932 - 2 Delegates (both elected) Mrs. Pearl Theressa Harman (R) McDowell, elected Eddie Seiver Suddarth (D) Taylor, elected 1934 - 1 Delegate (elected) Mrs. S.W. -
CAWV Newsletter
Newsletter 2016-42 October 21, 2016 HUB/PAC MAKES GENERAL ELECTION ENDORSEMENTS The Contractors Association of West Virginia’s political action committee, HUB/PAC, has made its endorsements for candidates running for the West Virginia Senate and House of Delegates. HUB/PAC, which stands for Highway-Utility-Building Political Action Committee, surveyed candidates to determine their level of support to prioritize investment in the maintenance and modernization of West Virginia’s infrastructure of roads, bridges, water and sewer, schools, public buildings, dams and other public structures that are vital to jobs, future economic development and a better quality of life for all citizens. Their responses, along with their willingness to give the CAWV a fair hearing on issues affecting the state’s contracting industry, were the basis for making this year’s endorsements. In letters to the candidates, the CAWV said it is asking the CAWV’s 425 members and their thousands of employees to vote for them. A number of good candidates are running this year and HUB/PAC contributions are used to support candidates running for elective office who, regardless of party affiliation, understand the construction industry and the specific needs, interests, and concerns of CAWV member companies and their employees. Members are encouraged to share this endorsement list with people in their company who share the company’s goals and objectives. A full copy is on the CAWV website at www.cawv.org. AGC PAC CONTRIBUTES TO WEST VIRGINIA’S CONGRESSIONAL DELEGATION The Associated General Contractors of America’s political action committee, AGC PAC, has contributed to the reelection campaigns of Representatives David McKinley and Evan Jenkins. -
Tom's Wild Year: the Story of Swordfishtrombones
Tom's Wild Year: The Story of Swordfishtrombones Classic Rock, June 2013 HAVE I GOT NEWS FOR YOU it was not. Tom Waits did, however, have news for fellow guest Ian Hislop, rounding on the latter after he suggested that Waits promote his new album more audibly, and snarling that he would "promote it in my own damn way". The year was 1983, the album Swordfishtrombones, and the programme was the October 18th edition of Channel 4's dismal yoof-oriented chatshow Loose Talk. Waits had already sidestepped the trap set when host Steve Taylor asked whether the singer was familiar with "the seedier parts" of his native Los Angeles, replying, "You mean like a farming community?" The squirm-inducing interrogation staggered on until Waits lost it with Hislop. In those pre-reality-TV days it was almost shocking. For any Waits fan who'd made the transition to Swordfishtrombones from, say, Small Change, the subtext of the Loose Talk conversation was all too clearly the 33-year-old singer's annoyance at being typecast as a beatnik bum who'd lived in LA's Tropicana Motel and made boozy faux-jazz albums about… well, living in LA's Tropicana Motor Hotel. For Swordfishtrombones was nothing if not a radical rewrite of Waits' nighthawk persona, dispensing not only with the Tropicana but with the many crutches he'd used since making his first album for David Geffen's Asylum label a decade earlier: manager Herb Cohen, producer "Bones" Howe, and (Elektra- )Asylum Records itself. To this day I can recall the mild shock we felt on the NME staff when Swordfishtrombones followed abruptly on the heels of Waits' lush, Howe-helmed soundtrack for Francis Ford Coppola's big-budget film One from the Heart.