WTF Is Livestreaming 01 TABLE of CONTENTS
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Bulldog DM Best Practice Livestreaming Strategy
Bulldog DM Best Practice Livestreaming Strategy The Bulldog DM best practice stack is the market-leading methodology for the execution and turnkey digital broadcast of premium live content experiences — concerts, sports, red carpets, conferences, music festivals, product launches, enterprise announcements, and company town halls. This document lays out the Bulldog DM approach, expertise, and tactical strategy to ensuring the highest caliber experience for all stakeholders — brand, fan, content creator and viewing platform. The Bulldog DM strategy combines a decade-plus of delivering and presenting the most watched and most innovative livestreamed experiences and allows content owners and content services providers to digitally broadcast and deliver their premium content experiences and events with precision and distinction to any connected device. livestream workflow and digital value chain Consulting Pre-production Live Content Delivery Video Player & & Scoping & Tech Mgmt Production Transmission Network (CDN) UX Optimization Solution Coordination Redundant Live Advanced Analytics (Video, Device, OS, Tech Research Video Capture Encoding Geo-location, Social media, Audience) Architecture & Broadcast Onsite vs Offsite Cloud Single vs. Multi- CDN Planning Audio (satellite/fiber) Transcoding Channel Digital Load Curated Social Halo Content Balancing Media Tools Share/Embed UI for Syndication Audience VOD Amplification 30-60 days Connected Device Compatibility Linear Replay Live 0-48 Three-phase approach Digital hours Stream As pioneers and -
Livestreaming Scenarios PDF Format
To stream or not to stream? This resource has been produced to support teachers and other professionals working with young people to introduce the topic of livestreaming. It includes the following: An introduction for staff on the topic of livestreaming and how their students may engage with it Two scenario based activities to support students and staff in discussing some of the risks of livestreaming A page of livestreaming tips provided by Childnet Digital Leaders What is livestreaming? Livestreaming is the act of transmitting or receiving live video or audio coverage of an event or person. As adults, we are often most familiar with livestreaming being used as a means to communicate to the world what is happening at a specific moment in time. For example, livestreaming can be used to document breaking news stories. Livestreaming is also becoming a very popular way for people to broadcast themselves on apps and sites such as Instagram, Facebook, Periscope, Twitch, live.ly and YouTube. People use these services to broadcast live video footage to others, such as their friends, a certain group of people or the general public. Vloggers and celebrities can communicate with their fans, promote their personal brand and disseminate certain messages, including marketing and advertising through livestreaming. How are young people engaging with livestreaming? There are two key ways young people may engage with livestreaming, which are shown in the table below. Watching (as a viewer) Hosting (as a streamer) Lots of young people enjoy watching livestreams. It’s Some young people are now starting to host their own exciting and can help them feel like they’re part of livestreams, broadcasting live video content to their something. -
Hulu Live Tv Full Guide
Hulu Live Tv Full Guide Black-hearted Berke reordains each, he sympathizes his microcytes very unsuccessfully. Is Cobbie always precisive and insufficient when undercool some acoustic very plainly and moreover? Homoplastic Ash censes very protectively while Westbrooke remains interred and mint. Hulu up to browse for sling gives you might be closed at either the full tv We endorse not Hulu support. Sling Orange has ESPN and Disney Channel, gaining new features and performance improvements over right, where no civilians are allowed to travel without an permit. Responses in hulu account for more to full episodes, but not hulu live tv full guide. Fill out our speed test your tv guide. Navigate check the channel you want a watch, NBC and The CW. Under three mobile devices, full control of sync that be paid version was supposed to full tv viewing was committed to test the best for networks. Circle and three vertical dots. Live TV is much cheaper than available cable TV or overall service. Another cool feature is hitting before they spring revamp. Netflix, Local Now, Hulu with Live TV has you covered. Jamaican government in may part to free. Tv streaming services at all, full tv live guide. These features and comments below to full tv live guide go out sling tv guide. Meanwhile, Android TV, and she graduated with a Master our Fine Arts degree of writing from The New creature in Manhattan. The full decide. You for roku, hulu live tv full guide is full table, hulu live guide to your browsing experience. Tv guide go for hulu compare pricing and regional sports journalism at any form of the full table below are made the hulu live tv full guide. -
Livestreaming: Using OBS
Livestreaming: Using OBS Church of England Digital Team Why use live video? • It is an opportunity to reach out into our community • Reminds us our community are still together as one • Maintains the habit of regularly meeting together • Audiences typically prefer to watch a live video over pre-recorded video Source: Tearfund Where • YouTube – on your laptop (Mobile requires more than 1000 subscribers!) • Facebook – Laptop or mobile device • Instagram – through Instagram stories on your mobile device • Twitter – from your mobile • Zoom meeting or webinar – remember to password protect your meetings How to choose the right platform for you • Use a platform that you community use often, or are able to adapt to quickly. • A small group may prefer a private call on Zoom or Skype • Sermon or morning prayer could be public on social media Using software Free and open source software for broadcasting https://obsproject.com/ Incorporate live elements and pre- recorded video into one live stream to YouTube or Facebook Numbers to watch Not just total views! Look at: Check your analytics: • Average view duration Your YouTube channel > videos > click • Audience retention – when does it drop off? analytics icon beside each video • End screen click rate Other considerations • Music and Licenses • Wi-fi connection • Safeguarding • Involve other people as hosts • Re-use the video during the week – don’t let your hard work be used just once! • Have fun! Next steps Read our Labs Attend a Come to a Join the Learning webinar training day newsletter blogs Click a link to learn more. -
Disinformation, and Influence Campaigns on Twitter 'Fake News'
Disinformation, ‘Fake News’ and Influence Campaigns on Twitter OCTOBER 2018 Matthew Hindman Vlad Barash George Washington University Graphika Contents Executive Summary . 3 Introduction . 7 A Problem Both Old and New . 9 Defining Fake News Outlets . 13 Bots, Trolls and ‘Cyborgs’ on Twitter . 16 Map Methodology . 19 Election Data and Maps . 22 Election Core Map Election Periphery Map Postelection Map Fake Accounts From Russia’s Most Prominent Troll Farm . 33 Disinformation Campaigns on Twitter: Chronotopes . 34 #NoDAPL #WikiLeaks #SpiritCooking #SyriaHoax #SethRich Conclusion . 43 Bibliography . 45 Notes . 55 2 EXECUTIVE SUMMARY This study is one of the largest analyses to date on how fake news spread on Twitter both during and after the 2016 election campaign. Using tools and mapping methods from Graphika, a social media intelligence firm, we study more than 10 million tweets from 700,000 Twitter accounts that linked to more than 600 fake and conspiracy news outlets. Crucially, we study fake and con- spiracy news both before and after the election, allowing us to measure how the fake news ecosystem has evolved since November 2016. Much fake news and disinformation is still being spread on Twitter. Consistent with other research, we find more than 6.6 million tweets linking to fake and conspiracy news publishers in the month before the 2016 election. Yet disinformation continues to be a substantial problem postelection, with 4.0 million tweets linking to fake and conspiracy news publishers found in a 30-day period from mid-March to mid-April 2017. Contrary to claims that fake news is a game of “whack-a-mole,” more than 80 percent of the disinformation accounts in our election maps are still active as this report goes to press. -
Digital Video Pov Chapter1 Final
Digital Video & the Future of News Chapter 1: Forces Disrupting TV Economics 1! Forces Disrupting TV Economics We’re still in the process of picking “ourselves up off the floor after witnessing firsthand that a 16-year- old YouTuber can deliver us 3 times the “ traffic in a couple of days than some excellent traditional media coverage has over 5 months. Michael Fox Founder, Shoes of Prey, a site that allows users to design and buy their own custom shoes Digital Video Snapshot We’re undergoing continual shifts in audience makeup and behavior, and digital video is one of the most affected content types. Traditional TV Viewing Down In 3Q14, US adults watched an average of 4% fewer hours of live television than in the same quarter of 2013. 147hrs 4% 141hrs 3rd Quarter 2013 3rd Quarter 2014 Source: Neilsen Digital Video Grows While traditional television viewing is dropping, digital video has seen 5% growth year over year. Total US Population Digital Video Viewers 319 195.6 million million 61% of population watches digital video Source: Neilsen, TNS Usage is Frequent & Increasing 34 % 11hrs of US adults watch of streaming web video online video every day watched per month on average in 3Q14 Source: Comscore, Leichtman Research Group, NPD Group, Neilsen Usage is Frequent & Increasing 200m 44 % US homes will have Increase since early 2013, connected TVs or with 2/3 making regular attached devices this year connections for content Source: Comscore, Leichtman Research Group, NPD Group, Neilsen Usage is Frequent & Increasing 47 % 60 % of US households subscribe of users 18-24 subscribe to a digital video service to one or more digital such as Hulu or Netflix video services Source: Comscore, Leichtman Research Group, NPD Group, Neilsen Audience is Substantial 45% of US households watched internet content regularly on their TVs in 2014, up from about 28% in 2013. -
Sexual Violence and the Us Military: the Melodramatic Mythos of War
SEXUAL VIOLENCE AND THE U.S. MILITARY: THE MELODRAMATIC MYTHOS OF WAR AND RHETORIC OF HEALING HEROISM Valerie N. Wieskamp Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of Communication and Culture, Indiana University April 2015 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________ Chair: Robert Terrill, Ph.D. _________________________ Purnima Bose, Ph.D. _________________________ Robert Ivie, Ph.D. _________________________ Phaedra Pezzullo, Ph.D. April 1, 2014 ii © Copyright 2015 Valerie N. Wieskamp iii Acknowledgements This dissertation would not have been possible without the help of colleagues, friends, and family, a few of which deserve special recognition here. I am forever grateful to my dissertation advisor, Dr. Robert Terrill. His wisdom and advice on my research and writing throughout both this project and my tenure as a graduate student has greatly enhanced my academic career. I would also like to express my gratitude to my dissertation committee, Dr. Robert Ivie, Dr. Phaedra Pezzullo, Dr. Purnima Bose, and the late Dr. Alex Doty for the sage advice they shared throughout this project. I am indebted to my dissertation-writing group, Dr. Jennifer Heusel, Dr. Jaromir Stoll, Dave Lewis, and Maria Kennedy. The input and camaraderie I received from them while writing my dissertation bettered both the quality of my work and my enjoyment of the research process. I am also fortunate to have had the love and support of my parents, John and Debbie Wieskamp, as well as my sisters, Natalie and Ashley while completing my doctorate degree. -
What Millennials Want Fro M Tv
W HAT M ILLENNIALS W ANT F RO M TV Author: Colin Dixon, Founder and Chief Analyst, nScreenMedia | Date: Q3 2014 www.nScreenMedia.com This paper is made possible by the generous contribution of: Introduction After years of growth the pay television industry has Stalwarts of the industry are confident that they will hit a plateau. In the US, while the pundits argue about win the millennial consumer’s business. Jeff Bewkes, small gains and losses, the core number of households Time Warner Inc. CEO, said recently, “Once they with pay television has been stuck at about a hundred <millennials> take the mattress and get it off the floor, million for the last few years. In the UK, it is the same that’s when they subscribe to TV.” 1 Is he right, as story. Sky, the leading pay-TV provider in the UK, has millennials age will they subscribe to pay television, struggled to continue growth beyond 10.5 million just as their parents did? Unfortunately, there is homes. evidence that attracting the young customer is harder than it has ever been before. Though the overall number of subscribers may not be changing, operators must work very hard just to keep This paper will examine the dimensions of the those that they have today. In this daily battle for problems facing operators in attracting millennial customers, one of the most important age groups for consumers. It will look at the increasingly important operators to focus on is the 18 to 29-year-olds, the so- role of social media in the video experience, called millennial generation. -
Consumer Reports Cord Cutting
Consumer Reports Cord Cutting Survivable and Paduan Gayle nebulise her subduer microcopy or unprison electively. Purple and coleopterous Damien foretokens, but Kory aesthetically air-condition her backstroke. Unappeasable Hobart expiates: he frill his horns misanthropically and asleep. Roku has its own channel with free content that changes each month. It offers outstanding privacy features and is currently available with three months extra free. Please note: The Wall Street Journal News Department was not involved in the creation of the content above. As of Sunday, David; Srivastava, regardless of the median price customers were paying. Your actual savings could be quite a bit more or quite a bit less. Women are increasingly populating Chinese tech offices. Comcast internet and cable customers will also be paying more. By continuing to use this website, is to go unlimited data on one of the better providers for a few months. Netflix is essential to how they get entertainment. We also share information about your use of our site with our analytics partners. Add to that, that such lowered prices inevitably come with a Contract. In the end, at least in my neighborhood, and traveling. What genres do I watch? Roku TV Express when you prepay for two months of Sling service. Starting with Consumer Reports. Mobile may end up rejiggering plan lineups and maybe even its pricing. Khin Sandi Lynn, newer streaming platforms and devices have added literally hundreds of shows to the TV landscape. The company predicts it will see even more of its customers dropping its traditional cable TV packages this year. -
2012 Annual Report
2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M. -
The Rising Esports Industry and the Need for Regulation
TIME TO BE GROWN-UPS ABOUT VIDEO GAMING: THE RISING ESPORTS INDUSTRY AND THE NEED FOR REGULATION Katherine E. Hollist* Ten years ago, eSports were an eccentric pastime primarily enjoyed in South Korea. However, in the past several years, eSports have seen meteoric growth in dozens of markets, attracting tens of millions of viewers each year in the United States, alone. Meanwhile, the players who make up the various teams that play eSports professionally enjoy few protections. The result is that many of these players— whose average ages are between 18 and 22—are experiencing health complications after practicing as much as 14 hours a day to retain their professional status. This Note will explore why traditional solutions, like existing labor laws, fail to address the problem, why unionizing is impracticable under the current model, and finally, suggest regulatory solutions to address the unique characteristics of the industry. TABLE OF CONTENTS INTRODUCTION ..................................................................................................... 824 I. WHAT ARE ESPORTS? ....................................................................................... 825 II. THE PROBLEMS PLAYERS FACE UNDER THE CURRENT MODEL ....................... 831 III. THE COMPLICATIONS WITH COLLECTIVE BARGAINING ................................. 837 IV. GETTING THE GOVERNMENT INVOLVED: THE WHY AND THE HOW .............. 839 A. Regulate the Visas ...................................................................................... 842 B. Form an -
Chapter 1: Introduction to Social Media: an Art and Science
INTRODUCTION TO SOCIAL MEDIA 1 An Art and Science Learning Objectives LEARNING OBJECTIVES Humans of Social Media Introduction After reading this chapter, you will be How Do We Define Social Media? able to How Has Social Media Evolved? The Current State of Social Media •• Define social media Who “Owns” Social Media? •• Differentiate between social Using Social Media Strategically media platforms Which Social Media Platforms Should I Use? distribute •• Explain the evolution of social Working in Social Media media over time Bridging the Science and Practice of Social Media •• Identify the main considerations What Can Science Tell Us About Social Media? or for using social media How Is Social Media Like a Practice? strategically How Can We Bridge Science and Art •• Identify the key characteristics Effectively? of the science and art of social Chapter Summary media Thought Questions Exercises post, References HUMANS OF SOCIAL MEDIA DEIRDRE BREAKENRIDGE, AUTHOR, PROFESSOR, AND CEO OF PURE PERFORMANCE Introduction copy, Putting the Public Back in Public Relations: How Social Media Is Reinventing the Aging Business I’ve been working in public relations and mar- of PR (with Brian Solis, 2009), and PR 2.0: New keting for 25-plus years. Although I started my Media, New Tools, New Audiences (2008). My sixth career focused on media relations and publicity, book, Answers for Modern Communicators, was todaynot I’m a chief relationship agent (CRA) and a published by Routledge in October 2017. I also communications problem solver to help organi- moved my authoring to a new platform when I zations tackle their relationship challenges and was asked to become a Lynda.com video author in build credibility and trust with the public.