Season Sponsor

Home , Ute Lemper

Published by: Season Sponsor: Olivier PySings Les Premiers #BAMNextWave LOCATION: RUN TIME: DATES: Costume designby Angélique Kidjo(Sep21) Pierre-André Weitz Stéphane Leach & Jean-Yves Rivaud Text byOlivierPy Featuring GuestArtists Miss Knife Ute Lemper (Sep22) Jo Lampert (Sep23) Jo Lampert Adieux de Joey Arias(Sep20)

Music by

85 mins,nointermission BAM F Sep 20—23at7:30pm isher (Fishman Space) Executive Producer Joseph V. Melillo, President Katy Clark, Vice ChairmanoftheBoard William I.Campbell, Chairman oftheBoard Adam E.Max, Brooklyn AcademyofMusic Season Sponsor:

BAM Fisher Olivier Py Sings Les Premiers Adieux de Miss Knife

Music Program Stéphane Leach Jean-Yves Rivaud Musical Introduction La vie d’artiste Text Dans un théâtre noir Olivier Py Le rôle est trop court Par la fenêtre Costume design La paradis perdu Pierre-André Weitz Les cafés du Vème* Valse d’espérance musicale Olivier Py: Singer Julien Jolly: Drums Martyre sous les roses Olivier Bernard: Sax, Flute Ne parlez pas d’amour Stéphane Leach: Piano L’éternité Sébastien Maire: Double bass Les amours sans promesses La vie en rose (Louigy / Piaf) ** Padam (Glanzgerg / Contet) ** Dans les jardins de pampelune *

Two Songs by Guest Artists

J’ai bien roulé ma bosse* Le tango du suicide* La vie est brève

All music by Stéphane Leach except as noted * Music by Jean-Yves Rivaud ** French songs

Produced by Les Visiteurs du Soir with the support of the Cultural Services of the French Embassy in the United States. Miss Knife

It is because I am in harmony with myself since my childhood that I am able to disguise. When you have lost many feathers in your fights, you find a solution: put these feathers on your buttocks! All this suffering to be a man, I wanted to make something of it. Without falling into the mad monkey house of castration, I wanted to get rid of this production of male desire that created the desire. I was thus transformed into woman, into Miss Knife. She is a dream creature in every sense of the word. I love her because she represents all the lives behind all the faces of the women I have met, admired, or imagined.

I was brought up in a fashion shop with my mother who sewed and cut fabrics; she appreciated jewels a lot. Miss Knife inherited this: she changes costumes; jewels cover her. It seems to me today that actresses have a difficulty in accepting their femininity. They are rather tomboys doubtless because men make up the majority of stage directors. And they do not know how to approach feminine desire: they program the girls as the boys. In any case, for me, it was inevitable that I would invent and embody this character of the cabaret singer. I had it in the depths of myself. I did not play Miss Knife; she was a member of me. She was in me. When I was disguised, I did not make a case of my sexual identity. We are not assigned to our sexual identity when we become a transvestite. —Olivier Py Photo: Eric Deniset doesn’t exist... Other directors mounted his plays, including Theatres by Michel Raskine, The Exaltation of the Labyrinth by Stéphane Braunschweig, Who’s and The Servant by Robert Sandoz. In 2003, Olivier Py staged Soulier de Satin (The Satin Shoe) by Paul Clau- del, and he wrote and directed a tril- Who ogy, The Winners, in 2005. The same year, he directed A Cry from Heaven by Vincent Woods in Dublin. In 2006, Olivier Py at the invitation of Jean-Michel Ribes, Texts, Singer he presented The Great Py Parade in Paris at the Théâtre du Rond-Point—six Author, director, and actor Olivier Py shows of which he is the author and was born in 1965. After studying director, five restagings, and a new at the National Superior School of work, Comedy Illusions, also performed Theatre Arts and Techniques (Ensatt), across France. he entered the National Conservatory of Dramatic Art Paris in 1987, while In 2006, on the occasion of the closing studying theology. of the 60th Festival d’Avignon, Olivier Py staged a tribute to Jean Vilar, The Olivier Py’s first play, Oranges and Vilar Enigma, in the Cour d’honneur Nails, was produced by Didier Lafaye of the Popes’ Palace. It was also at the at the Essaïon Theatre in 1988, and Festival d’Avignon in 1996 that he per- the same year he founded his own formed for the first time the character company and staged his own plays, of Miss Knife, whose singing tour was including Gazpacho, a Dead Dog; subsequently presented in Paris, Lyon, The Adventures of Paco Goliard; The New York, Brussels, Madrid, and Ath- Servant; an endless story, a 24-hour ens and was the subject of two discs cycle performed at the Festival 16 produced by Actes Sud. In 2012, Miss Avignon in 1995; and The Face of Knife went on the road again in France Orpheus, created in Orléans and pre- and internationally with a new show. sented at the Festival d’Avignon in the Cour d’honneur of the Popes’ Palace in As an actor, Olivier Py has also 1997. During this time, Py also staged starred in shows by Jean-Luc Lagarce, the texts of Elizabeth Mazev and Jean- François Rancillac, Éric Sadin, Pascal Luc Lagarce. Rambert, Nathalie Schmidt, as well as in the films of Jacques Maillot, Cédric Appointed in 1998 as the director of Klapisch, Michel Deville, Laurent the Orleans National Drama Centre, Bénégui, Peter Chelsom, Martin Pro- he created Requiem for Srebrenica vost, and Noemie Lvovsky. He has also (BAM Next Wave 2000), The Water of directed two films, Eyes Closed (1999) Life, The Joyful Apocalypse, Epistle to for Arte and Mediterraneans (2011) Young Actors, and To the World as it for Canal +. Festival d’Avignon, a position he has Appointed in March 2007 as the head held since September 2013. For the of the Théâtre National de l’Odéon, 68th Festival d’Avignon, he created a he presented the Oresteia by Aeschy- new comedy Orlando or Impatience lus (2008), The Water of Life, The (also touring in Europe), presented Girl, the Devil and the Mill, and The Vitrioli, and produced a new version True Fiancée. From 2009 to 2012, of The Girl, the Devil and the Mill. In he translated, adapted, and directed 2015, for the 69th Festival d’Avignon, a trilogy of Aeschylus (Seven Against he created King Lear, performed in the Thebes, The Suppliants, and The Cour d’honneur of the Popes’ Palace, Persians), played outside the theater and presented Hacia la alegría within walls as street theater for the public. In the framework of Villes en Scène / 2009, he re-staged The Satin Shoe at Cities on Stage. the Odéon and also created The Chil- dren of Saturn at Ateliers Berthier. In Most of his work is published by Actes 2011, he created Adagio [Mitterrand, Sud, including a Complete Works in the hidden things and his death]; pre- three volumes, translated into English, sented Romeo and Juliet at the Odéon Italian, German, Slovenian, Spanish, and on tour in France and abroad; and Romanian, and Greek. With Actes Sud created, in German, Die Sonne, com- he published a political essay, Cultivate missioned by the Volksbühne in Berlin. Your Storm (2012), The Thousand In 2012, he completed the full works and One Definitions of Theater and of Aeschylus with Prometheus Bound. Siegfried by Night (2013), Excelsior (2014), and Le Cahier Noir (2015). From March 2012 to September 2013, in addition to a new album and a As an artist and citizen, Py has taken tour of Miss Knife, he staged Vitrioli a stand and engaged in many political by Yannis Mavritsakis in Athens, at and social issues, whether the war in the request of the National Theatre of former Yugoslavia, the plight of illegal Greece, and several operas in Europe immigrants, or the Russian atrocities in with, among others, The Tales of Hoff- Chechnya. He has denounced the Sar- mann by Offenbach, Tristan and Isolde kozy bill on immigration, the “intoler- and Tannhäuser by Wagner, Britten’s able sexual intolerance of the Church,” Curlew River, Pelléas and Mélisande supports personalities like José Bové, by Debussy, The Rake’s Progress by Jovan Divjak, Mahmoud Darwish, Stravinsky, Hindemith’s Matthias the Denis Robert, and Florence Hartmann Painter, Meyerbeer’s The Huguenots, in their struggles, and he provides a Carmen by Bizet, Claude by Robert forum for Romas, prostitutes, Badinter and Thierry Escaich, Alceste anti-globalization militants, and the by Gluck, Verdi’s Aida, Poulenc’s Dia- Syrian resistance. logues of the Carmelites, and Manon by Massenet.

Beginning with the 2014 season, Olivier Py has been the director of the

STÉPHANE LEACH ANGÉLIQUE KIDJO Music Guest Artist (Sep 21)

The pianist, choir director, and com- Three-time Grammy Award winner poser Stéphane Leach has devoted Angélique Kidjo is one of the greatest himself to the composition of incidental artists in international music today, a music and has worked with singers creative force with 13 albums to her and actors for more than 15 years. He name. Time magazine called her “Af- has created music for the stage works rica’s premier diva.” The BBC included of Olivier Py at the Théâtre National de her in its list of the continent’s 50 most l’Odéon, including Orestia by Aeschy- iconic figures, and in 2011 The Guard- lus, for which he received the Prize ian listed her as one of the Top 100 of the Association of Critics in 2008 Most Inspiring Women in the World. for the best composition of incidental Forbes magazine has ranked Kidjo as music. He also composed the music of the first woman on their list of the Most Soulier de Satin by Paul Claudel and Powerful Celebrities in Africa. Kidjo’s Les Vainqueurs which were performed music cross-pollinates the West African at the Festival d’Avignon, the Festival traditions of her childhood in Benin of Edinburgh, at the Théâtre du Rond- with elements of American R&B, funk, Point in Paris, and Théâtre de l’Odéon. and jazz, as well as influences from Europe and Latin America. JOEY ARIAS Guest Artist (Sep 20) UTE LEMPER Guest Artist (Sep 22) A fixture of the vibrant downtown performance scene for 30-plus years, Joey Ute Lemper’s career is vast and varied. Arias is a bona fide New York City icon. She has made her mark on the stage, He has performed at venues including in films, in concert, and as a unique Carnegie Hall, The Freedom Theatre recording artist of more than 30 CDs in London, and on a world tour to the over 30 years. She has been universal- cabaret clubs of Paris, Tokyo, Moscow, ly praised for her interpretations of the Germany, Finland, Estonia, Canada, Berlin cabaret songs, the works of Kurt and England. On film and TV, he has Weill and Berthold Brecht, and the appeared in Mondo New York, Big Top chansons of Marlene Dietrich, Edith Pee Wee, Elvira, Mistress of the Dark, Piaf, Jacques Brel, Léo Ferré, Jacques the Saturday Night Live episode with Prévert, Nino Rota, Astor Piazzolla, David Bowie and Klaus Nomi, Elvira’s and also her own compositions. She is MTV Halloween Special, and HBO’s equally renowned for her performances Dragtime, among others. Arias has in musicals and plays on Broadway, in produced several of his own recordings Paris, Berlin, and London’s West End. including Arias on Holiday, Strange Lemper was born in Münster, Ger- Fruit, Jazzo Lozo, StarLust in Berlin, many and completed her studies at the Arias with a Twist, and Bar D’o in Dance Academy in Cologne and the New York. Max Reinhardt Seminary Drama School in Vienna.

Martini, Nana Mouskouri, Woody JO LAMPERT Allen and his New Orlean’s Jazz Band, Guest Artist (Sep 23) artists in development (Luce, Cyril Mokaiesh, Théodore Paul et Gabriel, Jo Lampert is a Brooklyn-based Philippe Uminski), and theater (Le performer, producer, and DJ who most livre de ma mère— Albert Cohen/ recently headlined Joan of Arc: Into the Dominique Pitoiset/Patrick Tilsit), but Fire (David Byrne, Alex Timbers) at The also readings (Isabelle Huppert, Fanny Public Theater. She has toured with Ardant, Charlotte Rampling, Isabella the band tUnE-yArDs. Lampert has ap- Rossellini) as well as quirky shows (Les peared in Jo Lampert in the Lounge— Ballets Trockadero, Miss Knife, Prima a solo cabaret at Ars Nova; Rimbaud Donna, Ingrid Bergman Tribute (BAM, in New York at BAM (2016 Winter/ Fall 2015), Lambert Wilson in Wilson Spring); New York Animals directed by chante Montand, and very soon the Eric Tucker at Bedlam; Iphigenia in Au- tribute to French superstar Barbara lis directed by Rachel Chavkin at CSC; by Juliette Binoche and Alexandre Dance, Dance Revolution directed by Tharaud— Vaille que Vivre. Alex Timbers; The La MaMa Cantata written by Liz Swados, performed in The passionate and dynamic team at Tokyo; Marie Antoinette at A.R.T and Les Visiteurs du Soir works day in and Yale Rep; Prometheus Bound at A.R.T.; day out to offer theaters, promoters, and The Last Goodbye in William- concert halls, and distributors in France stown. Lampert is a Civilians Associate and abroad the artists, projects, and Artist, and received a BFA from shows which they truly love. NYU/Tisch. Olivier Gluzman is also programming Les Visiteurs du Soir consultant for certain festivals, large event management agencies, and Producer audiovisual production companies Under the management of Olivier which regularly call upon his expertise Gluzman and Joëlle Belmontea, Les to design communication operations or Visiteurs du Soir (Nightime Visitors) to carry out their artistic programming. is unique in its presentation of international artists. An unrelenting champion of artists to whom he dedicates himself, Olivier Gluzman has been a manager and an agent, producing shows with Joëlle Belmonte, who has been building up this area.

This artistic uniqueness comes from having produced and promoted not only French and international artists and singers (Jane Birkin, Rufus Wainwright, Agnès Jaoui, Paolo Conte, Caetano Veloso, Angélique Kidjo, Lura, Pink Photos: Eric Deniset BAM MEMBER 1 2 3 4 5 Harvey 3 Fund Honoring the late BAM President and Executive Producer Harvey Lichtenstein Your Be first license to with advance access to tickets

Photo: Bengt Wanselius See more movies with 50% off regular price tickets

See more shows with 50% off same-day BAM thanks our friends and supporters who have paid tribute live performances to Harvey Lichtenstein’s visionary leadership by making a charitable contribution to the BAM Harvey Fund. To join them in honoring Harvey, please visit BAM.org/Harvey. Your support ensures that daring contemporary work continues to Memberships start at $85 flourish at the institution he loved so much. BAM.org /membership 718.636.4194 BAM MEMBER 1 2 3 4 5 Harvey 3 Fund Honoring the late BAM President and Executive Producer Harvey Lichtenstein Your Be first license to with advance access to tickets

Photo: Bengt Wanselius See more movies with 50% off regular price tickets

LEAVE IT TO LAURIE ANDERSON TO SING OUR STORIES IN BOLD NEW KEYS. Leave it to Photo: courtesy of BAM Hamm Archives For more information on how to include BAM in your estate plans, contact WilliamBAM Lynch at [email protected] or 718.636.4186. BAM.ORG/PLANNEDGIVING ©2015 Viacom Inc. All rights reserved. rights All Inc. ©2015 Viacom

Final Size: 5.25" x 8.375" • Ratio: 1' = 1' • Resolution: 300 DPI • Color: CMYK 24781 BAM Salute Ad 4C Viacom_2015 A cropped photographA cropped of Merce photographA croppedCunningham’s of Merce photograph Cunningham’s How Toof How MercePass, To Pass, Kick, Cunningham’s Kick, Fall Fall and Run Run How To Pass, Kick, Fall and Run omitting John Cage omittingsitting John stage Cageomitting left. sitting Merce Johnstage left.CunninghamCage Merce sitting Cunningham stageDance Dance left. Company Company Merce 1970 Cunningham1970 Dance Company 1970 Photo: JamesPhoto: Klosty, James courtesy Klosty, courtesy Photo:BAM BAM Hamm James Hamm Archives Klosty, courtesy BAM Hamm Archives A cropped photograph of Merce Cunningham’s How To Pass, Kick, Fall and Run omitting John Cage sitting stage left. Merce Cunningham Dance Company 1970 Photo: James Klosty, courtesy BAM Hamm Archives

A cropped photograph of Merce Cunningham’s How To Pass, Kick, Fall and Run omitting John Cage sitting stage left. Merce Cunningham Dance Company 1970 Photo: James Klosty, courtesy BAM Hamm Archives Sep 2017

Contents

Crossing /peh-LO-tah/

Rod Gilfry. Photo: Gretjen Helene Photo: Bethanie Hines Crossing, an opera by Matthew Aucoin, recounts the Marc Bamuthi Joseph’s /peh-LO-tah/ focuses on fraught purgatory between the Civil War and peace. soccer as a universal language, with movement that by Robert Jackson Wood riffs on its fluid beauty. Q&A with Marc Bamuthi Joseph by Susan Yung Richard III Shakespeare’s Richard III (Schaubühne Berlin) was the prototype for many a contemporary arch villain. by Christian Barclay BAMbill Cover

Sara Greenberger Rafferty is the 2017 Next Wave Festival BAMbill Cover Artist—part of BAM’s tradition of visual art on the cover of BAMbill. Greenberger Rafferty reimagined the BAMbill cover in a commissioned artwork. Since 1983, dozens of artists have participated, including Roy Lichtenstein, Andy Warhol, Chuck Close, and Rosemarie Trockel.

Sara Greenberger Rafferty has exhibited widely since 2001, including solo exhibitions at The Kitchen and MoMA PS1 in New York; Eli Marsh Gallery (Amherst College, MA); The Suburban (IL); and a commissioned sculpture for the Public Art Fund. In 2014, she participated in the Whitney Biennial; the Hammer Biennial; and had solo exhibitions in Portland, OR; Riga, Latvia; and NYC. In 2015, her work was shown at Museum of Contem- porary Art (San Diego), Atlanta Contemporary Art Center (GA), and Galerie Andreas Huber (Vienna). In 2016, she presented her fourth solo exhibition at Rachel Uffner Gallery and this year a traveling exhibition—Sara Green- berger Rafferty: Gloves Off—is at the Dorsky Museum in New Paltz, NY.

Published by: Season Sponsor: Rafferty has participated in group shows including the Aspen Art Museum; Sara Greenberger Rafferty and in New York at Neuberger Museum (Purchase); Gagosian Gallery; Comedian’s Costume: Cover for 2017 Next and Jewish Museum. She is included in the collections of the Museum of Wave Festival BAMbill, 2017. Courtesy of the Modern Art and Whitney Museum of American Art, among others. Rafferty artist and Rachel Uffner Gallery, New York lives and works in Brooklyn. @BAM_Brooklyn #Crossing Whitman, Across the Divide by Robert Jackson Wood Photo: Gretjen Helene

“Since I have sat where you sit and breathed the dying, groaning themselves to sleep at night. the air you breathe, I know you will hear me,” What type of meaning could the believer in “the sings the poet Walt Whitman at the beginning of body electric” offer to such a scene? Matthew Aucoin’s opera Crossing, an American Repertory Theater production directed by Diane These are some of the questions that Aucoin— Paulus (Howard Gilman Opera House, Oct who wrote the libretto and who is himself a 3—8). It is, in our time, an almost perversely prolific poet— imagined Whitman struggling optimistic sentiment. Yet in the context of with, at least. To give the story focus, Aucoin Whitman’s exuberant oeuvre, it’s perhaps looked to Memoranda During the War, the fitting. Whitman was an idealist, a writer whose diary Whitman kept during the time, and ebullient verse betrayed a sprawling fantasy found an enigmatic point of departure: a brief of human communion—of bodies and souls yet suggestive reference to a soldier named merged, of distances overcome—sanctioned by John Wormley. “Large clear dark-brown eyes, an erotic metaphysics of shared experience. “For very fine—didn’t know what to make of me,” every atom belonging to me as good belongs to Whitman wrote of Wormley, betraying a desire you,” he wrote in “Song of Myself.” tempered by alienation. Aucoin had found his subplot. Yet beyond the edges of poems, Whitman found, the world could be a crueler place, and In the opera, Whitman—played by baritone perhaps nowhere more than the grisly setting of Rod Gilfry (the loser, 2016 Next Wave)—is Aucoin’s opera: a makeshift Civil War hospital, instantly smitten. “Such beauty, such life, such where Whitman volunteered as a medic and fire, a living soul in the middle of war,” he spiritual healer of sorts during a prolonged sings. Wormley, along with many of the other crisis of confidence. It was there that Whitman, soldiers, proves to be a tough sell. “Do you already a misunderstood poet with an even more really think your words will do us any good?” misunderstood sexuality, would further confront one of them asks. But Wormley, it turns out, is his alienation, pitting his belief in the possibility just as vulnerable and out of place as Whitman. of poetic intimacy against the profane prose of During an evening of relaxed boundaries, the two #Crossing Oct 3—8 find each other and share a bed. Human touch claustrophobia reigns. Occasional projections, becomes refuge. gauzily cast on the wooden walls, evoke the night sky or a waving wheat field—hallucinations Aucoin, all of 27, is something of a wunderkind. of free and peaceful times before the war, if not He is currently at work on his third opera, set predictive of future peace. Director Diane Paulus to premiere at the Metropolitan Opera, where amplifies it all with an atomized mise en scène. he also serves as the venue’s youngest-ever If the soldiers’ individual hospital beds represent assistant conductor. He is also artist-in-residence their emotional isolation, then Whitman, ever at the LA Opera, a position that was created to moving between them, attempts to be the life- take special advantage of his dual composing giving tissue that binds. He is poetry incarnate, and conducting skills. an elusive, animating spirit that does what it can to weave the profane into more than the But Aucoin the keen-eared poet is just as much sum of its parts. “Myself disintegrated, every one on display in Crossing. In the orchestra, made of disintegrated yet part of the scheme.” members from the Boston-based ensemble A Far Cry, flutes, piccolos, and high strings arpeggiate In a particular moment of frustration, Whitman in post-minimalist shimmers to enliven the asks: “What do you do if you can’t heal a text in various ways. A muscular lyricism rivers wound?” Surely not write a useless little poem, underneath. Some of the most emotionally replies the artist’s guilty conscious. But if war intense moments fall to a male chorus, made up suggests the failure of poetry—Leaves of Grass of the hospital’s wounded soldiers, whose unison was nothing if not a paean to unity—then it also outcries come to embody the broken fraternity suggests the continued need for it. For Whitman of men united by fear. Subtle choreography in that trying moment, it needed only to take the by Jill Johnson lends a visual breeze to the form of love. inertial scene. Robert Jackson Wood is a Brooklyn-based On Tom Pye’s set—a single-room cabin-cum- freelance writer. sick-ward seemingly in the middle of nowhere— Photo: Gretjen Helene WORKING IN CONCERT KAUFMAN ELLIOTT PHOTO: IS WHAT WE DO. Fly toward something better with the help of 80,000 Delta employees who do everything they can to help you explore what’s possible. @BAM_Brooklyn #PEHLOTAH Photo: Bethanie Hines

Beautiful game by Susan Yung /peh-LO-tah/ is at the Harvey Theater (Oct Did you and your collaborators develop the 18—21), created by Marc Bamuthi Joseph/The soccer-inflected movement just for this work, or Living Word Project. Joseph discussed the show, is it something you’ve used in other pieces? which is based on soccer. All the choreography for /peh-LO-tah/ was Can you discuss the idea of soccer as a created by Stacey Printz in a series of residencies universal language? around the country from Dallas to San Francisco to Atlanta to Middletown, CT at Wesleyan Soccer isn’t just the world’s most popular sport, University. Stacey is a relentless and prolific it is the activity to which we globally assign the movement generator, and she transferred that most value as an emblem of cultural aesthetics. It ethic to the creative process in complement with isn’t just success on the pitch that communicates the original music, text, and direction of the a nation’s character, it’s how the game is played, entire team. The choreography was made for from Ghanaian grace to Brazilian flair to Spanish these bodies, taking into account the folkloric polyrhythm to German focus and consistency. vocabulary and mastery of Amara Tabor Smith That universality then is more pronounced against and the contemporary and lyrical elasticity of the stark contrast of political monocultures and Traci Tolmaire. These women, as much as the repressive regimes. How do we register that athletic and geographic influences that undergird universal joy in the shadow of South African the entire piece, formed the inspirational apartheid? How do we reconcile with a country backbone for our choreographic design. that meddles in the elections of other sovereign nations and also invites the planet to roam freely Can you share some thoughts about black within its borders during the World Cup? In this athletes taking a political stance? case the sport reveals that joy is universal, as are the contradictions inherent among the men and Besides hip-hop itself, Black Lives Matter is women who passionately engage in it. the longest sustained grassroots movement of BAM

Salutes #PEHLOTAH Oct 18—21

make something beautiful and participatory so that we might consider black life in public space in a frame other than rage or grief. Whether it’s Lebron James or Serena Photo: Bethanie Hines Williams or Colin Kaepernick, there is an ethic among black athletes that understand this reality, and are taking their lead from Muhammad Ali, or Wilma Rudolph, or Kareem Abdul-Jabbar, to activate their high-visibility perch in the name of political progress. These athletes understand the stakes and know there ain’t no more time to play games.

Please talk about the educational component of /peh-LO-tah/.

As part of my development process, and through a commission from the Guggenheim Museum, I developed note in my lifetime. Ironically, what sustains the a kinetic learning module that movement most is not necessarily the activists accesses /peh-LO-tah/’s field of inquiry and themselves as much as the fact that cops or creates a sports-based political action for kids vigilantes keep killing unarmed black people. of color, particularly young immigrants, and Even if folks wanted to mute the campaign, they their parents. This project is called “moving couldn’t because Walter Scott is getting shot in and passing” and it intersects curriculum the back, or Sam Ambrose is getting shot in his development, site-specific performance, and the face, or nine people are being annihilated in the politics of joy while using soccer as metaphor for house they came to pray in. The movement is a the urgent question of enfranchisement among place of mourning, and has also been a site of youth of color. We combine play with poetry paramilitary opposition, so you can understand and visual iconography and connect moving on the edge, in the time of this drought; you can the field without the ball to moving through this sense the extra-parched thirst for wet justice to country without “possession” of “center.” come rolling down. Moving and Passing Curricular Tactics (M-PACT) So… What is the visual score for this stress? is a five-week curriculum that I designed taking Consider the theater of grainy camera phones this process one step further. Using text and pointed at Oscar Grant, grainy audio picking media from /peh-LO-tah/ and other sources, up the distant sound of Trayvon Martin’s final M-PACT is a month-long writer’s workshop moments, and the alternative iconography comes whose outcomes are poems, personal narratives, from where? Rap? and media pieces correlating characteristics of the world’s game to characteristics of some of Ask yourself what is your normalized view of the world’s pathologies. Participants develop the black people as a mass. Not a few people in poetic underpinnings of immigration-centered your workplace, I’d submit that in the American personal essays. Our goal is to have students imagination black people don’t tend to aggregate emerge with written or digital pieces capturing in places of success. See us imagined by their personal narrative at the crossroads of America in mass and the landscape might sport, race, economics, constitutional law, and be poverty, jail, and at best church. So the dreams in defiance of the impossible. most worthy action any black person with a high visibility platform might do right now is Susan Yung is senior editorial manager at BAM. place black joy among the white noise and BAM Directory

STAY CONNECTED BAM Box Office Patron Services BAM.org Peter Jay Sharp Building For donors who make an annual Mon–Sat: 12–6pm; closed holidays contribution of $1,500 or more: #BAMNextWave Sun: 90 minutes prior to first 718.636.4182 BAMwifi_forBK curtain on performance days [email protected] @BAMstage BAM Harvey Theater and BAM Lost & Found @BAM_Brooklyn Fisher box offices open 90 minutes 718.636.4150, Mon—Fri: 9am—5pm prior to curtain on performance YouTube.com/BAMorg days (same-date ticket sales and Restrooms BAM.org/blog pick-up only). BAM Howard Gilman Opera House: LOCATIONS mezzanine and balcony level BAM Rose Cinemas (handicapped accessible: PETER JAY SHARP BUILDING Advance Ticket Sales: orchestra level and BAMcafé) 30 Lafayette Ave BAM.org/#Film BAM Howard Gilman Opera House Info: 718.636.4100 BAM Harvey Theater: Lepercq Space/BAMcafé lobby and gallery level BAM Rose Cinemas Box office opens 30 minutes before Hillman Attic Studio the first screening of the day. BAM Fisher: lower lobby, 4th floor, and 7th floor BAM HARVEY THEATER BAM Rose Cinemas is wheelchair 651 Fulton St accessible. Infra-red headsets for Headphones the hearing impaired are available; BAM offers infra-red listening devices BAM FISHER inquire at the box office. for the hearing impaired; please 321 Ashland Pl inquire at the coat check. Fishman Space Student Rush Info Hillman Studio www.BAM.org/student-rush Rooftop Terrace and Stutz Gardens OTHER Leavitt Workshop Late Seating Administrative Offices Late seating is solely at the discre- 718.636.4111 Brooklyn, NY 11217 tion of management. Ticketed seats [email protected] are not guaranteed past curtain time. Rental Information 718.636.4198 | [email protected] TICKETS BAM.org/rentals SERVICES BAM Ticket Services BAM Visual Art Performance tickets and info Membership 718.636.4194 718.636.4101 | [email protected] 718.636.4100 BAM.org/BAMVisualArt [email protected] [email protected] Level 5 special access to orchestra seats, Questions and Comments call Ticket Services at 718.636.4100 Group Sales [email protected] For ticket orders of 10 or more BAMcafé BAM.org/contactus 718.623.7885 | [email protected] Reservations/info: 718.623.7811

Please Note

Warning The photographing, the safety of others by lighting BAM theater managers and press videotaping, or sound recording of matches or smoking in prohibited agents are represented by the any performance without written areas during the performances and Association of Theatrical Press Agents permission of the management, is intermissions. This violates a New and Managers, prohibited by law. Violators may be York City ordinance and is punishable Local #18032, punished by ejection and may be by law. —Fire Commissioner IATSE, AFL-CIO. liable for money damages. BAM backstage employees BAM is a charter member of the Fire Notice The exit indicated by a are represented by the League of Historic American Theaters red light and sign nearest to the seat International Alliance of and an affiliate member of the League you occupy is the shortest route to Theatrical Stage Employees of American Theaters and Producers. the street. In the event of fire or other (I.A.T.S.E.). Children under five not admitted emergency, please WALK TO THAT unless explicitly noted. EXIT, FOLLOWING THE DIRECTIVES OF THE HOUSE STAFF. Thoughtless persons annoy patrons and endanger BAM

The Stavros Niarchos Foundation For lead support of low-price tickets

Salutes @BAM_Brooklyn #RICHARDIII Prototypical villain

by Christian Barclay Photo: Arno Declair

Richard III was King of England from 1483 until sowing discord to his advantage. Richard’s his death in 1485, at the age of 32, in the Battle rise and reign is ruthless and, in many ways, of Bosworth Field. He was the last king of the recognizable. The curse of physical deformity, House of York and the last of the Plantagenet the power hungry political machinations, and the dynasty. And, if centuries-old stories are to be kill or be killed mentality are found everywhere believed, he was one of the great villains of in popular culture. They define modern-day English history. Shakespeare’s Richard III depicts villainy, from Dr. No and Frank Underwood to the his Machiavellian rise and reign. The play, written beleaguered rulers of Westeros. We may recognize during the early 1590s, shaped and cemented them as inherently bad; it’s not quite enough Richard’s reputation as a “rudely stamp’d” to turn away, and may in fact serve to draw hunchback, “subtle, false and treacherous,” guilty stronger scrutiny. of “stern murder in the dir’st degree.” Richard’s hunchback is the literal and figurative In director Thomas Ostermeier’s bold and brash chip on his shoulder, a feature that all but Richard III for Schaubühne Berlin (Enemy of relegates him to a life of scorn. “Cheated of the People, NWF 2013), at the BAM Harvey feature, by dissembling nature,” Richard’s villainy from Oct 11 to 14, the infamous king (played by is an outgrowth of his deformity; a wretched soul Lars Eidinger) is a gleefully amoral psychopath, for a wretched body. Modern reflections can be shuffling across the stage with an artificial hump, found in the scores of James Bond villains with a skull cap, and clubfoot shoe. He confides in metallic hands, steel-capped teeth, and facial the audience his darkest deeds and thoughts––“I scars. Rather than mask their motives, their am determined to prove a villain, And hate the strange and defining features all but mark them idle pleasures of these days”––as he goes about as suspicious characters. It is often the easiest #RICHARDIII Oct 11—14 way to predict a final showdown––keep an eye unyielding ambition. These deaths epitomize on the man who weeps blood. Richard’s amorality––there is little emotion attached to the acts, but rather a cold and clear When we first meet Richard as the Duke of sense of purpose. It’s the same drive that fuels Gloucester, he reveals the first step in his master the warring factions on Game of Thrones, where plan. “Plots have I laid, inductions dangerous, By queens and would-be kings burn their citizens drunken prophecies, libels and dreams, To set my and sacrifice their children to a mythic god. Driven brother Clarence and the king, In deadly hate the by a righteous self-regard, their path to power is one against the other.” Throughout the course of strewn with the bodies of those who dared get the play, Richard relays his schemes directly to in the way. the audience, pausing between moves to explain his strategy. His cunning machinations and steely Richard ruled too short of a time for any serious delivery bring to mind another power hungry evaluations of his reign to be made. Shakespeare, politician––House of Cards’ Frank Underwood, a dutiful glorifier of the Tudors, had no qualms in played by Kevin Spacey. When they break the portraying him as a single-mindedly ruthless man. fourth wall, it is often with glee: a wink and nudge Though history hasn’t been kind to him, Richard’s before driving the dagger in. (Spacey played a prototypical villainy has spawned countless savage Richard III in the Bridge Project’s searing anti-heroes, henchmen, and scarred sociopaths. 2012 rendition at the Harvey Theater, directed by These characters have a way of capturing our Sam Mendes and co-produced by BAM, The Old imagination, compelling us to follow them—and Vic, and Neal Street.) often against our better judgement, root for their success. By the end of the play, Richard’s brother, nephews, and wife have paid the price for his Christian Barclay is a publicist at BAM. Lars Eidinger. Photo: Arno Declair Lars Eidinger. Securing BAM’s Future

BAM Endowment A great institution is built upon on a secure future. At BAM, a growing endowment is the foundation for expansive programming that continues to set new standards for artistic daring and excellence. The BAM Endowment provides the financial underpinning to launch new artistic initiatives, plan for future years, seize opportunities for institutional advancement, and confront unanticipated challenges. BAM sincerely thanks those listed below for their generous support in securing BAM’s future.

$5,000,000 and above Charles J. & Irene F. Hamm Ide & David Dangoor Richard B. Fisher & Jeanne Stephanie & Tim Ingrassia Thérèse M. Esperdy & Robert G. Donovan Fisher Maribelle & Stephen Leavitt Neborak The Howard Gilman Foundation Mary & Jim Ottaway Jr. in honor of Madison S. Finlay The Peter Jay Sharp Foundation Ruth Blackburne Ottaway Forest City Ratner Companies Lila Wallace-Reader’s Digest Rockefeller Brothers Fund Francena T. Harrison Endowment Fund for Community, Jonathan F.P. & Diana V.C. Rose Performance Fund Educational, & Martha A. & Robert S. Rubin Rita K. Hillman Public Affairs Programs Nora Ann Wallace & Jack Nusbaum HSBC Bank USA, N.A. Goldman Sachs Gives at the $1,000,000 and above $250,000 and above recommendation of Anne Hubbard Altria Group, Inc./Next Wave The Bohen Foundation & Harvey Schwartz Forward Fund The Charles & Valerie Diker Dance Richard Hulbert BAM Fund to Support Emerging Endowment Fund Independence Community Bank and Local Musicians The Horace W. Goldsmith Foundation Miriam Katowitz & Arthur Radin Brooklyn Community Foundation Michael Bancroft Goth Endowed Mr. & Mrs. Edgar A. Lampert The Campbell Family Foundation Annual Performance Fund Annie Leibovitz & Studio The Irene Diamond Fund William Randolph Hearst Leo Burnett, USA Doris Duke Charitable Foundation Endowment for Education and James McLaren & Lawton Fitt Emily H. Fisher Humanities Programs Sarah G. Miller & Frank L. Coulson Judith R. & Alan H. Fishman The Rita & Alex Hillman Foundation The Morgan Stanley Community The Ford Foundation Fund to Carole & Irwin Lainoff and Educational Fund Support Collaborative Creativity Maxwell Family Fund in Community J.P. Morgan & Co. Incorporated Among U.S. Artists Funds, Inc. Nash Family Foundation Diane & Adam E. Max The Jessica E. Smith and Kevin R. The Jerome Robbins Foundation, Inc. The Andrew W. Mellon Foundation Brine Charitable Trust May & Samuel Rudin Family Fund For Opera & Music-Theater The Geraldine Stutz Trust, Inc. Foundation Bruce C. Ratner Anonymous Edward Spilka William Boss Sandberg $100,000 and above Axel Stawski & Galia Meiri The Peter Jay Sharp Fund for Opera Michael Bailkin, Marvin Levine, Mr. & Mrs. Ame Vennema and Theater Jesse Masyr, David Stadtmauer Verizon Communications The SHS Foundation Robert & Joan Catell Fund for The Isak and Rose Weinman The Starr Foundation Education Programs Foundation in honor of Madame $500,000 and above Charina Endowment Fund Lilliana Teruzzi The Devitre Fund Neil D. & Kathleen M. Chrisman The Winston Foundation Mr. & Mrs. Henry Christensen III Anonymous

For more information on the BAM Endowment please contact As of August 1, 2016 William Lynch at 718.636.4186 or [email protected].

Photo: Peter Jay Sharp Building, by Ben Cohen Securing BAM’s Future

Planned Giving Another way to help BAM prepare for the future is by making a provision in your estate plans. You create a legacy for many generations to come and ensure BAM’s excellence continues for the next 150 years. Existing options for planned giving include making a bequest in your will, and naming BAM as a beneficiary in your retirement plan or insurance policy, among others. Unless otherwise specified by a donor, it is BAM’s policy to apply planned gifts toward its endowment. Individuals who have made such gifts are recognized in the select group of patrons known as BAM Angels.

Our special thanks to the foresight of the charitable BAM Angels listed below.

BAM Angels Denis Azaro Karen Brooks Hopkins William Winthrop Parsons Bettina Bancroft William Josephson Marie D. Powers Robert & Joan Catell Charlotte & Stanley Kriegel David L. Ramsay, MD Neil D. Chrisman Edgar A. Lampert William Boss Sandberg Mr. & Mrs. Henry Christensen III Harvey Lichtenstein Louis Sanders Mallory Factor Phyllis Holbrook Lichtenstein Harriet L. Senz Madison S. Finlay William Lynch Toni Mendez Shapiro Richard B. Fisher Georgene M. Maxwell Bella F. Stoll Judith R. & Alan H. Fishman Scott C. McDonald Lynn M. Stirrup Barry M. Fox Joseph V. Melillo PaulaMarie Susi Rita Hillman Evelyn & Everett Ortner Judge Franklin R. Weissberg Barbara T. Hoffman Frank J. & Adeline Pannizzo Carol Yorke & Gerard Conn

For more information on Planned Giving opportunities please contact William Lynch at 718.636.4186 or [email protected]. All inquiries will remain confidential.

Upcoming Events @BAM_Brooklyn

2017 NEXT WAVE FESTIVAL BAMCINÉMATEK

BAM wishes to thank our patrons for all the operating, capital, and endowment support you’ve given us over the past year. (List represents gifts between July 18, 2016—July 18, 2017)

$500,000 and above The Fan Fox & Leslie R. The Barker Welfare Elaine Golin Trust for Mutual brigittenyc Samuels Foundation, Foundation Pamela Grace Understanding Jeanne Donovan Fisher Inc. Anne H. Bass Great Performances Teresa Tsai Judith R. & Alan H. Santander Rose M. Badgeley Residuary The William and Mary Wendy vanden Heuvel Fishman The Shubert Foundation, Charitable Trust Greve Foundation White & Case LLP Howard Gilman Foundation Inc. Tony Bechara The Marc Haas Foundation, James Wilentz & Robin Jerome L. Greene The Joseph S. and Diane The Brooklyn Brewery Inc. Maxwell Foundation H. Steinberg Charitable Robert & Joan Catell Mr. & Mrs. Burton K. Wilmer, Cutler, Pickering, Diane & Adam E. Max Trust Charles Hayden Foundation Haimes Hale & Dorr The City of New York—Bill Joseph A. Stern Jim Chervenak The Jim Henson Carol Yorke & Gerard Conn de Blasio, Mayor Time Warner Inc. Citi Foundation Foundation Pia & Jimmy Zankel The New York City Theater Subdistrict Council Steven & Alexandra Cohen Cheryl Henson & Ed Finn Zipcar Council—Brooklyn Pedro Jose Torres & Cecilia Foundation Edward & Patricia Herlihy Anonymous (6) Delegation Picon Pamela Codispoti & Mark The DuBose and Dorothy The New York City Council Virginia B. Toulmin Habner Heyward Memorial Fund $5,000 and above – Laurie A. Cumbo Foundation The Dermot Company, Inc. Sophie Hughes Takis C. Anoussis The New York City Robert L. Turner Mark Diker & Deborah John & Samantha Hunt Hugo Barreca & Wendy Council—Melissa Mark John L. & Eva Usdan Colson IATSE - Theatrical Stage Schlemm Viverito, Speaker The Wall Street Journal The Dutch Performing Arts Employees Local 4 Mickey & Martin Baumrind New York City Department Joseph LeRoy & Ann C. Fund NL Frederick Iseman Nathaniel Beck & Karen of Cultural Affairs Warner Fund Robert M. Greenberg & Consulate General of Israel Hackett New York City Economic Corvova Choy Lee Alan Jones & Ashley Garrett Alan & Leslie Beller Development Corporation $50,000 and above Henry B. & Karoly S. J. J. Kasper Jr. Elaine S. Bernstein New York City Department Jonathan & Jessika Gutman Will & Prattana Kennedy The Bloomingdale’s Fund of of Cultural Affairs Auerbach Hasty Pudding Institute Alexander E. Kipka & the Macy’s Foundation Stavros Niarchos Sarah Billinghurst & of 1770 Katherine Nintzel Nick Boris Foundation Howard Solomon Barbara Haws & William David L. Klein, Jr. Sol W. & Hermina Cantor The SHS Foundation Jonathan Bilzin Josephson Foundation Foundation United States Department The Brooklyn Hospital Ralph Herzka Kameron M. Kordestani Beverly & Herbert Chase of State, Bureau of Center Penn & Diane Holsenbeck Joan Kreiss Isaac Chera Educational and Cultural Natasha Chefer & Joel Richard Hulbert Eileen M. Lach Lois Chiles & Richard Gilder Affairs Tompkins Miriam Katowitz & Arthur Solange Landau Timothy & Carol Cole Anonymous Linda & Adam Chinn Radin The Levine Foundation Stephen J. Clearman & Mr. & Mrs. Henry Dan & Abbe Klores Leon Levy Foundation Renee Iacone $250,000 and above Christensen III Philippe & Posey Krakowsky Daniel Lewis The Aaron Copland Fund Bloomberg Family Con Edison John Lichtenstein The Bertha and Isaac for Music, Inc. Foundation Constans Culver Foundation The Frederick Loewe Liberman Foundation Stuart D. Freedman & Carla Bloomberg Philanthropies Della Rosa Family Foundation, Inc. John Lipsky & Zsuzsanna E. Craig First New York Partners Foundation Grace Lyu-Volckhausen S. Karasz Crunch Management The Gladys Krieble Delmas David & Susan Marcinek Briehan Lynch & Alexander Joan K. Davidson (The J.M. Forest City Ratner FoundationEpstein McKinsey & Company Evis Kaplan Fund) Companies Teicher Philanthropies National Endowment for M&T Bank Peter Davidson & Drew The Rita and Alex Hillman Steven & Susan Felsher the Arts Donna Marshall & Lee McGhee (The J.M. Foundation Barry M. Fox National Grid Marshall Kaplan Fund) Goldman Sachs Gives at The Freeman Foundation Linda & Stuart Nelson Scott C. McDonald Elizabeth & Matthew Denys the recommendation of Georgene Maxwell Sarah & Spencer Robertson Medgar Evers College Gifts Brooke Devine Anne Hubbard & Harvey Remainder Trust Robert S. Rubin and Grants Andre & Stephanie Dua Schwartz The Andrew W. Gotham Organization, Inc. Bette & Richard Saltzman Moet Hennessy USA Violet & Christopher Eagan Mellon Foundation Charles J. & Irene F. Hamm Bartholomew A. Sheehan & Edward S. Moore Henry & Kathy Elsesser Donald R. Mullen Jr. The Francena T. Harrison Sheila A. Cain Foundation Lawrence R. & Nina Epstein Axel Stawski & Galia Meiri Foundation Trust Sidley Austin LLP Barbara & Richard Moore Jeffrey Farkas Stawski Daniel Clay Houghton In Memory of Robert Sklar Morgan Stanley Nathaniel N. Felsher Nora Ann Wallace & Jack The Emily Davie & Joseph Sam & Ellen Sporn Sanford Nager Britton & Melina Fisher Nusbaum S. Kornfeld Foundation Brian Stafford New England Foundation Wendy Fisher Anonymous The Lepercq Charitable The Harold and Mimi for the Arts’ National Fleurs Bella Foundation Steinberg Charitable Trust Dance Project Mr. & Mrs. Austin T. $100,000 and above Rachel & Jean-Pierre William & Anne M. Tatlock The New York Community Fragomen, Jr. Altman Foundation Lehmann TD Charitable Foundation Trust Laurie Garrett American Express Gary Lynch & Kate Hall Warner Music Group NYC Health Department Ann and Gordon Getty Frances Bermanzohn & Pierre and Tana Matisse Anonymous The O’Grady Foundation Foundation Alan Roseman Foundation Joey O’Loughlin Nomi Ghez Foundation William I. Campbell & MetLife Foundation $10,000 and above Michael Palm Foundation John N. & Gillett A. Gilbert Christine Wächter- The Ambrose Monell The Aeroflex Foundation Stephen Palmese Beth & Gary Allen Glynn Campbell Foundation Allan Arffa & Kay William & Laura Taft Goodwin Procter LLP Delta Air Lines Henry and Lucy Moses Matschullat Paulsen The Directors of the Jerome Aashish & Dinyar Devitre Fund, Inc. David Ashen Peck Stacpoole Foundation Robbins Foundation: Doris Duke Charitable The Barbro Osher Pro Bank of America Laura Pels International Allen Greenberg Foundation Suecia Foundation Ameriprise Financial Foundation for Theater Francis Greenburger & Robert and Mercedes Donald A. Pels Charitable Vincent & Ashley Andrews Pfizer Inc. Isabelle Autones Eichholz Foundation Trust BAM GO Developers LLC Maya Polsky Peter & Monika Greenleaf Thérèse M. Esperdy & The Pinkerton Foundation The Bay and Paul Marcel Przymusinski The Grodzins Fund Robert G. Neborak Gabriel & Lindsay Pizzi Foundations The Reed Foundation William Harrison Giorgio Armani Corporation Jonathan F.P. & Diana The Howard Bayne Fund Frances A. Resheske Peter & Beth Hammack Agnes Gund Calthorpe Rose Catrina Bentley & Carey Richenthal Foundation Scott & Ellen Hand The Harkness Foundation Michael I. Roth R. Ramos Max Rifkind-Barron James G. Croghan & Louis for Dance Anna Kuzmik Sampas & Paula & Earl Black William D. & Susan Kahan R. Hedgecock Stephanie & Timothy George Sampas Edward & Susan Rifkin Pamela J. Hoiles Ingrassia The Morris and Alma Blumenfeld The River Café The Hudson Companies William R. Kenan Jr. Schapiro Fund Mr. & Mrs. Tony Bowe Mr. & Mrs. Theodore C. Inc. Charitable Trust Joseph and Sylvia Slifka Brooklyn Daily Eagle Rogers Hutchins Family Foundation Robin & Edgar Lampert Foundation Centerbridge Partners LP Alberto Sanchez & Sonia Inc. Toby Devan Lewis Jennifer Small & Adam Goldman Sachs Gives at Vela Scott & Viktoriia Irwin James I. McLaren & Lawton Wolfensohn the direction of R. Martin The Scherman Foundation, Mark Jackson & Karen W. Fitt Edward & Virginia Spilka Chavez Inc. Hagberg Samuel I. Newhouse Starry Night Fund Credit Suisse Saul & Devorah Sherman Pamela Jackson Foundation, Inc. Douglas C. Steiner Cory Cruser Fund Japan Foundation The New York City Council Bob & Gillian Steel Ide & David Dangoor Amy W. Schulman & David Christoph & Flora Kimmich – David G. Greenfield The TinMan Fund Suzy & Anthony Davis E. Nachman Nancy N. Lassalle New York State Council on Michael & Barbara Charles & Valerie Diker Timothy & Julie Sebunya Carol & Joel Levy the Arts Zimmerman Dow Jones & Company, Amy Sherman-Palladino Christopher Li Greci & Onassis Cultural Center NY Anonymous Inc. Showtime Robert Ohlerking Pepsi-Cola Bottling Douglas Durst Sills Family Foundation Donald & Lorraine Loeb Company of New York $25,000 and above Steven & Jennifer Susan & Larry Sills The Lupin Foundation The Jerome Robbins Roger Alcaly & Helen Bodian Eisenstadt Simon Sinek Anne Mackinnon Foundation, Inc. Sarah Arison Fred Eychaner Jean Stein Jan Marks May and Samuel Rudin Jody & John Arnhold Mallory & Elizabeth Factor Judy & Michael Steinhardt John Martinez & Andrea Family Foundation, Inc. BNY Mellon Fribourg Family Foundation Laurie M. Tisch Illumination Bozzo MaryAnne Gilmartin Fund BAM Supporters & Patrons

Constance & H. Roemer Emme & Jonathan Deland New York City Council – Alexandra Alger & Dan Laurie Coots McPhee and Phyllis Levin Stephen Levin Chung Michael Cox & Zach Fannin Richard & Ronay Menschel Martha DeRight & Erich New York State Assembly – Daniel Algrant Ben Crane Bonne & John Mogulescu Bechtel Annette Robinson Donald Allison & Sumiko Ito Curtis Cravens John Morning Diana Diamond & John New York State Assembly – Linda Andrei Dr. Rudolph F. Crew Jim & Iris Munson Alschuler Helene Weinstein Nader Ansary Cedomir Crnkovic & Valerie Joshua L. Muss Frederick N. & Michele Christopher A. Noey & Stephanie Ansin & Spencer Rubsamen The Netherland-America Oka Doner Ghiora Aharoni Stewart Katherine Cunningham & Foundation Suzan & Fred Ehrman James C. & Marie Nugent- Milton & Sally Avery Arts Christopher Dixon New York State Assembly – Dwight W. & Ann C. Ellis Head Marlas Foundation Karen Dauler & Gaston Joseph R. Lentol Fiona & Harvey Fein Jane Ormerod & Peter S. J. Avery Silva Elyse & Michael Newhouse David W. & Elizabeth Darrell Ajay & Sonya Ayyappan Jacqueline Z. Davis Newmark Knight Frank P. Fitts Gwenevere Parker Denis Azaro Megan P. Davis David & Janet Offensend Brigid Flanagan Estelle Parsons & Peter L. Stephen & Ellie Backer DeLaCour Family Jim & Mary Ottaway Flanders House Zimroth Carla K. Balakgie Foundation Diana & Gene Pinover Susan K. Freedman & Nadezhda Pryadko & Paul Balser Nick Demos & Mary Snow Judith Pisar Rabbi Richard Jacobs Matthew Daniel Shepard Barbash & Vicki Linda Dennery Proskauer Rose LLP Cultural Services of the Peter & Susan Restler Ragan Marie Derosa & Richard Rajika & Anupam Puri French Embassy in the The Rockefeller Group Nancy Barber McNeil Bradley Radoff United States The Rodgers & Andrea Barbieri Jennie L. & Richard K. William & Catherine Rahm Dennis Furbush Hammerstein Wilhelmina Barker Descherer William & Katherine Rayner Ms. Roberta Garza Organization Ms. Monica Barrett & Ms. Stephen E. & Martha Bakos Seth Rosenberg & Catherine Lynn Gilbert Sidney & Ellaine Rose Alexis Frazier Dietz Lebow Walter Gilbert Mace Rosenstein & Louise Jeffrey Bauman Daniel DiPietro Thomas & Georgina Russo John M. Goldsmith de la Fuente Martine Beamon & Eddie Katie Dixon S&P Global Joan Goldberg Amy Roth & Joe Guest Joyce Anne & John Dockery Suzanne and David Santry Rhonna & Ezra Goodman Jack Sanderson Barbara Becker & Chad Lynn Dolnick Sarah I. Schieffelin Hayley Gorenberg & George Lynn Schneider Gallant Miriam Donoho Residuary Trust Sands Ira Schreger Carol & Chris Beemer Lily Dorment Gabriel & Jolie Schwartz David & Elaine Gould Lucynda & Dan Shefter Kathleen Begala & Yves- Molly Duffy Ellynne Skove Gordon Gould Vivien & Michael Shelanski Andre Istel Catherine Dumait-Harper & Tom & Wendy Stephenson David Haas Ted & Mary Jo Shen Anka & Louis Begley Alan Harper Robert L. & Jane Stine Meredith L. Hahn Gil Shiva Carol Bellamy Gwendolyn & Tony Dunaif Katherine Stinson Robert V. Hansmann Olatokumbo & Sheethal Carl & Judith Berg Allison & Mark Dunn Stop & Stor Charitable Fund Jeanne Hardy Shobowale George E. Berger & Susan Dunwoody Michael M. Thomas Diana Rhoten & John Carolee Shubert Associates LLC Pamela N. Drexel Jane & Robert Toll Heilemann Hildy Simmons & David Thérèse D. Bernbach Frederick Eberstadt Vanetta Vancak Molly Heines & Thomas Sprafkin Suzanne Bernstein Ellie & Dan Diane & Stephen Volk Moloney Patricia J. S. Simpson Marie-Eve Berty Marty Ellington Earl D. Weiner Jeffery Hentze Mike & Janet Slosberg Dorothy Berwin Rachel Elson The Weininger Foundation, Herrick, Feinstein LLP Stephen Smith & Ford Karen Binder & Victor Ney Gail Erickson & Christa Rice Inc. David D. Holbrook Rogers Susan S. Binger Lorren Erstad & David The Levy-Westhead Family Paul Hyun & Lily Chang Matthew Patrick Smyth Stefanie Birkmann & Sunil Lerner Susan Wexner Jan Inscho & Seymour Susan Snodgrass William Savkar Peter & Joan Faber Nathaniel White Miles John Sorensen-Jolink & Dr. David Biro Richard & Florence Walter & Donna Wick Sharon Jacquet Fabien Dubuet Jeffrey B. Bishop & Jill Fabricant Francis H. Williams David & Amy Jaffe Joan & Laurence Sorkin Baker Bill & Jan Farber Adrienne Willis Douglas Jaffe & Kristin Jonathan Sporn Jennie & Jake Blair David Farer & Elisa King Carolyn T. Ellis & H. Lake Heavey Gillian Steel Bryan Blatstein Thomas Faust Wise Donna & Carroll Janis Michael & Marjorie Stern Patricia Blanchet Martin Feinman & Amy Cynthia Young & George Susan & Stephen Jeffries Deborah Stewart & James Barry Blecher Cooney Eberstadt John S. Johnson & Susan Mintz Molly & Tom Boast Michael & Nancy Feller Matthew & Myra Short Dr. Susan Stewart Mr. & Mrs. James Bodovitz Edith Ferber Zuckerbraun Randy & Mill Jonakait Elizabeth F. Stribling Bill Bragin & Lisa Philp Dr. and Mrs. David Erlij Anonymous (2) Julian Price Family Consulate General of Gundula Brattke Robert Ferris & Adrienne Foundation Sweden Sandra Brinkert Shumway $2,500 and above Mary Kantor Daniel & Toby Talbot Sally Brody Igor Fert Jad Abumrad & Karla Genevieve Kahr & Dan Alexander Tarakhovsky & Carolyn Brooks & Allen Katherine & Luke Fichthorn Murphy Freedberg Anne Schaefer Rothman Joan Salwen Fields Accion Cultural Espanola Julia Kahr & Brian Colton Kathryn Taras & Anthony John & Michelle Brooks Carl & Merle Fieser Mark Allison & Stephanie Richard Kaplowitz Elitcher Andrea Katz & Anthony Dr. Michael B. First & Holmquist Gene & Terry Kaufman Juliet Taylor & James Walsh Brown Leslee Snyder The American Chai Trust Alexander Kent Theaterical Wardrobe Donnaldson Brown Allison Fifield Frank & Mary Ann Arisman Chin Kim Union, Local 764 Yvonne L. Brown & Josh E. Joanna Fisher Alberta & Edward Arthurs Helen Kim-Bordes Catherine K. Tice Goldfein Arthur & Susan Fleischer Daniel Baldini Andrew Kimball Peter C. Trent Norman & Terri Buchan Barbara G. Fleischman Peter Balis & Brian William Kistler Susan Unterberg Geraldine Buchanan Jeff & Jenny Fleishhacker Goldston Alan & Susan Kolod Bernardette Vaskas Angela Bucknell Flocabulary Leah & Benjamin Barber Thomas Koveleskie Thomas Von Foerster Andrew Bulger Andrew & Blake Foote Katie Barthmaier & Brent Liz & George Krupp Iva Vukina Dennine Bullard Alison Forner & Martha Buck Miodrag Kukrika Cynthia Wainwright & Jesse Burros & Jill Weiskopf McBrayer Jayne H. Baum Hugh & Betsy Lamle Stephen Berger Sandra L. Burton & Dr. Don Seendy Fouron Barbara Berliner & Sol Foundation Marcus Wainwright & Q. Kelly Elena Frampton Rymer Helena Lee & Richard Glenna Neece Elizabeth Butson M. Derene Frazier Denise Bernardo & Eddie Klapper Leigh & Robin Walters Laura E. Butzel & David Katherine Freygang Muentes Jonathan E. Lehman Howard & Ruth Warshower Berg Alex Friedman & Erica JJ & Michelle Berney Julius Leiman-Carbia & Jill Weinstein Monica Byrczek Tennenbaum Alison Blood Kyle Smith Elisabeth & Robert G. Claudia Caffuzzi Eleanor F. Friedman Jill & Sheldon Bonovitz François & Calleen Wilmers Mr. Charles Cahn & Dr. Sarah B. Friedman & Paul Dr. & Mrs. Jeffrey S. Borer Letaconnoux Devera Witkin Nancy Maruyama Salama Leonard & Enid Boxer John N. Lieber & Amy J. Nancy Workman & Ansel M. Caine & Anna Alexander C. & Tillie S. Samy Brahimy & Lizanne Glosser Jonathan Miller Tibbetts Speyer Foundation Merrill Simon Lipskar & Kate Fred Wright Cindy & Jonathan Calder Donna Jo Fuller Paul Broches Zuckerman Danielle Durchslag & Aamir Charles Carberry Susan & Michael Furman Virginia Brody Reed Lowenstein & Melanie Wyne Esq. Victoria Carey Treacy & Todd Gaffney Brooklyn Gin Hanan Richard C. Yancey Mary Ellen Cashman Richard & Jane Gartner Andrew D. Brown Richard Lynn & Joseph Nancy Young Keisha A. Chamberlain & Dr. Peter L. Geller Carolina Carvalho-Cross & Evall Anonymous (6) Mathieu S. Chamberlain Fany Gerson Spencer Cross Dianne Mackenzie Lori Chemla & Shelley Maxine Gerson Joyce E. Chelberg Anne Maltz $1,500 and above Sonnenberg GGMC Parking, LLC Neil & Kathleen Chrisman Nina Matis Robert & Mary Beth Aberlin Jaye Chen & Peter Brown Anne Gilbert & Gordon Ofer Cohen & Melissa Deborah McAlister & Nora Abousteit & Joshua Jennifer Chu Goldstein Dibella Christopher Jones Ramo Lisa M. Cirando Patricia Gift William & Marjorie Coleman Peter & Denise McCormick Tim Albright Anne Coffey Shellie Gillespie Ranny Cooper & David Christina McInerney Naji Abumrad Joanna Cole & Jonathan Lauren C. Glant & Michael Smith Sharon & Curtis Mechling Brice Acosta Cole J. Gillespie Breukelein Institute/Dennis Joseph V. Melillo Caroline P. Addison Simon & Sarah Collier Gregory F. Gilmartin Corrado Joyce F. Menschel Howard & Roberta Mr. John Colton & Ms. Kristin Booth Glen & Harold Corymore Foundation Diane Compagno Miller Ahmanson Catherine Colton Edgar The Cowles Charitable Trust Louis Mintz & Beverly Crilly Ronald & June Ahrens Andrea Compton Virginia Gliedman Francis J. Connolly Jr. Marsha & Darcy Miro Keira Alexandra Michele & Terry Cone June O. Goldberg Ellen & John Curtis Lois Conway Peter Goldfarb A PROUD SUPPORTER OF BAM Eight culinary destinations all under one roof, perfect for pre- and post-theater drinking + dining in the heart of the BAM cultural district

BAR GRANGER BOQUERIA APIZZA REGIONALE CRABBY SHACK EGG AT THE BIRD FLIP BIRD MASON JAR MJ STATION

NOW OPEN IN FORT GREENE Located on the ground ﬂoor of The Ashland, Brooklyn's newest luxury residence 590 Fulton Street (Ashland Place), Fort Greene, Brooklyn

“ Gotham Market at The Ashland has brought the same charm, style and great food of Gotham West Market over to the luxurious area that is Fort THEATER Greene, nestling itself sweetly inside the lavish

apartment towers known as The Ashland.” ST FELIX ST FULTON ST – The Hungton Post

FORT GREENE PL GREENE FORT LAFAYETTE AVE PL ASHLAND

“ Fort Greene now has a shiny new food hall BAM on the ground floor of one of the neighborhood’s luxury apartment buildings.” – Eater New York

gothammarketashland.com @GMAshland theashlandbk.com Special thanks to our Next Wave Festival supporters

Season Sponsor: Support for the Signature Artist Series Major support for Discounted Ticket provided by: Initiatives provided by the Jerome L. Greene Foundation.

Programming in the BAM Howard Gilman Leadership support for dance at BAM Leadership support for every season Opera House is supported and endowed provided by: provided by the BAM Board of Trustees, by the Howard Gilman Foundation. led by Adam E. Max, Chair & Programming in the BAM Harvey Theater William I. Campbell, Vice Chair. is endowed by the Doris Duke Charitable Foundation. Programming in BAM’s Xavier Cha is the recipient of Support preserving the vitality of Lepercq Space is supported by The The Harkness Dance Residency at BAM programming provided by the Lepercq Charitable Foundation. the BAM Fisher in 2017. Lichtenstein family and generous donors to the BAM Harvey Fund. Major support for Crossing provided by Official Airline of BAM: Robert L. Turner. Next Wave Festival supporters: Rose M. Badgeley Residuary Major Sponsor Charitable Trust Official Healthcare Provider of BAM: BNY Mellon brigittenyc Leadership support for opera at BAM The Gladys Krieble Delmas Foundation provided by: Epstein Teicher Philanthropies Aashish & Dinyar Devitre Fribourg Family Foundation The Andrew W. Mellon Foundation The Francena T. Harrison Title Sponsor of BAM Rose Cinemas Foundation Trust Major support for The Fountainhead and BAMcinématek: The DuBose and Dorothy Heyward and Bangsokol provided by Memorial Fund Edward Jay Wohlgemuth. The Kovner Foundation M&T Bank Major support for The Fountainhead BAM Rose Cinemas are named in The Ambrose Monell Foundation provided by The Dutch Performing Arts recognition of a major gift in honor of Morgan Stanley Fund NL. Jonathan F.P. and Diana Calthorpe Rose, Henry and Lucy Moses Fund, Inc. and have been generously supported by Samuel I. Newhouse Foundation, Inc. Onassis Programs at BAM supported by: The Peter Jay Sharp Foundation, and the Stavros Niarchos Foundation Estate of Richard B. Fisher. Donald A. Pels Charitable Trust Pfizer Inc. The Steinberg Screen at the BAM Harvey The Reed Foundation Major support for Principles of Theater is made possible by The The Jerome Robbins Foundation, Inc. Uncertainty, Buffer, and A Billion Nights Joseph S. and Diane H. Steinberg The Morris and Alma Schapiro Fund On Earth provided by Agnes Gund. Charitable Trust. The Scherman Foundation, Inc. The SHS Foundation Leadership support for BAM Visual Major support for BAM Hamm Archives The Shubert Foundation, Inc. Art provided by Agnes Gund and provided by Charles J. & Irene F. Hamm. The Harold and Mimi Steinberg Toby Devan Lewis. Charitable Trust BAM would like to thank the Brooklyn The TinMan Fund Major Sponsor of BAM Community Delegations of the New York State Virginia B. Toulmin Foundation Programs: Assembly, Joseph R. Lentol, Delegation Leader; and New York Senate, Senator The BAM facilities are owned by the Velmanette Montgomery. City of New York and benefit from public funds provided through the New York Endowed funds supporting the Next City Department of Cultural Affairs Wave Festival: The Howard Gilman Your tax dollars make BAM programs with support from Mayor Bill de Blasio; Foundation; Lila Wallace-Reader’s possible through funding from: Cultural Affairs Commissioner Tom Digest Endowment Fund for Community, Finkelpearl; the New York City Council Educational, and Public Affairs Programs including Council Speaker Melissa Mark at BAM; The Andrew W. Mellon Viverito, Finance Committee Chair Julissa Foundation Fund for Opera and Music- Ferreras, Cultural Affairs Committee Chair Theater; The SHS Foundation; The Peter Jimmy Van Bramer, Councilmember Jay Sharp Fund for Opera and Theater; Laurie Cumbo, and the Brooklyn The Ford Foundation Fund to Support Delegation of the Council; and Brooklyn Collaborative Creativity Among U.S. Borough President Eric L. Adams. Artists; Estate of Richard B. Fisher; BAM Fund to Support Emerging and Local Official Piano for BAM: Musicians; The Starr Foundation; Next Wave Forward Fund: Altria Group, Inc./ Founding Sponsor “Supporting the Spirit of Innovation”; and The Devitre Fund. BAM Supporters & Patrons

Daniel Gonzalez Matthew & Sabrina Leblanc Brandon Nelson & Iman Karen Schlesinger Constance Casey & Dr. I. Michael Goodman & Abdul-Rahman Lediju & Criner Nelson Miriam Schneider Harold Varmus Judith Uman Angela Nurse-Lediju Consulate General of The Dr. Michael Schober Peter Ventura & Adria Crum Erwin Gorostiza Janice Lee Netherlands in New York Florian Schodel Raymond & Priscilla Vickers Larry E. Dumont, M.D. & Lisa Lee New York State Assembly – Patricia Schoenfeld Diana Viñoly Interiors Martin Gould Roseanne Legrand Peter Abbate Christopher J. Scholz & Patricia Voight & Rachel Stephen R. Greenwald & Sue Lehmann New York State Assembly – Ines Elskop Wolff Rebecca A. Sullivan Barbara Lemperly Grant James F. Brennan Ellen Schonfeld Mr. Bernd Vollmuth The Green-Wood Cemetery Garrick Leonard & Leslie Sheila Nevins Nancy Schwartz Sternoff David Wagner Mimi & Bill Grinker Feder Kiersten Nieuwejaar Richard Schwartz & Gita Ethan J. Wagner & Thea Bill Grogan Susana T. Leval & Pierre David Norris Martohardjono Westreich Wagner Ms. Amy Grossman & Mr. Leval Marguerite Nougué-Sans Dr. & Mrs. Thomas P. Seth Washinsky Thomas Vinson Marcia & William Levy Michael Novodvorskiy Sculco Janet C. Waterhouse PhD Vanessa Guida Richard Levy & Lorraine Empire Educational Elisabeth Searles & Richard Edwin Watkeys Stella and Charles Guttman Gallard Services Friedberg John & Martha Watts Foundation, Inc. Jeffrey Lewis & Karin Adam H. Offenhartz Laura Sejen Kathy & Bill Weigel Noa Guy Miller-Lewis Daniel & Rebecca Okrent Allen Sellers Sandra & George Weiksner Gunilla Haac Emma Lindsay Barry Michael Okun Ann Settel Ms. Kathy Weil Helen & Peter Haje Seen Lippert & Frederick Roger W. Oliver Rena Shagan David I. Weiner Robert Hall Landman Benet O’Reilly Shamos Family Foundation Marjorie & Irv Weiser Patricia Hallstein & Axel Neil & N. Lipuma Bianca Maria Orlando & Joshua Shapiro & Heller B. Jonathan Weiss Kramer Tina Liu William McGinty Berman Jane & Jonathan Weld Anne & James Hanbury Keith Lloyd Jon Otis Victoria L. Sharp Jeffery Welch Amelia Hancock & Steve Cary & Jan Lochtenberg Lois Ottombrino Brian & Lindsay Shea David F. Wertheimer Klise Rachel Loeb & Zachary Kathleen Owens Michael Shea & Armen Susan Whiting & Bruce Joan & Douglas B. Hansen Block Jean Pagliuso & Tom Cohen Marsoobian Van Dusen Anna & Raja Harb Nina Loory Susan Paine George Sheanshang Harry White & Esther David Hariton & Thomas Randy Lott Nicole & Bruce Paisner Gerald Shepps Redmount Lippy Joseph Lovett & James Ilana Pachter & William Melanie & Joseph Shugart Carolyn Wiener Layne & Tiffany Harris Cottrell Wynn Anne P. Sidamon-Eristoff David Wilf Harrison Atelier Gabriel Luci & Chelsea Cheryl Paradis & Gene Larry & Ashley Silverman Barbara Wilks Douglas & Jessica Healy Plumb McCullough Harry Simino Dominic C. Williams & Drew & Amy Hearon Kristine S. Lupi Erin & Brian Pastuszenski Meredith Singer-Crew & Martha Norrick Thomas & Elizabeth Charles Lupica Kirk & Sue Patrick Jason Crew The Winston Foundation, Hefferon Jane & Bill Macan Steven Pavlakis & Bonnie Loren & Marlene Skeist Inc. Isaac & Sheila Heimbinder Gina MacArthur Messing Johanna Skrzypczyk & Thomas & Maureen Wipf Kris Heinzelman John Macintosh & Anna Robert H. Pees Emmanuel Gastard Andrea Wolfe & Kirk Lipsey Adria & Donald Hillman Verdi Marco Perez Elaine Sloan Doug Wolff The Hoffman Law Firm Macro Sea Inc. Alexandra & Frederick Sasha Slorer Dr. Elizabeth Wolff Lily & Joel Hoffman Joshua Madan Peters Ted Snowdon Dan Wonderly Frank Holozubiec Edward Mafoud Christopher Petescia & Beth Kenneth Soehner Mr. Peter Wright & Dr. Sally Linda Hope Brian & Florence Mahony Petescia James Sollins Dricks Mark Horowitz & Dorrine Dr. Robert Maki Antonia Pew Angela Solomon & Joel Simon Yates Veca Andreu Maldonado Elizabeth Peyton Solomon Michael Young & Debra Katherine Hosford & Ronald Daignault & Teresa Andrew Pinkowitz & Mary Richard & Mimi Somerby Raskin Christopher Welch Maloney Pinkowitz Susan Sommer & Stephen Brett Zaccardi David Howe & Charlene Sabina Mamedova Pauline Pinto Warnke Frank & Arrien Zinghini Wang Anthony Manheim Paul & Marjorie Possick Connie Sopic and Natalie Micha Ziprkowski Dennis Hranitzky Margaret Mastrianni Vlad Preoteasa Sopic Anonymous (11) Timothy Hughes Melissa Marans Sandra Pierson Prior Melissa Schiff Soros Laura Hussey Marla Maritzer Theodore Quinn Jonathan & Jennifer Soros July 18, 2017 Nicholas Hutak Phillip Marriott & Susannah Martin & Anna Rabinowitz Ellen Sorrin Alan Hyde Taylor Susan & Peter Ralston Dr. Rogelio Sosnik & Dr. Dr. Lois Jackson William Keith Marshall Claudia Bungaro & Irene Cairo Beth Jacobs & Dr. Keith John Marshall & Seriti Christopher Rapcewicz André Spears & Anne Rosen Gottesdiener Yamini Dr. Julie Ratner David Spears Olivier Janin & Mona Frank & Suzanne Martinez Shelley & Ron Rauchberg Jim & Kristen Spencer Chiang Jerri & Tom Mayer Bridget Read Shirley Staples & Donald Mr. & Mrs. Dudley D. Liese & Peter Mayer Johnathan Reale Vangel Johnson Joseph McDonagh Robert Reilly & Kenneth Sarah Stasny Patrick Johnson Gordon McLeod & Melanie Stein Ronald J. & Marion Stein T. Radey Johnson & Jane Grisanti Me & Ro Jeanne & Steven Stellman Platt Claudine & Aeric Meredith- Richmond Hills High Joshua Sternoff & Rebecca Andrea Jolles Goujon School Gradinger Barbara Julius & Marc Dr. James & Mrs. Jane Juergen Riehm & Jody Felicia Stingone & Phillip Silberberg McGroarty Oberfelder Rutherford Ralph Julius & Ken Nelson Rebecca Messner & Jake Kayte Ringer Gail Stone & Matt Fishbein Maryann & William Juska Leckie Daniel Rocha John & Karin Strasswimmer Steven R. Schindler & Danny & Audrey Meyer John Rockwell & Linda Leila Straus Susan M. Kath Daniel Michalow Mevorach The Dorothy Strelsin Aaron & Jacquie Katzel Mid Atlantic Arts Paul A. Rogers Foundation Sebastian & Hilke Kaupert Foundation Connie & Ted Roosevelt Kathleen Sullivan Michael Kaye & Andrea Joanna M. Migdal Susan and Elihu Rose Gabrielle Tana Loukin Timothy Milford & Liza Foundation Inc. Julie Tarney Peter Keegan Velazquez Andrea M. Rosen Cadogan Tate Susan Kellman Jason Miller & Ileana Lawrence Rosenthal Ronald & Adele Tauber Jessie Kelly Salazar Beverly & William Rosoff Josephine & Philip Teverow Suzanne Greene & John Judith Scofield Miller & James & Eliza Rossman Win & Lisa Thin Kelly David C. Miller Elizabeth A. Rovere Grace & John Timberlake David Kemp Virginia & Timothy Millhiser Melissa Bowen Rubin & Narcissa & John Titman Younghee Kim-Wait & Jarett Iliana F. Mindlin Joshua Rubin Dr. Irena Tocino F. Wait Sandra & Lowell Mintz Maisie Rubinstein Coralie Toevs Cubie King Jr. Michele Mirman Ann Rudovsky Limor Tomer Mr. Steve Reich & Ms. Donald & Gwen Moffat Lisa & Jonathan Sack Jenny Tolan & Catesby Beryl Korot Claire Molloy & Seth Lloyd Josh Safran & Jess Perrin Bennette Kramer & Eliot Maria Montoya Camacho Manny Torrijos & Jing Long Marissa M. Moore Jennifer Sage & Nicolas Shang Tan Kenneth & Susan Kramer Norma & Randy Moore Grabar Stephen Touhey Ashwin Krishnan Evangeline Morphos S. Gerald Saliman & Lane Trippe & Marian Joan Kronick Kathy Morton & David Raymond Vallejo Sabety Rob Krulak Nadelman Mina Samuels & David Linnet Tse & John Forsyth Roberta Krumholz Sammy & Merle Moultrie Foster Jonathan & Cynthia Uejio Edward & Phyllis Edward Nahem Val Schaffner Bill Updegraff & Aliza Kwalwasser Mr. Robert Napier & Ms. Michele & Jose Bartfield Helen & James Lally Sharon Napier Scheinkman Chauncey Upson Robert S. Langley Charles M. Nathan & Alisa Douglas & Ans Schickler Valery Upson Drs. John & Judie LaRosa F. Levin Evan & Lee S-K Sonia Valentin & Frank Jess Latham Laura Naylor Anthony Schlesinger & Fernandez Raymond Learsy Brian Negri Anne Forward BAM greatly appreciates all contributions in support of our work. We apologize for any inaccuracies. Please contact the Development Department at [email protected] with any corrections. BAM Board

Brooklyn Academy of Music Cheryl Della Rosa Bartholomew A. Sheehan III William Josephson Dinyar S. Devitre Brian Stafford Mary Kantor Chairman of the Board Mark Diker Axel Stawski John Lipsky Adam E. Max Yrthya Dinzey-Flores Doug Steiner Laurie Mallet Andre Dua Joseph A. Stern Cathy-Ann Martine-Dolecki Vice Chairman of the Board Thérèse Esperdy Pedro J. Torres David L. Ramsay, M.D., William I. Campbell Mallory Factor John L. Usdan M.Ed. Richard E. Feldman Brigitte Vosse Elaine Weinstein President Steven G. Felsher Nora Ann Wallace Hon. Franklin R. Weissberg Katy Clark Jeanne Donovan Fisher Veronica Westberg Barry M. Fox Adam Wolfensohn BAM Endowment Trust Chair Secretary MaryAnne Gilmartin Claire Wood Gabriel Pizzi Joseph V. Melillo Robert M. Greenberg Andrew Zolli Anoushka Healy Treasurer Treasurer G. Penn Holsenbeck Ex Officio Keith Stubblefield James I. McLaren Anne Hubbard Gina Argento Daniel A. Klores Lori Luis Members Presidents Emeriti Philippe Krakowsky Laura Popa William A. Douglass III Karen Brooks Hopkins Edgar A. Lampert Steven G. Felsher Harvey Lichtenstein (in memoriam) Gary Lynch Chairmen Emeriti Alan H. Fishman Patricia E. Michels Neil D. Chrisman Elizabeth Holtzman Members Ahrin Mishan Seth S. Faison (in memoriam) Timothy J. Ingrassia Jonathan S. Auerbach William A. Perlmuth Alan H. Fishman James I. McLaren Tony Bechara David L. Picket Bruce C. Ratner Alberto Sanchez Fran Bermanzohn Frances A. Resheske Timothy Sebunya Gordon Bowen Sarah C. Robertson Honorary Trustees R. Edward Spilka Linda Chinn Jonathan F.P. Rose Beth Rudin DeWoody Nora Ann Wallace Henry Christensen III Anna Kuzmik Sampas Robert L. Forbes Henry Christensen III, Ex Officio Pamela A. Codispoti Alberto Sanchez Charles J. Hamm Thérèse Esperdy, Ex Officio Dr. Rudolph F. Crew Timothy Sebunya Barbara B. Haws, C.A. Adam E. Max, Ex Officio

BAM Staff

Katy Clark, President ARCHIVES Eamon Boyland, Hayley Rowland, Bobby Arnold, Asst. Security Joseph V. Melillo, Executive Sharon Lehner, Director of Archives Interns Manager Producer Louie Fleck, Archives Manager Collie Dean, Supervising Attendant Alice Bernstein, Executive Vice Jan Carr, Evelyn Shunaman, STAGE CREW Guard President Processing Archivists Thomas Paulucci, Crew Chief Kenneth Aguillera, Michael Whyte, Coco Killingsworth, Vice President Anita Goss, Volunteer Librarian Oscar Gruchalski, Head Carpenter, Senior Attendant Guards of Education & Community Denis Azaro, Volunteer OH Juan Lebron, Lead Guard Bill Kramer, Vice President of Amy Domjan, Asst. Electrician, OH Marlon Desouza, Yasmin Diaz, Development BAM ROSE CINEMAS Nicholas Varacalli, Master of Kevin Lemon, Teonia Smith, Andel John Lanasa, Vice President of Gina Duncan, Assoc. Vice Properties, OH Thomas, Kelly Wheaton, Attendant Marketing & Communications President, Cinema Marc Putz, Sound Engineer, OH Guards Keith Stubblefield, Chief Financial BAMCINÉMATEK James Kehoe, Head Carpenter, HT Officer and iceV President of Ashley Clark, Senior Film Joseph Werner III, Asst. Carpenter, HT THEATER MANAGEMENT Finance & Administration Programmer John Manderbach, Head Christine M. Gruder, Theater Jesse Trussell, Programmer Electrician, HT Manager PRESIDENT’S OFFICE Ryan Werner, Programmer at Large Sean Kelly, Asst, Sound & Video John L. Jones, Assoc. Theater Alexandra Biss, Director of Board Natalie Erazo, Department Asst. Edward Donohue, Master of Manager Relations CINEMA OPERATIONS Properties, HT Sonia Clayton, Jacqueline David, Michael Doyle, Manager Efi Shahar, Cinema Executive Alison Dabdoub, Sound Engineer, HT Leroy Houston, Theater Staff Andrea Montesdeoca, Manager Tom Holler, Richard Wurzbach, Supervisors Administrative Asst. Michael Katz, Projectionist Utility Men Adam Goldberg, Asst. Manager Ginger Blake, Wardrobe Supervisor EDUCATION HUMAN RESOURCES Andreea Drogeanu, Anthony EDUCATION & FAMILY Seth Azizollahoff, Assoc. Vice Shields Jr., Patrece Stewart, GENERAL MANAGEMENT PROGRAMS President, HR Head Floor Staff Patrick J. Scully, Assoc. Vice Steven McIntosh, Director of Samara Alexander, Senior HR President & General Manager Education & Family Programs Manager HUMANITIES Sara Danielsen, Assoc. General John P. Tighe, Asst. Director of Cynthia Smith, Payroll Manager Molly Silberberg, Humanities Manager, Fisher Building Education Alexis Boehmler, Benefits Manager Manager Alexander Orbovich, Assoc. Eveline Chang, Mikal Lee, Verushka Gerard Franco, HR Coordinator General Manager Wray, Program Managers Courtney Best, Administrative Asst. VISUAL ART Liz Zieminski, GM Budget Manager Holly Shen, Curator of Visual Arts Jaclyn Bouton, Senior Project EDUCATION OPERATIONS ARTISTIC PROGRAMMING Alli Arnold, Visual Arts Development Manager Shana Parker, Director of Stonie Darling, Dept. Manager Sales Manager Liana Agredo, Project Manager Operations for Education Juan Pablo Siles, Coordinator of Mary Gordanier, Visual Arts Johanie Olivero, Project Supervisor Jennifer Leeson, Operations Artistic Planning Coordinator Chris Mode, GM Coordinator, Manager for Education Budgets & Contracts Nora Tjossem, Education PROGRAMS & CURATORIAL PRODUCTION Samuel Denitz, GM Coordinator Coordinator Amy Cassello, Assoc. Producer, R. Michael Blanco, Director of Cady Knoll, Fisher FOH Leo Paredes, Admin. Asst. Next Wave Festival Production Representative and Rentals Sarah Horne, DanceMotion USASM Dylan Nachand, Production Coordinator LEAD INSTRUCTORS Project Director Manager Jen Armas, Mtume Gant, Arts Meghan Rose Murphy, DanceMotion Collin Costa, Assoc. Production ARTIST SERVICES & Justice USASM Project Manager Manager Mary Reilly, Director of Artist Jenny Rocha, Dancing into the Jason Collins, Deanna Martinez, Paul Bartlett, Senior Production Services Future DanceMotion USASM Project Assts. Supervisor Stacey Dinner, Artist Services Michael LoMonico, Shakespeare Danny Kapilian, Producer, R&B Ryan Gastelum, Brian Sciarra, Manager Teaches Teachers Festival, MetroTech Courtney Wrenn, Production Jeannine Baca, Britney Polites, Lonnie Woods III, Brooklyn Steven Serafin, Special Consultant & Supervisors Artist Services Representatives Interns for Arts and Culture Editor, BAM: The Complete Works Heli Soell, Project Manager Palmer Johnston, Evan Kutcher, SECURITY TEACHING ARTISTS Laura Williams, Production Roger Davis, Security Manager Raquel Almazan, Jennifer Armas, Coordinators Gideon Bautista, Morris Beasley, BAM Staff

Rebecca Bliss, Stacey Bone Grace Finley, Admin. Asst. to VP of Jessica Hindle, Patron Services Iman Bance, AP Administrator Gleason, Mahogany Brown, Marketing & Communications Manager Yusuf Siddiquee, Fiscal Melissa Brown, Chia-Ti Chiu, Angelica Wilson, Marketing Intern Deema Salem, Patron Programs Coordinator Darian Dauchan, Harris Coordinator Meaghan McLaughlin, Finance Eisenstadt, Imani Faye, Okai AUDIENCE DEVELOPMENT & Annie Steingold, Patron Services Asst. Fleurimont, Kimani Fowlin, STRATEGIC PLANNING Coordinator Samara Gaev, Mtume Gant, Sharlene Chiu, Customer Loyalty Olivia Jacobs, Patron Services Asst. GOVERNMENT & COMMUNITY Ingrid Gordon, Pat Hall, Mel & Strategy Manager AFFAIRS House, Albert Iturregui-Elias, Claire Frisbie, Content Marketing MEMBERSHIP & DEVELOPMENT Schawannah Wright, Director of Devin Kawaoka, Gwendolyn Manager OPERATIONS Community Programs Kelso, Abigail Levine, Spencer Nathan Gould, Marketing Claire Charlesworth, Director of Dewonnie Frederick, Community Lott, Gladys Maldonado, Farai Manager, Development Membership & Development Affairs & Bazaar Manager Malianga, WT McRae, Anthony Matt Frazier, Advertising Coordinator Operations Merchant, Elia Monte Brown, Chris Tyler, Content Marketing Sarah Mischner, Assoc. Director, INFORMATION TECHNOLOGY Michael Mullen, Kwesi Nkroma, Coordinator Operations & Analytics William Allen Lee III, Director of Janet Onyenucheya, Pamela Travis Calvert, Senior Manager, Information Technology Patrick, Machiko Takeuchi Phillip, TICKET SERVICES Budget & Operations Ira Sibulkin, Assoc. Director of IT Mike Ramsey, Gwenyth Reitz, G. Scott Kubovsak, Director of Cheryl Miller, Membership Thomas Brown, Business Efeya Sampson, Victor Sanchez, Ticket Services Manager Analytics Manager Jashua SaRa, Billy Schultz, Kevin McLoughlin, Head Elizabeth Sarkady, Project Man- Svetlana Mikhalevskaya, Lauren Sharpe, Jen Shirley, Treasurer ager, Crediting & Operations Database Developer Elizabeth Simmons, Marcus Russell Grier, First Asst. Treasurer Richard Serrano, Research Manager Jason Q. Minnis, IT Project Smalls, Sara Stranovsky, Taylor Victor Jouvert, Charlie Dolce, Kyle Bruce Smolanoff, Telefundraising Manager Steele, Karen Thornton Daniels, Williams, Asst. Treasurers Manager Matthew Taylor, Andrei Iliescu, Jono Waldman, Sarah Wansley, Royda C. Venture, Ticket Services Steven Knudsen, Development Web Developers Adia Whitaker, Todd Woodard Manager Operations Asst. Jersy Rodriguez, Technical Georgina Richardson, Customer Emily Searles, Membership Asst. Support Manager MARKETING & Care Manager Tamar Audate, Tim Chawaga, COMMUNICATIONS Latasha McNeil, Asst. Manager SPECIAL EVENTS Technical Support Techs COMMUNICATIONS Ryan Mauldin, Ticket Services James Vause, Special Events Susan Bishop, Admin. Sandy Sawotka, Director of Coordinator Director Coordinator Communications Evan Dice, Miranda Gauvin, Grace Eubank, Special Events Lucas Austin, Desktop Analyst Sarah Garvey, Assoc. Director Ticket Services Senior Manager of Publicity Representatives Lucile Russo, Special Events STRATEGIC PLANNING & Susan Yung, Senior Editorial Saul Almiachev, Anaïs Blin, Lucca Coordinator PROJECTS Manager Damilano, Justin Dash, Robert Gina Dyches, Special Events Asst. Ellen Leszynski, Project Adriana Leshko, Senior Publicity Ebanks, Greg Garner, Warren Ng, Manager Manager Elsie Pacella, Edward Raube- FINANCE & ADMINISTRATION David Hsieh, Maureen Masters, Wilson, Angela Romualdez, CAPITAL PROJECTS Publicity Managers Allyson Steele, Noel Vega, Ticket Jonathan Jones, Director, Capital Audience Research & Analysis Christian Barclay, Publicist Services Representatives Projects George A. Wachtel James Sutton, Publications Asst. Daniel Costa, Capital Projects Merisa Sahin, Intern DEVELOPMENT Manager Bookseller Petra Laohakul, Admin. Asst. to Katerina Patouri, Capital Greenlight Bookstore CREATIVE SERVICES the VP of Development Projects & Government Andrew Sloat, Creative Director Affairs Coordinator European Production Patrick Morin, Assoc. Director CORPORATE RELATIONS & Representative of Design SPONSORSHIP BUILDING OPERATIONS On Tour Ltd., Roger Chapman Rebecca Brooker, Joseph Kaplan, Chantal Bernard, Director of Wendy Berot, Project Manager Kyle Richardson, Alison Corporate Relations & Danny Jiang, Operations Film Buyer Whitworth, Designers Sponsorship Manager Adam Birnbaum Ben Katz, Video Producer Terrance Knox, Director of New Lynn Alexander, Facilities Joseph Barglowski, Kaitlyn Business Development Manager Immigration Counsel Chandler, Video Editors Rebecca Carew, Senior Manager Markee Glover, Logistical Services Jonathan Ginsburg, Fettman, Dorothea Trufelman, Asst. Video of Corporate Relations & Coordinator Tolchin and Majors, PC Editor Sponsorship Ahmad Ghany, Raul Gotay, Andi Floyd, Blue Skies Jenny Choi, Publications Manager Mari Ogino, Sponsorship Asst. Anthony Sam, Building Immigrations Services, LLC Farah Haidari, Seán McKeithan, Services Assocs. Copywriters INSTITUTIONAL GIVING Insurance Broker Shu Chun Xie, Creative Services Clemente Luna, Director of BUILDING MAINTENANCE Dewitt Stern Project Manager Institutional Giving Anthony Shields, Maintenance Kati Rehbeck, Creative Services Asst. Kailin Husayko, Senior Manager Supervisor Medical Consultants of Institutional Giving Steve McDowell, Lead Ahmar Butt, MD DIGITAL MEDIA Semra Ercin, Institutional Giving Maintenance Technician Aaron Weibel, Director of Digital Manager Allan Boyce, Calvin Brackett, Legal Counsel Production Stephanie Caragliano, Institutional Ronald Hunter, Maintainers Mark Jackson Miles Bridges, Sarah Hayes, Giving Coordinator Carl Blango, Asst. Maintainer Alison Kozol, Digital Media Restaurateur Coordinators MAJOR GIFTS & PATRON CUSTODIAL SERVICES Great Performances PROGRAMS Ramon Cabassa, Custodial MARKETING Stacy Margolis, Assoc. VP of Supervisor Sep 1, 2017 Raphaele de Boisblanc, Senior Major Gifts & Patron Programs Elaine Colon, Jean Smith, Lead Marketing Manager William Lynch, Director of Custodians Rhea Daniels, Allison Leadership Giving & Special Yossess Allen, Ludlow Kadin, Marketing Managers Projects Chamberlain, Isaias Flores, Mayra Laura Scholl, Marketing Ramzi Awn, Director of Patron Guillen, Ron Rathan, Akeon Operations Manager Services Thomas, Custodians Britt Aronovich, Marketing Barbara Cummings, Director of Revenue Manager Development FINANCE Anna Troester, Marketing Maayan Dauber, Director of Kozue Oshiro, Controller Coordinator, Education & Patron Programs Tameka White, Asst. Controller Community Brent Radeke, Major Gifts Officer Claudia Bailey, Adam Sachs, Lindsay Brayton, Marketing & Michael Kendrick, Senior Assoc. Directors of Finance Publicity Asst. Manager of Patron Services & Brian Gee, Accounting Manager Donor Relations Tyler Cleveland, Staff Accountant