Design of Learning Environment for Beginning Level Japanese Education: Classroom As a Community

Total Page:16

File Type:pdf, Size:1020Kb

Design of Learning Environment for Beginning Level Japanese Education: Classroom As a Community Design of Learning Environment for Beginning Level Japanese Education: Classroom as a Community A Thesis submitted for the degree of Master of Arts at the University of New South Wales in April, 2009 Tetsushi Ohara School of Languages and Linguistics The University of New South Wales ii ORIGINALITY STATEMENT I hereby declare that this submission is my own work and to the best of my knowledge it contains no materials previously published or written by another person, or substantial proportions of material which have been accepted for the award of any other degree or diploma at the University of New South Wales (UNSW) or any other educational institution, except where due acknowledgement is made in the thesis. Any contribution made to the research by others, with whom I have worked at UNSW or elsewhere, is explicitly acknowledged in this thesis. I also declare that the intellectual content of this thesis is the product of my own work, except to the extent that assistance from others in the project’s design and conception or in style, presentation and linguistic expression is acknowledged. COPYRIGHT STATEMENT I hereby grant the University of New South Wales (UNSW) or its agents the right to archive and to make available my thesis or dissertation in whole or part in the University libraries in all forms of media, now or here after known, subject to the provisions of the Copyright Act 1968. I retain all proprietary rights, such as patent rights. I also retain the right to use in the future works (such as articles or books) all or part of this thesis or dissertation. I also authorise University Microfilms to use the three hundred and fifty word abstract of my thesis in Dissertation Abstract International. I have either used no substantial portions of copyright material in my thesis or I have obtained permission to use copyright material. AUTHENTICITY STATEMENT I certify that the Library deposit digital copy is a direct equivalent of the final officially approved version of my thesis. No emendation of content has occurred and if there are any minor variations in formatting, they are the result of the conversion to digital format. …………………………………………… .………../…………/……….. iii ACKNOWLEDGEMENTS First and foremost, I would like to express my deepest gratitude to my supervisor, Associate Professor Chihiro Kinoshita Thomson for her invaluable advice, encouragement, support, tolerance, and patience. This thesis would not have been possible without her supportive and critical readings of various drafts of the thesis and numerous discussions to organise my research. Her guidance and inspiration assisted me in refining the focus of my thesis. I am also indebted to my co-supervisor, Ms. Hiromi Masumi-So for her insightful advice and unselfish guidance during the last stage of the thesis. Her advice and guidance helped me finish the thesis. I also owe special thanks to Ms. Tara Mathey for editing my thesis. Her advice and suggestions help me improve my English and sentence structures in my thesis. I would like to thank the teacher who taught the revision courses in the research. Her dedication to teaching was inspirational. I am also thankful to the academic staffs, especially Ms Nagisa Fukui, Ms Yumiko Hashimoto, and Dr Kazue Okamoto, in the School of Languages and Linguistics at the University of New South Wales (UNSW) to give me opportunities to participate in a variety of Japanese courses at UNSW. The opportunities inspired me to design the revision courses. I would like to thank the Faculty of Arts and Social Sciences and its committee members at UNSW to grant me the research funds to conduct the research. I am also grateful to Dr Noriko Kobayashi at Tsukuba University who has given me permission to use the Simple Performance-Oriented Test (SPOT) in the research. I would also like to thank Ms. Christine Hung to help the final editing tasks of the thesis as well as give me moral support in the final stage of writing the thesis. Finally, my sincere gratitude to my parents in Japan, as this thesis would not have been possible without the support that they have given me in every aspect to pursue my academic interest and career. iv ABSTRACT The context of this study lies in the fact that in Australia, compared to learners of Japanese language in Japan, learners tend to have fewer opportunities to use Japanese. For many learners in Australia, especially beginners, it is difficult to find a variety of opportunities and maintain motivation to seek out and participate in such opportunities to use Japanese. In the present study, the researcher exploits sociocultural approaches (SCT) in a beginning-level Japanese language program in an institutional setting in order to enable language learners to become language users in Australia. Based on Lave and Wenger (1999), the study considers that learning a foreign/second language brings about not only the acquisition of linguistic structures but also leads to changes in participation in communities. Adopting SCT, the researcher created Japanese language revision courses at an Australian university and designed participant roles, rules, and artefacts in the revision courses as well as devising activities that aimed to develop the classroom into a community and to enhance the use of Japanese as a means of self-expression for learners. The results of the study show that the learners developed a sense of community in the classroom through a variety of activities in the revision course. One of the new roles introduced for this study, the role of the nicchoku, had a significant effect on making classroom interaction learner-centred and authentic. Under the leadership of the nicchoku, other learners engaged in learning activities, while the teacher stepped aside to take a support role. The nicchoku altered the typical teacher-fronted classroom sequence of Initiation-Response-Feedback (IRF) and helped redistribute classroom turns more evenly among classroom members. The study suggests that interactions are important not only to learn language but also to build human relationships. Thus, if the course aims to build both language proficiency and a learning community, it is necessary to create a variety of interaction opportunities in the classroom so that learners can acquire interactional competence/social skills to build a good relationship in a target language in/outside of the classroom. v The results of the SPOT show a significant improvement in the Japanese proficiency of all the learners in the revision course. In addition, the study described an acquisition process of the verb ‘ogoru’ as an example. The learners encountered the expression, learned its linguistic structure, applied it to a variety of contexts to learn its usage, and used it as a means of self-expression. The process showed that using the linguistic structure as a means of self-expression occurred through, first, acquisition of the linguistic structure, second, exposure to appropriate applications including sociolinguistic aspects in a given context and, third, experiences of a variety of interactions though activities. Thus, all stages of classroom activities are necessary to help learners enhance their ability to use Japanese as a means of self-expression. These findings suggest the classroom can provide learners with opportunities to use Japanese as a means of self-expression if the roles and activities in the classroom are carefully designed to bring learners into learner-centred interaction sequences, which are both qualitatively and quantitatively different from the typical teacher-fronted IRF sequences. In addition, the study indicates that learning a foreign language and becoming a language user is a complex and dynamic process of learners participating in communities that are created, maintained, and changed by their members, the acquisition of linguistic structures and appropriate application to context, and individual learners’ personal attributes and experience. vi TABLE OF CONTENTS Originality Statement....…………………………………………………………….iii Copyright Statement….……………………………………………………………..iii Authenticity Statement……………………………………………………………...iii Acknowledgements……………………………………………………………..........iv Abstract………………………………………………………………………….…....v Table of Contents……………………………………………………………….......vii List of Figures……………………………………………………………………….xi List of Tables………………………………………………………………………..xii Notes on Style and Terminology…………………………………………………..xiii List of Abbreviations and Acronyms……………………………………………..xiv Notes on Terms……………………………………………………………………..xiv CHAPTER 1 INTRODUCTION AND OVERVIEW OF THE PRESENT STUDY………………………………………………………………………………..1 1.0. Context for the research……………………………………………………..….1 1.1. Research areas, focuses, and contributions…………………………………....6 1.2. Summary of theoretical framework: Sociocultural approach……………......8 1.3. Summary of methodology……………………………………………………...11 1.4. Structure of the thesis…………………………………………………….…....14 CHAPTER 2: THEORETICAL FOUNDATIONS: LITERATURE REVIEW..16 2.0. Introduction to this chapter……………………………………………….…..16 2.1. School learning………………………………………………………………....16 2.2. Concepts of learning……………………………………………………….…...22 2.3. Sociocultural approach………………………………………………………...26 2.4. Activity theory………………………………………………………………….30 2.5. Zone of Proximal Development and Learner Autonomy…………………....36 2.6. Scaffolding……………………………………………………………………...38 2.7. Language programs based on a Sociocultural Approach…………………...41 2.8. Conclusion………………………………………………………………….…...44 CHAPTER 3: RESEARCH METHODOLOGY……………………………….…46 vii 3.0. Introduction
Recommended publications
  • Japanese Youth and Popular Songs
    . Volume 9, Issue 2 November 2012 ‘Simple unchanging stories about things we already know’: Japanese youth and popular songs Rafal Zaborowski, London School of Economics and Political Science, UK Summary In Japan’s current transformational times, questions of music audiences intersect closely with issues of youth and social change, suggesting the need to extend the otherwise scant studies of Japanese youth’s music engagements for audience and media studies in general. This article frames new empirical data about popular songs and their interpretations within the social context of contemporary Japan. By combining focus groups, individual interviews and content analysis, I observe that among different tastes and genre particularities, common patterns can be recognized in audience engagements with song lyrics. The first underlines a clear-cut division between the concepts of ‘school’ and ‘work’. The second contrasts the stagnancy in gender stereotypes in lyrics with richness of audiences’ interpretations of the content. The last introduces ‘ordinariness’ as significant in young audience’s perception of songs. All three themes interconnect, presenting Japanese audiences as a potentially insightful subject for further empirical audience studies of popular music. Keywords: audiences, youth, popular music, modern Japan, song lyrics, focus groups, content analysis. Introduction and background This article is part of a wider study (Zaborowski 2010) that focused on Japanese hit song lyrics, and on the ways young audiences engage with them. Through empirical data, it argues that among different ways song lyrics are consumed by young Japanese, some common patterns linking the content of popular songs to their audiences’ lives can be recognized. Three such patterns are introduced in the article.
    [Show full text]
  • Nakayama Shimpei's Popular Songs in the History Of
    THE RULES OF HEART: NAKAYAMA SHIMPEI'S POPULAR SONGS IN THE HISTORY OF MODERN JAPAN A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY DECEMBER 2014 By Patrick M. Patterson Dissertation Committee: Mark McNally, Chairperson James Kraft Christine Yano Jun Yoo Nobuko Ochner For Takako, Matthew, Erin, Charles and Judy I Acknowledgements: I would like to thank my dissertation committee: Mark McNally, James Kraft, Christine Yano, Jun Yoo, and Nobuko Ochner for their patience, encouragement and support. I also want to thank Deborah Forbis for her encouragement and willingness to read and re-read for stylistic errors, and to my colleagues Cynthia Smith and David Panisnick for their support. Thanks also to my parents, who have encouraged me all along. Without these people this dissertation would not have come into existence. Any errors are, of course, solely my responsibility and no doubt occurred in spite of all of the assistance mentioned above. Last, and most important, I wish to thank Takako Patterson, a most valued critic and my inspiration. II Abstract Composer Nakayama Shimpei (1887-1952) wrote more than 300 popular songs in his lifetime. Most are still well known and recorded regularly. An entrepreneur, he found ways to create popular songs that powered Japan’s nascent recording industry in the 1920s and 1930s. An artist, his combination of Japanese and Western musical styles and tropes appealed to Japanese sentiments in a way that not only reflected the historical and social context, but anticipated and explained those historical changes to his listeners.
    [Show full text]
  • This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
    This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Listenership in Japanese Interaction: The Contributions of Laughter Ayako Namba A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy The University of Edinburgh 2010 Declaration I hereby declare that this thesis is of my own composition and that it contains no material submitted previously. Ayako Namba September 2010 i Abstract This thesis contributes to the body of research on listenership. It accomplishes this through an investigation of the functions of laughter in the listening behaviour of participants in Japanese interaction. The majority of studies concerning conversational interactions have focused on the role of the speaker rather than on that of the listener. Notable work on the listener's active role in conversation includes research done by Goffman (1981), Goodwin (1986) and Gardner (2001).
    [Show full text]
  • Lista De Músicas
    Lista de músicas Animes: 07 Ghost - Aka no Kakera 07 Ghost - Hitomi no Kotae 11eyes - Arrival of Tears 21 Emon - Beethoven da ne Rock'n'Roll 2x2 Shinobuden - Kurukururin 2x2 Shinobuden - Shinobu sanjou! Aa! Megamisama - Anata no Birthday Aa! Megamisama - Congratulations! Aa! Megamisama - Fortune Smiled on You Aa! Megamisama - Hanabira no Kioku Aa! Megamisama - My Heart Iidasenai, Your Heart Tashikametai Aa! Megamisama - Namida no Imi Aa! Megamisama - Try To Wish Aa! Megamisama Sorezore no Tsubasa - Bokura no Kiseki Aa! Megamisama Sorezore no Tsubasa - Shiawase no Iro Aa! Megamisama TV - Negai Aa! Megamisama TV - OPEN YOUR MIND ~Chiisana Hane Hirogete Aa! Megamisama TV - WING Agatha Christie no Meitantei Poirot to Marple - Lucky Girl ni Hanataba wo Agatha Christie no Meitantei Poirot to Marple - Wasurenaide Ah My Goddess Sorezore no Tsubasa - Congratulations! Ah My Goddess Sorezore no Tsubasa - My Heart Iidasenai, Your Heart Tashikametai Ah My Goddess Sorezore no Tsubasa - Open Your Mind Ai Yori Aoshi - Towa no Hana Ai Yori Aoshi ~Enishi~ - Takaramono Air - Nostalgia - Piano Version [Karaoke] Air - Tori no Uta (Karaoke) Air Gear - Chain[Karaoke] Air-Aozora - Piano Version [Karaoke] Akahori Gedou Hour Rabuge - Nesshou!! Rabuge Night Fever [Karaoke] Aldnoah Zero - aLIEz Aldnoah Zero - Heavenly Blue Amagami SS - I Love Amagami SS - Kitto Ashita wa Angel Beats - Brave Song Angel Beats - My Soul Your Beats Angel Heart - Finally Angel Heart -My Destiny Angel Links - All My Soul Angelic Layer - Ame Agari Angelic Layer - The Starry Sky Angelique
    [Show full text]
  • The Use of English As a Local Language Resource for Identity
    THE USE OF ENGLISH AS A LOCAL LANGUAGE RESOURCE FOR IDENTITY CONSTRUCTION IN JAPANESE TELEVISION VARIETY SHOWS A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN SECOND LANGUAGE STUDIES August 2014 By Gavin Ken Furukawa Committee: Christina Higgins, Chairperson Haruko Cook Graham Crookes Gabriele Kasper Patricia Steinhoff Keywords: English, Japan, television, Sociocultural Linguistics, discourse analysis, frame analysis ACKNOWLEDGEMENTS I am indebted to an enormous amount of people who helped me succeed in this endeavor. I am especially grateful to my advisor, Christina Higgins, who very patiently put in an enormous amount of work helping me to understand how to approach a very complicated collection of data and gave tons of comments and suggestions which were deeply, deeply appreciated. Her knowledge of just about everything in ranging from linguistics and social theory to art and popular culture was as invaluable as it was amazing. Thank you so much for helping me with everything. I am also grateful to all the members on my committee – Professors Gabriele Kasper, Graham Crookes, Haruko Cook and Patricia Steinhoff. Dr. Kasper, thank you so much for inciting a passion of sociolinguistics in me. Your open mind and keen observations were wonderfully encouraging, inspiring, and exciting. Dr. Crookes, thank you for always helping to remind me of why I wanted to pursue my degree in the first place and what kind of impact I want to have on the world and those around me. Dr. Cook, thank you so much for the all the knowledge and insight I gained in your classes and for helping me appreciate the anthropological perspective.
    [Show full text]