DOCSLIB.ORG

Dr. Lowry Stresses Ideas, Potentials • • • by SANDI MAJOR Their Backs Makes Grotesque Sha Dows on the Ground, Frightening a Ringing Plea to Halt Our Them

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Dr. Lowry Stresses Ideas, Potentials • • • by SANDI MAJOR Their Backs Makes Grotesque Sha Dows on the Ground, Frightening a Ringing Plea to Halt Our Them Trackmen Compete Beauty Pageant afNTSU Set for April 17 (See Page 8) (See Page 5) TheTEXAS CHRISTIAN UNIVERSITY Skill* * • • FORT WORTH, TEXAS VOL. 62, No. 38 FRIDAY, MARCH 6, 19*4 • PAGES Dr. Lowry Stresses Ideas, Potentials • • • By SANDI MAJOR their backs makes grotesque sha dows on the ground, frightening A ringing plea to halt our them. Dr. Lowry added that until Dick Hanley obsession with "other" tiresome they turn back to God, the) little sins" and become aware of continue to stumble and err. man's imagination and potential He said that man must some Makes Debut times speak out against his peer pegged the comments of Religi group. ous Emphasis Week's main As Bad Guy speaker. Must Love Others Lewis Milestone's anti-w a r "How does one bekmg to the "A Christian has to love other film "All Quiet on the Western Not So Lonely Crowd?" was people. If he does not love other Front" will be shown by the the question asked by Dr. How- people (whom he is able to see), Films Committee at 7:30 p.m. how can he love God (whom he ard F. Lowry, at the Convoca- cannot see)?" today (Friday) in the Student tion, Wednesday in Ed Landreth Center Ballroom. The solution lies in the differ The World War I movie is Auditorium. once between satisfaction and considered by many critics to be The theme of this year's Relig- joy. Satisfaction by definition the greatest pacifist battle film ious Emphasis Week, "The Word means to have or to do enough. of all time. One of the first Through the Pen: Religious It has a fixed end, whereas joy sound films, it was winner of Themes in Great Literature," islimitless. It is man's pas- the Best Picture Academy Award was illustrated by Dr. Lowry sage into higher and greater per- in 1930, the third such award at convocations Monday, Tues- fection." offered by the academy. day and Wednesday. Dr. Lowry Dr. Lowry was introduced by Starring in the movie are Lew spoke on the last day on "The Dr. Cecil B. Williams, as "a Ayers and Louis Wolheim. It was Word About Us: The Not So scholar fulfilling himself in ac- the latter actor's last film. Lonely Crowd." tion." A solo was sung by Reid Bunger. As a special attraction, the David Reichman, in his book Films Committee will show the "The Lonely Crowd," spoke of Dr. Lowry, president of the first episode of a TCU-orientated society's present degraded con- College of Wooster since 1944, series, "Campus Camera," which dJtioii He said that society is received ins Ph.D. from Yale features real and fictitious hap- plagued by a spiritual loneliness. University. He has been a penings on the Hill. In ins lust to please his peer Guggenheim Fellow in foreign group, man has lost bis inner study. The first film in the series is pleasures and enjoyment for life. entitled "The Great Student Cen- He has taught at Princeton, Dc. Howard F. Lowry, main speaker for Religious Emphasis This anxious desire. Dr. Lowry Western Reserve University, New ter Robbery," and stars Dick Week, addresses students and faculty at Convocation Wednesday. said, is not for friendship or Hanley as "The Bad Guy." The York University, and the Uni- Dr. Lowry stressed the importance of imagination and potential love, i>ut it is a calculated ruth versity of Chicago. An author short movie was made by Allen awareness. "The Word Through the Pen" was theme for the week. lessness. Werst, radio-TV-film major. and editor of several books, he Vision of Evil is noted for his studies on Mat- thew Arnold. Dostoevsky had a complete Dr. Lowry has been a member vision of evil. Dr. Lowry said. of the executive committee of Health Center Headache— He showed the wickedness of the American Council on Educa- man, but, nevertheless, "s a w tion, a member of the board of Christianity cherishing man no directors of the Wenner-Gren matter how depraved." Nietx Foundation for Anthropological sche was ashamed of any man Research, and a trustee of the 'Mama's Babies' and Phonies not adhering to his vision of a Carnegie Foundation for the Ad- super-man. vancement of Teaching. By RICHARD RATLIFF under the same type of care In a specific example, one stu- D. M. Bailey, another author, received here." dent went to the infirmary and imagines God shedding light on "Mama's babies" and students Prime offenders, it seems, are who prescribe for their own ail- asked for a specific nurse. When a group of children holding hands female students and underclass- the girl found that the nurse was circled around hhn. When some ments are not popular at the men. Elections Health Center. not on duty at the time, she im- thing suddenly makes them turn One of these "mama's babies" mediately demanded to call her their backs on Him, it is no According to the Health Center, presented herself most appropri- doctor so he could properly in- longer possible for them to hold these students ordinarily are the ately when this reporter went to struct the hifjrmary. hands, and the light thrown on Kick-off ones not so ill as the better the infirmary seeking informa- patients, and they are much hard- tion. er to deal with. She sent a friend to call her Is Sunday "For example, the mama's parents for her. Then she came The Elections Committee will be babies almost always whine, cry, down the hall to talk to them and want to call home for some- over the telephone. stamping posters for approval one to come and get them and Tears ran down her cheeks. from 4 to 6 p.m. in the Student put them in another bed and She was so choked on her tears Center Ballroom, Sunday, March she could hardly speak; but she 8. All posters used by candidates did manage to say she was ready in the campaign must be ap- to go home. She got her way. proved by the committee. Candidates The girl bad mononucleosis, ac- Formal campaigning may be- cording to the nurse, who said gin after 6 p.m. Sunday for the To Face only rest, time ,and proper care primary which is scheduled for could help her. Not the trip home. Wednesday, March 11 from 8 a.m. Public Grilling A second type of undesireable to 5 p.m. The candidates planning patient is the one who knows rallies may schedule them now All candidates running for and prescribes for his, or her, with Charles Peveler, student class or college representative own ailment. center director. places will have an opportunity The nurse on duty said this is The election rally is stated for to present their platforms, only a primary stumbling block Tuesday, March 10, at 6:30 p.m. qualifications, and to answer in the treatment of these pa- in the Student Center Ballroom. questions directed to them tients, because they nearly al- Candidates campaigning for ex- from the floor, in the Student ways give in later, after strife ecutive offices including presi Center Ballroom Tuesday. A and possible insults. dent, vice-president, secretary, definite time will be announced A description of this patient treasurer and Activities Council later Each candidate wiH have went as follows: director are to make speeches. five minutes to use as he sees "He comes through the door Candidates for cheerleader are fit. telling us what is wrong and how to perform in groups. Candidates must leave their to treat him. He will not permit names, phone or extension questions or recommendations People who filed for office and numbers, positions sought, and pertaining to the illness and gets were not able to run because of any conflicting times they may quite obstinate." insufficient grades or number of have between 1 and 6 p.m. on When someone asks the patient hours will be refunded the $1 plat- Tuesday in the Forums box be- to be examined, he resents it form cost by contacting Bob fore noon Monday. because he already knows what Walker, Election Committee This hearing is not for ex- is wrong and does not understand Senior Cheerleaders Lew Mil and Pam Smith give big smiles for chairman. ecutive officer or cheerleader why the people trained in medi- Skiff photographer David Stevens at the Aggie basketball .game The runoff is to be Friday, candidates. cine cannot understand, the nurse Tuesday night. The two lead the Frogs for the last time this final March 13 from 8 am. to 5 p.m., indicated. game. Beth coeds will graduate Ibis spring. according to Walker. THE SKIFF Friday, March «, 1H4 Cards To Pick Dates For Match-Maker's Dance Get ready for an entirely new ets, a committee member said. and different type of dance to be The deadhne for signing up is held soon at TCU. Monday, March 9. The Games and Outings Com- GET mittee in conjunction with the Dance Committee of the Activi- LB.R ties Council, is combining leap "PERFECT year with the electronic age by MATCH" presenting an IBM stag dance, Saturday night, March 14, in the Vr FORMS Student Center Ballroom. To attend the dance, students HERE are required to fill out a question the the aire concerning their per sonata ties and interests. The forms may ONLY be obtained at the Information power triumph 25 Desk in the Student Center. These will be fed to a computer and the men and women will be ol ol matched accordingly.
Load more

Recommended publications
  • Modern Languages Videos Use the Find
    Modern Languages Videos Use the Find function to search this list Alpine Fire Director: Fredi M. Murer with Thomas Nock, Johanna Lier, Dorothea Moritz, Rolf Illig. 1986, 115 minutes, Romani with English subtitles. Surrounded by the beauty of the Swiss Alps, a family lives in sparse isolation from society. This is the story of a deaf-mute son and his sister who tries to teach him and tame his bad temper. Both are frustrated and going through adolescence without the usual emotional support of the parents. And so they turn to each other with hauntingly strange and tragic events. LLC Library CALL NO. MLFR 002 Castle: The Story of Its Construction – with book. With book. David MaCaulay. 1983, 60 minutes, English. LLC Library CALL NO. MLGP 029 Cathedral: The Story of Its Construction – with book. David MaCaulay: 1985, 60 minutes, English. LLC Library CALL NO. MLGP 030 Divine Renewal of Ise Shrine, The 198?, 60 minutes. Describes the ceremonies and rituals associated with the 60th reconstruction, moving, and dedication of the Grand Shrine of Ise in October, 1973. JCU Library CALL NO. BL2224.6.D58 Program 03&04 Program 03 Caravans of Gold. Program 04 Kings and Cities. LLC Library CALL NO. MLAF 002 Videos about Africa Cultural Comparisons La France, la Mauritania, et la Côte d’Ivoire LLC Library CALL NO. MLAF 007 Program 01&02 Program 01 Different But Equal. Program 02 Mastering a Continent. LLC Library CALL NO. MLAF 001 Program 05&06 Program 05 The Bible and the Gun. Program 06 This Magnificent African Cake. LLC Library CALL NO.
    [Show full text]
  • Actorviews00asht.Pdf
    Digitized by the Internet Archive in 2015 https://archive.org/details/actorviewsOOasht ACTORVIEWS Intimate Portraits by ASHTON STEVENS With Drawings by GENE MARKEY CHICAGO COVlCI-M?GEE CO. 191.3 Copyright 1923 COVICI- McGEE CO Chicago PRESS OF PRINTING SERVICE COMPANY CHICAGO Doctor A. H. Waterman Table of Contents The First Gentleman of the Theater 1 Arnold Daly’s Darling Daughter 9 A Duel or Two for Mr. Ditrichstein 15 Angel Cake with Miss Ferguson 23 Heart Interest and Mr. A. H. Woods 29 Why God Loves the Irish 37 A Rube Aphrodite 43 The Gravest Fault of Sir Herbert Tree 49 The Double Life of Ina Claire 55 Jack and John Barrymore 61 The Duncan Sisters and Royalty 69 Mr. Craven’s Lighted First Night 75 Miss and Mrs. Janis 81 Mr. Collier Under Oath 87 Miss Barrymore and the Wits 97 The Twenty-second Street Ziegfeld 101 The Second Wind of Mrs. Leslie Carter. 107 Consistently Savoy and Brennan 113 That Adorable Laurette Taylor 119 Louis Wolheim, Ph.D 125 Miss O’Ramey Concentrates 131 Why Managers Don’t Love Mr. Bennett. 137 When Sophie Tucker Kissed a Critic 141 TABLE OF CONTENTS— (Continued) Goodwin and Daly—Mostly Daly 147 Miss Moores and Her Mamma 153 Mr. Warfield Declines a Million 159 The Girl from Colosimo’s 165 Mr. Arliss Speaks of Mr. Archer 173 My Favorite Leading Lady 181 Mr. Jolson Acts Up for His Bride 185 Melting the Ice with Lynn Fontanne 193 “Hitchy.” 201 Twenty-Thousand-Dollar Legs 209 Sothern and Marlowe. 215 Fanny and I and the Baby 221 Bert William’s Last Interview 227 When Justine Johnson Was Natural 233 Imperial Morris Gest 243 Alone at Last with Helen Hayes 249 Nora Bayes on Lovers 255 Lynn Overman’s Long Rehearsal 263 The Self-Doubting Pauline Lord 271 Brownie and Bunny of “The Follies.” ...
    [Show full text]
  • The Museum of Modern Art Department of Film
    The Museum of Modern Art Department of Film 11 West 53 Street, New York, N.Y. 10019 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART THE ARTS FOR TELEVISION an exhibition organized by The Museum of Contemporary Art, Los Angeles and the Stedelijk Museum, Amsterdam THE ARTS FOR TELEVISION is the first major museum exhibition to examine television as a form for contemporary art : television as a gallery or theater or alternative space, even television as art . An international selection of artworks made for broadcast, the exhibi- tion documents the crossovers and collaborations that take place on this new television, between and among dancers, musicians, play- wrights, actors, authors, poets, and visual and video artists . And it investigates the artists' own investigation of one medium -- be it dance or music or literature -- through another . It examines the transformations video makes and the possibilities it allows . These provocative uses of television time and technology are organized in THE ARTS FOR TELEVISION according to the medium transformed by the electronic image ; the six categories are Dance for Television, Music for Television, Theatre for Television, Literature for Television, The Video Image (works that address video as a visual art, that make reference to the traditional visual arts and to seeing itself), and Not Necessarily Television (works that address the usual content of TV, and transform it) . The ARTS FOR TELEVISION also presents another level of collaboration in artists' television . It documents the involvement of television stations in Europe and America with art and artists' video . It recognizes their commitment and acknowledges the risks they take in allowing artists the opportunity to realize works of art .
    [Show full text]
  • Hollywood and France, 1914-1945 Louise G
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2011 Vive la Différence: Hollywood and France, 1914-1945 Louise G. Hilton Louisiana State University and Agricultural and Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Hilton, Louise G., "Vive la Différence: Hollywood and France, 1914-1945" (2011). LSU Master's Theses. 1206. https://digitalcommons.lsu.edu/gradschool_theses/1206 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. VIVE LA DIFFÉRENCE: HOLLYWOOD AND FRANCE, 1914-1945 A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in Liberal Arts in The Interdepartmental Program in Liberal Arts by Louise G. Hilton B. A., Louisiana State University, 2004 May 2011 ACKNOWLEDGEMENTS I wish, first of all, to thank my thesis advisor, Dr. Charles Shindo, for his counsel and infinite patience during the time I spent working on this project. Dr. Karl Roider also deserves heartfelt thanks for his unflagging support throughout my studies at LSU and for his agreeing to be a member of my thesis committee. I extend my appreciation to Dr. William Clark for giving of his valuable time to be a part of my committee.
    [Show full text]
  • Film Collection
    Film Collection 1. Abe Lincoln in Illinois, US 1940 (110 min) bw (DVD) d John Cromwell, play Robert E. Sherwood, ph James Wong Howe, with Raymond Massey, Ruth Gordon, Gene Lockhart, Howard de Silva AAN Raymond Massey, James Wong Howe 2. Advise and Consent, US 1962 (139 min) (DVD) d Otto Preminger, novel Allen Drury, ph Sam Leavitt, with Don Murray, Charles Laughton, Henry Fonda, Walter Pidgeon. 3. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, m Elmer Bernstein, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. 4. Alexander France/US/UK/Germany, Netherlands 2004 (175 min) (DVD) d Oliver Stone, m Vangelis, with Antony Hopkins, Val Kilmer, Colin Farrell 5. Alexander Nevsky, USSR 1938 (112 min) bw d Sergei Eisenstein, w Pyotr Pavlenko, Sergei Eisenstein, m Prokofiev, ph Edouard Tiss´e, with Nikolai Cherkassov, Nikolai Okhlopkov, Andrei Abrkikosov. 6. The Age of Innocence, US 1993 (139 min) (DVD) d Martin Scorsese, novel Edith Wharton, with Daniel Day-Lewis, Michelle Pfeiffer, Winona Ryder, Alexis Smith, Geraldine Chaplin. AA Best Costume Design AAN Best Music; Best Screenplay; Winona Ryder; 7. The Agony and the Ecstacy, US 1965 (140 min) (DVD) d Carol Reed, novel Irving Stone, ph Leon Shamroy, with Charlton Heston, Rex Harrison, Diane Cilento, Harry Andrews. 8. All Quiet on the Western Front, US 1930 (130 min) bw (DVD) d Lewis Milestone (in a manner reminiscent of Eisenstein and Lang), novel Erich Maria Remarque, ph Arthur Edeson, with Lew Ayres, Louis Wolheim, Slilm Sum- merville, John Wray, Raymond Griffith.
    [Show full text]
  • Cycle of Seventy Films to Be Given in Daily Programs 1939
    THE MUSEUM OF MODERN ART It WEST 53RD STREET, NEW YORK TELEPHONE: CI RCLE 7-7470 FOR RELEASE SATURDAY AFTERNOON OR SUNDAY MORNING, APRIL 29 OR 30, 1939" A CYCLE OF SEVENTY FILMS TO BE GIVEN DT DAILY PROGRAMS AS PART OF "ART IN OUR TIME" EXHIBITION AT THE MUSEUM OF MODERN ART Daily film programs will be an important part of the large exhib*- ition Art in Our Ti^e with which the Museum of Modern Art will cele­ brate its tenth anniversary and inaugurate its new building on May eleventh. In addition to the programs, the motion picture section of the exhibition will include a gallery devoted to the work of the French film pioneer, Georges Melies, and a series of abstract designs for a film project executed in 1913-4 by the cubist painter, Leopold Survage. The Museum of Modern Art Film Library, which conducts the Museum's activities in the field of the motion picture, will provide the films for the exhibition. Established as an educational institu­ tion in 1935 by a grant from the Rockefeller Foundation, the function of the Film Library is to collect and preserve representative motion pictures of all types, as well as related material, with the object cf making them available for study. For the first time in its four years of existence, the Film Library will be housed with its parent organization, in the new build­ ing of the Museum of Modern Art at 11 West 53rd Street. Here it will continue and expand its unique function as repository and source of information concerning all phases of film art, technique and history.
    [Show full text]
  • The National Film Registry: Acquiring Our Film Heritage. INSTITUTION Southeast Missouri State Univ., Cape Girardeau
    DOCUMENT RESUME ED 390 451 IR 055 806 AUTHOR Ziegler, Roy A. TITLE The National Film Registry: Acquiring Our Film Heritage. INSTITUTION Southeast Missouri State Univ., Cape Girardeau. Kent Library. PUB DATE Oct 95 NOTE 48p. PUB TYPE Reference Materials Bibliographies (131) Reports Descriptive (141) EDRS PRICE MFOI/PCO2 Plus Postage. DESCRIPTORS Academic Libraries; Access to Information; Annotated Bibliographies; *Archives; Culture; *Film Libraries; *Filmographies; *Library Collection Development; National Libraries; Preservation; *Videotape Recordings IDENTIFIERS Classical Hollywood Films; Historical Background; Library of Congress; *National Film Registry; *Southeast Missouri State University ABSTRACT The National Film Registry, which is primarily a designated list of films to be preserved by the Library of Congress, is also a valuable tool for selecting "films that are culturally, historically, and aesthetically significant." Following a brief discussion of the history and selection process of the National Film Registry, Southeast Missouri State University's Kent Library's effort to provide access to the films using the VHS videotape format is described. An annotated "videography" of the Nat;onal Film Registry archives (1989-94) is then provided with 150 films listed under the following categories: animation; avant garde; comedy; detective and mystery; documentary; fantasy; horror; musical; science fiction; silent films; war; and westerns. A list of film distributors' addresses and phone numbers is also included. (Contains 19 references.)(AEF) * Reproductions supplied by EDRS are the best that can be made * * from the original document. * U S DEPARTMENT Of- E DU( Al IO'L EDUCATIONAL RESOURLLS INEORMAT ION E.ENTER 0 doc.umenln.v, :won eptotlig rd eeLL.,000 rout trq, 01191f1atirig It 0 Minor 1,00ff ff1,111, PorIs ci vio, i.f pu IfOO, .O flO.'1W11011 iii Ii t,..ir .
    [Show full text]
  • All Quiet on the Western Front
    ‘Absorbing’ Gerald Kaufman, Daily Telegraph, Books of the Year ‘Kelly’s use of the film’s troubled history of cuts, censorship, [and] banning in every country where it’s ever been shown explores cinema’s power in society ….’ Premiere ‘Kelly’s genuine passion for Milestone’s great film is infectious and justified.’ David Robinson, Times Higher Education Supplement ‘The research and the feeling for the film, is the most compelling of any such project I’ve ever encountered. It recalled such mem- ories that I was tearful when I finished reading it.’ Producer Arthur Gardner, who played a German soldier in All Quiet on the Western Front ‘Here for the first time, is the full story behind the first great masterpiece of the sound cinema … Kelly’s painstaking research has unearthed a wealth of detail, sometimes funny, sometimes moving, but always illuminating. This is a worthy companion to the greatest war movie of all time.’ Professor Nicholas Cull, University of Leicester ‘This is a superb book, meticulously researched, compulsively readable and consistently fascinating’ Professor Jeffrey Richards, Lancaster University ‘[All Quiet on the Western Front ] provides the most detailed docu- mentation on the making of a classic of American cinema … There is evidence here of considerable and unique research.’ Anthony Slide, Classic Images ‘A concise, thorough and eloquent history of one of the most important – and influential of all American films.’ James Curtis, author of Between Flops: the life of Preston Sturges and New World of Gods and Monsters: the life of James Whale . A Universal publicity poster ALL QUIET ON THE WESTERN FRONT The Story of a Film Andrew Kelly I.B.Tauris Publishers LONDON · NEW YORK Published in paperback in by I.B.Tauris & Co Ltd Salem Road, London Fifth Avenue, New York www.ibtauris.com In the United States of America and in Canada distributed by St Martin’s Press, Fifth Avenue, New York First published in Copyright © Andrew Kelly, All rights reserved.
    [Show full text]
  • P-74 Film Frame Collection
    P-74 Film Frame Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: 1889 – 1947, undated (bulk 1900 – 1933, undated) Extent: 5.8 linear feet Language: English Abstract: Specimens of motion picture film compiled and catalogued by Earl Theisen (1903-1973). A portion of the collection is derived from other motion picture history donations to the museum, but most of the items were collected by the donor. Biographical Note: Theisen (1903-1973) was the Honorary Curator of Motion Picture and Theatrical Arts at the then-called Los Angeles Museum for several years following 1931. He had a primary role at the museum in developing the Motion Picture Gallery. Much of the film collections in the museum’s History Department were acquired as a result of his efforts. He was a technician at the Dunning Process Plant, a member of the Society of Motion Picture Engineers, and a member of the Society’s Historical Committee. He wrote articles for the publication “The International Photographer” from about 1932 to 1936 and also served as its Associate Editor. In articles he discussed the history of motion pictures; film production and the film industry, including the art of animation; in a semi- regular column he covered news about the Hollywood industry. One of the articles from the May, 1934 issue noted that he was a “member of the Faculty as Lecturer in the Department of Cinematography, University of Southern California.” While serving as curator at the museum, Theisen became active as the Executive Secretary of the Motion Picture Hall of Fame at the California-Pacific International Exposition (1935-1936) at San Diego, California.
    [Show full text]
  • Part I: 1^0-35 (July 3 - September 30, I966)
    9^ he Museum of Modern Art IWest 53 Street, New York, N.Y. 10019 Circle 5-8900 Cable: Modernart ro. T2A THE THIRTIES: U.S.A, - Part I: 1^0-35 (July 3 - September 30, I966) Screenings: Sundays 2:00 & 5:30 p.m. (unless Mondays 2:00 & 5:30 p.m. otherwise Tuesdays 2:00 & 5:30 p.m. noted) Thursdays 2:00, 5:30, & 8:00 p.m. Fridays 2:00 & 5:30 p.m. Saturdays 11:30 a.m., 3:00 & 5:30 p.m. July 3-^ THE UNHOLY THREE (1930), directed by Jack Conway, with Lon Chaney, Lila Lee^ Elliott Nugent. July 5 DON'T BITE YOUR DENTIST (l^O), produced by Mack Sennett, directed by Edward Cline, with Daphne Pollard, Andy Clyde. An excerpt from THE RUNAROUND (1^1), directed by William J. Craft; an example of two-color Technicolor. SHOVE OFF (1931), directed by Edward Cline, with Karl Dane & George K. Arthur. July T-8 ALL QUIET ON THE WESTERN FRONT (1930), directed by Lewis Milestone, with Louis Wolheim, Lewis Ajnres, Raymond Griffith. July 9-10 THE STRUGGLE (I93I), directed by D. W. Griffith, with Hal Skelly, Zita Johann, Evelyn Baldwin, July 11 MOROCCO (1930), directed by Josef von Sternberg, with Marlene Dietrich, Gary Cooper, Adolphe Menjou. July 12 TROUBLE IN PARADISE (1932), directed by Ernst Lubitsch, with Miriam Hopkins, Herbert Marshall, Kay Francis. July \h See July 12. July 15-16 OUTWARD BOUND (1930), directed by Robert Milton, with Leslie Howard, Douglas Fairbanks, Jr., & Helen Chandler, July 17-18 ONE WAY PASSAGE (1932), directed by Tay Gamett, with William Powell, Kay Francis, Aline MacMahon.
    [Show full text]
  • The World of 3D Movies” by Eddie Sammons 12 September 2005
    THE WORLD OF 3-D MOVIES Eddie Sammons Copyright 0 1992 by Eddie Sammons. A Delphi Publication. Please make note of this special copyright notice for this electronic edition of “The World of 3-D Movies” downloaded from the virtual library of the Stereoscopic Displays and Applications conference website (www.stereoscopic.org): Copyright 1992 Eddie Sammons. All rights reserved. This copy of the book is made available with the permission of the author for non-commercial purposes only. Users are granted a limited one-time license to download one copy solely for their own personal use. This edition of “The World of 3-D Movies” was converted to electronic format by Andrew Woods, Curtin University of Technology. C 0 N T E N T S. Page PROLOGUE - Introduction to the book and its contents. 1 CHAPTER 1 - 3-D. - -..THE FORMATS 2 Hopefully, the only boring part of the book but necessary if you, the reader, are to understand the technical terms. CHAPTER 2 - 3-D ..... IN THE BEGINNING .... AND NOW 5 A brief look at the history of stereoscopy with particular regard to still photography. CHAPTER 3 - 3-D ....OR NOT 3-D 12 A look at some at some of the systems that tried to be stereoscopic, those that were but not successfully so and some off-beat references to 3-D. CHAPTER 4 - 3-D. - -.- THE MOVIES, A CHRONOLOGY 25 A brief history of 3-D movies, developments in filming and presentation, festivals and revivals - CHAPTER 5 - 3-D. -..THE MOVIES 50 A filmography of all known films made in 3-D with basic credits; notation of films that may have been made in 3-D and correction of various misconceptions; cross-references to alternative titles, and possible English translations of titles; cross-reference to directors of the films listed.
    [Show full text]
  • Quiet on the Western Front
    All Quiet on the Western Fro/if (U.S., 1930): The Antiwar Film and the Image of Modern War John Whiteclay Chambers II More than any other American feature fllm in the interwar years. All Quiet on the Western Front (U.S., 1930) came to represent the image of World War 1, In a poignant saga of the life and death of a sensitive young German recmit, the film vividly portrays the senseless horror of trench warfare on the westem front. Explosive sound effects accom- pany powerful visual images—it was one of the flrst "talking" pic- tures—to produce an emotionally wrenching viewing experience. It di- rectly contributed to the widespread revulsion against such slaughter and against indusfrialized mass warfare in general. All Quiet on the Western Front became the classic antiwar movie, hailed as a brilliant and powerful work of fllm art and widely imitated,' It achieved that classic status for historical and political reasons as much as for the cinematographic excellence with which it brought to the screen the war novel of an embittered young German veteran and writer, Erich Maria Remarque.^ For the film speaks to ideology and history as well as to art. Half a century later, the very title remains highly evocative. It has emotional signiflcance even for those whose understanding of World War I comes primarily from sepia pictures in history books. Now blended in public memory, the novel and film have come, like the young protagonist, the schoolboy-soldier Paul Bäumer, to symbolize the transformative horror of the westem front. It is a horror that re- mains embedded in Westem consciousness as a consequence of World WarL The fllm was based on the tremendously popular novel All Quiet on the Western Front (in the original German, Im Westen nichts Neues [lit- erally.
    [Show full text]