Bradley and Captain Beefheart
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Schurken Im Batman-Universum Dieser Artikel Beschäftigt Sich Mit Den Gegenspielern Der ComicFigur „Batman“
Schurken im Batman-Universum Dieser Artikel beschäftigt sich mit den Gegenspielern der Comic-Figur ¹Batmanª. Die einzelnen Figuren werden in alphabetischer Reihenfolge vorgestellt. Dieser Artikel konzentriert sich dabei auf die weniger bekannten Charaktere. Die bekannteren Batman-Antagonisten wie z.B. der Joker oder der Riddler, die als Ikonen der Popkultur Verankerung im kollektiven Gedächtnis gefunden haben, werden in jeweils eigenen Artikeln vorgestellt; in diesem Sammelartikel werden sie nur namentlich gelistet, und durch Links wird auf die jeweiligen Einzelartikel verwiesen. 1 Gegner Batmans im Laufe der Jahrzehnte Die Gesamtheit der (wiederkehrenden) Gegenspieler eines Comic-Helden wird im Fachjargon auch als sogenannte ¹Schurken-Galerieª bezeichnet. Batmans Schurkengalerie gilt gemeinhin als die bekannteste Riege von Antagonisten, die das Medium Comic dem Protagonisten einer Reihe entgegengestellt hat. Auffällig ist dabei zunächst die Vielgestaltigkeit von Batmans Gegenspielern. Unter diesen finden sich die berüchtigten ¹geisteskranken Kriminellenª einerseits, die in erster Linie mit der Figur assoziiert werden, darüber hinaus aber auch zahlreiche ¹konventionelleª Widersacher, die sehr realistisch und daher durchaus glaubhaft sind, wie etwa Straûenschläger, Jugendbanden, Drogenschieber oder Mafiosi. Abseits davon gibt es auch eine Reihe äuûerst unwahrscheinlicher Figuren, wie auûerirdische Welteroberer oder extradimensionale Zauberwesen, die mithin aber selten geworden sind. In den frühesten Batman-Geschichten der 1930er und 1940er Jahre bekam es der Held häufig mit verrückten Wissenschaftlern und Gangstern zu tun, die in ihrem Auftreten und Handeln den Flair der Mobster der Prohibitionszeit atmeten. Frühe wiederkehrende Gegenspieler waren Doctor Death, Professor Hugo Strange und der vampiristische Monk. Die Schurken der 1940er Jahre bilden den harten Kern von Batmans Schurkengalerie: die Figuren dieser Zeit waren vor allem durch die Abenteuer von Dick Tracy inspiriert, der es mit grotesk entstellten Bösewichten zu tun hatte. -
ANDREA FERRANTE GIANNI DE BERARDINIS Con Una Sconcertante Puntualità Capace Di Superare Ogni Più Rosea Speranza, Arriva MAT2020 Di Aprile
MAT2020 - Anno II - n°15 - 04/14 CAMEL GLAD TREE SOPHYA BACCINI ANDREA FERRANTE GIANNI DE BERARDINIS Con una sconcertante puntualità capace di superare ogni più rosea speranza, arriva MAT2020 di aprile. Qualche nuova entrata tra i collaboratori occasionali porta una ventata di opinioni fresche, anche se chi le propone ha esperienza da vendere, come il giovane Jacopo Muneratti, che MAT 2020 - MusicArTeam racconta... si addentra nel mondo di Captain Beefheart, e il saggista Innocenzo Alfano, che ci racconta [email protected] l’ultimo libro di Mox Cristadoro, I cento migliori dischi del progressive italiano. Angelo De Negri Ritorna Claudio Milano che descrive l’album di OTEME, mentre Gianmaria Consiglio propone General Manager and Web Designer l’intervista realizzata con Sophya Baccini. Athos Enrile A proposito di botta e risposta, è con grande piacere che ritroviamo un mito televisivo di 1st Vice General Manager and Chief Editor qualche anno fa, più che mai sul campo, Gianni De Berardinis, così come va sottolineato lo Massimo ‘Max’ Pacini scambio di battute con Andrea Ferrante. 2nd Vice General Manager, Chief Editor and Webmaster Marta Benedetti, Paolo ‘Revo’ Revello La sezione live è ridotta, ma di estrema qualità, per effetto del racconto di Alberto Sgarlato Administration del concerto dei Camel, che mantiene comunque viva la sua rubrica mensile. Web Journalists: Innocenzo Alfano, Gianmaria Consiglio, Claudio Milano, Jacopo Muneratti, Tra quelli che non mollano mai possiamo ancora inserire Mauro Selis, titolare del “Prog del Fabrizio Poggi, Gianni Sapia, Mauro Selis, Alberto Sgarlato, Riccardo Storti. Sud America” e della sezione “Psicology”, Riccardo Storti, che rivisita Alberto Radius, Fabri- zio Poggi, titolare dell’angolo blues, e Gianni Sapia che sviscera l’opera prima di Marcello Faranna. -
Why Am I Doing This?
LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS ..................................................................................................................................... -
E-ISSN Irfan Azis 21 TRANSLATION TECHNIQUE ANALYSIS of DARK
Vol.1, No. 1, Februari 2021 p-ISSN - e-ISSN TRANSLATION TECHNIQUE ANALYSIS OF DARK JOKES IN THE SUBTITLE OF JOKER MOVIE 2019 Irfan Azis Invada College of Foreign Language Cirebon, West Java E-mail: [email protected] Received: Abstract Revised: The study focuses on analyzing the translation technique of dark Approved: jokes in the subtitle of Joker movie 2019 that classified as a qualitative descriptive study. The Source of data that the user is taken from the original subtitle of the movie. This study formulated two research questions concerning the form of dark jokes and translation technique in the subtitle of dark jokes. This study applied the theory of Molina and Albir (2002) to analyze the translation technique. The result of this study finds two forms of dark jokes which are dialogue and monologue. Both of form has 6 data of the study. Then, the study found 7 translation techniques that were used in translating dark jokes of the Joker movie 2019 subtitle. Those are adaptation, borrowing, Linguistic Amplification, Linguistic compression, Literal Translation, Modulation, and Reduction. Translation techniques used were 7 linguistic compressions, 7 literal translation, 3 adaptation, 2 borrowings, 2 modulations, 1 linguistic amplification, 1 reduction. Linguistic compression and literal translation are a most applied technique that used in dark jokes of joker movie subtitle.. Keywords: Dark Jokes, Translation Techniques, Joker Movie Introduction The movies from Europe and America usually use English as the language the movies. It cannot be denied, Indonesian people have a reality that they do not understand English fluently. So that could be the obstacle of understanding the story of the movies. -
Compositions-By-Frank-Zappa.Pdf
Compositions by Frank Zappa Heikki Poroila Honkakirja 2017 Publisher Honkakirja, Helsinki 2017 Layout Heikki Poroila Front cover painting © Eevariitta Poroila 2017 Other original drawings © Marko Nakari 2017 Text © Heikki Poroila 2017 Version number 1.0 (October 28, 2017) Non-commercial use, copying and linking of this publication for free is fine, if the author and source are mentioned. I do not own the facts, I just made the studying and organizing. Thanks to all the other Zappa enthusiasts around the globe, especially ROMÁN GARCÍA ALBERTOS and his Information Is Not Knowledge at globalia.net/donlope/fz Corrections are warmly welcomed ([email protected]). The Finnish Library Foundation has kindly supported economically the compiling of this free version. 01.4 Poroila, Heikki Compositions by Frank Zappa / Heikki Poroila ; Front cover painting Eevariitta Poroila ; Other original drawings Marko Nakari. – Helsinki : Honkakirja, 2017. – 315 p. : ill. – ISBN 978-952-68711-2-7 (PDF) ISBN 978-952-68711-2-7 Compositions by Frank Zappa 2 To Olli Virtaperko the best living interpreter of Frank Zappa’s music Compositions by Frank Zappa 3 contents Arf! Arf! Arf! 5 Frank Zappa and a composer’s work catalog 7 Instructions 13 Printed sources 14 Used audiovisual publications 17 Zappa’s manuscripts and music publishing companies 21 Fonts 23 Dates and places 23 Compositions by Frank Zappa A 25 B 37 C 54 D 68 E 83 F 89 G 100 H 107 I 116 J 129 K 134 L 137 M 151 N 167 O 174 P 182 Q 196 R 197 S 207 T 229 U 246 V 250 W 254 X 270 Y 270 Z 275 1-600 278 Covers & other involvements 282 No index! 313 One night at Alte Oper 314 Compositions by Frank Zappa 4 Arf! Arf! Arf! You are reading an enhanced (corrected, enlarged and more detailed) PDF edition in English of my printed book Frank Zappan sävellykset (Suomen musiikkikirjastoyhdistys 2015, in Finnish). -
Frank Zappa, Captain Beefheart and the Secret History of Maximalism
Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville is a writer and musician living in Liège, Belgium. He is the author of several books including J.G. Ballard and The American Prose Poem, which won the 1998 SAMLA Studies Book Award. He teaches English and American literatures, as well as comparative literatures, at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He has been playing and composing music since the mid-eighties. His most recently formed rock-jazz band, the Wrong Object, plays the music of Frank Zappa and a few tunes of their own (http://www.wrongobject.be.tf). Andrew Norris is a writer and musician resident in Brussels. He has worked with a number of groups as vocalist and guitarist and has a special weakness for the interface between avant garde poetry and the blues. He teaches English and translation studies in Brussels and is currently writing a book on post-epiphanic style in James Joyce. Frank Zappa, Captain Beefheart and the Secret History of Maximalism Michel Delville and Andrew Norris Cambridge published by salt publishing PO Box 937, Great Wilbraham PDO, Cambridge cb1 5jx United Kingdom All rights reserved © Michel Delville and Andrew Norris, 2005 The right of Michel Delville and Andrew Norris to be identified as the authors of this work has been asserted by them in accordance with Section 77 of the Copyright, Designs and Patents Act 1988. This book is in copyright. Subject to statutory exception and to provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Salt Publishing. -
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8
Boo-Hooray Catalog #8: Music Boo-Hooray Catalog #8 Music Boo-Hooray is proud to present our eighth antiquarian catalog, dedicated to music artifacts and ephemera. Included in the catalog is unique artwork by Tomata Du Plenty of The Screamers, several incredible items documenting music fan culture including handmade sleeves for jazz 45s, and rare paste-ups from reggae’s entrance into North America. Readers will also find the handmade press kit for the early Björk band, KUKL, several incredible hip-hop posters, and much more. For over a decade, we have been committed to the organization, stabilization, and preservation of cultural narratives through archival placement. Today, we continue and expand our mission through the sale of individual items and smaller collections. We encourage visitors to browse our extensive inventory of rare books, ephemera, archives and collections and look forward to inviting you back to our gallery in Manhattan’s Chinatown. Catalog prepared by Evan Neuhausen, Archivist & Rare Book Cataloger and Daylon Orr, Executive Director & Rare Book Specialist; with Beth Rudig, Director of Archives. Photography by Ben Papaleo, Evan, and Daylon. Layout by Evan. Please direct all inquiries to Daylon ([email protected]). Terms: Usual. Not onerous. All items subject to prior sale. Payment may be made via check, credit card, wire transfer or PayPal. Institutions may be billed accordingly. Shipping is additional and will be billed at cost. Returns will be accepted for any reason within a week of receipt. Please provide advance notice of the return. Table of Contents 31. [Patti Smith] Hey Joe (Version) b/w Piss Factory .................. -
Chillin' with the Villains
Chillin' with the Villains Humpty Dumpty Cluemaster Man-Bat Humphrey Dumpler is a Arthur Brown is a former Dr. Kirk Langstrom is a large man who looks like Ben the Bowler game show host who leaves scientist who is cursed to Humpty Dumpty and has an (fake) clues at the scene of his sometimes turn into a bat. obsession with putting crimes. things back together again. Hush Kite Man Tommy Elliot was childhood Charles "Chuck" Brown uses Solomon Grundy friends with Bruce Wayne Mr. Clock kites has his weapons Cyrus Gold was a merchant but Tommy grew up to be a (fake) against Batman and sails who turned into a zombie. bad guy while Bruce grew up around on a hand glider. to be Batman. Killer Moth Mirror Man Cameron van Cleer is a villain Floyd Ventris is a criminal The Fish Fiend The Winter Warrior who helps criminals for who likes to use mirrors in (fake) (fake) money. He transforms into a his crimes. monster. Maxie Zeus Planet Master Professor Norbert uses the 9 Maximillian "Maxie" Zeus planets as gimmicks in his Gruesome Gary Trip Wire used to be a history teacher crimes. Sometimes he turns (fake) (fake) but turned villain. He thinks into a Jekyll-Hyde like he's the Greek God Zeus. character. The Calendar Man Sewer King Julian Day likes to commit The Sewer King is a man who Box Man The Yellow Daisy crimes on holidays and lives in the sewer and runs a (fake) (fake) sometimes wears matching gang of pick-pocket thieves. costumes. -
A M E R I C a N C H R O N I C L E S the by JOHN WELLS 1960-1964
AMERICAN CHRONICLES THE 1960-1964 byby JOHN JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chroncles ........ 4 Note on Comic Book Sales and Circulation Data......................................................... 5 Introduction & Acknowlegments................................. 6 Chapter One: 1960 Pride and Prejudice ................................................................... 8 Chapter Two: 1961 The Shape of Things to Come ..................................................40 Chapter Three: 1962 Gains and Losses .....................................................................74 Chapter Four: 1963 Triumph and Tragedy ...........................................................114 Chapter Five: 1964 Don’t Get Comfortable ..........................................................160 Works Cited ......................................................................214 Index ..................................................................................220 Notes Introductory Note about the Chronological Structure of American Comic Book Chronicles The monthly date that appears on a comic book head as most Direct Market-exclusive publishers cover doesn’t usually indicate the exact month chose not to put cover dates on their comic books the comic book arrived at the newsstand or at the while some put cover dates that matched the comic book store. Since their inception, American issue’s release date. periodical publishers—including but not limited to comic book publishers—postdated -
Regrettableregrettable ViviAiAinsns
THE LEGION OF REGRETTABLEREGRETTABLE VIVIAIAINSNS Legion of Ridiculous Super Villains_Sample_MRM_Alt.indd 1 3/7/16 10:06 AM iNTRODUCTiON 8 Part 1: The Golden Age Babyface and Brother 12 The Jingler 78 The Balloon Maker 16 King Killer 80 The Black Hand 18 Lepus The Fiend 84 Black Tarantula 20 Mad Architect 86 Bloor 24 Mother Goose 88 Brickbat 28 Mr. Hydro 90 Bull’s Eye 30 Mr. Meek 92 Captain Black Bunny 32 Mr. Night 94 The Clown 34 Mr. Pointer 96 Colossus A.D. 2640 36 Mr. Skeleton 100 The Crime Merchant 38 The Murder Marionettes 102 The Crane 40 The Piper 104 The Crow 42 The Puzzler 106 The Dark Archer 44 Reefer King 110 The Death Battalion 48 Robbing Hood 112 The Dictator 52 Sadly Sadly 114 EVIL INVENTORY: Satan 116 Those Nasty Nazis 54 Satanas 118 Doctor Dracula 58 Skir 120 Dr. Voodoo 60 Sniffer 122 The Dude 62 Splinter 124 Falstaff 66 Spider-Man 126 Fang 68 The Vaquero 128 The Hawk 70 Veda 130 He-She 72 The Were-Wolf 134 The Horrible Hand 76 Zor the Caveman 136 Legion of Ridiculous Super Villains_Sample_MRM_Alt.indd 2-3 3/7/16 10:06 AM Part 2: The SILVER Age Animal-Vegetable-Mineral Man 138 Mirror Man 174 Atom-Jaw 140 Mod Gorilla Boss 176 Batroc the Leaper 144 EVIL INVENTORY: The Big Gang 146 Sinister Simians 178 Cat Girl 148 M.O.D.O.K. 180 The Criminal League of Time 150 Oggar 182 The Crimson Raider 152 Our Man 184 Destiny 156 Phantasmon 186 Doctor Cessepoole 158 Praying Mantis Man 188 Egg Fu 160 Round Robin 190 Elasto 162 The Scarlet Beetle 192 Generalissimo Brainstorm 164 Sinistro, Boy Fiend 194 Gore the Man-Ape 166 Stilt-Man 196 The Human Flying Fish 168 Tino the Terrible Teen 198 The Jailer 170 The Top 200 Lord Lazee 172 Uglyman 202 Part 3: The MODERn Age Angar the Screamer 208 Hurdy-Gurdy Man 234 Badman 210 Mr. -
G&S Music New and Recent Arrivals
G&S Music New and Recent Arrivals November 2013 A Token Of His Extreme Frank Zappa Soundtrack Frank Zappa Vinyl Road Tapes Venue #2 ZR20015 Help I'm A Rock VR2013-1 12" Numbered That's right, it's the Limited Edition Official release #96 soundtrack to the single issued on is taken from two DVD of the KCET Barking Pumpkin shows at the TV show on August Records. Finlandia Talo, 27 1974. You've got Helsinki on 23 the DVD so why do Side A: Help I'm A August 1973 and a you need this? One reason is that it's Rock/It Can't Happen Here 8:42 third show on 24 Official Release #97. Another reason (Original 1966 mix from 1987 digital August. The Vaultmeister has is that several tracks are considerably transfer) compiled the best sounding and the longer than on the DVD. Side B: Who Are The Brain Police? best performances based on the 3:24 Who Are The Brain Police? - sequence and flow of Show 3. The Tracklist: Basic Tracks 3:42 sound quality is amazing considering The Dog Breath Variations/Uncle Meat (Track 1 was originally released as a it was all recorded on two or four (4:02) . Montana (6:44) . Earl Of Duke single with Trouble Every Day in track tape. (5:49) . Florentine Pogen (11:08) . 1966. Track 2 is from the MOFO 4CD Stink-Foot (3:58) . Pygmy Twylyte set.) Pressed on red vinyl. Band: Frank Zappa(lead vocals, (7:47) . Room Service (12:12) . Inca guitar), Tom Fowler (electric bass), UK £23.25 . -
Weirdo Eccentrics of the Margins & the Curse of Bel Canto
Nick Hobbs / Weirdo eccentrics of the margins & the curse of bel canto -- 1 Weirdo eccentrics of the margins & the curse of bel canto © Nick Hobbs [email protected] (given at the Centre For Performance Research, Aberystwyth on 8.4.06) by Nick Hobbs This lecture is mostly taken from two lectures I wrote for the Pantheatre Voice Performance School: “Weirdo eccentrics of the margins & the curse of bel canto”, focused on the voice of the star of Popular music hell-canto, Captain Beefheart (nom-de-plume of Don Van Vliet), and "Singing whispers, croaks, growls and roars: An exploration of fractured voices from the Blues to Flamenco", which spoke, amongst many others, about Beefheart’s main mentor, the Chicago Blues singer, Howlin’ Wolf (nom-de-plume of Chester Burnett). During this week we’ve heard both hell and bel canto – Phil Minton and Natalka Polovynka to name two extremes. Enrique Pardo spoke about the image of Wolf as satyr and the myth of Marsyas’s challenge to Apollo - the aulos versus the lyre, and we’ve heard MaryAnn Roberts in Bragod, whose singing engages with the crwth, itself a descendent of lyre, but one whose buzzing timbre led her to use guttural sounds and overtone nasality in Bragod’s vocal palette. Both Wolf and Beefheart are firmly in the camp of hell canto, and I suppose were not capable of singing bel canto if they’d wanted to. Their voices correspond to their subject-matter and to their personae. Starting from their stage names, there’s a buffoon quality to both performers, giving them a kind of license to make barbed commentaries, to be nasty, wolfish, foxy and knowing.