Design of Learning Environment for Beginning Level Japanese Education: Classroom As a Community
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Japanese Youth and Popular Songs
. Volume 9, Issue 2 November 2012 ‘Simple unchanging stories about things we already know’: Japanese youth and popular songs Rafal Zaborowski, London School of Economics and Political Science, UK Summary In Japan’s current transformational times, questions of music audiences intersect closely with issues of youth and social change, suggesting the need to extend the otherwise scant studies of Japanese youth’s music engagements for audience and media studies in general. This article frames new empirical data about popular songs and their interpretations within the social context of contemporary Japan. By combining focus groups, individual interviews and content analysis, I observe that among different tastes and genre particularities, common patterns can be recognized in audience engagements with song lyrics. The first underlines a clear-cut division between the concepts of ‘school’ and ‘work’. The second contrasts the stagnancy in gender stereotypes in lyrics with richness of audiences’ interpretations of the content. The last introduces ‘ordinariness’ as significant in young audience’s perception of songs. All three themes interconnect, presenting Japanese audiences as a potentially insightful subject for further empirical audience studies of popular music. Keywords: audiences, youth, popular music, modern Japan, song lyrics, focus groups, content analysis. Introduction and background This article is part of a wider study (Zaborowski 2010) that focused on Japanese hit song lyrics, and on the ways young audiences engage with them. Through empirical data, it argues that among different ways song lyrics are consumed by young Japanese, some common patterns linking the content of popular songs to their audiences’ lives can be recognized. Three such patterns are introduced in the article. -
Nakayama Shimpei's Popular Songs in the History Of
THE RULES OF HEART: NAKAYAMA SHIMPEI'S POPULAR SONGS IN THE HISTORY OF MODERN JAPAN A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN HISTORY DECEMBER 2014 By Patrick M. Patterson Dissertation Committee: Mark McNally, Chairperson James Kraft Christine Yano Jun Yoo Nobuko Ochner For Takako, Matthew, Erin, Charles and Judy I Acknowledgements: I would like to thank my dissertation committee: Mark McNally, James Kraft, Christine Yano, Jun Yoo, and Nobuko Ochner for their patience, encouragement and support. I also want to thank Deborah Forbis for her encouragement and willingness to read and re-read for stylistic errors, and to my colleagues Cynthia Smith and David Panisnick for their support. Thanks also to my parents, who have encouraged me all along. Without these people this dissertation would not have come into existence. Any errors are, of course, solely my responsibility and no doubt occurred in spite of all of the assistance mentioned above. Last, and most important, I wish to thank Takako Patterson, a most valued critic and my inspiration. II Abstract Composer Nakayama Shimpei (1887-1952) wrote more than 300 popular songs in his lifetime. Most are still well known and recorded regularly. An entrepreneur, he found ways to create popular songs that powered Japan’s nascent recording industry in the 1920s and 1930s. An artist, his combination of Japanese and Western musical styles and tropes appealed to Japanese sentiments in a way that not only reflected the historical and social context, but anticipated and explained those historical changes to his listeners. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: • This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. • A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. • This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. • The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. • When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. Listenership in Japanese Interaction: The Contributions of Laughter Ayako Namba A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy The University of Edinburgh 2010 Declaration I hereby declare that this thesis is of my own composition and that it contains no material submitted previously. Ayako Namba September 2010 i Abstract This thesis contributes to the body of research on listenership. It accomplishes this through an investigation of the functions of laughter in the listening behaviour of participants in Japanese interaction. The majority of studies concerning conversational interactions have focused on the role of the speaker rather than on that of the listener. Notable work on the listener's active role in conversation includes research done by Goffman (1981), Goodwin (1986) and Gardner (2001). -
Lista De Músicas
Lista de músicas Animes: 07 Ghost - Aka no Kakera 07 Ghost - Hitomi no Kotae 11eyes - Arrival of Tears 21 Emon - Beethoven da ne Rock'n'Roll 2x2 Shinobuden - Kurukururin 2x2 Shinobuden - Shinobu sanjou! Aa! Megamisama - Anata no Birthday Aa! Megamisama - Congratulations! Aa! Megamisama - Fortune Smiled on You Aa! Megamisama - Hanabira no Kioku Aa! Megamisama - My Heart Iidasenai, Your Heart Tashikametai Aa! Megamisama - Namida no Imi Aa! Megamisama - Try To Wish Aa! Megamisama Sorezore no Tsubasa - Bokura no Kiseki Aa! Megamisama Sorezore no Tsubasa - Shiawase no Iro Aa! Megamisama TV - Negai Aa! Megamisama TV - OPEN YOUR MIND ~Chiisana Hane Hirogete Aa! Megamisama TV - WING Agatha Christie no Meitantei Poirot to Marple - Lucky Girl ni Hanataba wo Agatha Christie no Meitantei Poirot to Marple - Wasurenaide Ah My Goddess Sorezore no Tsubasa - Congratulations! Ah My Goddess Sorezore no Tsubasa - My Heart Iidasenai, Your Heart Tashikametai Ah My Goddess Sorezore no Tsubasa - Open Your Mind Ai Yori Aoshi - Towa no Hana Ai Yori Aoshi ~Enishi~ - Takaramono Air - Nostalgia - Piano Version [Karaoke] Air - Tori no Uta (Karaoke) Air Gear - Chain[Karaoke] Air-Aozora - Piano Version [Karaoke] Akahori Gedou Hour Rabuge - Nesshou!! Rabuge Night Fever [Karaoke] Aldnoah Zero - aLIEz Aldnoah Zero - Heavenly Blue Amagami SS - I Love Amagami SS - Kitto Ashita wa Angel Beats - Brave Song Angel Beats - My Soul Your Beats Angel Heart - Finally Angel Heart -My Destiny Angel Links - All My Soul Angelic Layer - Ame Agari Angelic Layer - The Starry Sky Angelique -
The Use of English As a Local Language Resource for Identity
THE USE OF ENGLISH AS A LOCAL LANGUAGE RESOURCE FOR IDENTITY CONSTRUCTION IN JAPANESE TELEVISION VARIETY SHOWS A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN SECOND LANGUAGE STUDIES August 2014 By Gavin Ken Furukawa Committee: Christina Higgins, Chairperson Haruko Cook Graham Crookes Gabriele Kasper Patricia Steinhoff Keywords: English, Japan, television, Sociocultural Linguistics, discourse analysis, frame analysis ACKNOWLEDGEMENTS I am indebted to an enormous amount of people who helped me succeed in this endeavor. I am especially grateful to my advisor, Christina Higgins, who very patiently put in an enormous amount of work helping me to understand how to approach a very complicated collection of data and gave tons of comments and suggestions which were deeply, deeply appreciated. Her knowledge of just about everything in ranging from linguistics and social theory to art and popular culture was as invaluable as it was amazing. Thank you so much for helping me with everything. I am also grateful to all the members on my committee – Professors Gabriele Kasper, Graham Crookes, Haruko Cook and Patricia Steinhoff. Dr. Kasper, thank you so much for inciting a passion of sociolinguistics in me. Your open mind and keen observations were wonderfully encouraging, inspiring, and exciting. Dr. Crookes, thank you for always helping to remind me of why I wanted to pursue my degree in the first place and what kind of impact I want to have on the world and those around me. Dr. Cook, thank you so much for the all the knowledge and insight I gained in your classes and for helping me appreciate the anthropological perspective.