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Pp.147-160 Jøn Contemporary Soldier Stories
Australian Folklore 26, 2011 147 Contemporary Soldier Stories and the Game of Propaganda: The War on Terror, and some Folkloric Reflections on the War in Iraq A. Asbjørn Jøn ABSTRACT: This paper explores the world of confusion of identity, purpose and hurt associated with the various ‘western’ forces involved in this Allied campaign against ‘Terror’, with special reference to the war in Iraq. The treatment is associated with propaganda, song, trauma, Australian perceptions of, and attitudes to, all of this conflict. Song, WikiLeaks, etc. are explored, and the whole is linked to the earlier Australian culture of the folk-rock track, ’I was Only Nineteen’. ‘A hero of war Is that what they see Just medals and scars So damn proud of me And I brought home that flag Now it gathers dust But it’s the flag that I love It’s the only flag I trust.’1 The America-led War on Terror haunts a great number of men and women across the globe—from those who have been the subjects of enquiries and detention, to the whanau (the bereft women) of those who have been lost in conflict, and so, too, to the very soldiers themselves who have participated in it. Coupled with the popular culture accounts, we have seen countless news reports, and narrative ‘true story’ books, about the tales of individual soldiers who served within the conflict.2 One overwhelming similarity runs through most of these accounts—a deep pain and sorrow about the events of the ‘War on Terror’ and the emotional and physical scars that it has left on not only individuals, but on proximate and other societies as a whole—as shown in Andrew 1 Rise Against, ‘Hero of War’, on Appeal to Reason (DGC/Interscope, 2008: Audio CD), Track 10. -
Adeq Draft Operating Air Permit
ADEQ DRAFT OPERATING AIR PERMIT Pursuant to the Regulations of the Arkansas Operating Air Permit Program, Regulation 26: Permit No. : 0801-AOP-R10 IS ISSUED TO: Blue Cube Operations LLC 3230 Dow Drive Russellville, AR 72802 Pope County AFIN: 58-00011 THIS PERMIT AUTHORIZES THE ABOVE REFERENCED PERMITTEE TO INSTALL, OPERATE, AND MAINTAIN THE EQUIPMENT AND EMISSION UNITS DESCRIBED IN THE PERMIT APPLICATION AND ON THE FOLLOWING PAGES. THIS PERMIT IS VALID BETWEEN: AND THE PERMITTEE IS SUBJECT TO ALL LIMITS AND CONDITIONS CONTAINED HEREIN. Signed: Stuart Spencer Date Associate Director, Office of Air Quality Blue Cube Operations LLC Permit #: 0801-AOP-R10 AFIN: 58-00011 Table of Contents SECTION I: FACILITY INFORMATION .............................................................................. 4 SECTION II: INTRODUCTION ............................................................................................... 5 Summary of Permit Activity .................................................................................................... 5 Process Description ................................................................................................................... 5 Regulations .............................................................................................................................. 12 Emission Summary ................................................................................................................. 13 SECTION III: PERMIT HISTORY ....................................................................................... -
Rise Against
VENERDì 11 LUGLIO 2014 Sarà disponibile nei negozi e in digitale da martedì 15 luglio "The Black Market", il nuovo album dei Rise Against. L'album, il settimo della carriera, raccoglie 12 tracce ed è stato anticipato dal singolo "I Don't Rise Against: il nuovo album "The Want To Be Here Anymore". Black Market" Da martedì 15 luglio Di "The Black Market" il cantante e chitarrista Tim McIlrath dice: "I Rise Against sono sempre stati una band politica, ma anche una band personale. Abbiamo sempre scritto canzoni che tengono un piede in LA REDAZIONE entrambi i mondi. Questo album è molto più introspettivo del solito." L'intensità melodica del primo singolo "I Don't Want To Be Here Anymore" è un esempio lampante di quello che afferma il gruppo: è un brano che poggia su un ritornello potente e parla di temi universali come [email protected] il sentirsi in trappola e il desiderio di fuga. SPETTACOLINEWS.IT Tim McIlrath, il bassista Joe Principe, il chitarrista Zach Blair e il batterista Brandon Barnes hanno registrato questo disco tra gennaio e marzo di quest'anno ai Blasting Room Studios a Fort Collins, Colorado con i produttori Bill Stevenson e Jason Livermore. "Ho sottostimato cosa le canzoni dei Rise Against possono essere, cosa sono I testi e come possono a volte portarti nel lato oscuro" - racconta Tim - "ero abituato ad entrare e uscire dalle canzoni indenne ma mentre eravamo in studio per scrivere questo album ho fatto molta fatica ad allontanarmene. Sguazzavo nella tristezza e nell'angoscia delle canzoni". Questa la tracklist del disco: "The Great Die-off", "I Don't want to be here Anymore", "Tragedy + Time", "The Black Market", "The Eco-Terrorist in me", "Sudden Life", "A Beautiful Indifference", "Methadone", "Zero Visibility", "Awake too long", "People Live Here", "Bridges". -
Agents for Change Rise Against’S Sixth Album Looks to Reinforce the Band’S Message for Hope
Pulse / beats by Ian JoulaIn photography by Evan Hunt Strong will be coming along for the ride. Rise Against’s second tour stop in Long Beach, however, holds special significance for the group as they have the honor and privilege to share the stage with The Descendents. While The Descendents may not mean much to the average fan, for Principe and the rest of Rise Against, it really is something special. “The Decendents are the sole reason I learned how to play bass … they are truly one of my main influences,” Principe says. The April 7 show at the Long Beach Arena will be the first time in 14 years the Descendents have performed in Southern California. With Endgame only being out for a handful of weeks now, it has already garnered airplay with the group’s first single, “Help Is On The Way.” Lead singer and co-founder Tim McIlrath composed the song about his experiences in New Orleans while on a tour break, and speaks about the massive amounts of devastation Agents for Change Rise AgAinst’s sixth Album looks to ReinfoRce the Band’s messAge foR hope In speaking to Joe Principe, co-founder it fresh with every record and I think we he witnessed in the wake of Hurricane and bass player of Rise Against, one thing succeeded with that.” Katrina. The song also dives into the havoc is clear: It’s not about the music one Endgame marks the band’s fourth wreaked by the BP oil spill. creates, but one’s ability to stand behind time using the production team of Bill The always socially conscious Rise it. -
Various Before You Were Punk 2 Mp3, Flac, Wma
Various Before You Were Punk 2 mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Before You Were Punk 2 Country: US Released: 1999 Style: Punk MP3 version RAR size: 1319 mb FLAC version RAR size: 1764 mb WMA version RAR size: 1646 mb Rating: 4.2 Votes: 331 Other Formats: VOC AU MP3 AUD APE TTA WAV Tracklist Hide Credits What I Like About You –The Suicide Bass, Vocals – Royce NunleyDrums – Ryan VandebergheGuitar, Vocals – 1 2:38 Machines Dan LukacinskyHarmonica – James WailinRecorded By, Mixed By – Tim PakVocals – Jason Navarro Electricity 2 –NOFX 2:08 Producer, Mixed By – Ryan Greene Space Age Love Song Bass – Roger CameroDrums – Patrick PedrazaGuitar – Max 3 –No Motiv 3:49 McDonaldRecorded By, Mixed By – Chad BlinmanVocals, Guitar – Jeremy Palaszewski No Action Bass, Lead Vocals – Mike HerreraDrums – Yuri RuleyGuitar, Vocals – Tom 4 –MxPx 1:50 WisniewskiProducer – MxPx, Ryan HadlockRecorded By, Mixed By – Ryan Hadlock Our Lips Are Sealed Bass – James BairianDrums – Kyle BriggsGuitar, Vocals – Ariel RechtshaidProducer – Ariel Rechtshaid, Chris Fudurich, Rich 5 –The Hippos 2:03 ZahniserRecorded By, Mixed By – Chris FudurichTrombone – Danny Rukosin*Trombone, Vocals, Keyboards – Rich ZahniserTrumpet, Vocals – Louis CastleVocals [Additional] – Rachel Haden Don't You (Forget About Me) –The Bouncing Bass, Vocals – Bryan KienlenDrums – Shal KhichiGuitar, Vocals – Pete 6 4:49 Souls SteinkopfHorns – The PietastersRecorded By, Mixed By – Michael Ward*, The Bouncing SoulsVocals – Greg Attonito Close To You –The Get Up Bass – Rob Pope*Drums – Ryan PopeGuitar, Vocals – Jim SupticKeyboards, 7 3:24 Kids Vocals – James DeWeesMixed By – Chad BlinmanRecorded By – Alex BrahlVocals – Matt Pryor* This Way Out Bass [Four String] – Petey XDrums [Future Beats] – Atom*Guitar, Other –Rocket From 8 [Street Warrior] – N.D. -
AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to Be Taken Directly to the Sell Sheet
NEW RELEASES WEA.COM ISSUE 18 SEPTEMBER 14 + SEPTEMBER 21, 2010 LABELS / PARTNERS Atlantic Records Asylum Bad Boy Records Bigger Picture Curb Records Elektra Fueled By Ramen Nonesuch Rhino Records Roadrunner Records Time Life Top Sail Warner Bros. Records Warner Music Latina Word AUDIO + VIDEO 9/14/10 Audio & Video Releases *Click on the Artist Names to be taken directly to the Sell Sheet. Click on the Artist Name in the Order Due Date Sell Sheet to be taken back to the Recap Page Street Date DV- En Vivo Desde Morelia 15 LAT 525832 BANDA MACHOS Años (DVD) $12.99 9/14/10 8/18/10 CD- FER 888109 BARLOWGIRL Our Journey…So Far $11.99 9/14/10 8/25/10 CD- NON 524138 CHATHAM, RHYS A Crimson Grail $16.98 9/14/10 8/25/10 CD- ATL 524647 CHROMEO Business Casual $13.99 9/14/10 8/25/10 CD- Business Casual (Deluxe ATL 524649 CHROMEO Edition) $18.98 9/14/10 8/25/10 Business Casual (White ATL A-524647 CHROMEO Colored Vinyl) $18.98 9/14/10 8/25/10 DV- Crossroads Guitar Festival RVW 525705 CLAPTON, ERIC 2004 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 DV- Crossroads Guitar Festival RVW 525708 CLAPTON, ERIC 2007 (Super Jewel)(2DVD) $29.99 9/14/10 8/18/10 COLMAN, Shape Of Jazz To Come (180 ACG A-1317 ORNETTE Gram Vinyl) $24.98 9/14/10 8/25/10 REP A-524901 DEFTONES White Pony (2LP) $26.98 9/14/10 8/25/10 CD- RRR 177622 DRAGONFORCE Twilight Dementia (Live) $18.98 9/14/10 8/25/10 DV- LAT 525829 EL TRI Sinfonico (DVD) $12.99 9/14/10 8/18/10 JACKSON, MILT & HAWKINS, ACG A-1316 COLEMAN Bean Bags (180 Gram Vinyl) $24.98 9/14/10 8/25/10 CD- NON 287228 KREMER, GIDON -
RSD 2018 EXCLUSIVE Featuring: PUBLIC SQUARES: “NWR&P”
RSD 2018 EXCLUSIVE featuring: PUBLIC SQUARES: “NWR&P” Exclusively Distributed by PUBLIC SQUARES NWR&P, 8˝ Square Shaped Vinyl + digital STREET DATE: APRIL 21, 2018 RSD Artist Hometown: Cleveland, OH (Via Space / Alternate Dimension) Key Markets: Cleveland / West Coast / Midwest / Universe For Fans of: DESCENDENTS, DEVO, BLACK SABBATH, MISFITS, GANG OF FOUR, THE JAM PUBLIC SQUARES ... is this an art project in the vein of their fellow Ohioan predecessors DEVO? Is this some sort of mental delusion by three musicians with a collective resumé that includes SIDECAR, LIVING STEREO and even hardcore legends INTEGRITY? Or have alien beings really inhabited human bodies for the purpose of saving Earth by giving rock and roll music a much needed shot in the arm? What we do know for sure is that PUBLIC SQUARES have created a sound that is too fresh to use any existing label to describe, so it needed its own ... NEW WAVE RHYTHM & PUNK (NWR&P). Subtle use of synthesizers and ambient noises hint at DEVO and GARY NUMAN, without sounding like yet another cliché retro knock-off. The infectious chorus of power-pop-would-be-radio-hit “Modern Medicine” sounds a bit like ELVIS COSTELLO singing for CHEAP TRICK. The track “Go Medium” starts off like a hybrid of 60’s mod/soul and the angular rhythms of GANG OF FOUR, with an anthemic ending that pounds and repeats its refrain. “Tomorrow’s Dream” is a BLACK SABBATH cover that alone will have people talking ARTIST: PUBLIC SQUARES about this record. TITLE: NWR&P All this is wrapped up in an aesthetic that looks as if characters from a 60’s sci-fi movie like This Island Earth The Day The Earth Stood Still THE MISFITS LABEL: Roofless Records or leapt off the screen and on to a stage .. -
Lagwagon Hang Mp3, Flac, Wma
Lagwagon Hang mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Hang Country: US Released: 2014 Style: Punk MP3 version RAR size: 1398 mb FLAC version RAR size: 1302 mb WMA version RAR size: 1602 mb Rating: 4.4 Votes: 712 Other Formats: AA AA DTS MP1 WMA TTA MOD Tracklist A1 Burden Of Proof 0:57 A2 Reign 3:22 A3 Made Of Broken Parts 2:20 A4 The Cog In The Machine 3:38 A5 Poison In The Well 2:34 A6 Obsolete Absolute 6:11 B1 Western Settlements 3:08 B2 Burning Out In Style 2:56 B3 One More Song 3:19 B4 Drag 2:20 B5 You Know Me 4:18 B6 In Your Wake 3:55 C Don't Laugh At Me 4:01 D Exit 3:22 DVD Hangin' With The Wagon Companies, etc. Engineered At – Orange Whip Recording Engineered At – The Blasting Room Mixed At – The Blasting Room Mastered At – The Blasting Room Published By – Stokin' The Neighbors Music Manufactured By – Pirates Press Pressed By – GZ Media – 123288H Pressed By – GZ Media – 123285E Credits Bass – Joe Raposo Drums – Dave Raun Guitar – Chris Flippin, Chris Rest Producer, Drums [Producer], Drums [Engineer] – Bill Stevenson Producer, Drums [Producer], Drums [Engineer], Mixed By, Mastered By – Jason Livermore Producer, Vocals [Producer], Vocals [Engineer] – Angus Cooke, Thom Flowers Vocals, Written-By, Producer – Joey Cape Written-By – Lagwagon Notes Limited colored vinyl, comes with a bonus 7" and a bonus DVD. Limited to 628. Barcode and Other Identifiers Matrix / Runout (Side A, Machine Stamped): LET THE FUEL RUN DRY - FAT934-1A 123285E1/A Matrix / Runout (Side B, Machine Stamped): THEY NEED YOU TO SURVIVE - FAT934-1B -
Directory of U.S. Recording Studios
Directory of U.S. Recording Studios Music-makersNow tapexpanded into this for directory 2019, this to connectis an exclusive with indie list oflabels, professional marketing recording & promo studios. experts All and information indie publicists. below isPlus verified loads by of the contact information to aidlistees. you in To promoting receive thousands your music of career,free industry DIY style: contacts, T-shirt visitand musicconnection.com/industry-contacts.CD development, blog sites and social media tools. ALABAMA SOUND CELL/SMITH MUSIC GRP, BRICK ROAD STUDIOS Format: Pro Tools HD INC. 7944 E. Beck Ln., Ste. 160 Basic Rate: Please contact us BIRDLAND RECORDING STUDIOS 601 Meridian St. Scottsdale, AZ 85260 4891 County Rd. 585 Huntsville, AL 35801 480-788-3573, 480-251-5791 SALTMINE STUDIO OASIS, THE Town Creek, AL 35672 256-539-1868 Email: [email protected] 48 S. MacDonald St. 256-476-0264 Email: [email protected] Web: brickroadstudio.com Mesa, AZ 85210 Email: [email protected] Web: soundcell.com Contact: Scott Leader, Mark 480-220-4007, 480-892-6585 Web: birdlandstudios.com Format: Pro Tools DeCozio Email: [email protected] Contact: Owen Brown Basic Rate: please call for info Format: call for info Web: thesaltmine.com Format: 32 channel Trident Analog Basic Rate: $450/day, $85/hr., or flat Contact: Don Console, 24-48 track Alesis HD SOUND OF BIRMINGHAM rate for larger projects Format: digital and analog Digital Recorders RECORDING Basic Rate: please call for info Basic Rate: please call for info 3625 5th Ave. S. COSMIC SOUP RECORDING Birmingham, AL 35222 16637 N. 17th Place Additional location: 205-595-8497 Phoenix, AZ 85022 ARKANSAS Email: don@soundofbirmingham. -
October 24, 2008 Break-Ins Raise Alarm from Watergate to WU in Skinker-Debaliviere
FOUR STARS FOR SEX DRIVE GOSSIP SITE HITS WU BERNSTEIN ON THE WEB Juicy Campus, a national university On campus Thursday was Carl Bern- Cadenza reviews brand new fi lm “Sex Drive,” which gossip forum, added Washington stein, the Washington Post reporter traces the journey of a high-school senior across the University in St. Louis to its list this who broke Watergate. Exclusive country to lose his virginity to a girl he met online, past week. video online. Ms. Tasty. INSIDE PAGE 8 PAGE 10 ONLINE STUDLIFE.COM Stthe h e independentTUDENT newspaper of Washington University in St. Louis LIFE since eighteen seventy-eight Vol. 130 No. 28 www.studlife.com Friday, October 24, 2008 Break-ins raise alarm From Watergate to WU in Skinker-DeBaliviere Ben Sales interest,” Lloyd said of the break- hearing things like that.” Senior News Editor ins. “What would happen if this Despite the pattern, WUPD, were to happen on the South 40? which works with the St. Louis There would be a huge response to Metropolitan Police Department After several months of sus- try to increase the security in the (SLMPD) in the area, may not tained auto break-ins in the Skink- area.” increase patrols there because it er-DeBaliviere neighborhood, the Lloyd added that several of his would mean taking forces away Washington University Police De- neighbors had encountered similar from other areas. partment has issued a warning to incidents. “We’re always respectful of the students living in the area. Though the crimes have in- fact that the jurisdiction in those The Washington University creased recently, the pattern of areas is the independent munici- Police Department’s (WUPD) ac- thefts began as early as the start of pality’s,” WUPD Chief Don Strom tion comes after neighborhood the academic year. -
The Grizzly, November 6, 2008
Ursinus College Digital Commons @ Ursinus College Ursinus College Grizzly Newspaper Newspapers 11-6-2008 The Grizzly, November 6, 2008 Kristin O'Brassill Gabrielle Poretta Lindsay Budnick Samantha Wildonger Lindsay Adams See next page for additional authors Follow this and additional works at: https://digitalcommons.ursinus.edu/grizzlynews Part of the Cultural History Commons, Higher Education Commons, Liberal Studies Commons, Social History Commons, and the United States History Commons Click here to let us know how access to this document benefits ou.y Authors Kristin O'Brassill, Gabrielle Poretta, Lindsay Budnick, Samantha Wildonger, Lindsay Adams, Lisa Jobe, Julia Fox, Kristi Blust, Roger Lee, Laurel Salvo, Brandon Biel, Laine Cavanaugh, Salia Zouande, Kristen Gallagher, Spencer Jones, Abigail Raymond, Zach Shamberg, Carolyn Martin, Christopher Wierzbowski, Shaun Frank, Katie Callahan, and Nick Pane Thursday, November 6, 2008 Lindsay Budnick Grizzly Staff Writer On the Wednesday prior to Fall Break, the Gay Straight Alliance (GSA) "chalked" the Ursinus campus with pro-coming out and pro-acceptance phrases in order to encourage people who are "closeted," questioning, or hiding their sexual identity to see the Ursinus campus as a place of acceptance and warmth. According to Ryan Sullivan, the GSA president, "the chalking done by the GSA [was] to make people feel safe ... ". Shortly after the chalking was done, however, quotes from Leviticus appeared underneath chalking done by the GSA. [n places such as Olin and the main gates, the phrase "You shall not lie with a male and with a female." - Leviticus 18:22 was chalked next to the GSA writings. Also, in Reimert courtyard an openly hateful phrase was scrawled in chalk, able to be viewed by the entire campus. -
Anarchism, Hardcore Music, and Counterculture
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2016 Don't Let the World Rot: Anarchism, Hardcore Music, and Counterculture Pearson Bolt University of Central Florida Part of the Critical and Cultural Studies Commons, and the Ethnomusicology Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Masters Thesis (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Bolt, Pearson, "Don't Let the World Rot: Anarchism, Hardcore Music, and Counterculture" (2016). Electronic Theses and Dissertations, 2004-2019. 5128. https://stars.library.ucf.edu/etd/5128 DON’T LET THE WORLD ROT: ANARCHISM, HARDCORE, AND COUNTERCULTURE by PEARSON L. BOLT B.A. University of Central Florida, 2013 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of English in the College of Arts and Humanities at the University of Central Florida Orlando, Florida Summer Term 2016 Major Professor: Anthony Grajeda © Pearson Bolt 2016 ii ABSTRACT Hardcore music is intrinsically anarchistic. The hardcore music scene represents a radical departure from contemporary society. Rejecting the materialism, militarism, and hedonism of the mainstream music scene—and, by extension, modern culture—hardcore music presents an alternative lifestyle rooted in solidarity, equality, and liberty. Indeed, the culture of the hardcore scene approaches a transitive, nomadic model of an anarchistic commune built on resistance as a way of life.