Transgender and Gender Nonconforming Undergraduate Engineering Students: Perspectives, Resiliency, and Suggestions for Improving Engineering Education
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Online Questionnaires
Online Questionnaires Re-thinking Transgenderism The Trans Research Review • Understanding online trans communities. • Comprehending present-day transvestism. • Inconsistent definitions of ‘transgenderism’ and the connected terms. • !Information regarding • Transphobia. • Family matters with trans people. • Employment issues concerning trans people. • Presentations of trans people within media. The Questionnaires • ‘Male-To-Female’ (‘MTF’) transsexual people [84 questions] ! • ‘MTF’ transvestites/crossdressers/transgenderists [83 questions] ! • ‘Significant Others’ (Partners of trans people) [49 questions] ! • ‘Female To Male’ (‘FTM’) transsexual people [80 questions] ! • ‘FTM’ transvestites/crossdressers/transgenderists [75 questions] ! • ‘Trans Admirers’ (Individuals attracted to trans people) • [50 questions] The Questionnaires 2nd Jan. 2007 to ~ 12th Dec. 2010 on the international Gender Society website and gained 390,227 inputs worldwide ‘Male-To-Female’ transvestites/crossdressers/transgenderists: Being 'In the closet' - transgendered only in private or Being 'Out of the closet' - transgendered in (some) public places 204 ‘Female-To-Male’ transvestites/crossdressers/transgenderists: Being 'In the closet' - transgendered only in private or Being 'Out of the closet' - transgendered in (some) public places 0.58 1 - Understanding online trans communities. Transgender Support/Help Websites ‘Male-To-Female’ transvestites/crossdressers/transgenderists: (679 responses) Always 41 Often 206 Sometimes 365 Never 67 0 100 200 300 400 1 - Understanding -
The 2020 TJFP Team
On the Precipice of Trans Justice Funding Project 2020 Annual Report Contents 2 Acknowledgements 4 Terminology 5 Letter from the Executive Director 11 Our Grantmaking Year in Review 20 Grantees by Region and Issue Areas 22 The 2020 TJFP Team 27 Creating a Vision for Funding Trans Justice 29 Welcoming Growth 34 Funding Criteria 35 Some of the Things We Think About When We Make Grants 37 From Grantee to Fellow to Facilitator 40 Reflections From the Table 43 Our Funding Model as a Non-Charitable Trust 45 Map of 2020 Grantees 49 Our 2020 Grantees 71 Donor Reflections 72 Thank You to Our Donors! This report and more resources are available at transjusticefundingproject.org. Acknowledgements We recognize that none of this would have been possible without the support of generous individuals and fierce communities from across the nation. Thank you to everyone who submitted an application, selected grantees, volunteered, spoke on behalf of the project, shared your wisdom and feedback with us, asked how you could help, made a donation, and cheered us on. Most of all, we thank you for trusting and supporting trans leadership. A special shoutout to our TJFP team, our Community Grantmaking Fellows and facilitators; Karen Pittelman; Nico Amador; Cristina Herrera; Zakia Mckensey; V Varun Chaudhry; Stephen Switzer at Rye Financials; Raquel Willis; Team Dresh, Jasper Lotti; butch.queen; Shakina; Nat Stratton-Clarke and the staff at Cafe Flora; Rebecca Fox; Alex Lee of the Grantmakers United for Trans Communities program at Funders for LGBT Issues; Kris -
Understanding Transgender Identities
Understanding Transgender Identities FOUR VIEWS Edited by James K. Beilby and Paul Rhodes Eddy K James K. Beilby and Paul Rhodes Eddy, Understanding Transgender Identities Baker Academic, a division of Baker Publishing Group, © 2019. Used by permission. _Beilby_UnderstandingTransgender_BB_bb.indd 3 9/11/19 8:21 AM Contents Acknowledgments ix Understanding Transgender Experiences and Identities: An Introduction Paul Rhodes Eddy and James K. Beilby 1 Transgender Experiences and Identities: A History 3 Transgender Experiences and Identities Today: Some Issues and Controversies 13 Transgender Experiences and Identities in Christian Perspective 44 Introducing Our Conversation 53 1. Transition or Transformation? A Moral- Theological Exploration of Christianity and Gender Dysphoria Owen Strachan 55 Response by Mark A. Yarhouse and Julia Sadusky 84 Response by Megan K. DeFranza 90 Response by Justin Sabia- Tanis 95 2. The Complexities of Gender Identity: Toward a More Nuanced Response to the Transgender Experience Mark A. Yarhouse and Julia Sadusky 101 Response by Owen Strachan 131 Response by Megan K. DeFranza 136 Response by Justin Sabia- Tanis 142 3. Good News for Gender Minorities Megan K. DeFranza 147 Response by Owen Strachan 179 Response by Mark A. Yarhouse and Julia Sadusky 184 Response by Justin Sabia- Tanis 190 vii James K. Beilby and Paul Rhodes Eddy, Understanding Transgender Identities Baker Academic, a division of Baker Publishing Group, © 2019. Used by permission. _Beilby_UnderstandingTransgender_BB_bb.indd 7 9/11/19 8:21 AM viii Contents 4. Holy Creation, Wholly Creative: God’s Intention for Gender Diversity Justin Sabia- Tanis 195 Response by Owen Strachan 223 Response by Mark A. Yarhouse and Julia Sadusky 228 Response by Megan K. -
Terminology Packet
This symbol recognizes that the term is a caution term. This term may be a derogatory term or should be used with caution. Terminology Packet This is a packet full of LGBTQIA+ terminology. This packet was composed from multiple sources and can be found at the end of the packet. *Please note: This is not an exhaustive list of terms. This is a living terminology packet, as it will continue to grow as language expands. This symbol recognizes that the term is a caution term. This term may be a derogatory term or should be used with caution. A/Ace: The abbreviation for asexual. Aesthetic Attraction: Attraction to someone’s appearance without it being romantic or sexual. AFAB/AMAB: Abbreviation for “Assigned Female at Birth/Assigned Male at Birth” Affectionional Orientation: Refers to variations in object of emotional and sexual attraction. The term is preferred by some over "sexual orientation" because it indicates that the feelings and commitments involved are not solely (or even primarily, for some people) sexual. The term stresses the affective emotional component of attractions and relationships, including heterosexual as well as LGBT orientation. Can also be referred to as romantic orientation. AG/Aggressive: See “Stud” Agender: Some agender people would define their identity as not being a man or a woman and other agender people may define their identity as having no gender. Ally: A person who supports and honors sexual diversity, acts accordingly to challenge homophobic, transphobic, heteronormative, and heterosexist remarks and behaviors, and is willing to explore and understand these forms of bias within themself. -
Comic Trans Presenting and Representing the Other in Stand-Up Comedy
2018 THESIS Comic Trans Presenting and Representing the Other in Stand-up Comedy JAMES LÓ RIEN MACDONALD LIVE ART AND PERFORMANCE STUDIES (LAPS) LIVE ART AND PERFORMANCE STUDIES (LAPS) 2018 THESIS Comic Trans Presenting and Representing the Other in Stand-up Comedy JAMES LÓ RIEN MACDONALD ABSTRACT Date: 22.09.2018 AUTHOR MASTER’S OR OTHER DEGREE PROGRAMME James Lórien MacDonald Live Art and Performance Studies (LAPS) NUMBER OF PAGES + APPENDICES IN THE TITLE OF THE WRITTEN SECTION/THESIS WRITTEN SECTION Comic Trans: Presenting and Representing the Other in 99 pages Stand- up Comedy TITLE OF THE ARTISTIC/ ARTISTIC AND PEDAGOGICAL SECTION Title of the artistic section. Please also complete a separate description form (for dvd cover). The artistic section is produced by the Theatre Academy. The artistic section is not produced by the Theatre Academy (copyright issues have been resolved). The final project can be The abstract of the final project can published online. This Yes be published online. This Yes permission is granted for an No permission is granted for an No unlimited duration. unlimited duration. This thesis is a companion to my artistic work in stand-up comedy, comprising artistic-based research and approaches comedy from a performance studies perspective. The question addressed in the paper and the work is “How is the body of the comedian part of the joke?” The first section outlines dominant theories about humour—superiority, relief, and incongruity—as a background the discussion. It touches on the role of the comedian both as untrustworthy, playful trickster, and parrhesiastes who speaks directly to power, backed by the truth of her lived experience. -
The History of Trans Activism in NYC Online Workshop – March 16, 2021
When Existence is Resistance: The History of Trans Activism in NYC Online Workshop – March 16, 2021 Featured MCNY Sources and Exhibitions Activist New York, an ongoing MCNY exhibition, traces 400 years of social activism in New York City. This online exhibition includes case studies focusing on civil rights activism for gender equality and sexual identity, from the stories of trans activists to those of the gay liberation movement. Access the full exhibition at activistnewyork.mcny.org When Existence is Resistance: Trans Activism in New York, 1969-2019 This case study in Activist New York examines how trans activists like Sylvia Rivera and Marsha P. Johnson organized and advocated for civil rights, safety, and empowerment of trans and gender non-conforming New Yorker. Learn more, examine photographs and artifacts, and find lesson plans at activistnewyork.mcny.org/exhibition/gender-equality/trans-activism “Gay is Good”: Civil Rights for Gays and Lesbians, 1969-2011 This archived case study from Activist New York traces organizing by gay and lesbian New Yorkers from the 1969 Stonewall Uprising to the fight for marriage equality. It includes information on Sylvia Rivera and STAR, as well as the Gay Activists Alliance and Gay Liberation Front. Learn about activists, examine photographs and artifacts, and find lesson plans at activistnewyork.mcny.org/exhibition/gender-equality/gay-rights Selected Resources for LGBTQ+ Affirming Education Trans Student Educational Resources, transstudent.org TSER is a youth-led organization dedicated to transforming the educational environment for trans and gender non-conforming students. TSER offers workshops and online resources, as well as scholarship and fellowship programs. -
Representi}{G Trans Sexualities
Kristina Gupø and Kaii June Cuankowski Gupta, K. {2012) 'Illn* and deception? Asexuality on House, MD'. Kinsey Confidential Bþ. Available at http://linseyconfidential.org/illness-deception-æexuality.house-md/ (accessed ? August 2015). Gupta, K. (2015) 'Compulsory sexualiry: evaluating an emerging concept'. Sigro : Jomulof Wmenìn 3 Culwe md Society. Volume 41 (1 ): 13 1-154. Gupta, K. and cacchioni, T. (2013) 'sexual improvement as ifyour health depends on itr an analysis of @ntemporary sex mmuals'. F¿njnrm ¿nd Psycftology. Volume 23 (4): 44245g, REPRESENTI}{G TRANS Hinderliter, A. (2009) 'Methodological isues for studying asexuality'. Archives of senø1 Behaviø. Volume 38 (5)¡ 619-621. Hulme, K. (L98q 'fhe Bme Peoplz: A Nov¿l. New Yo¡k: Penguin Books. SEXUALITIES Kahan, B. (2013) Ce\bæies: AreíunModemisnmdswlLile. Durham: Duke Univereity press. (2010) Kim, E. "'A mm, with the same feelings,,: disability, hummity, md heterosexual apparatus inBreaking theVøvæ, Bm m theFowtî of luþ, Breothingksffi, md Ocù,. In S. Chive¡s md Eliza Steinbock N. Ma¡kotié (eås) The ProblcmBo$: Prcjecting DisabíJitJ ín Fílm. Columbus: The Ohio State University Press. Pøybylo, E. and Cooper, D. (?014)'Asexual ¡esonances: rËcing a queerly aæxual æchive,. GLer The lomal of Gay anÀI¿sbim SatÅies. Volume 20 (3):29?-3f8. (198?) Ruso, V. Thc CelLulaìdCloset: Hwsenølity in theMovis. Rvd edn. New yo¡k: Harper and Row, This chapter disentangles the web of tems that knots together the medical naming of Sedgwick, E.K. (1997) Novel Gafing: Qreu Reddings in Fic¿rbn. Duham¡ Duke University præs. üanssexualism, the mediatised practices of tnns sex ând what might today be recognised as the muitiplicities of trans sexualities. -
TOURMALINE Salacia the First High Line Originals Film Commission
For Immediate Release Tourmaline, Salacia, 2019 (still). Courtesy of the artist. TOURMALINE Salacia The first High Line Originals film commission May 10 – July 3, 2019 | Daily, beginning at dusk On the High Line at 14th St. New York, NY (April 23, 2019) — High Line Art announces Salacia, a new short film by Tourmaline, as the debut film for High Line Originals. Intended to support the work of local, emerging artists, High Line Originals commissions new film and video work. Tourmaline’s Salacia will screen on the High Line at 14th Street from May 10 through July 3, 2019. A visioning of historic figures and events, Salacia unfolds in the style of Black fantasy and folktales such as Virginia Hamilton’s The People Could Fly. The film takes place in Seneca Village—a 19th-century free Black community in upper Manhattan that was demolished to create Central Park in 1855. Salacia follows Mary Jones (born 1803), a Black transgender New Yorker as she discovers her power in the face of heightened systemic racism and transphobia. ART Tourmaline is an activist, filmmaker, and writer. Her work highlights the capacity of Black queer and trans people and communities to make and transform worlds. In her films, Tourmaline creates vibrant portraits of people whose stories tell the history of New York City, including gay and trans liberation activists, drag queens, and queer icons Marsha P. Johnson and Sylvia Rivera (Happy Birthday Marsha, co-directed with Sasha Wortzel, 2018), Miss Major (The Personal Things, 2016), and Egyptt LaBeija (Atlantic is a Sea of Bones, 2017). -
Disability Justice/Stonewall's Legacy by Leah Lakshmi Piepzna
Disability Justice/Stonewall's Legacy, or: Love Mad Trans Black Women When They Are Alive and Dead, Let Their Revolutions Teach Your Resistance All the Time Leah Lakshmi Piepzna- Samarasinha QED: A Journal in GLBTQ Worldmaking, Volume 6, Number 2, Summer 2019, pp. 54-62 (Article) Published by Michigan State University Press For additional information about this article https://muse.jhu.edu/article/733296 Access provided at 29 Sep 2019 18:01 GMT from Texas Christian University FORUM Stonewall Fiftieth Anniversary: (((Queering Legacy and Its Futures Disability Justice/Stonewall’s Legacy , or: Love Mad Trans Black Women When They Are Alive and Dead, Let Their Revolutions Teach Your Resistance All the Time Leah Lakshmi Piepzna- Samarasinha “I may be crazy, but that don’t make me wrong.” — Marsha P. Johnson1 An excerpt, from “Three Crazy Queens”: 2. Marsha “Pay It No Mind” Johnson, August 24, 1945– July 6, 1992 The ADA says that places of employment are required to make “all reasonable accommodations.” When you’re mad, you are not reasonable. Your brain is the opposite of reason. So who accommodates us? Marsha, I stand in the New Museum twenty years after the brief window when we were both alive in the same city. I used to visit the piers when queer kids of color like me fucked and lived in cardboard houses There was still safety on the edges. Copyright © 2019 Michigan State University. Leah Lakshmi Piepzna-Samarasinha, “Disability Justice/ Stonewall’s Legacy, or: Love Mad Trans Black Women When They Are Alive and Dead, Let Their Revolu- tions Teach Your Resistance All the Time,” QED: A Journal in GLBTQ Worldmaking 6.2 (2019): 54–62. -
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Columbia University Graduate School of Arts & Sciences Human Rights Studies Master of Arts Program Clinical Trans/Aesthetics: the Knowledge Re/production of Transgender Womxn who Exchange Sex Benjamin I. J. Mintzer Thesis Advisors: Lydia Goehr, Diane S. Rubenstein Submitted in partial fulfillment of the requirements for the degree of Master of Arts February 2019 Abstract While there is a cornucopia of writing on transgender and sex worker identities vis-à-vis gender and sexuality studies, there is lacuna of transgender worldviews and knowledge re/production beyond these political pigeonholes. When research does include direct quotes from transgender and sex worker informants, more often than not, it is either to bolster the claims of the researcher or to piece together an ethnography. In both cases, the research does not center the informant’s affective and intellectual reasonings, beyond questions of gender and health. This leaves the critical thought of trans womxn sex workers out of the picture. This exclusion is unfortunate because the trans sex workers’ situation gives them a unique vantage point for understanding the world(s) in which we live and beyond. Trans womxn who exchange sex re/produces knowledge that privileged epistemologies do not adequately articulate. But pairing and challenging these hegemonic modes of thinking with trans knowledge re/production, there is a synergy. This dialectic expands the delimited frameworks of hegemonic thought—a critical trans/aesthetic theory. This thesis then develops a clinical trans/aesthetics to critique interviews with trans womxn sex workers in an attempt to make legible the population’s overlooked, elusive and devalued knowledge. -
Drag Performance and Femininity: Redefining Drag Culture Through Identity Performance of Transgender Women Drag Queens
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Graduate Theses, Dissertations, and Other Graduate Theses, Dissertations, and Other Capstone Projects Capstone Projects 2017 Drag Performance and Femininity: Redefining Drag Culture through Identity Performance of Transgender Women Drag Queens Cristy Dougherty Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, Lesbian, Gay, Bisexual, and Transgender Studies Commons, and the Women's Studies Commons Recommended Citation Dougherty, C. (2017). Drag Performance and Femininity: Redefining Drag Culture through Identity Performance of Transgender Women Drag Queens [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/730/ This Thesis is brought to you for free and open access by the Graduate Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Graduate Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Drag Performance and Femininity: Redefining Drag Culture through Identity Performance of Transgender Women Drag Queens By Cristy A. Dougherty A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Communication Studies Minnesota State University, Mankato Mankato, Minnesota July 2017 Title: Drag Performance and Femininity: Redefining Drag Culture through Identity Performance of Transgender Women Drag Queens Cristy A.