Maggie Rizer
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Profiles in Style
PROFILES IN STYLE spring fashion issue Collection RALPHLAURENCOLLECTION.COM 888.475.7674 FLÂNEUR FOREVER 1-800-441-4488 Hermes.com CHANEL BOUTIQUES 800.550.0005 chanel.com ©2015 CHANEL®, Inc. B® Reine de Naples Collection in every woman is a queen BREGUET BOUTIQUES – NEW YORK 646 692-6469 – BEVERLY HILLS 310 860-9911 BAL HARBOUR 305 866-1061 – LAS VEGAS 702 733-7435 – TOLL FREE 877-891-1272 – WWW.BREGUET.COM CAROLINAHERRERA.COM 888.530.7660 © 2015 Estée Lauder Inc. DRIVEN BY DESIRE esteelauder.com NEW. PURE COLOR ENVY SHINE Sculpt. Hydrate. Illuminate. On Carolyn: Empowered NEW ORIGINAL HIGH-IMPACT CREME AND NEW SHINE FINISH BALENCIAGA.COM 870 MADISON AVENUE NEW YORK MAXMARA.COM 1.866.MAX MARA BOUTIQUES 1-888-782-6357 OSCARDELARENTA.COM H® AC CO 5 01 ©2 Coach Dreamers Chloë Grace Moretz/ Actress Coach Swagger 27 in patchwork floral Fluff Jacket in pink coach.com Advertisement EVENTS HOLIDAY LUNCH NewYOrk,NY|12.1.14 On Monday,December 1, WSJ. Magazine hosted its annual holiday luncheon at Le Bernardin Privé in New York. The event welcomed WSJ. Magazine’seditorial and advertising partners and celebrated their 2014 collaborations. Publisher Anthony Cenname toasted WSJ. Mag’sstrongest year in history and stirred excitement about the new year ahead. Photos by Kelly Taub/BFAnyc.com Robert Chavez, Heather Vandenberghe, Shauna Brook Frank Furlan, Rosita Wheeler, Lynn Reid Brad Nelson, Tate Magner Colleen Caslin, Anthony Cenname Jon Spring, Arwa Al Shehhi Desiree Gallas Sandeep Dasgupta, Kevin Dailey Alberto Apodaca, Julia Erdman Jenny Oh, Dana Drehwing, Maria Canale Kevin Harter, Jason Weisenfeld, Vira Capeci Follow @WSJnoted or visit us at wsjnoted.com ©2015Dow Jones &Company,InC.all RIghts ReseRveD.6ao1412 ART DIR: PAUL MARCIANO PH: DAVID BELLEMERE GUESS?©2015 women’s style march 2015 54 EDITOR’S LETTER 58 ON THE COVER 60 CONTRIBUTORS 62 COLUMNISTS on Ambition 65 THE WSJ. -
Party of the Year
SOCIAL SAFARI | by R. COURI HAY Ariana Madonna @ Rockefeller, Raising Malawi Hannah Selleck and Georgina Bloomberg @ NY Botanical Garden Winter Wonderland Ball Event planner Harriette Rose Katz @ Animal Ashram Anne Hathaway @ NY Botanical Prince Pavlos, Garden Princess Marie- Winter Chantal and Wonderland Princess Olym- Bal pia of Greece and Denmark graced Gstaad Board Members Audrey and Martin Gruss @ Lincoln Center Fund Gala, Georgina Chapman honoring Carolina Herrera hosted a dinner in Gstaad PARTYGstaad,Valentino, Georgina OF Chapman, THE Botanical Garden, CarolinaYEAR Herrera, Karolína Wilbur Ross, Madonna & Animal Ashram Kurková @ Raising Malawi TEARS OF A CLOWN artwork by Damien Hirst, Ai Weiwei, Julian Schnabel, Cindy Sher- If parties could win an Oscar, then Madonna’s Raising Malawi baccha- man, Richard Prince, Steven Meisel and a piece by Tracey Emin, nal would take home top honors for 2016. It was a night of a hundred who beamed from the audience when it sold for $550,000. Karolína stars including Leonardo DiCaprio, Adriana Lima, A-Rod, Donna Kurková sold a diamond snake by Bulgari to Prince Alexander von Karan, Len Blavatnik, Jeremy Scott, Natasha Poly, Alexander Gilkes, Furstenberg for $180,000, but only afer she ofered to lick the serpent. P. Diddy, Calvin Klein, Ron Burkle and David Blaine, who smirked Ooh la la! When a Fiat 500 came on the block, she slapped Agnelli as he swallowed a broken wineglass. Tey all played a role in this night heir Lapo Elkann, saying, “Tis car has been arrested along with its of fun, performance -
Pirelli Calendar 2010 by Terry Richardson London
Pirelli Calendar 2010 by Terry Richardson London, 19 November 2009 – The 2010 Pirelli Calendar, now in its 37th edition, was presented to the press and to guests and collectors from around the world, at its global premiere in London. The much-awaited appointment with ‘The Cal’, a cult object for over 40 years, was held this year at Old Billingsgate, the suggestive late 19th century building on the banks of the Thames, where from 1875 to 1982 it housed the capital city’s fish market. Following China, immortalized by Patrick Demarchelier in the 2008 edition, and Botswana shot by Peter Beard a year later, 2010 is the year of Brazil and of American photographer Terry Richardson, the celebrated “enfant terrible” known for his provocative and outrageous approach. In the 30 images that scan the months of 2010, Terry Richardson depicts a return to a playful, pure Eros. Through his lens he runs after fantasies and provokes, but with a simplicity that sculpts and captures the sunniest side of femininity. He portrays a woman who is captivating because she is natural, who plays with stereotypes in order to undo them, who makes irony the only veil she covers herself with. This is a return to the natural, authentic atmospheres and images of the ‘60s and ‘70s. It is a clear homage to the Calendar’s origins, a throwback to the first editions by Robert Freeman (1964), Brian Duffy (1965) and Harry Peccinotti (1968 and 1969). Terry Richardson, like his illustrious predecessors, has chosen a simple kind of photography, without retouching, where naturalness prevails over technique and becomes the key to removing artificial excesses in vogue today to reveal the true woman underneath. -
1 United States District Court Southern
Case 1:20-cv-07255 Document 1 Filed 09/04/20 Page 1 of 87 UNITED STATES DISTRICT COURT SOUTHERN DISTRICT OF NEW YORK ------------------------------------------------------------------X 20-cv-7255 ABBY CHAMPION, ALANNA ARRINGTON, AMBAR CRISTAL ZARZUELA MONTERO, ANNA CLEVELAND, ANOK YAI, BLANCA PADILLA, BRIONKA HALBERT, BROOKE ROBINSON, CALLUM STODDART, CARA TAYLOR, CLAIRE DELOZIER, CYNTHIA ARREBOLA, DAMIEN MEDINA, DYLAN CHRISTENSEN, EMILY REBECCA HILL p/k/a EMI RED, ENIOLA ABIORO, GEORGINA GRENVILLE, GRACE ELIZABETH HARRY CABE p/k/a GRACE ELIZABETH, GRACE HARTZEL, HIANDRA MARTINEZ, JAL BUI, JOÃO KNORR, KRISTIN LILJA SIGURDARDOTTIR p/k/a KRISTIN LILJA, LEONA WALTON p/k/a BINX WALTON, LINEISY MONTERO, LUCIA LOPEZ AYERDI p/k/a LUCIA LOPEZ, LUISANA GONZALEZ, MANUELA MILOQUI p/k/a MANU MILOQUI, MARIA VITORIA SILVA DE OLIVEIRA p/k/a MARIA VITORIA, MARIAM URUSHADZE p/k/a MARISHA URUSHADZE, MAUD HOEVELAKEN, MAYA GUNN, MYRTHE BOLT, RACHELLE HARRIS, ROCIO MARCONI, SARA EIRUD, SELENA FORREST, SHUPING LI, TANG HE, UGBAD ABDI p/k/a UGBAD, VERA VAN ERP, VIKTORIIA PAVLOVA p/k/a ODETTE PAVLOVA, XIAOQIAN XU, Plaintiffs, COMPLAINT -Against- JURY DEMAND MODA OPERANDI, INC., ADVANCE PUBLICATIONS, INC. d/b/a CONDE NAST, ADVANCE MAGAZINE PUBLISHERS, INC. d/b/a CONDE NAST Defendants, ------------------------------------------------------------------X All plaintiffs, by their attorneys, EDWARD C. GREENBERG, LLC, for their complaint allege as follows: THE PARTIES 1 Case 1:20-cv-07255 Document 1 Filed 09/04/20 Page 2 of 87 1. Plaintiff ABBY CHAMPION (“CHAMPION”) is a professional model who resides in Los Angeles California, and works as a professional model in the State and County of New York. -
PURE ELEGANCE RALPH LAUREN Collection
PURE ELEGANCE RALPH LAUREN Collection View the Runway Show and go behind the scenes with the Ralph Lauren application on your iPhone ® or visit RALPHLAURENCOLLECTION.COM RALPH LAUREN Collection NEWYORKBEVER LY HILLSDALLASCHICAGOBALHARBOURGREENWICH A SPORTING LIFE! 1-800-441-4488 Hermes.com Hermes_205636938.indd 2 1/9/13 4:08 PM Hermes_205636938.indd 3 1/9/13 4:08 PM Now, a youth-infusing serum for eyes. New. Advanced Night Repair Eye Serum Infusion Fact: Everyday pollution can damage the delicate eye area and accelerate visible aging. Now, discover this super-potent serum with anti-pollution technology to help significantly inhibit the appearance of visible damage from environmental assaults. Eyes look beautiful, luminous, younger. Tested and proven: Dramatically reduces the look of fine lines, wrinkles, dark circles, dryness and puffiness. Inspired by DNA Research. 20+ Patents Worldwide. NEW © 2013 Estée Lauder Inc. See the science behind this esteelauder.com revolutionary youth infusion. AMERICANA MANHASSET ATHENS BAL HARBOUR DALLAS DUBAI LAS VEGAS LONDON LOS ANGELES MADRID NEW YORK RIYADH SOUTH COAST PLAZA TORTUGA BAY OSCARDELARENTA.COM balenciaga.com Reine de Naples Collection in every woman is a queen BREGUET BOUTIQUES – NEW YORK FIFTH AVENUE 646 692-6469 – NEW YORK MADISON AVENUE 212 288-4014 BEVERLY HILLS 310 860-9911 – BAL HARBOUR 305 866-1061 – LAS VEGAS 702 733-7435 – TOLL FREE 877-891-1272 – WWW.BREGUET.COM Elegance is an attitude Simon Baker The Longines Master Collection www.longines.com 42 Editor’s LEttEr 44 MasthEad 46 Contributors 48 on thE CovEr Face value New mother turned supermodel Kati Nescher has transformed life experience into fashion gold. -
Universidade Do Sul De Santa Catarina Flora Cruz O
UNIVERSIDADE DO SUL DE SANTA CATARINA FLORA CRUZ O DISCURSO FETICHISTA NAS CAMPANHAS DA MARCA DOLCE & GABBANA Florianópolis, SC 2018 FLORA CRUZ O DISCURSO FETICHISTA NAS CAMPANHAS DA MARCA DOLCE & GABBANA A GRIFE DO FETICHE SEXUAL Trabalho de Conclusão de Curso apresentado ao Curso de Design de Moda da Universidade do Sul de Santa Catarina como requisito parcial à obtenção do título de Tecnólogo em Design de Moda Orientador: Prof. Tatiana Correa Florianópolis 2018 FLORA CRUZ O DISCURSO FETICHISTA NAS CAMPANHAS DA MARCA DOLCE & GABBANA A GRIFE DO FETICHE SEXUAL Este Trabalho de Conclusão de Curso foi julgado adequado à obtenção do título de Tecnólogo em Design de moda e aprovado em sua forma final pelo Curso de Design de Moda da Universidade do Sul de Santa Catarina. Cidade, 05 de dezembro de 2018. Florianópolis, 05 de dezembro de 2018 Professor e orientador Tatiana Correa Universidade do Sul de Santa Catarina ______________________________________________________ Prof. Nome do Professor, Dr./Ms./Bel./Lic Universidade... ______________________________________________________ Prof. Nome do Professor, Dr./Ms./Bel./Lic Universidade do Sul de Santa Catarina Dedico este trabalho à minha família maravilhosa, aos meus colegas e amigos e a todos os sonhadores: que não deixem de sonhar. AGRADECIMENTOS Agradeço à meus pais por tudo que me deram e ensinaram, mas acima de tudo pelo apoio interminável em absolutamente tudo que acredito, não há um dia da minha vida em que não agradeço pela família incrível que tenho. À minha irmã, Emily, que foi uma inspiração de determinação e trabalho. Aos meus colegas e amigos pra vida, Flávia e Samuel, que me aguentaram o ano inteiro e seguraram a minha mão quando eu achei que não ia dar. -
Understanding Fashion a Qualitative Content Analysis of the Audience Reactions to the Covers of British Vogue April 2021
Understanding Fashion A Qualitative Content Analysis of the audience reactions to the covers of British Vogue April 2021 Piotr Talarek Media and Communication Studies – Culture, Collaborative Media, and Creative Industries One-year master 15 credits Spring/Summer 2021 Supervisor: Temi Odumosu Word count: 16 102 Abstract This thesis aims to examine different independent fashion audience reactions to the covers of UK Vogue April 2021, which featured four upcoming models of color: Mona Tougaard, Janaye Furman, Achenrin Madit, and Precious Lee. The study focuses on responses gathered from two fashion sources: The Instagram account Diet Prada, and a fashion forum called The Fashion Spot. In addition, the design has been extended by The Fashion Spot fashion crowd’s reactions to the Vogue Italia July 2008 also known as “The Black Issue”. The thesis intends to associate the main research problem with the magazine industry and digital world of fashion, media producers and advertisers, the issue of power and female models diversity on the covers of Vogue. The study employs a method of qualitative content analysis. Additionally, Stuart Hall’s encoding and decoding model has been implemented to define the message displayed on the fashion magazine covers and to examine the readers' reactions based on the collected data. The findings show that even though the UK Vogue April 2021 covers met with positive reactions and approval from independent industry voices, some concerns have appeared. While British Vogue has been praised for its decision to feature four black models on the covers, it has been mentioned that other international editions of Vogue did not decide to follow this idea. -
Fashion's Autumn/Winter 2014 Ad Campaigns | Financial Times
04/01/2020, 10:22 Page 1 of 1 Luxury goods Add to myFT Fashion’s autumn/winter 2014 ad campaigns A deconstruction of the industry’s ads for the season reveals a sombre economic mood Share Save David Hayes AUGUST 8 2014 Hemlines may once have been a cute way of monitoring the state of the economy – rather aptly, they are all over the place these days – but nothing gives a snapshot of global hard-currency health better than a flick through the September issues of the world’s glossiest fashion magazines. Landing on newsstands with a reassuringly weighty thud early this month, the current edition of US Vogue has more advertising than any other American fashion or lifestyle magazine, with a whopping 631 ad pages. Yet it is still down 4.5 per cent on last year’s Lady Gaga extravaganza of 665 pages – which in turn was down on the magazine’s peak of 727 pages of ads in 2007. The luxury sector may not have turned an economic corner – yet. And in fashion terms the mood is not exactly upbeat, either: think brown and black set against brutalist concrete architecture (Prada); corseted women hanging around in a drab hotel suite (Dior); and models trapped in a surrealist crazy golf course from hell, wearing equally disturbing knitwear (Kenzo). Yes, advertising matters, not only as a barometer of the spending trends of the fashion world, but also as a tone-setting exercise. The following images are how fashion should look this autumn/winter, straight from the designer’s eye, so take note. -
Large Print Guide
Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir. -
FASHION PHOTOGRAPHY Nancy Hall-Duncan
FASHION PHOTOGRAPHY Nancy Hall-Duncan A fashion photograph is, simply, a photograph made specifically to show (or, in some cases, to allude to) clothing or accessories, usually with the intent of documenting or selling the fashion. Photographs of fashionable dress, in existence since the invention of photography in 1839, are not fashion photography. The distinguishing feature—and the common denominator in the enormous diversity of style, approach, and content—is the fashion photograph’s intent to convey fashion or a “fashionable" lifestyle. At the end of the twentieth century, the Calvin Klein advertisement featuring only Calvin’s portrait changed the very definition of a fashion photograph from a picture of the featured clothing to the selling of a glamorous lifestyle identified with a specific logo. Fashion photography has sometimes been called ephemeral, commercial, and frivolous, and its importance has been called into question. That fashion photography has a commercial intent implies to some that it lacks photographic and artistic integrity. In reality, it has produced some of the most creative, interesting, and socially revealing documents and revealed the attitudes, conventions, aspirations, and taste of the time. It also reflects women’s image of themselves, including their dreams and desires, self-image, values, sexuality, and interests. The psychology behind a fashion photograph as a selling device is the viewer’s willingness to believe in it. No matter how artificial the setting, a fashion photograph must persuade individuals that if they wear these clothes, use this product, or accessorize in such a way, the reality of the photograph will be theirs. The fashion photograph can offer a vision of a certain lifestyle (from glamorous to grunge), sex, or social acceptance (via the most current, the most expensive, or the most highly unattainable), but it is the viewer’s buy-in that makes the photograph successful. -
Garren Right
behindthecover with When Victoria Beckham or Madonna is in your chair, there’s way more at stake than a haircut or a few highlights. The whole world is watching and you could have a multi-million dollar impact on your client’s career. Positive if you get it garren right. Disastrous if you don’t. hat’s why the owner of the eponymous that didn’t matter. His only objective was to New York salon and top session artist create something suitable and chic, as he Thas very firm ideas and procedures in would for any client. So he collected dozens place when it comes to change. As a result, of photos and analyzed which elements of her Garren’s makeovers are about more than hairstyles worked and which didn’t over the new hairstyles. Sometimes they are respon- years. “I realized I liked seeing her face and sible for the complete transformation of a her neck,” he reveals, “and when her hair got high profile career. too long, I thought she looked ordinary.” As the next step, he collected photos of his high- The First Supermodel profile short haircuts—on Evangelista and Everyone in the fashion world knows that models Stella Tennant and Lucie de la Falaise models have very little say over how they among others. He presented the portfolio to wear their hair. Most agents and clients Beckham and said, “I won’t do anything just demand long, non-descript styles that can be to make a statement—it has to be something coifed to suit the particular job. -
Tom Ford and Tiffany & American Division, Noted That the Largest Co
CFDA AWARDS SHOWS OF FASHION A TRIO OF EXHIBITIONS IN PARIS DISPLAY THE STYLE PREVIEW OF EMPRESS JOSÉPHINE, WATTEAU AND FRAGONARD AND PRE-WORLD WAR I PARIS. PAGE 10 THE HONOREES AND THE NOMINEES FOR THE CFDA AWARDS ON JUNE 2 IN NEW YORK. SECTION II STICKING TO ‘A’ MALLS Developers Boost New Centers, Formats By SHARON EDELSON LAS VEGAS — The shopping center sector has always been Darwinian, but now more than ever, it’s survival of the fittest. With attendance at last week’s ReCon convention here reaching a record high of 33,500 — a number TUESDAY, MAY 27, 2014 Q $3.00 Q WOMEN’S WEAR DAILY not seen since before the recession — the industry’s WWD mood is relatively buoyant, as long as the focus is on so-called “A” malls. Lesser properties, however, have their backs against the wall as retailers such as Sears Holdings Corp., Best Buy, Barnes & Noble and J.C. Penney Co. Inc. close stores, and a string of other chains go bankrupt. Many mall operators are selling their underperform- ing properties. For example, Macerich sold 13 centers in the last 18 months, said Robert Perlmutter, executive vice president of leasing, adding, “They were in smaller markets and were lower-growth assets.” Basic “We’re also selling C and D malls,” said Joseph Coradino, chief executive officer of PREIT. “We sold three last year and have three for sale now and one in agreement. We’ll end up as a company that owns A and B malls.” “The strongest survive,” said Robert Taubman, Instincts chairman, president and ceo of Taubman Centers Inc.