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Idols and Celebrity in Japanese Media Culture, Edited by Patrick W
Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Idols and Celebrity in Japanese Media Culture Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin This page intentionally left blank Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Idols and Celebrity in Japanese Media Culture Edited by Patrick W. Galbraith and Jason G. Karlin University of Tokyo, Japan Copyright material from www.palgraveconnect.com - licensed to Murdoch University - PalgraveConnect - 2013-08-20 - PalgraveConnect University - licensed to Murdoch www.palgraveconnect.com material from Copyright 10.1057/9781137283788 - Idols and Celebrity in Japanese Media Culture, Edited by Patrick W. Galbraith and Jason G. Karlin Introduction, selection -
Everyday Aesthetics This Page Intentionally Left Blank Everyday Aesthetics
Everyday Aesthetics This page intentionally left blank Everyday Aesthetics Yuriko Saito 1 1 Great Clarendon Street, Oxford ox2 6dp Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York Yuriko Saito 2007 The moral rights of the authors have been asserted Database right Oxford University Press (maker) First published 2007 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by Laserwords Private Limited, Chennai, India Printed in Great Britain on acid-free paper by Biddles Ltd., King’s Lynn, Norfolk ISBN 978–0–19–927835–0 10987654321 Acknowledgments This book represents a culmination of both my teaching at the Rhode Island School of Design (RISD) and my own research, thinking, and writing for more than two decades. -
The Influence of Mother Tongue on Young Children's Rhythmic Behaviour in Singing
The influence of mother tongue on young children’s rhythmic behaviour in singing Nozomi Azechi Institute of Education, UCL CCM/Music, PhD course 1 Declaration I, Nozomi Azechi confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been indicated in the thesis. 2 Abstract Singing and speaking are closely allied to one other. They are both produced by the same anatomical structures within the human body, although the coordination with the neuroanatomy is differentiated between speech and song. For the young child, existing literature suggests that the border between singing and speaking is opaque, at least in the early years of human life. In order to understand the relationship (if any) between mother tongue in speech and children’s singing, a series of empirical studies was undertaken. In the first of these, a specialist rhythmic and linguistic analysis tool (nPVI) was applied to participant three- to five-year-old Japanese and English children’s singing of well-known songs. Two subsequent studies explored (2) the rhythmic basis of Japanese and English children’s printed song materials and (3) adults’ hand clapping of their remembered children’s songs from their childhood. Data analyses revealed that children’s singing development appears to be influenced in two dimensions by their mother tongue. One is through a direct influence of the mother tongue’s underlying rhythm (a distinctive characteristic of spoken language), and the other is an influence from the rhythm of the song materials that are common in the home culture. -
Reconstruction, the Urakami Catholics, and Atomic Memory, 1945-1970
Resurrecting Nagasaki: Reconstruction, the Urakami Catholics, and Atomic Memory, 1945-1970 Chad R. Diehl Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Chad Diehl All rights reserved. ABSTRACT Resurrecting Nagasaki Chad Diehl This dissertation traces the reconstruction of Nagasaki City after the atomic bombing of August 9, 1945 by concentrating on politics and religion. It follows the various people and groups who contributed to the city's rise from the ashes and shaped its image in Japan and the world. In contrast to Hiroshima, Nagasaki did not make its atomic tragedy the dominant theme of its postwar image, and instead strove to rebuild the city in the light of its past as a center of international trade and culture. The most influential group advocating the focus on "international culture" during the early postwar period was the Roman Catholic community of the northern Urakami Valley, which was ground zero. Although Hiroshima became synonymous with the atomic bomb in national and international discourse, Nagasaki followed its own path, one that illuminates the relationship between mass destruction, city history, religion, and historical remembrance. It is a story that sheds a different light on the atomic bombings and their aftermath, not only in comparison with Hiroshima but with other cities destroyed by area bombing and the course of their subsequent reconstruction. CONTENTS Acknowledgements ii Introduction 1 1. In the "Valley of Death": The Destruction of Nagasaki and the First Years of Occupation 21 I. Destruction 23 II. -
Eiko Kadono 2018 H.C.Andersen Award Nominee from Japan
photo ⓒ Shimazaki Eiko Kadono 2018 H.C.Andersen Award Nominee from Japan 1 photo Ⓒ Shimazaki CONTENTS Biographical information ...................................................... 3 Statement .................................................................................... 4 Appreciative essay ................................................................... 8 Awards and other distinctions ..........................................10 Five important titles ..............................................................13 Translated editions ................................................................68 Complete bibliography ........................................................82 Full translation of Kki's Delivery Service ........................98 2 BIOGRAPHICAL INFORMATION Eiko Kadono Born in Tokyo in 1935. Eiko Kadono lost her mother when she was fve. Be- fore long the Pacifc War started, so she had to be evacuated to the northern side of Japan at 10 years old. The experience of war as a child is at the root of Kadono’s deep commitment to peace and hapiness. She studied American literature at Waseda University, after graduation she worked at a publisher. After marriage she accompanied her hasband to Brazil and lived in San Paulo for two years. On the long voyage to and from Brazil, she was able to broaden her knowledge about the varied countries. These experiences brought up her curious and multicultural attitude toward creative activity. Her frst book was published in 1970, since then she pub- lished about 250 books, and these were translated into 10 languages. Kadono says “to start reading a book is like opening a door to a different world. It doesn’t close at the end of the story, another door is always wait- ing there to be opened. People will start to look at the world in a different way after reading a story, and it’s the beginning in a sense. And I think that is the true pleasure of reading. -
Japanese Youth and Popular Songs
. Volume 9, Issue 2 November 2012 ‘Simple unchanging stories about things we already know’: Japanese youth and popular songs Rafal Zaborowski, London School of Economics and Political Science, UK Summary In Japan’s current transformational times, questions of music audiences intersect closely with issues of youth and social change, suggesting the need to extend the otherwise scant studies of Japanese youth’s music engagements for audience and media studies in general. This article frames new empirical data about popular songs and their interpretations within the social context of contemporary Japan. By combining focus groups, individual interviews and content analysis, I observe that among different tastes and genre particularities, common patterns can be recognized in audience engagements with song lyrics. The first underlines a clear-cut division between the concepts of ‘school’ and ‘work’. The second contrasts the stagnancy in gender stereotypes in lyrics with richness of audiences’ interpretations of the content. The last introduces ‘ordinariness’ as significant in young audience’s perception of songs. All three themes interconnect, presenting Japanese audiences as a potentially insightful subject for further empirical audience studies of popular music. Keywords: audiences, youth, popular music, modern Japan, song lyrics, focus groups, content analysis. Introduction and background This article is part of a wider study (Zaborowski 2010) that focused on Japanese hit song lyrics, and on the ways young audiences engage with them. Through empirical data, it argues that among different ways song lyrics are consumed by young Japanese, some common patterns linking the content of popular songs to their audiences’ lives can be recognized. Three such patterns are introduced in the article. -
Nagasaki's Atomic Bomb Memory and Politics
GOD AND THE ATOMIC BOMB: NAGASAKI’S ATOMIC BOMB MEMORY AND POLITICS OF SACRIFICE, FORGIVENESS AND RECONCILIATION by Tomoe Otsuki A thesis submitted in conformity with the requirements For the degree of Doctor of Philosophy Graduate Department of Social Justice Education Ontario Institute for Studies in Education University of Toronto © Copyright by Tomoe Otsuki (2016) GOD AND THE ATOMIC BOMB: NAGASAKI’S ATOMIC BOMB MEMORY AND POLITICS OF SACRIFICE, FORGIVENESS AND RECONCILIATION Doctor of Philosophy (2016) Tomoe Otsuki Department of Social Justice Education University of Toronto Abstract There is very little doubt that Hiroshima has become a testament to the destructive capacity of mankind over the last seven decades. Many influential world leaders have visited Hiroshima, pledging themselves to the project of eternal peace. However, very few of them have ever extended their trip to the second atomic bomb city Nagasaki. Likewise, the existing literature and media representations of the atomic bombing of Japan invariably views Japan’s atomic experience through a “Hiroshima first” optic. Studies devoted to the experience of Nagasaki are scarce even within Japan. If Nagasaki is considered at all within the context of these studies, its trauma and its historical significance are assumed to be identical to, or contained within that of Hiroshima. As Greg Mitchell, an American journalist and writer, observed: “no one ever wrote a bestselling novel called Nagasaki or directed a film entitled Nagasaki, Mon Amour.” Nagasaki has been the “forgotten atomic bomb city” (Mitchell, August 9, 2011). My dissertation critically inquires the conception of “forgotten atomic bomb city,” and explores what can account for Nagasaki’s self-effacing attitude from the remembrance of the atomic bomb memory and history and how Nagasaki has become overshadowed by Hiroshima’s powerful symbolism of the nuclear age over the last decades. -
Design of Learning Environment for Beginning Level Japanese Education: Classroom As a Community
Design of Learning Environment for Beginning Level Japanese Education: Classroom as a Community A Thesis submitted for the degree of Master of Arts at the University of New South Wales in April, 2009 Tetsushi Ohara School of Languages and Linguistics The University of New South Wales ii ORIGINALITY STATEMENT I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at the University of New South Wales (UNSW) or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in this thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project’s design and conception or in style, presentation and linguistic expression is acknowledged. COPYRIGHT STATEMENT I hereby grant the University of New South Wales (UNSW) or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in the future works (such as articles or books) all or part of this thesis or dissertation. -
Nakayama Shimpei's Popular Songs in the History Of
THE RULES OF HEART: NAKAYAMA SHIMPEI'S POPULAR SONGS IN THE HISTORY OF MODERN JAPAN A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY DECEMBER 2014 By Patrick M. Patterson Dissertation Committee: Mark McNally, Chairperson James Kraft Christine Yano Jun Yoo Nobuko Ochner For Takako, Matthew, Erin, Charles and Judy I Acknowledgements: I would like to thank my dissertation committee: Mark McNally, James Kraft, Christine Yano, Jun Yoo, and Nobuko Ochner for their patience, encouragement and support. I also want to thank Deborah Forbis for her encouragement and willingness to read and re-read for stylistic errors, and to my colleagues Cynthia Smith and David Panisnick for their support. Thanks also to my parents, who have encouraged me all along. Without these people this dissertation would not have come into existence. Any errors are, of course, solely my responsibility and no doubt occurred in spite of all of the assistance mentioned above. Last, and most important, I wish to thank Takako Patterson, a most valued critic and my inspiration. II Abstract Composer Nakayama Shimpei (1887-1952) wrote more than 300 popular songs in his lifetime. Most are still well known and recorded regularly. An entrepreneur, he found ways to create popular songs that powered Japan’s nascent recording industry in the 1920s and 1930s. An artist, his combination of Japanese and Western musical styles and tropes appealed to Japanese sentiments in a way that not only reflected the historical and social context, but anticipated and explained those historical changes to his listeners. -
Labels Revamp Stocking Deals
08120 EEB04 9GREENLYMONT00 NEWSPAPER MONTY AP4P3 GREENLY 03 10 3740 ELM CTY LONG BEACH CA 90807 A Billboard Publication The International Newsweekly Of Music & Home Entertainment March 13, 1982 $3 (U S ) Labels Revamp Stocking Deals MATHIAS AMENDMENT RCA, WEA, CBS Seeking Deeper Catalog Commitment Betamax Bill Adds By JOHN SIPPEL LOS ANGELES -In a dramatic yearly consolidated ordering on se- log, with accounts receiving a 10` Audio Clause, Fee I confluence of program introduc- lected titles in its Red Seal classical discount and 120 days billing. By BILL HOLLAND tions, branch -distributed labels are catalog (see story, page 3). CBS is yet to officially commit to attempting to induce accounts to And at WEA, Henry Droz, presi- radical programs of the sort coming WASHINGTON -A new amend- ularity of the Betamax Bill, intro- make deeper catalog stocking and dent, confirms that the distribution from RCA and WEA, but it may not ment covering audio home taping duced in late November by Sen. consolidated ordering through on- giant will announce Monday (8) "a be far down the road. The company and the creation of a compulsory li- Dennis DeConcini (D -Az), as a con- going discount and dating opportu- much more flexible program than recently tested a classical program cense to compensate copyright own- sumer issue, the new amendment fo- nities. any thus far." The WEA program wherein dealers were urged to con- ers of music and recordings whose cuses significant Congressional and RCA Records has introduced a will operate on a monthly basis from solidate their monthly order for the works are being taped at home by consumer attention for the first time "Great Artists /Great Performances" a selection of 170 jazz- oriented al- third week of the month, receiving as consumers was introduced Monday on the substantial financial losses 72) program, tagged to three -times- hums and the entire Nonesuch cata- an incentive an additional 5% and (1) by Sen. -
Changes in a Changeless World
Changes in a Changeless World Continuity and Discontinuity in Japanese Enka Music Gaute Hellås Master thesis in JAP4591 (60 credits) Asian and African Studies – Japanese Department of Cultural Studies and Oriental Languages UNIVERSITY OF OSLO Spring 2012 ii Changes in a Changeless World Continuity and Discontinuity in Japanese Enka Music iv © Gaute Hellås 2012 Changes in a changeless world: continuity and discontinuity in Japanese enka music Gaute Hellås http://www.duo.uio.no/ Print: Reprosentralen, University of Oslo v Abstract This thesis seeks to investigate changes and continuity in the Japanese musical genre enka. Enka is a form of sentimental ballad music which is said to sing the heart/soul of Japan. An enka song is made to sound very traditional, yet the genre in itself is not that old. The genre was invented during the 1960s, and no song which matches the characteristics of the genre was released before the mid-1950s. Since the songs in the enka genre are made to sound traditional, both on a musical and textual level, it is hard to image that any changes to the genre would have occurred during its lifespan. When one listens to an enka song, this sentiment seem to hold true, since the songs sound old-fashioned, which is fitting for a genre which mostly appeals to an older audience. Nevertheless, as is the case with most forms of art, it is likely that enka songs have been influenced by the time they are written and released in. Furthermore, since Japanese society has gone through tremendous changes since the 1950s, it is hard to imagine that the enka genre has stayed as static as it may seem at first glance. -
Nom De La Série Type Nom De La Musique 1 7 No Mahoutsukai Game
Nom de la série Type Nom de la musique 1 7 no Mahoutsukai Game OP 1 japonais Keep your Promise 3-gatsu no Lion Ending 1 japonais Fighter 3-gatsu no Lion Ending 2 japonais Nyaa Shougi Ondo Ichiban 3-gatsu no Lion Ending 3 japonais orion 3-gatsu no Lion Insert japonais Nyaa Shougi Ondo Niban 3-gatsu no Lion Insert japonais Nyaa Shougi Ondo Sanban 3-gatsu no Lion Opening 1 japonais Answer 3-gatsu no Lion Opening 2 japonais Sayonara Bystander 3-gatsu no Lion Opening 3 japonais Flag wo Tatero 3-gatsu no Lion Opening 4 japonais Haru ga Kite Bokura 7'scarlet Game OP 1 japonais World End Syndrome 07-GHOST Ending 1 japonais Hitomi no Kotae 07-GHOST Opening 1 japonais Aka no Kakera 11eyes Ending 1 japonais Sequentia 11eyes Opening 1 japonais Arrival of tears 11eyes -Tsumi to Batsu to Aganai no Shoujo- Game OP 1 japonais Lunatic Tears... 12-sai. Ending 1 japonais Koi no 12-sai 12-sai. ~Chicchana Mune no Tokimeki~ Opening 1 japonais Sweet Sensation 77 ~And, two stars meet again~ Game OP 1 japonais STAR LEGEND 91Days Opening 1 japonais Signal & – Sora no Mukou de Sakimasu Youni – Game OP 1 japonais The Moon is Not Alone +Tic Neesan Ending 1 japonais Watashi to Watashi ga Shitai Koto +Tic Neesan Opening 1 japonais Plastic Shikou A Channel Ending 1 japonais Humming girl A Channel Opening 1 japonais Morning Arch A.I.C.O. Incarnation Ending 1 japonais Michi no Kanata A.I.C.O. Incarnation Opening 1 japonais A.I.C.O.