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Howard Hughes
Howard Hughes Howard Hughes September 24, 1905 Born Houston, Texas, USA April 5, 1976 (aged 70) Died Houston, Texas, USA Chairman, Hughes Aircraft; Occupation industrialist; aviator; engineer; film producer Net worth US$12.8 bn (1958 Forbes 400) Ella Rice (1925-1929) Spouse Terry Moore (1949-1976) Jean Peters (1957-1971) For the Welsh murderer, see Howard Hughes (murderer). Howard Robard Hughes, Jr. (September 24, 1905 – April 5, 1976) was, in his time, an aviator, engineer, industrialist, film producer and director, a palgrave, a playboy, an eccentric, and one of the wealthiest people in the world. He is famous for setting multiple, world air-speed records, building the Hughes H-1 Racer and H-4 Hercules airplanes, producing the movies Hell's Angels and The Outlaw, owning and expanding TWA, his enormous intellect[1], and for his debilitating eccentric behavior in later life. Early years Hughes was born in Houston, Texas, on 24 September or 24 December 1905. Hughes claimed his birthday was Christmas Eve, although some biographers debate his exact birth date, (according to NNDB.com, it was most likely "the more mundane date of September 24"[2] ). His parents were Allene Stone Gano Hughes (a descendant of Catherine of Valois, Dowager Queen of England, by second husband Owen Tudor) [3][4] and Howard R. Hughes, Sr., who patented the tri-cone roller bit, which 1 allowed rotary drilling for oil in previously inaccessible places. Howard R. Hughes, Sr. founded Hughes Tool Company in 1909 to commercialize this invention. Hughes grew up under the strong influence of his mother, who was obsessed with protecting her son from all germs and diseases. -
Spearman 1928 05 17.Pdf (14.11Mb)
Many a man walks tne noor ai THAT night because his wife doesn’t be self should. STAYS AT HOME lieve in paregoric. Many a tired businef ry of a Chamber of There is more true philisophy in thut way running down t] i little city in Missis- an inch of laughter than there is in wife runs up. led to lenrn what hap- n yard of sarcasm. ur bill in the course Je n t i e t h y e a r iccordingly took three Thoro’s nothing new, Spearman, Hansford County, Texas, May 17, 1928 NUMBER 23 pasted a slip to each Sparks of genius have nothing in less old Noah thought it recipient of the bill common with lovemnking. o f a time to make the c< icncvcr it passed out bills went the rounds jfjix Inches Rainfall Since May 1; Wheat Crop Is [ of a year the local hem over to the Sec- e records of .their The government rain guage, in the THOMAS L. BLANTON COMING i found that* each one lerican Legion Picnic and Barbecue A GENEROUS OFFER MUNICIPAL BUILDING care and keeping of Fred W. Brandt some 200 hands, FROM THE LEGION BOYS WILL BE TWO STORY o f Spearman, indicates that this Congressman Thomas L. Blanton, about the travalogue country has been blessed with 5.94 At Spring Park on June 5th and 6th candidate for the United States i one of these dollar Representing the Sullivan R. Spi Negotiations were perfected dur inches of rainfall since the first day senate, will be in Spearman on Fri s told; vey Post American Legion, Spear ing tho past week, between tho city of May. -
Raoul Walsh to Attend Opening of Retrospective Tribute at Museum
The Museum of Modern Art jl west 53 Street, New York, N.Y. 10019 Tel. 956-6100 Cable: Modernart NO. 34 FOR IMMEDIATE RELEASE RAOUL WALSH TO ATTEND OPENING OF RETROSPECTIVE TRIBUTE AT MUSEUM Raoul Walsh, 87-year-old film director whose career in motion pictures spanned more than five decades, will come to New York for the opening of a three-month retrospective of his films beginning Thursday, April 18, at The Museum of Modern Art. In a rare public appearance Mr. Walsh will attend the 8 pm screening of "Gentleman Jim," his 1942 film in which Errol Flynn portrays the boxing champion James J. Corbett. One of the giants of American filmdom, Walsh has worked in all genres — Westerns, gangster films, war pictures, adventure films, musicals — and with many of Hollywood's greatest stars — Victor McLaglen, Gloria Swanson, Douglas Fair banks, Mae West, James Cagney, Humphrey Bogart, Marlene Dietrich and Edward G. Robinson, to name just a few. It is ultimately as a director of action pictures that Walsh is best known and a growing body of critical opinion places him in the front rank with directors like Ford, Hawks, Curtiz and Wellman. Richard Schickel has called him "one of the best action directors...we've ever had" and British film critic Julian Fox has written: "Raoul Walsh, more than any other legendary figure from Hollywood's golden past, has truly lived up to the early cinema's reputation for 'action all the way'...." Walsh's penchant for action is not surprising considering he began his career more than 60 years ago as a stunt-rider in early "westerns" filmed in the New Jersey hills. -
FORCES THOUSANDS MORE to Evacuates
a ■,v - ' :J\y . : / . » v NKt PRESS RUN AVERAGE DAELV'’CIRCUI/ATIOX THE WEATHER, . OP THE EVEXIXG HERALD FotecMt by V. S. Weather Bareaa, for the month of April, 1027 K err H aren Ubrav: Probably local showers tonl^t 4,984 and Friday. VOL. XLL, NO. 196. Classified adrertlsing on page 12 MANCHESTER, CONN., THURSDAY, MAY 19, 1927. (FOURTEEN PAGES) PRICE THREE CENTS U COLLEGE BOYS “KID” ENEMY” LANDS SON OF PRESIDENT BYRD AND LINDBERGH SPREAD THEIR WINGS S. EMIL JOHNSON Amherst, Mass., May 19.— John CoolidJge, son of the pres ident smiled today as he read ITS TROOPS ON the Amherst college year book. RESIGNS TODAY He was pictured as “the re ------ cipient of scented mash notes,” FORCES THOUSANDS AMERICAN SOIL because of his reported “affair or the heart” w’ith Miss Flor ASAN_^ESSOR ence Trumbull, daughter of the s governor of (Jlonnecticut. > MORE TO EVACUATE He received the monicker Break Through Defense On “Butch” because of his prowess ^ V \ ^ ' Chairman of Board With -<s>. with boxing gloves. Twenty Mile Front From John’s “schoolgirl complex draws As Result of Dis Twenty-Seven Towns and ion” and his economical “pea- SACCO W EL KNOWN s Jacket” came in for a bit of raz Sakonnet Point to South zing. agreement With Select Amherst undergraduate said Villages Abandoned as John was a “good sport” be TO LOCAL PERSONS Dartmouth. cause as one of the editors', of men— Salaries the Cause. Flood Approaches—Sec. the year book, he allowed the Jokes on himself to appear. Camp Adams, Newport, R. I-. -
Reading Comprehension
READING COMPREHENSION 4 Howard Hughes, The Aviator Read the text about the life of the billionaire Howard Hughes. • Then choose the correct answer (A, B, C or D) for questions 1–7. • Write your answers in the spaces provided. • The rst one (0) has been done for you. Howard Hughes, The Aviator by Jennifer Rosenberg Howard Hughes’ Childhood Though he grew up in a wealthy household, Howard Hughes Jr. had diffi culty focusing on school and changed schools often. Rather than sitting in a classroom, Hughes preferred to learn by tinkering with mechanical things. For instance, when his mother forbade him from having a motorcycle, he built one by building a motor and adding it to his bicycle. Hughes was a loner in his youth; with one notable exception, Hughes never really had any friends. Tragedy and Wealth When Hughes was just 16-years old, his doting mother passed away. And then not even two years later, his father also suddenly died. Howard Hughes received 75% of his father’s million-dollar estate; the other 25% went to relatives. Hughes immediately disagreed with his relatives over the running of Hughes Tool Company but being only 18-years old, Hughes could not do anything about it because he would not legally be considered an adult until age 21. Frustrated but determined, Hughes went to court and got a judge to grant him legal adulthood. He then bought out his relatives’ shares of the company. At age 19, Hughes became full owner of the company and also got married (to Ella Rice). -
Dr. Lowry Stresses Ideas, Potentials • • • by SANDI MAJOR Their Backs Makes Grotesque Sha Dows on the Ground, Frightening a Ringing Plea to Halt Our Them
Trackmen Compete Beauty Pageant afNTSU Set for April 17 (See Page 8) (See Page 5) TheTEXAS CHRISTIAN UNIVERSITY Skill* * • • FORT WORTH, TEXAS VOL. 62, No. 38 FRIDAY, MARCH 6, 19*4 • PAGES Dr. Lowry Stresses Ideas, Potentials • • • By SANDI MAJOR their backs makes grotesque sha dows on the ground, frightening A ringing plea to halt our them. Dr. Lowry added that until Dick Hanley obsession with "other" tiresome they turn back to God, the) little sins" and become aware of continue to stumble and err. man's imagination and potential He said that man must some Makes Debut times speak out against his peer pegged the comments of Religi group. ous Emphasis Week's main As Bad Guy speaker. Must Love Others Lewis Milestone's anti-w a r "How does one bekmg to the "A Christian has to love other film "All Quiet on the Western Not So Lonely Crowd?" was people. If he does not love other Front" will be shown by the the question asked by Dr. How- people (whom he is able to see), Films Committee at 7:30 p.m. how can he love God (whom he ard F. Lowry, at the Convoca- cannot see)?" today (Friday) in the Student tion, Wednesday in Ed Landreth Center Ballroom. The solution lies in the differ The World War I movie is Auditorium. once between satisfaction and considered by many critics to be The theme of this year's Relig- joy. Satisfaction by definition the greatest pacifist battle film ious Emphasis Week, "The Word means to have or to do enough. -
Modern Languages Videos Use the Find
Modern Languages Videos Use the Find function to search this list Alpine Fire Director: Fredi M. Murer with Thomas Nock, Johanna Lier, Dorothea Moritz, Rolf Illig. 1986, 115 minutes, Romani with English subtitles. Surrounded by the beauty of the Swiss Alps, a family lives in sparse isolation from society. This is the story of a deaf-mute son and his sister who tries to teach him and tame his bad temper. Both are frustrated and going through adolescence without the usual emotional support of the parents. And so they turn to each other with hauntingly strange and tragic events. LLC Library CALL NO. MLFR 002 Castle: The Story of Its Construction – with book. With book. David MaCaulay. 1983, 60 minutes, English. LLC Library CALL NO. MLGP 029 Cathedral: The Story of Its Construction – with book. David MaCaulay: 1985, 60 minutes, English. LLC Library CALL NO. MLGP 030 Divine Renewal of Ise Shrine, The 198?, 60 minutes. Describes the ceremonies and rituals associated with the 60th reconstruction, moving, and dedication of the Grand Shrine of Ise in October, 1973. JCU Library CALL NO. BL2224.6.D58 Program 03&04 Program 03 Caravans of Gold. Program 04 Kings and Cities. LLC Library CALL NO. MLAF 002 Videos about Africa Cultural Comparisons La France, la Mauritania, et la Côte d’Ivoire LLC Library CALL NO. MLAF 007 Program 01&02 Program 01 Different But Equal. Program 02 Mastering a Continent. LLC Library CALL NO. MLAF 001 Program 05&06 Program 05 The Bible and the Gun. Program 06 This Magnificent African Cake. LLC Library CALL NO. -
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding Aid Prepared by Lisa Deboer, Lisa Castrogiovanni
Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Finding aid prepared by Lisa DeBoer, Lisa Castrogiovanni and Lisa Studier and revised by Diana Bowers-Smith. This finding aid was produced using the Archivists' Toolkit September 04, 2019 Brooklyn Public Library - Brooklyn Collection , 2006; revised 2008 and 2018. 10 Grand Army Plaza Brooklyn, NY, 11238 718.230.2762 [email protected] Guide to the Brooklyn Playbills and Programs Collection, BCMS.0041 Table of Contents Summary Information ................................................................................................................................. 7 Historical Note...............................................................................................................................................8 Scope and Contents....................................................................................................................................... 8 Arrangement...................................................................................................................................................9 Collection Highlights.....................................................................................................................................9 Administrative Information .......................................................................................................................10 Related Materials ..................................................................................................................................... -
Film Distinto: Sinfonía De Una Vida 32 Concurso Film 4
CINE t iene el honor de anunciar cali e sus pi n.nmns e-n ¡ <"> e l g r a n PLAZA la obre cumbre de la cinematografía en <-<•//« a LOS S I L TE r ECA l OS CAPITALES Roberto Rossellioi Cloude Autant-Lara Y ves Al legre! «. o- producción franco-italiana, rea tizada -por las figuras más Corlo Rím P'íW?,mimas del eme moderno' Eduardo De Filippo Georges Locombe lean Dreville Mídele Morgan Noel-Noel 1 Gerard Philipe Ándree Debar I Vivían© Romane© Claudin© DupUÍS I buHantemente ínter- Frank Vülard lean Debucourt I pretada por %m elenco Isa Miranda Jocquelítne Plessís* I >,,ultiestelar Henri Vidal Orfeo Tamburi i Francoise Rosay Paolo Sfoppa | Charles Spaalc Aurersebe & Bost Eduardo De Fílíppo Rene Wheeler según libretos y diálogos de los Roberto Rossellim consagrados: Diego Fabbrí Cario Rim . Leo Joannon Lana Ferri Turí Yasile l»8SIW* publicación de dirección H. Ahina Thevenet, Jaime Francisco Botet. consejo de redacción Jorge A, Arfeaga, Gastón Blanco Pengibove, Wolter Dassori Baríhet, Antonio Larrets, Julio L, Moreno, Julio Ponce de León, Hugo Rocho, E. Rodríguez Monegal, Giseldo Zani. corresponsales Nicolás Moncera (Argentina). administrador Martfredo A. Cikato (redactor responsable). ii’?! ííüf© ttuwvra 2 lewis m [lesione 3 el cine en e! mundo 6 post guerra: vivirás tu vida í polémica: directores versus libretistas 20 cine universitario: cartelera de junio 21 una obra excepcional: la señorita Julia 25 el rebelde 26 presentación de norman me taren 29 cine retrospectivo: vanidad 30 un film distinto: sinfonía de una vida 32 concurso film 4 FILM es publicada mensual» ente por CINE todos los dibujos, soivo mención en contraríe UNIVERSITARIO DEL URUGUAY, cine-club son ds .Hermenegildo Sabaf. -
DT Filmography
Dolly Tree Filmography Legend The date after the title is the release date and the number following is the production number Main actresses and actors are listed, producer (P) and director (D) are given, along with dates for when the film was in production, if known. All credits sourced from AFI, IMDB and screen credit, except where listed Included are contentious or unclear credits (listed as Possible credits with a ? along with notes or sources) FOX FILMS 1930-1932 1930 Just Imagine (23/11/30) Maureen O’Sullivan, Marjorie White David Butler (D) Possible Credits 1930 ? Soup to Nuts ? Part Time Wife 1931 Are You There? (3/5/31) Hamilton MacFadden (D) Annabelle’s Affairs (14/6/31) Jeanette Macdonald Alfred Werker (D) Goldie (28/6/31) Jean Harlow Benjamin Stoloff (D) In production mid April – mid May 1931 Bad Girl (12/9/31) Sally Eilers, Minna Gombell Frank Borzage (D) In production July 1931 Hush Money (5/7/31) Joan Bennett, Myrna Loy Sidney Lanfield (D) In production mid April – mid May 1931 The Black Camel (June 1931) Sally Eilers, Dorothy Revier Hamilton MacFadden (D) In production mid April – early May 1931 Transatlantic (30/8/31) Myrna Loy, Greta Nissen William K. Howard (D) In production mid April – early May 1931 Page 1 The Spider (27/9/31) Lois Moran William C. Menzies (D) In production mid June – early July 1931 Wicked (4/10/31) Una Merkel, Elissa Landi Allan Dwan (D) In production mid June – early July 1931 Skyline (11/10/31) Myrna Loy, Maureen O’Sullivan Sam Taylor (D) In production June 1931 The Brat (20/9/31) Sally O’Neill, -
Actorviews00asht.Pdf
Digitized by the Internet Archive in 2015 https://archive.org/details/actorviewsOOasht ACTORVIEWS Intimate Portraits by ASHTON STEVENS With Drawings by GENE MARKEY CHICAGO COVlCI-M?GEE CO. 191.3 Copyright 1923 COVICI- McGEE CO Chicago PRESS OF PRINTING SERVICE COMPANY CHICAGO Doctor A. H. Waterman Table of Contents The First Gentleman of the Theater 1 Arnold Daly’s Darling Daughter 9 A Duel or Two for Mr. Ditrichstein 15 Angel Cake with Miss Ferguson 23 Heart Interest and Mr. A. H. Woods 29 Why God Loves the Irish 37 A Rube Aphrodite 43 The Gravest Fault of Sir Herbert Tree 49 The Double Life of Ina Claire 55 Jack and John Barrymore 61 The Duncan Sisters and Royalty 69 Mr. Craven’s Lighted First Night 75 Miss and Mrs. Janis 81 Mr. Collier Under Oath 87 Miss Barrymore and the Wits 97 The Twenty-second Street Ziegfeld 101 The Second Wind of Mrs. Leslie Carter. 107 Consistently Savoy and Brennan 113 That Adorable Laurette Taylor 119 Louis Wolheim, Ph.D 125 Miss O’Ramey Concentrates 131 Why Managers Don’t Love Mr. Bennett. 137 When Sophie Tucker Kissed a Critic 141 TABLE OF CONTENTS— (Continued) Goodwin and Daly—Mostly Daly 147 Miss Moores and Her Mamma 153 Mr. Warfield Declines a Million 159 The Girl from Colosimo’s 165 Mr. Arliss Speaks of Mr. Archer 173 My Favorite Leading Lady 181 Mr. Jolson Acts Up for His Bride 185 Melting the Ice with Lynn Fontanne 193 “Hitchy.” 201 Twenty-Thousand-Dollar Legs 209 Sothern and Marlowe. 215 Fanny and I and the Baby 221 Bert William’s Last Interview 227 When Justine Johnson Was Natural 233 Imperial Morris Gest 243 Alone at Last with Helen Hayes 249 Nora Bayes on Lovers 255 Lynn Overman’s Long Rehearsal 263 The Self-Doubting Pauline Lord 271 Brownie and Bunny of “The Follies.” ... -
The Museum of Modern Art Department of Film
The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART THE ARTS FOR TELEVISION an exhibition organized by The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam THE ARTS FOR TELEVISION is the first major museum exhibition to examine television as a form for contemporary art : television as a gallery or theater or alternative space, even television as art . An international selection of artworks made for broadcast, the exhibi- tion documents the crossovers and collaborations that take place on this new television, between and among dancers, musicians, play- wrights, actors, authors, poets, and visual and video artists . And it investigates the artists' own investigation of one medium -- be it dance or music or literature -- through another . It examines the transformations video makes and the possibilities it allows . These provocative uses of television time and technology are organized in THE ARTS FOR TELEVISION according to the medium transformed by the electronic image ; the six categories are Dance for Television, Music for Television, Theatre for Television, Literature for Television, The Video Image (works that address video as a visual art, that make reference to the traditional visual arts and to seeing itself), and Not Necessarily Television (works that address the usual content of TV, and transform it) . The ARTS FOR TELEVISION also presents another level of collaboration in artists' television . It documents the involvement of television stations in Europe and America with art and artists' video . It recognizes their commitment and acknowledges the risks they take in allowing artists the opportunity to realize works of art .