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AMERICA's ANNEXATION of HAWAII by BECKY L. BRUCE
A LUSCIOUS FRUIT: AMERICA’S ANNEXATION OF HAWAII by BECKY L. BRUCE HOWARD JONES, COMMITTEE CHAIR JOSEPH A. FRY KARI FREDERICKSON LISA LIDQUIST-DORR STEVEN BUNKER A DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of The University of Alabama TUSCALOOSA, ALABAMA 2012 Copyright Becky L. Bruce 2012 ALL RIGHTS RESERVED ABSTRACT This dissertation argues that the annexation of Hawaii was not the result of an aggressive move by the United States to gain coaling stations or foreign markets, nor was it a means of preempting other foreign nations from acquiring the island or mending a psychic wound in the United States. Rather, the acquisition was the result of a seventy-year relationship brokered by Americans living on the islands and entered into by two nations attempting to find their place in the international system. Foreign policy decisions by both nations led to an increasingly dependent relationship linking Hawaii’s stability to the U.S. economy and the United States’ world power status to its access to Hawaiian ports. Analysis of this seventy-year relationship changed over time as the two nations evolved within the world system. In an attempt to maintain independence, the Hawaiian monarchy had introduced a westernized political and economic system to the islands to gain international recognition as a nation-state. This new system created a highly partisan atmosphere between natives and foreign residents who overthrew the monarchy to preserve their personal status against a rising native political challenge. These men then applied for annexation to the United States, forcing Washington to confront the final obstacle in its rise to first-tier status: its own reluctance to assume the burdens and responsibilities of an imperial policy abroad. -
A Murder, a Trial, a Hanging: the Kapea Case of 1897–1898
esther k. arinaga & caroline a. garrett A Murder, a Trial, a Hanging: The Kapea Case of 1897–1898 Kapea was a 20 year-old Hawaiian man executed by hanging for the murder of Dr. Jared K. Smith of Köloa, Kaua‘i.1 Kapea’s 1897–98 arrest, trial, and execution in the fi nal years of the Republic of Hawai‘i illustrates legal, political, and cultural dynamics which found expres- sion in Hawai‘i’s courts during the critical years preceding Hawai‘i’s annexation to the United States. In 1874 David Kaläkaua succeeded Lunalilo as monarch of the Hawaiian Kingdom. Aware that Native Hawaiians were increasingly dispossessed of their land and were further disenfranchised as disease drastically diminished their numbers, Kaläkaua set out to have his cabinet and legislature controlled by Native Hawaiians. Inevitably, he clashed with the white population, primarily missionary descendants. A duel ensued between a “willful Hawaiian King and a headstrong white opposition.” This was a new “band of righteous men,” who like earlier missionaries, felt it was their moral duty, the white man’s des- tiny, and in their own self-interest to govern and save the natives.2 In 1887 Kaläkaua’s reign began its swift descent. A new constitu- tion, forced upon the King at “bayonet” point, brought changes in Esther Kwon Arinaga is a retired public interest lawyer and has published essays on early women lawyers of Hawai‘i and Korean immigration to the United States. Caroline Axtell Garrett, retired from 40 years in higher education in Hawai‘i, has been publishing poems, essays, and articles since 1972. -
Position Specification
Position Specification Honolulu Museum of Art Director Position Specification Director Honolulu Museum of Art The Client The Honolulu Museum of Art (HoMA) was founded in 1927 by Anna Rice Cooke, the daughter of a prominent missionary family. She married Charles Montague Cooke, also of a prominent missionary family, and settled in Honolulu, building a home in 1882 on Beretania Street, where HoMA resides today. From the beginning, Anna Rice Cooke, who spoke fluent Hawaiian, wanted a Museum that reflected the unique attributes of Hawai’i’s multicultural makeup. Not bound by the traditional western idea of art Museums, she also wanted to create an institution that showcased the island’s natural beauty and climate in an open and airy environment. Her thoughtful consideration is evidenced in the charming courtyards that interconnect the various galleries throughout the Museum. The permanent collection has grown from 500 works to more than 50,000 pieces spanning 5,000 years. The Museum has one of the largest single collections of Asian and Pan-Pacific art in the United States, including an unrivaled collection by artists of Hawai’i and the Pacific. The collection also contains significant holdings in American and European painting and decorative arts, 19th- and 20th-century art, an extensive collection of works on paper, Asian textiles, and traditional works from Africa, Oceania, and the Americas. Other highlights include the Samuel H. Kress collection of Italian Renaissance paintings and the James A. Michener collection of ukiyo-e prints. HoMA is dedicated to the collection, preservation, interpretation and teaching of the visual arts, and the presentation of exhibitions, performing arts and public programs specifically relevant to Hawai’i’s ethnically diverse community. -
National Register of Historic Places Registration Form
NPS Form 10-900 OMB No. 1024-0018 United States Department of the Interior National Park Service National Register of Historic Places Registration Form This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in National Register Bulletin, How to Complete the National Register of Historic Places Registration Form. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. 1. Name of Property Historic name: _________Wrenn Guest House__________ Other names/site number: __ NA_____________________ Name of related multiple property listing : ________NA___________________________________________________ (Enter "N/A" if property is not part of a multiple property listing ____________________________________________________________________________ 2. Location Street & number: __2848 Oahu Avenue___________________________ City or town: Honolulu________ State: _Hawai ’i____ County: _Honolulu_____ Not For Publication: Vicinity: ____________________________________________________________________________ 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act, as amended, I hereby certify that this nomination request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places -
Taro As the Symbol of Postcolonial Hawaiian Identity ______
Growing resistance: Taro as the symbol of postcolonial Hawaiian identity __________ A thesis presented to the faculty of the Department of Sociology and Anthropology University of Canterbury __________ In partial fulfilment of the requirements for the degree of Master of Arts __________ by Charles Pipes February 2020 ii iii Abstract Taro is a root vegetable that has held important dietary, spiritual, and social roles with Native Hawaiian culture for centuries. The cultivation and management of the taro plant was a significant foundation of ancient Hawaiian society. Following the 19th century Western colonization of Hawaii, and the ensuing degradation of the indigenous culture, taro cultivation went into a steep decline as a result of land alienation, commercialization, and resources being designated for alternative, non- native crops. In the years following annexation by the United States, there was a growing Hawaiian identity and sovereignty movement. This thesis examines how taro became a potent symbol of that movement and Indigenous Hawaiian resistance to Western hegemony. The thesis will examine taro’s role as a symbol of resistance by analyzing the plant’s traditional uses and cultivation methods, as well as the manner in which Hawaiian taro was displaced by colonial influence. This resistance, modeled after the Civil Rights Movement and American Indian Movement in the United States, used environmental, spiritual, and cosmological themes to illustrate the Hawaiian movement’s objectives. Taro cultivation, encapsulating nearly every aspect of traditional Hawaiian society and environment, became a subtle form of nonviolent protest. To examine taro farming from this perspective, the plant’s socioeconomic, spiritual, and biological aspects will be explored. -
Crisis in Kona
Crisis in Kona Jean Greenwell October 22, 1868. Awful tidings from Kona. The false prophet, Kaona, has killed the sheriff. Entry from the Reverend Lorenzo Lyons' Journal.1 In 1868, the district of Kona, on the island of Hawai'i, made headlines throughout the Kingdom. Some of the many articles that appeared in the newspapers were entitled "The Crazy Prophet of South Kona," "Uprising in Kona," "Insurrection on Hawaii," "The Rebels," "A Religious Fanatic," and "Troubles on Hawaii."2 The person responsible for all this attention was a Hawaiian man named Joseph Kaona. The cult which arose around Kaona typified what is known as "nativistic religion." Ralph S. Kuykendall says: From the 1820's onward there were among the Hawaiians, as among other peoples, occasional examples of what anthropologists call 'nativistic religions,' commonly consisting of some odd form of religious observance or belief under the leadership of a 'prophet' who claimed to be inspired by divine revelation; frequently such religious manifestations combined features of Christianity with old Hawaiian beliefs and customs. .3 Kaona was born and brought up in Kainaliu, Kona on the island of Hawai'i. He received his education at the Hilo Boarding School and graduated from Lahainaluna on Maui.4 In 1851, in the aftermath of King Kamehameha III's great land Mahele, Kaona was employed surveying kuleana (property, titles, claims) in Ka'u, on the island of Hawai'i.5 He also surveyed a few kuleana on O'ahu.6 Later he was employed as a magistrate, both in Honolulu and in Lahaina.7 He was a well-educated native Hawaiian. -
Nathaniel Bright Emerson Papers: Finding Aid
http://oac.cdlib.org/findaid/ark:/13030/kt6t1nb227 No online items Nathaniel Bright Emerson Papers: Finding Aid Processed by Brooke M. Black. The Huntington Library, Art Collections, and Botanical Gardens Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org © 2002 The Huntington Library. All rights reserved. Nathaniel Bright Emerson Papers: mssEMR 1-1323 1 Finding Aid Overview of the Collection Title: Nathaniel Bright Emerson Papers Dates (inclusive): 1766-1944 Bulk dates: 1860-1915 Collection Number: mssEMR 1-1323 Creator: Emerson, Nathaniel Bright, 1839-1915. Extent: 1,887 items. Repository: The Huntington Library, Art Collections, and Botanical Gardens. Manuscripts Department 1151 Oxford Road San Marino, California 91108 Phone: (626) 405-2129 Email: [email protected] URL: http://www.huntington.org Abstract: This collection contains the papers of Hawaiian physician and author Nathaniel Bright Emerson (1839-1915), including a a wide range of material such as research material for his major publications about Hawaiian myths, songs, and history, manuscripts, diaries, notebooks, correspondence, and family papers. The subjects covered in this collection are: Emerson family history; the American Civil War and army hospitals; Hawaiian ethnology and culture; the Hawaiian revolutions of 1893 and 1895; Hawaiian politics; Hawaiian history; Polynesian history; Hawaiian mele; the Hawaiian hula; leprosy and the leper colony on Molokai; and Hawaiian mythology and folklore. Language: English. Access Open to qualified researchers by prior application through the Reader Services Department. For more information, contact Reader Services. Publication Rights The Huntington Library does not require that researchers request permission to quote from or publish images of this material, nor does it charge fees for such activities. -
Hawaiian Kingdom: Reinstated Use of Western Technology, He May Have Created a Greater Debt That Would Impact the Future of the Domini Molina Hawaiian Kingdom
UNIVERSITY OF HAWAI‘I AT HILO ◆ HOHONU 2020 ◆ VOL. 18 Hawaiian Kingdom: Reinstated use of Western technology, he may have created a greater debt that would impact the future of the Domini Molina Hawaiian Kingdom. History 154 The Hawaiian Monarchy became so enamored This research paper discusses the causes and with Western technologies; they began to displace consequences of land dispossession that occurred their own people through foreign affairs. During in the Hawaiian Kingdom from the time of King the reign of King Kamehameha III, new laws were Kamehameha I in 1810 to 2019. With the power formed which changed the ways of the Kanaka of perspectivism, it is important to look at the past drastically. In the year 1848, the Great Mahele oc- of the Hawaiian Kingdom to understand its future, curred, dividing lands throughout the Hawaiian as much has been documented about the Hawaiian Kingdom. The Great Mahele and Kuleana Act Kingdom from both foreign and Hawaiian per- made Native Hawaiian commoners, who were spectives. Initially, this paper will examine how the land became dispossessed from the Native lands which they tended, and prove their rights to Hawaiians (Kanaka; Kanaka Maoli), second, the land. This displaced many of the Kanaka from the denationalization of Native Hawaiians in the their homelands, as they did not have the monies Hawaiian Kingdom, third, the illegal annexation necessary to exchange for the properties, which had been their main source of livelihood. There processes available today to reinstate the Hawaiian were additional laws limiting the rights of owner- Kingdom to the Native Hawaiians. -
A Portrait of EMMA KAʻILIKAPUOLONO METCALF
HĀNAU MA KA LOLO, FOR THE BENEFIT OF HER RACE: a portrait of EMMA KAʻILIKAPUOLONO METCALF BECKLEY NAKUINA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAIʻI AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN HAWAIIAN STUDIES AUGUST 2012 By Jaime Uluwehi Hopkins Thesis Committee: Jonathan Kamakawiwoʻole Osorio, Chairperson Lilikalā Kameʻeleihiwa Wendell Kekailoa Perry DEDICATION This thesis is dedicated to Kanalu Young. When I was looking into getting a graduate degree, Kanalu was the graduate student advisor. He remembered me from my undergrad years, which at that point had been nine years earlier. He was open, inviting, and supportive of any idea I tossed at him. We had several more conversations after I joined the program, and every single one left me dizzy. I felt like I had just raced through two dozen different ideas streams in the span of ten minutes, and hoped that at some point I would recognize how many things I had just learned. I told him my thesis idea, and he went above and beyond to help. He also agreed to chair my committee. I was orignally going to write about Pana Oʻahu, the stories behind places on Oʻahu. Kanalu got the Pana Oʻahu (HWST 362) class put back on the schedule for the first time in a few years, and agreed to teach it with me as his assistant. The next summer, we started mapping out a whole new course stream of classes focusing on Pana Oʻahu. But that was his last summer. -
California Supreme Court by Gerald F
WESTERN LEGAL HISTORY THE JOURNAL OF THE NINTH JUDICIAL CIRCUIT HISTORICAL SOCIETY VoLumE 2, NUMBER I WINTER/SPRING 1989 Western Legal Historyis published semi-annually, in spring and fall, by the Ninth judicial Circuit Historical Society, P.O. Box 2558, Pasadena, California 91102-2558, (818) 405-7059. The journal explores, analyzes, and presents the history of law, the legal profession, and the courts - particularly the federal courts - in Alaska, Arizona, California, Hawaii, Idaho, Montana, Nevada, Oregon, Washington, Guam, and the Northern Mariana Islands. Western Legal History is sent to members of the Society as well as members of affiliated legal historical societies in the Ninth Circuit. Membership is open to all. Membership dues (individuals and institutions): Patron, $1,000 or more; Steward, $750-$999; Sponsor, $500-$749; Grantor, $250-$499; Sustaining, $100-$249; Advocate, $50-$99; Subscribing )non- members of the bench and bar, attorneys in practice fewer than five years, libraries, and academic institutions, $25-$49. Membership dues (law firms and corporations): Founder, $3,000 or more; Patron, $1,000-$2,999 Steward, $750-$999; Sponsor, $500-$749; Grantor, $250-$499. For information regarding membership, back issues of Western Legal History, and other Society publications and programs, please write or telephone. POSTMASTER: Please send change of address to: Western Legal History P.O. Box 2558 Pasadena, California 91102-2558. Western Legal History disclaims responsibility for statements made by authors and for accuracy of footnotes. Copyright 1988 by the Ninth judicial Circuit Historical Society. ISSN 0896-2189. The Editorial Board welcomes unsolicited manuscripts, books for review, reports on research in progress, and recommendations for the journal. -
0X0a I Don't Know Gregor Weichbrodt FROHMANN
0x0a I Don’t Know Gregor Weichbrodt FROHMANN I Don’t Know Gregor Weichbrodt 0x0a Contents I Don’t Know .................................................................4 About This Book .......................................................353 Imprint ........................................................................354 I Don’t Know I’m not well-versed in Literature. Sensibility – what is that? What in God’s name is An Afterword? I haven’t the faintest idea. And concerning Book design, I am fully ignorant. What is ‘A Slipcase’ supposed to mean again, and what the heck is Boriswood? The Canons of page construction – I don’t know what that is. I haven’t got a clue. How am I supposed to make sense of Traditional Chinese bookbinding, and what the hell is an Initial? Containers are a mystery to me. And what about A Post box, and what on earth is The Hollow Nickel Case? An Ammunition box – dunno. Couldn’t tell you. I’m not well-versed in Postal systems. And I don’t know what Bulk mail is or what is supposed to be special about A Catcher pouch. I don’t know what people mean by ‘Bags’. What’s the deal with The Arhuaca mochila, and what is the mystery about A Bin bag? Am I supposed to be familiar with A Carpet bag? How should I know? Cradleboard? Come again? Never heard of it. I have no idea. A Changing bag – never heard of it. I’ve never heard of Carriages. A Dogcart – what does that mean? A Ralli car? Doesn’t ring a bell. I have absolutely no idea. And what the hell is Tandem, and what is the deal with the Mail coach? 4 I don’t know the first thing about Postal system of the United Kingdom. -
Margaret Todd the Watumull Founda'i'ion Oral History
MARGARET TODD THE WATUMULL FOUNDA'I'ION ORAL HISTORY PROJECT Margaret Todd (1888 - ) In 1909 Miss Todd's father, Robert Todd, brought his wife and family to Hawaii from their native Scotland. An experienced dairy farmer, he had been asked to manage Samuel Mills Damon's home-dairy at Moanalua and, under his management, Moanalua Dairy produced "a prize baby milk" from pure Jersey cattle. At Sam Damon's request, Miss Todd immediately went to work as a clerk in the savings department of Bishop and Company bank (now First Hawaiian Bank) where she was employed until her retirement in 195). During World War I she became the first woman commercial teller in the Hawaiian Islands. Miss Todd, a born storyteller, has been an alert and astute observer of the social, cultural, and historical developments in Hawaii throughout her years here. Her recollections are a source of varied information about Scotland and Hawaii; about people and their interests; about events and their circumstances. Katherine B. Allen, Interviewer ~ 1979 The Watumull Foundation, Oral History Project 2051 Young Street, Honolulu, Hawaii, 96826 All rights reserved. This transcript, or any part thereof, may not be reproduced in any form without the permission of the Watumull Foundation. INTERVIEW WITH MISS MARGARET TODD At her Manoa home, 2625 Anuenue Street, Honolulu, 96822 June 6, 1972 T: Margaret Todd A: Kathy Allen, Interviewer T: I was born on August 6, 1888 on a little farm where my fa ther worked that was quite well-known in Scottish history, not because I was born there, but because Drochil Castle, built by the Earl of Morton, was right by that farm on the same grounds.