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Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez. -
Spring 2018 Celebrating Our 45Th
Celebrating our 45th Anniversary, p. 2 Stowe Restoration Project, pgs. 3-4 The Trevelyans of Wallington Hall, pgs. 5-6 Spring 2018 1 | From the Executive Director Dear Members & Friends, THE ROYAL OAK FOUNDATION 20 West 44th Street, Suite 606 New York, New York 10036-6603 2018 marks Royal Oak’s 45th Anniversary. We Churchill’s studio at Chartwell give tangible 212.480.2889 | www.royal-oak.org will celebrate this in many ways—more with a expression to the many new interpretive focus on where we are as an organization today programs that will excite visitors daily just as and what we hope for in the future. the exhibition did 35 years ago. BOARD OF DIRECTORS Honorary Chairman In reviewing some of the histories of Royal Other big news for 2018 is our appeal to help Mrs. Henry J. Heinz II Oak, I was surprised to find an event in 1983 the National Trust finish off a multi-year and Chairman that was noted as pivotal in transforming multi-task restoration effort for Stowe. Stowe Lynne L. Rickabaugh the Foundation’s relationship is one of the leading garden and Vice Chairman with the Trust from one of just landscape properties in England Prof. Susan S. Samuelson growing ‘friendship’ to one of a and has a wide significance in Treasurer serious fundraising partnership. the history of garden design in Renee Nichols Tucei The connections of this historic Europe, Russia and America (see Secretary event with what Royal Oak has pages 3-4). It is among the most Thomas M. Kelly more recently accomplished and visited Trust properties. -
Free Expression and Intellectual Diversity How Florida Universities Currently Measure Up
POLICY BRIEF Free Expression and Intellectual Diversity How Florida Universities Currently Measure Up William Mattox Director of the J. Stanley Marshall Center for Educational Options iddlebury College. University of California, Berkeley. Evergreen State. MClaremont McKenna. Yale. The list of academic institutions rocked in recent months by (sometimes violent) speech-squelching protests is not pretty. And combined with growing concerns about high student debt and sagging job prospects for many new graduates, these efforts to thwart campus discourse are causing many people – for the first time ever – to question whether higher education is truly worth the investment it requires. www.jamesmadison.org | 1 For example, a 2017 survey by the Pew Research Center found campus craziness presents an opportunity for our state. For if the that 58 percent of Republicans and Republican-leaning indepen- Florida higher education system were to become a haven for free dents now believe colleges and universities are having a negative expression and viewpoint diversity – and to become known as effect on the direction of our country. This represents a whop- such – our universities would be very well positioned to meet the ping 21 percent shift since 2015 (when 37 percent of center-right growing demand for intellectually-serious academic study at an Americans viewed the performance of higher education institu- affordable cost. tions negatively).1 In fact, a major 2013 report said as much. Growing skepticism about the current direction of American In 2013, the American Council of Trustees and Alumni (ACTA) higher education isn’t just found among those on the center-right. produced a comprehensive report on the state of higher education For example, a center-left New York University professor named in Florida (with assistance from The James Madison Institute). -
Public Politics/Personal Authenticity
PUBLIC POLITICS/PERSONAL AUTHENTICITY: A TALE OF TWO SIXTIES IN HOLLYWOOD CINEMA, 1986- 1994 Oliver Gruner Thesis submitted for the degree of Ph.D. University of East Anglia School of Film and Television Studies August, 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. 1 TABLE OF CONTENTS Introduction 5 Chapter One “The Enemy was in US”: Platoon and Sixties Commemoration 62 Platoon in Production, 1976-1982 65 Public Politics/Personal Authenticity: Platoon from Script to Screen 73 From Vietnam to the Sixties: Promotion and Reception 88 Conclusion 101 Chapter Two “There are a lot of things about me that aren’t what you thought”: Dirty Dancing and Women’s Liberation 103 Dirty Dancing in Production, 1980-1987 106 Public Politics/Personal Authenticity: Dirty Dancing from Script to Screen 114 “Have the Time of Your Life”: Promotion and Reception 131 Conclusion 144 Chapter Three Bad Sixties/ Good Sixties: JFK and the Sixties Generation 146 Lost Innocence/Lost Ignorance: Kennedy Commemoration and the Sixties 149 Innocence Lost: Adaptation and Script Development, 1988-1991 155 In Search of Authenticity: JFK ’s “Good Sixties” 164 Through the Looking Glass: Promotion and Reception 173 Conclusion 185 Chapter Four “Out of the Prison of Your Mind”: Framing Malcolm X 188 A Civil Rights Sixties 191 A Change -
Some Pages from the Book
AF Whats Mine is Yours.indb 2 16/3/21 18:49 What’s Mine Is Yours Private Collectors and Public Patronage in the United States Essays in Honor of Inge Reist edited by Esmée Quodbach AF Whats Mine is Yours.indb 3 16/3/21 18:49 first published by This publication was organized by the Center for the History of Collecting at The Frick Collection and Center for the History of Collecting Frick Art Reference Library, New York, the Centro Frick Art Reference Library, The Frick Collection de Estudios Europa Hispánica (CEEH), Madrid, and 1 East 70th Street the Center for Spain in America (CSA), New York. New York, NY 10021 José Luis Colomer, Director, CEEH and CSA Centro de Estudios Europa Hispánica Samantha Deutch, Assistant Director, Center for Felipe IV, 12 the History of Collecting 28014 Madrid Esmée Quodbach, Editor of the Volume Margaret Laster, Manuscript Editor Center for Spain in America Isabel Morán García, Production Editor and Coordinator New York Laura Díaz Tajadura, Color Proofing Supervisor John Morris, Copyeditor © 2021 The Frick Collection, Centro de Estudios Europa Hispánica, and Center for Spain in America PeiPe. Diseño y Gestión, Design and Typesetting Major support for this publication was provided by Lucam, Prepress the Centro de Estudios Europa Hispánica (CEEH) Brizzolis, Printing and the Center for Spain in America (CSA). Library of Congress Control Number: 2021903885 ISBN: 978-84-15245-99-5 Front cover image: Charles Willson Peale DL: M-5680-2021 (1741–1827), The Artist in His Museum. 1822. Oil on canvas, 263.5 × 202.9 cm. -
Eugenicists, White Supremacists, and Marcus Garvey in Virginia, 1922-1927
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2001 Strange Bedfellows: Eugenicists, White Supremacists, and Marcus Garvey in Virginia, 1922-1927 Sarah L. Trembanis College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the African History Commons, and the United States History Commons Recommended Citation Trembanis, Sarah L., "Strange Bedfellows: Eugenicists, White Supremacists, and Marcus Garvey in Virginia, 1922-1927" (2001). Dissertations, Theses, and Masters Projects. Paper 1539624397. https://dx.doi.org/doi:10.21220/s2-eg2s-rc14 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. STRANGE BEDFELLOWS- Eugenicists, White Supremacists, and Marcus Garvey in Virginia, 1922-1927. A Thesis Presented to The Faculty of the Department of History The College of William and Mary In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Sarah L. Trembanis 2001 APPROVAL SHEET This thesis is presented in partial fulfillment of the requirements for the degree of Master of Arts Sarah L. Trembanis Approved, August 2001 (?L Ub Kimbe$y L. Phillips 'James McCord TABLE OF CONTENTS Page Acknowledgments iv Abstract v Introduction 2 Chapter 1: Dealing with “Mongrel Virginians” 25 Chapter 2: An Unlikely Alliance 47 Conclusion 61 Appendix One: An Act to Preserve Racial Integrity 64 Appendix Two: Model Eugenical Sterilization Law 67 Bibliography 74 Vita 81 iii ACKNOWLEDGMENTS First of all, I would like to thank my advisor, Professor Kimberly Phillips, for all of her invaluable suggestions and assistance. -
UNIVERSITY of CALIFORNIA Los Angeles Cubans
UNIVERSITY OF CALIFORNIA Los Angeles Cubans and the Caribbean South: Race, Labor, and Cuban Identity in Southern Florida, 1868-1928 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Andrew Gomez 2015 © Copyright by Andrew Gomez 2015 ABSTRACT OF THE DISSERTATION Cubans and the Caribbean South: Race, Labor, and Cuban Identity in Southern Florida, 1868- 1928 by Andrew Gomez Doctor of Philosophy in History University of California, Los Angeles, 2015 Professor Frank Tobias Higbie, Chair This dissertation looks at the Cuban cigar making communities of Key West and Ybor City (in present-day Tampa) from 1868 to 1928. During this period, both cities represented two of largest Cuban exile centers and played critical roles in the Cuban independence movement and the Clear Havana cigar industry. I am charting how these communities wrestled with race, labor politics, and their own Cuban identity. Broadly speaking, my project makes contributions to the literature on Cuban history, Latino history, and transnational studies. My narrative is broken into two chronological periods. The earlier period (1868-1898) looks at Southern Florida and Cuba as a permeable region where ideas, people, and goods flowed freely. I am showing how Southern Florida was constructed as an extension of Cuba and that workers were part of broader networks tied to Cuban nationalism and Caribbean radicalism. Borne out of Cuba’s independence struggles, both communities created a political and literary atmosphere that argued for an egalitarian view of a new republic. Concurrently, workers began to ii experiment with labor organizing. Cigar workers at first tried to reconcile the concepts of nationalism and working-class institutions, but there was considerable friction between the two ideas. -
DANIELLE CHAPMAN [email protected]
DANIELLE CHAPMAN [email protected] EDUCATION 2003 M.F.A. in Poetry Writing, Henry Hoyns Fellow, University of Virginia, Charlottesville, VA. 1998 B.A. in English, New York University, New York, NY. PUBLICATIONS Books: Delinquent Palaces. Collection of poems. Northwestern University Press, April 2015. Poems in Anthologies: “Believer” and “The Tavern Trees,” Gracious: Contemporary Poems in the 21st Century South. Ed. John Poch. Texas Tech University Press. Forthcoming, 2020. “One World Trade,” Resistance, Rebellion, Life: 50 Poems Now. Ed. Amit Majmudar. Knopf, 2017. “Ladies Weekend in Brooklyn,” Women of Resistance: Poems for a New Feminism. Ed. Danielle Barnhart & Iris Mahan. OR Books, 2017. Poems: The Harvard Review, “Five-Thirty” and “The Inside Porch,” forthcoming. Commonweal, “Advent,” November 19, 2018. Commonweal, “Good Friday Migraine,” March 27, 2018. Commonweal, “After Ashbery,” February 7, 2018. Subtropics, “Dog Bite, “Summer Storm Prayer,” and “Ragdale,” Fall/Winter 2017. The Atlantic, “The Tavern Trees,” June 2017. Poetry, “Catch-all” and “Huptemugs,” April 2017. The New Yorker, “The Tavern Parlor,” March 27, 2017. The New Yorker, “Putting One on at Maxim’s,” May 11, 2015. The Nation, “Destination Wedding,” January 7, 2014. Virginia Quarterly Review, “Silverdale,” Fall 2013. Poetry International, “Studying on It,” “O Chicago,” “The Brighton Basement,” “An Autobiography,” “Fancies,” and “Rituxan Spring,” Issue #18. The New Yorker, “Epicurean,” November 21, 2011. The Harvard Review, “A Shape Within,” Spring 2010. Literary Imagination, “Lower East Side Inventory,” “Insomniac Country,” “Salvage Yard in Passing Sun,” Volume 11, 2009. Poetry Northwest, “Meet Me in Hollywood,” Fall-Winter 2008-09. Poetry Review (UK), “Expressway Song,” 2008. Poetry Northwest, “Natural History Museum,” “Afterwards,” Spring-Summer 2008. -
Download Schedule
EMCEES: EMCEES: HAROLD WASHINGTON LIBRARY CENTER NILI YELIN, THE STORYBOOK MOM AND JOE GRAY BILLY LOMBARDO AND FRANK TEMPONE CENTER STAGE ARTS & POETRY TENT CINDY PRITZKER AUDITORIUM MULTIPURPOSE ROOM RECEPTION HALL VIDEO/THEATRE ROOM GRACE PLACE (2ND FLOOR) C-SPAN STAGE 10 a.m. – Inspiring stories from 10 a.m. – Essays: Living Our Best Lives 10 a.m. – Poetry Reading: 10 a.m. – Welcome by Library Commissioner 10 a.m. – Andy Parker, For Alison 10 a.m. the #pilotina, Jacqueline Camacho-Ruiz, Jenny Boully and Ross Gay avery r. young, neckbone Andrea Telli, Mayor Lori Lightfoot, Ald Sophia King in conversation with David Heinzmann The Amazing World of Aviation in conversation with Walton Muyumba (4th Ward), Bonnie Sanchez-Carlson, NSPB, sponsors David Hiller of Robert R. McCormick 10:30 a.m. – “So, You Want to Write a Children’s Book?” 10:30 a.m. 10:30 a.m. – Children’s Storybook Parade Foundation and Matt Doubleday of Wintrust Tips from 6 Debut Children’s Book Creators + 1 Future Program to follow with Alex Kotlowitz, Children’s Book Creator led by Esther Hershenhorn An American Summer in conversation 11 a.m. – Coya Paz Brownrigg and Chloe Johnston, 11 a.m. – Rebecca Makkai, The Great Believers 11 a.m. – Chicago by the Book: Writing that 11 a.m. – Bridgett Davis, The World According to 11 a.m. – Dean Robbins, with Liz Dozier; Introduced by 11 a.m. Ensemble-Made Chicago: A Guide to Devised and Rosellen Brown, The Lake on Fire Defines a City with contributors Nina Barrett, Fannie Davis in conversation with Lolly Bowean; The Astronaut Who Painted the Moon Creative Director Elizabeth Taylor Theater in conversation with Benna Wilde in conversation with Donna Seaman Neil Harris and Tim Lacy Program presented by American Writers Museum 11:30 a.m. -
Charles Cw Cooke Victor Davis Hanson
20151207 upc_cover61404-postal.qxd 11/17/2015 6:46 PM Page 1 December 7, 2015 $4.99 VICTOR DAVIS HANSON: HELEN ANDREWS: The Islamic War The Campus Revival LIKE A THE RETURN OF PREROGATIVE ROYAL POWER CHARLES C. W. COOKE www.nationalreview.com base_milliken-mar 22.qxd 11/16/2015 1:40 PM Page 2 base_milliken-mar 22.qxd 11/16/2015 1:45 PM Page 3 TOC_QXP-1127940144.qxp 11/18/2015 2:47 PM Page 1 Contents DECEMBER 7, 2015 | VOLUME LXVII, NO. 22 | www.nationalreview.com ON THE COVER Page 30 Shall We Have a King? Victor Davis Hanson on war and terrorism If, as the American system presumes, we all have a right to p. 18 a voice in making the laws that limit our freedom—and if there is a BOOKS, ARTS branch for which we vote that & MANNERS is charged with determining REDISCOVERING KIRK those laws—it is nothing short 42 Wilfred McClay reviews Russell of tyrannical for the state to deny Kirk: American Conservative, by Bradley J. Birzer. us that right, regardless of whether we approve of what is being 43 NOT ENOUGH TO SUCCEED Terry Teachout reviews done in our na me. Charles C. W. Cooke Empire of Self: A Life of Gore Vidal, by Jay Parini. COVER: THOMAS REIS 46 GETTING A GRIP ON ARTICLES THE GIPPER Steven F. Hayward reviews Finale: 18 THE ISLAMIC WAR by Victor Davis Hanson A Novel of the Reagan Years, Was Thucydides right about democracies in peril? by Thomas Mallon. FLORIDIANS IN NEW HAMPSHIRE 21 by Tim Alberta 47 HOLDING UP A MIRROR Jeb and Marco compete. -
The Art of David Gelernter WHEN: Through January 20, 2013 WHERE: Yeshiva University Museum, 15 West 16Th St
For Immediate Release Contact: Michael Kaminer, 212‐260‐9733 [email protected] THE PAINTED WORD: DAVID GELERNTER’S FIRST MUSEUM EXHIBITION BRINGS MESMERIZING “TEXT” PAINTINGS TO YESHIVA UNIVERSITY MUSEUM WHAT: Sh’ma/Listen: The Art of David Gelernter WHEN: Through January 20, 2013 WHERE: Yeshiva University Museum, 15 West 16th St. in Manhattan, 212‐294‐8330 COST: Adults: $8; seniors and students: $6. Free for members and children under 5 WEB: http://yumuseum.tumblr.com/Gelernter or www.yumuseum.org “The central goal of an artist is to create an image that radiates sanctity… that creates an environment, an ambience, a sacred space.” –David Gelernter New York, NY (November 26, 2012) – As a field‐changing computer scientist, author and critic, David Gelernter occupies a unique place in American intellectual life – “at the intersection of technology, art, politics, and religion,” wrote the Seattle Times. Now, people will have the opportunity to experience his work as a painter, which Gelernter describes as his true calling. His images pulsate with energy and color – and with challenging ideas. Yeshiva University Museum, near Union Square, is presenting the first museum exhibition of Gelernter’s entrancing word paintings, based on phrases from the Hebrew Bible, Jewish liturgy and other sources, as well as an arresting series of monumental new works based on Christian tomb sculpture, which capture portraits of the great Hebrew Biblical kings. Sh’ma/Listen: The Art of David Gelernter features 27 paintings and 2 drawings – executed in a striking range of media, including acrylic, oil, pastel, aquarelle (water‐soluble crayons), liquid iron, and gold and metal leaf. -
2008 OAH Annual Meeting • New York 1
Welcome ear colleagues in history, welcome to the one-hundred-fi rst annual meeting of the Organiza- tion of American Historians in New York. Last year we met in our founding site of Minneap- Dolis-St. Paul, before that in the national capital of Washington, DC. On the present occasion wew meet in the world’s media capital, but in a very special way: this is a bridge-and-tunnel aff air, not limitedli to just the island of Manhattan. Bridges and tunnels connect the island to the larger metropolitan region. For a long time, the peoplep in Manhattan looked down on people from New Jersey and the “outer boroughs”— Brooklyn, theth Bronx, Queens, and Staten Island—who came to the island via those bridges and tunnels. Bridge- and-tunnela people were supposed to lack the sophistication and style of Manhattan people. Bridge- and-tunnela people also did the work: hard work, essential work, beautifully creative work. You will sees this work in sessions and tours extending beyond midtown Manhattan. Be sure not to miss, for example,e “From Mambo to Hip-Hop: Th e South Bronx Latin Music Tour” and the bus tour to my own Photo by Steve Miller Steve by Photo cityc of Newark, New Jersey. Not that this meeting is bridge-and-tunnel only. Th anks to the excellent, hard working program committee, chaired by Debo- rah Gray White, and the local arrangements committee, chaired by Mark Naison and Irma Watkins-Owens, you can chose from an abundance of off erings in and on historic Manhattan: in Harlem, the Cooper Union, Chinatown, the Center for Jewish History, the Brooklyn Historical Society, the New-York Historical Society, the American Folk Art Museum, and many other sites of great interest.