DOCSLIB.ORG

UC Irvine UC Irvine Electronic Theses and Dissertations

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
UC Irvine UC Irvine Electronic Theses and Dissertations UC Irvine UC Irvine Electronic Theses and Dissertations Title Sentimental Geographies: Cervantes and the Cultural Politics of Affect in the Early Modern Mediterranean Permalink https://escholarship.org/uc/item/3bx8c16b Author Johnson, Paul Michael Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA, IRVINE Sentimental Geographies: Cervantes and the Cultural Politics of Affect in the Early Modern Mediterranean DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in Spanish by Paul Michael Johnson Dissertation Committee: Associate Professor Luis F. Avilés, Chair Professor Steven Hutchinson Assistant Professor Santiago Morales-Rivera 2014 Portion of Chapter 6 © 2011 Cervantes Society of America Portion of Chapter 4 © 2013 eHumanista All other materials © 2014 Paul Michael Johnson For my family, who taught me about passion Remember, Paul, it is passion that makes the world go round. […] In the absence of passion the world would still be void and without form. Think of Don Quixote. Don Quixote is not about a man sitting in a rocking chair bemoaning the dullness of La Mancha. It is about a man who claps a basin on his head and clambers onto the back of his faithful old plough-horse and sallies forth to do great deeds. J. M. Coetzee, Slow Man ii TABLE OF CONTENTS Page LIST OF FIGURES........................................................................................................................................................... v ACKNOWLEDGMENTS ......................................................................................................................................... viiii CURRICULUM VITAE ................................................................................................................................................ xii ABSTRACT OF THE DISSERTATION ............................................................................................................ xviiii PREFACE: Exploring Affect across Cervantine Works and Mediterranean Worlds ................................................................................................................................................................. 1 PART ONE: Cervantine Affectivity ..................................................................................................................... 17 CHAPTER ONE: Diversity of Expression and Deviations from Reason: The Rhetoric and Philosophy of Cervantine Affectivity .................................................................... 18 ‘Deviations’ from Reason: Cervantes’s Emotional Philosophy ........................................................ 24 The Defiance of Expression............................................................................................................................... 34 The Visuality of Narrative.................................................................................................................................. 41 From Novel Emotions to Emotional Novels .............................................................................................. 57 Conclusion: From Variety of Experience to Diversity of Expression ............................................ 62 CHAPTER TWO: A Momentary Lapse of Reason? Cervantine Suspension and Emotional Exemplarity in the Novelas ejemplares ...................................................................... 75 The Event of Surprise and the Aesthetics of the Unexpected .......................................................... 79 Spanish Suspension in the English Court: “La española inglesa” ................................................... 84 From Music to Mysticism: Early Modern Cultures of Suspension ................................................. 93 From Apatheia to Admiratio: Ethical Solutions through Affect ................................................... 112 Conclusion: A Mediterranean Emotional Exemplarity ..................................................................... 120 CHAPTER THREE: Aporias of Love: Articulating the Ineffable in Los trabajos de Persiles y Sigismunda ........................................................................................................................ 130 Beyond Sentimentalism ................................................................................................................................... 133 Aporias ..................................................................................................................................................................... 139 iii Ineffability .............................................................................................................................................................. 150 Materiality .............................................................................................................................................................. 164 Conclusion .............................................................................................................................................................. 171 PART TWO: Shame: A Case Study ................................................................................................................... 177 CHAPTER FOUR: “Salido a la vergüenza”: Inquisition, Penality, and a Cervantine View of Mediterranean ‘Values’ ................................................................................ 178 Anthropologies of Mediterranean Honor and Shame ....................................................................... 183 Visual Topographies of Shame ..................................................................................................................... 196 The Art of Infamy in the Episodes of Encagement.............................................................................. 201 Conclusion: (Re)valuing Shame ................................................................................................................... 221 CHAPTER FIVE: Inhabiting Affect: The Cultural, Historical, and Ethical Functions of Shame in Don Quijote .................................................................................................. 233 Don Quijote’s Blush: The Syntax of Shameful Chivalry (I) .............................................................. 244 Don Quijote’s Blush: The Syntax of Shameful Chivalry (II) ............................................................ 249 The Passion of the Court: Shame and the Politics of Performance ............................................. 254 My Own Worst Enemy: Shame as Technology of the Self ............................................................... 269 Conclusion: The Cervantine Event of Shame ......................................................................................... 280 CHAPTER SIX: A Soldier’s Shame: The Specter of Captivity in “La historia del cautivo” ......................................................................................................................................................... 289 Recounting Captivity ......................................................................................................................................... 295 Reading an Unwritten Letter ........................................................................................................................ 305 Religious Contamination and Contested Reintegration ................................................................... 317 Captive Audiences .............................................................................................................................................. 324 Conclusion: The (Re)solution of Shame and the Politics of the Public ..................................... 330 AFTERWORD............................................................................................................................................................. 343 WORKS CITED .......................................................................................................................................................... 351 iv LIST OF FIGURES Page Figure 1. John Vanderbank (illustrator) and Gerard van der Gucht (engraver), Cervantes receives his arms to fight Chivalric Books (London, 1738; frontispiece). Burin engraving/etching (acquaforte). Cervantes Project. Cushing Memorial Library, Texas A&M University. ........................... 71 Figure 2. John Vanderbank (illustrator) and Gerard van der Gucht (engraver), Grisóstomo’s burial and Marcela’s appearance (London, 1738; I: 110). Burin engraving/etching (acquaforte). Cervantes Project. Cushing Memorial Library, Texas A&M University. ................................................. 72 Figure 3. John Vanderbank (illustrator) and Gerard van der Gucht (engraver), Sansón Carrasco proposes himself to be don Quixote’s squire (London, 1738; III: 60). Burin engraving/etching (acquaforte). Cervantes Project. Cushing Memorial Library, Texas A&M University. ........................... 73 Figure 4. John Vanderbank (illustrator) and Gerard van der Gucht (engraver), Don Quixote’s last will (London, 1738; IV: 363). Burin engraving/etching (acquaforte). Cervantes Project. Cushing Memorial Library, Texas A&M University. ........................................................................................................... 74 Figure 5. Philippe Joseph Auguste Vallot, L’ingénieux chevalier Don Quixote
Load more

Recommended publications
  • Drug Prohibition and Developing Countries: Uncertain Benefi Ts, Certain Costs 9 Philip Keefer, Norman Loayza, and Rodrigo R
    Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized Public Disclosure Authorized INNOCENT BYSTANDERS INNOCENT Philip Keefer and Norman Loayza, Editors andNormanLoayza, Philip Keefer Developing Countries and the War onDrugs War Countriesandthe Developing INNOCENT BYSTANDERS INNOCENT BYSTANDERS Developing Countries and the War on Drugs PHILIP KEEFER AND NORMAN LOAYZA Editors A COPUBLICATION OF PALGRAVE MACMILLAN AND THE WORLD BANK © 2010 The International Bank for Reconstruction and Development / The World Bank 1818 H Street NW Washington, DC 20433 Telephone: 202-473-1000 Internet: www.worldbank.org E-mail: [email protected] All rights reserved 1 2 3 4 13 12 11 10 A copublication of The World Bank and Palgrave Macmillan. PALGRAVE MACMILLAN Palgrave Macmillan in the United Kingdom is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire, RG21 6XS. Palgrave Macmillan in the United States is a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe, and other countries. This volume is a product of the staff of the International Bank for Reconstruction and Development / The World Bank. The fi ndings, interpretations, and conclusions expressed in this volume do not nec- essarily refl ect World Bank policy or the views of the Executive Directors of The World Bank or the governments they represent. The publication of this volume should not be construed as an endorse- ment by The World Bank of any arguments, either for or against, the legalization of drugs.
    [Show full text]
  • MP3, MP4 ¿Reproduces Sexismo?
    ¿reproduces sexismo? GUÍA PARA JÓVENES SOBRE PREVENCIÓN DE LA VIOLENCIA DE GÉNERO: ¿reproduces sexismo? ¿reproduces sexismo? ¡sin machismo sí! pásalo Edita: Instituto Canario de la Mujer. Consejería de Bienestar Social, Juventud y Vivienda. Gobierno de Canarias. Elabora: Fundación Mujeres Autora: Eva Mª de la Peña Palacios Primera edición: 2009 © De la edición: Instituto Canario de la Mujer Diseño gráfico y maquetación: Pablo Hueso & AC.sl Ilustración: Sonia Alins Ninguna parte de esta publicación, incluido el diseño puede ser reproducida, almacenada o transmitida en manera alguna ni por medio alguno, ya sea electrónico, mecánico, óptico, de grabación Versión digital de la edición impresa o de fotocopia, sin permiso previo y expreso de la entidad editora. Índice de la Guía Presentación 5 Manual de Instrucciones de la Guía 7 - DESCRIPCIÓN. ¿Cómo es y funciona la guía? 7 - ORIENTACIONES Y SUGERENCIAS DIDÁCTICAS. ¿Cómo utilizar la guía? 1 4 - OBJETIVOS. ¿Para qué? 1 9 - POBLACIÓN DESTINATARIA Y ÁMBITOS DE APLICACIÓN. ¿Para quién? 2 1 Tres Guías en una: 2 3 3 ¿reproduces sexismo? 2 5 mp3 Tipos de canciones para analizar (dinámicas) 3 7 1. CANCIONES que Reproducen 3 9 2. CANCIONES que Maltratan 7 9 3. CANCIONES que Previenen 9 7 Índice de la Guía ¿reproduces sexismo? 1 4 1 mp4 Bloques teóricos para saber más (teoría) 1 4 4 1. ¿QUÉ ES…LA VIOLENCIA DE GÉNERO? 1 4 7 2. ¿CÓMO SE MANIFIESTA…LA VIOLENCIA DE GÉNERO? 1 6 7 3. ¿CÓMO SE PRODUCE…LA VIOLENCIA DE GÉNERO? 1 8 7 4. ¿CÓMO SE PREVIENE…LA VIOLENCIA DE GÉNERO? 2 0 7 4 ¡sin machismo sí! 1 2 5 pásalo TEST para evaluar el sexismo interiorizado Y yo…¿soy machista? ¡CHEQUEA TU MACHISMO! 1 3 2 Y mi relación… ¿funciona? ¡CHEQUEA TU RELACIÓN, CHEQUEA EL AMOR! 1 5 5 Y el amor… ¿Es romántico? ¡CHEQUEA TU IDEA DEL AMOR! 1 7 8 Sobre Violencia Sexista ¡CHEQUEA LO QUE SABES ¡ 1 8 5 ¿Y que pasa si me pasa?..
    [Show full text]
  • Annual Report
    COUNCIL ON FOREIGN RELATIONS ANNUAL REPORT July 1,1996-June 30,1997 Main Office Washington Office The Harold Pratt House 1779 Massachusetts Avenue, N.W. 58 East 68th Street, New York, NY 10021 Washington, DC 20036 Tel. (212) 434-9400; Fax (212) 861-1789 Tel. (202) 518-3400; Fax (202) 986-2984 Website www. foreignrela tions. org e-mail publicaffairs@email. cfr. org OFFICERS AND DIRECTORS, 1997-98 Officers Directors Charlayne Hunter-Gault Peter G. Peterson Term Expiring 1998 Frank Savage* Chairman of the Board Peggy Dulany Laura D'Andrea Tyson Maurice R. Greenberg Robert F Erburu Leslie H. Gelb Vice Chairman Karen Elliott House ex officio Leslie H. Gelb Joshua Lederberg President Vincent A. Mai Honorary Officers Michael P Peters Garrick Utley and Directors Emeriti Senior Vice President Term Expiring 1999 Douglas Dillon and Chief Operating Officer Carla A. Hills Caryl R Haskins Alton Frye Robert D. Hormats Grayson Kirk Senior Vice President William J. McDonough Charles McC. Mathias, Jr. Paula J. Dobriansky Theodore C. Sorensen James A. Perkins Vice President, Washington Program George Soros David Rockefeller Gary C. Hufbauer Paul A. Volcker Honorary Chairman Vice President, Director of Studies Robert A. Scalapino Term Expiring 2000 David Kellogg Cyrus R. Vance Jessica R Einhorn Vice President, Communications Glenn E. Watts and Corporate Affairs Louis V Gerstner, Jr. Abraham F. Lowenthal Hanna Holborn Gray Vice President and Maurice R. Greenberg Deputy National Director George J. Mitchell Janice L. Murray Warren B. Rudman Vice President and Treasurer Term Expiring 2001 Karen M. Sughrue Lee Cullum Vice President, Programs Mario L. Baeza and Media Projects Thomas R.
    [Show full text]
  • Handel's Oratorios and the Culture of Sentiment By
    Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee A dissertation submitted in partial satisfaction of the Requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Davitt Moroney, Chair Professor Mary Ann Smart Professor Emeritus John H. Roberts Professor George Haggerty, UC Riverside Professor Kevis Goodman Fall 2013 Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment Copyright 2013 by Jonathan Rhodes Lee ABSTRACT Virtue Rewarded: Handel’s Oratorios and the Culture of Sentiment by Jonathan Rhodes Lee Doctor of Philosophy in Music University of California, Berkeley Professor Davitt Moroney, Chair Throughout the 1740s and early 1750s, Handel produced a dozen dramatic oratorios. These works and the people involved in their creation were part of a widespread culture of sentiment. This term encompasses the philosophers who praised an innate “moral sense,” the novelists who aimed to train morality by reducing audiences to tears, and the playwrights who sought (as Colley Cibber put it) to promote “the Interest and Honour of Virtue.” The oratorio, with its English libretti, moralizing lessons, and music that exerted profound effects on the sensibility of the British public, was the ideal vehicle for writers of sentimental persuasions. My dissertation explores how the pervasive sentimentalism in England, reaching first maturity right when Handel committed himself to the oratorio, influenced his last masterpieces as much as it did other artistic products of the mid- eighteenth century. When searching for relationships between music and sentimentalism, historians have logically started with literary influences, from direct transferences, such as operatic settings of Samuel Richardson’s Pamela, to indirect ones, such as the model that the Pamela character served for the Ninas, Cecchinas, and other garden girls of late eighteenth-century opera.
    [Show full text]
  • Lecuona Cuban Boys
    SECCION 03 L LA ALONDRA HABANERA Ver: El Madrugador LA ARGENTINITA (es) Encarnación López Júlvez, nació en Buenos Aires en 1898 de padres españoles, que siendo ella muy niña regresan a España. Su figura se confunde con la de Antonia Mercé, “La argentina”, que como ella nació también en Buenos Aires de padres españoles y también como ella fue bailarina famosísima y coreógrafa, pero no cantante. La Argentinita murió en Nueva York en 9/24/1945.Diccionario de la Música Española e Hispanoamericana, SGAE 2000 T-6 p.66. OJ-280 5/1932 GVA-AE- Es El manisero / prg MS 3888 CD Sonifolk 20062 LA BANDA DE SAM (me) En 1992 “Sam” (Serafín Espinal) de Naucalpan, Estado de México,comienza su carrera con su banda rock comienza su carrera con mucho éxito, aunque un accidente casi mortal en 1999 la interumpe…Google. 48-48 1949 Nick 0011 Me Aquellos ojos verdes NM 46-49 1949 Nick 0011 Me María La O EL LA CALANDRIA Y CLAVELITO Duo de cantantes de puntos guajiros. Ya hablamos de Clavelito. La Calandria, Nena Cruz, debe haber sido un poco más joven que él. Protagonizaron en los ’40 el programa Rincón campesino a traves de la CMQ. Pese a esto, sólo grabaron al parecer, estos discos, y los que aparecen como Calandria y Clavelito. Ver:Calandria y Clavelito LA CALANDRIA Y SU GRUPO (pr) c/ Juanito y Los Parranderos 195_ P 2250 Reto / seis chorreao 195_ P 2268 Me la pagarás / b RH 195_ P 2268 Clemencia / b MV-2125 1953 VRV-857 Rubias y trigueñas / pc MAP MV-2126 1953 VRV-868 Ayer y hoy / pc MAP LA CHAPINA.
    [Show full text]
  • Ciudadanos Imaginados: Historia Y Ficción En Las Narrativas Televisadas Durante El Bicentenario De La
    Ciudadanos imaginados: historia y ficción en las narrativas televisadas durante el Bicentenario de la Independencia en Colombia, Chile y Argentina Mary Yaneth Oviedo Department of Languages, Literatures and Cultures McGill University, Montreal November 2017 A thesis submitted to McGill University in partial fulfilment of the requirements of the degree of Doctor of Philosophy © Mary Yaneth Oviedo 2017 2 Tabla de contenido RESUMEN…............................................................................................................................................... 4 ABSTRACT………. .................................................................................................................................... 6 SOMMAIRE........ ........................................................................................................................................ 8 Agradecimientos.. ...................................................................................................................................... 10 Introducción……. ..................................................................................................................................... 11 Televisión, historia y ficción .................................................................................................................. 15 Televisión y melodrama ......................................................................................................................... 17 Capítulo 1. La Pola: La historia nacional hecha telenovela ...........................................................
    [Show full text]
  • Representación De La Violencia En La Novela Del Narcotráfico Y El Cine Colombiano Contemporáneo
    University of Kentucky UKnowledge University of Kentucky Doctoral Dissertations Graduate School 2010 REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEO Claudia Ospina University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Ospina, Claudia, "REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEO" (2010). University of Kentucky Doctoral Dissertations. 45. https://uknowledge.uky.edu/gradschool_diss/45 This Dissertation is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Doctoral Dissertations by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF DISSERTATION Claudia Ospina The Graduate School University of Kentucky 2010 REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEO ABSTRACT OF DISSERTATION A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Sciences at the University of Kentucky By Claudia Ospina Lexington, Kentucky Director: Dr. Susan Carvalho, Associate Provost for International Programs Lexington, Kentucky 2010 Copyright © Claudia Ospina 2010 ABSTRACT OF DISSERTATION REPRESENTACIÓN DE LA VIOLENCIA EN LA NOVELA DEL NARCOTRÁFICO Y EL CINE COLOMBIANO CONTEMPORÁNEO This dissertation analyzes the representation of violence in Colombian novels and films from the last two decades of the XX century. Aided by current theories of violence and representation on the one hand, and an interdisciplinary methodology that analyses the phenomenon of the violence of drug trafficking from different perspectives on the other, my analysis examines the challenges and limits of literary and cinematic representation as it grapples with the extreme realities of life in Colombia’s major cities.
    [Show full text]
  • La Imagen De La Justicia Divina
    Paulino Rodríguez Barral La imagen de la justicia divina. La retribución del comportamiento humano en el más allá en el arte medieval de la Corona de Aragón. Tesis doctoral dirigida por el Dr. Joaquín Yarza Luaces Departamento de Arte Facultad de Letras Universidad Autónoma de Barcelona Febrero 2003 ÍNDICE INTRODUCCIÓN......................................................................................................................................7 JUICIO FINAL Y JUICIO PARTICULAR EN EL PENSAMIENTO MEDIEVAL ........................11 DIALÉCTICA DEL PREMIO Y EL CASTIGO EN LA PREDICACIÓN ........................................21 LA PREDICACIÓN Y EL “EXEMPLUM” COMO INSTRUMENTOS DE SALVACIÓN ...............21 Predicadores y aparecidos: una alianza al servicio de la salvación.................................................24 Aparecidos en demanda del auxilio de los vivos ...............................................................................25 Aparecidos al servicio de la pastoral del miedo................................................................................29 Aparecidos del purgatorio.............................................................................................................................. 30 Aparecidos del infierno.................................................................................................................................. 32 “In inferno nulla est redemptio”. Inutilidad de los sufragios por las almas condenadas.................34 Excepciones a la regla: una segunda oportunidad............................................................................35
    [Show full text]
  • Commencement 2008 (Program and Audio)
    Illinois Wesleyan University Digital Commons @ IWU Commencement Conferences & Events Spring 5-4-2008 Commencement 2008 (Program and audio) Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/commencement_docs Recommended Citation Illinois Wesleyan University, "Commencement 2008 (Program and audio)" (2008). Commencement. 64. https://digitalcommons.iwu.edu/commencement_docs/64 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. MAY 4, 2008 ECKLEY QUADRANGLE ILLINOIS WESLEYAN UNIVERSITY Cover illustration The Memorial Gymnasium completed in 1922, to honor students who lost their lives in World War I, was adapted for reuse as the University student center in 2002. It was renamed the Hansen Student Center in honor of Trustee Thomas 0. Hansen '82, whose lead-gift made the project possible. Founded in 1850 by 30 civic and Methodist Church leaders, Illinois Wesleyan today is among the nation's leading private liberal arts institutions. The University's first graduate was James H. Barger, son of founder Rev.
    [Show full text]
  • Emerging from the Shadows: Civil War, Human Rights, And
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Anthropology Department Theses and Anthropology, Department of Dissertations Summer 6-16-2014 EMERGING FROM THE SHADOWS: CIVIL WAR, HUMAN RIGHTS, AND PEACEBUILDING AMONG PEASANTS AND INDIGENOUS PEOPLES IN COLOMBIA AND PERU IN THE LATE 20TH AND EARLY 21ST CENTURIES Charles A. Flowerday University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/anthrotheses Part of the Biological and Physical Anthropology Commons, Christian Denominations and Sects Commons, Christianity Commons, Community Psychology Commons, Comparative Methodologies and Theories Commons, Counseling Commons, Ethics in Religion Commons, Folklore Commons, Health Psychology Commons, History of Christianity Commons, International Relations Commons, Multicultural Psychology Commons, New Religious Movements Commons, Politics and Social Change Commons, Religious Thought, Theology and Philosophy of Religion Commons, Rural Sociology Commons, Social and Cultural Anthropology Commons, Social Psychology Commons, and the Sociology of Culture Commons Flowerday, Charles A., "EMERGING FROM THE SHADOWS: CIVIL WAR, HUMAN RIGHTS, AND PEACEBUILDING AMONG PEASANTS AND INDIGENOUS PEOPLES IN COLOMBIA AND PERU IN THE LATE 20TH AND EARLY 21ST CENTURIES" (2014). Anthropology Department Theses and Dissertations. 33. http://digitalcommons.unl.edu/anthrotheses/33 This Article is brought to you for free and open access by the Anthropology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Anthropology Department Theses and Dissertations by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. EMERGING FROM THE SHADOWS: CIVIL WAR, HUMAN RIGHTS, AND PEACEBUILDING AMONG PEASANTS AND INDIGENOUS PEOPLES IN COLOMBIA AND PERU IN THE LATE 20TH AND EARLY 21ST CENTURIES by Charles A.
    [Show full text]
  • Selected Vocal Repertoire
    Selected Vocal Repertoire * = premiered by Barbara Hannigan van der Aa Here (to be found) * Here (in circles) * One * Abrahamsen let me tell you* Andriessen Four Beatles Songs Writing to Vermeer (Saskia) * Aperghis de la nature de la gravité de la nature de l’eau * Ayres In the Alps* J.S. Bach B minor mass Coffee Cantata (Lieschen) Hunt Cantata (Diana) Jauchzet Gott in allen Landen (Cantata 51) Johannes Passion Lutheran Mass Magnificat Matthäus Passion Peasant Cantata C.P.E. Bach Passion de Lezten Leidens Barry Karlheinz Stockhausen * La Plus Forte (Madame X) * The Bitter Tears of Petra von Kant (Gabrielle) The Importance of Being Earnest (Cecily Cardew) Beckwith Synthetic Trios Benjamin Written on Skin (Agnes)* Berg Der Wein Lulu (title role) Sieben Frühe Lieder Wozzeck fragments for soprano and orchestra Berio Sequenza 3 Sinfonia Binsbergen Sidenote: Howard Report* Boccherini Stabat Mater Boulez Le visage nuptial Pli selon pli Britten Les Illuminations The Rape of Lucretia (Lucia) Carissimi Jephtha (Jephtha’s daughter) Castiglione Cantus Planus Cavalli Giasone (Amore, Alinda) Charpentier Actéon (Arethuze) Chin Le silence des sirènes * Clerambault L’amour piqué par une abeille Crumb Apparition Dallapiccola Cinque frammenti di Saffo Debussy La Damoiselle Elue Defoort House of the Sleeping Beauties (The Women) * Dusapin Passion (Lei)* To God Dutilleux Correspondances Eötvös Octet Plus * Snatches of a Conversation Foss Time Cycle Francesconi Etymo Gluck Orfeo ed Eurydice (Amor) Grisey Quatre chants pour franchir le seuil Gubaidulina Hommage
    [Show full text]
  • Veep Guests: Gary Cole and David Mandel
    The West Wing Weekly 0.14: Veep Guests: Gary Cole and David Mandel [Intro Music] HRISHI: You're listening to The West Wing Weekly. I’m Hrishikesh Hirway. JOSH: And I’m Joshua Malina. HRISHI: Well, we're done with season six and as a result, we're done with Vice President Bob Russell. That was his last episode last episode. JOSH: That's right. But before we start season seven, we've got a bonus episode and we could think of no better way to honor Bingo Bob, and one of our other favorite shows about politics, than with a special episode on Veep with special guests Gary Cole who played VP Russell, of course, as well as Kent Davison on Veep and Veep's show runner: Dave Mandel. HRISHI: Veep is an amazing show and you should all be watching it or you should be done watching it now that the series is wrapped. If you don't know Veep has been nominated for a total of 59 Emmys and it won 17 of them. It just ended this past May and like The West Wing, it's going to be missed. But we were thrilled to get the chance to talk to Gary Cole and Dave Mandel. GARY: This is Gary Cole and I play Kent Davison on Veep and on West Wing, known as Bingo Bob. What was his last name? I don’t know [crosstalk] JOSH and HRISHI: [crosstalk] Russell GARY: Bob Russell JOSH: I love that you had to ask that. GARY: Yeah. I did.
    [Show full text]