Constructing Meanings by Designing Worlds Digital Games As Participatory Platforms for Interest-Driven Learning and Creativity
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Network Notebook
Network Notebook Fall Quarter 2018 (October - December) 1 A World of Services for Our Affiliates We make great radio as affordable as possible: • Our production costs are primarily covered by our arts partners and outside funding, not from our affiliates, marketing or sales. • Affiliation fees only apply when a station takes three or more programs. The actual affiliation fee is based on a station’s market share. Affiliates are not charged fees for the selection of WFMT Radio Network programs on the Public Radio Exchange (PRX). • The cost of our Beethoven and Jazz Network overnight services is based on a sliding scale, depending on the number of hours you use (the more hours you use, the lower the hourly rate). We also offer reduced Beethoven and Jazz Network rates for HD broadcast. Through PRX, you can schedule any hour of the Beethoven or Jazz Network throughout the day and the files are delivered a week in advance for maximum flexibility. We provide highly skilled technical support: • Programs are available through the Public Radio Exchange (PRX). PRX delivers files to you days in advance so you can schedule them for broadcast at your convenience. We provide technical support in conjunction with PRX to answer all your distribution questions. In cases of emergency or for use as an alternate distribution platform, we also offer an FTP (File Transfer Protocol), which is kept up to date with all of our series and specials. We keep you informed about our shows and help you promote them to your listeners: • Affiliates receive our quarterly Network Notebook with all our program offerings, and our regular online WFMT Radio Network Newsletter, with news updates, previews of upcoming shows and more. -
UPC Platform Publisher Title Price Available 730865001347
UPC Platform Publisher Title Price Available 730865001347 PlayStation 3 Atlus 3D Dot Game Heroes PS3 $16.00 52 722674110402 PlayStation 3 Namco Bandai Ace Combat: Assault Horizon PS3 $21.00 2 Other 853490002678 PlayStation 3 Air Conflicts: Secret Wars PS3 $14.00 37 Publishers 014633098587 PlayStation 3 Electronic Arts Alice: Madness Returns PS3 $16.50 60 Aliens Colonial Marines 010086690682 PlayStation 3 Sega $47.50 100+ (Portuguese) PS3 Aliens Colonial Marines (Spanish) 010086690675 PlayStation 3 Sega $47.50 100+ PS3 Aliens Colonial Marines Collector's 010086690637 PlayStation 3 Sega $76.00 9 Edition PS3 010086690170 PlayStation 3 Sega Aliens Colonial Marines PS3 $50.00 92 010086690194 PlayStation 3 Sega Alpha Protocol PS3 $14.00 14 047875843479 PlayStation 3 Activision Amazing Spider-Man PS3 $39.00 100+ 010086690545 PlayStation 3 Sega Anarchy Reigns PS3 $24.00 100+ 722674110525 PlayStation 3 Namco Bandai Armored Core V PS3 $23.00 100+ 014633157147 PlayStation 3 Electronic Arts Army of Two: The 40th Day PS3 $16.00 61 008888345343 PlayStation 3 Ubisoft Assassin's Creed II PS3 $15.00 100+ Assassin's Creed III Limited Edition 008888397717 PlayStation 3 Ubisoft $116.00 4 PS3 008888347231 PlayStation 3 Ubisoft Assassin's Creed III PS3 $47.50 100+ 008888343394 PlayStation 3 Ubisoft Assassin's Creed PS3 $14.00 100+ 008888346258 PlayStation 3 Ubisoft Assassin's Creed: Brotherhood PS3 $16.00 100+ 008888356844 PlayStation 3 Ubisoft Assassin's Creed: Revelations PS3 $22.50 100+ 013388340446 PlayStation 3 Capcom Asura's Wrath PS3 $16.00 55 008888345435 -
Don Juan from Norton.Pdf
http://www.englishworld2011.info/ DON JUAN / 669 [MANFRED expires.] ABBOT He's gone—his soul hath ta'en its earthless flight- Whither? I dread to think—but he is gone. 1816-17 1817 Don juan Byron began his masterpiece (pronounced in the English fashion, Don Joo-nn) in July 1818, published it in installments beginning with cantos 1 and 2 in 1819, and continued working on it almost until his death. Initially he improvised the poem from episode to episode. "I have no plan," he said, "I had no plan; but I had or have materials." The work was composed with remarkable speed (the 888 lines of canto 13, for example, were dashed off within a week), and it aims at the effect of improvisation rather than of artful compression; it asks to be read rapidly, at a con- versational pace. The poem breaks off with the sixteenth canto, but even in its unfinished state Don Juan is the longest satirical poem, and indeed one of the longest poems of any kind, in English. Its hero, the Spanish libertine, had in the original legend been superhuman in his sexual energy and wickedness. Throughout Byron's version the unspoken but persistent joke is that this archetypal lady-killer of European legend is in fact more acted upon than active. Unfailingly amiable and well intentioned, he is guilty largely of youth, charm, and a courteous and compliant spirit. The women do all the rest. The chief models for the poem were the Italian seriocomic versions of medieval chivalric romances; the genre had been introduced by Pulci in the fifteenth century and was adopted by Ariosto in his Orlando Furioso (1532). -
TE 499 849 Wendrich, Kenneth A.; Palisca, Claude V. An
DOCUMENT RESUME ED 043 652 24 TE 499 849 AUTHOR Wendrich, Kenneth A.; Palisca, Claude V. TITLE An Approach to Musical Understanding for Secondary School Students. Report of the Yale Music Curriculum Project. INSTITUTION Yale Univ., New Haven, Conn. SPONS AGENCY Office of Education (DHEW), Washington, D.C. Bureau of Research. BUREAU NO BR-5-0209 PUB DATE 70 CONTRACT OEC-6-10-137 NOTE 259p. EDRS PRICE EDRS Price MF-$1.00 HC Not Available from EDRS. DESCRIPTORS *Analytical Criticism, Audiovisual Aids, Content Analysis, *Curriculum Evaluation, History, *Humanities, Listening Habits, Listening Skills, *Music, Music Activities, Music Appreciation, *Music Education, Music Reading, Secondary Education IDENTIFIERS *Yale Music Curriculum Project ABSTRACT This report summarizes the work of the Yale Music Curriculum Project, the purpose of which was to develop an academically respectable music literature course to stimulate the listening capacity of the secondary school student through his recognition and analysis of musical genre form. Included ate (1)a rationale summarizing the need for such a curriculum,(2) author summaries of the 9 units of the curriculum, each unit analyzing one or 2 major musical works which represent major styles and composers of the music of western civilization from the 18th century to the present and which illustrate a particular genre form--music for the dance, music for the keyboard, chamber music, the symphony, the concerto, the opera, the oratorio, program music, and American music, (3) an evaluation of the development and application of the curriculum in the classroom, indicating those participating in the project, student and teacher evaluations of the program, and evaluation instruments, and (4)a chronological list of lectures and demonstrations on this project's approach and materials. -
Paul Thomson
PAUL THOMSON SELECTED CREDITS THE INTERCEPTOR (2016) HALF OF A YELLOW SUN (2013) THE FADES (2012) (Paul won the RTS Award) LITTLE BIG PLANET (2011-2014) BIOGRAPHY Paul Thomson started his musical training at an early age, playing the piano as a child and touring the world as a chorister in Worcester Cathedral Choir. While still at school he achieved the highest grades of the Associated Board of the Royal Schools of Music in four instruments, created his first theatrical score for a piece by acclaimed French playwright Henri Ghéon, and wrote the official fanfare for the 900th anniversary of the granting of Worcester’s Royal Charter. After studying with the Elgar specialist and renowned choral expert Dr Donald Hunt OBE, with Dr Wyndham Thomas at Bristol University and Professor Stephen Deutsch at Bournemouth, Paul obtained an MA in Music and moved to London where he quickly established himself as a versatile producer and composer, working with most of the major and large independent record labels. He has produced albums for a number of artists. Paul has been commissioned to create music for feature films, including the multiple award-winning independent movie ‘Love, Sex and Missed Connections’ and the Slate Films/BFI production ‘Half Of A Yellow Sun’. He also scored the BAFTA winning BBC Drama production ‘The Fades’ (a coproduction with BBC America) for which he won the RTS Award for Best Original Theme Music, the BBC1 Drama ‘The Interceptor’, ‘The Marvellous World Of Roald Dahl’ for BBC Scotland, ‘Ways To Save The Planet – Discovery: Project Earth’ – the Impossible Pictures production for Discovery Networks – the most expensive production ever undertaken by Discovery in association with Bank Of America – and the acclaimed RDF documentary ‘The Genius Of Charles Darwin’. -
Don Juan Study Guide
Don Juan Study Guide © 2017 eNotes.com, Inc. or its Licensors. ALL RIGHTS RESERVED. No part of this work covered by the copyright hereon may be reproduced or used in any form or by any means graphic, electronic, or mechanical, including photocopying, recording, taping, Web distribution or information storage retrieval systems without the written permission of the publisher. Summary Don Juan is a unique approach to the already popular legend of the philandering womanizer immortalized in literary and operatic works. Byron’s Don Juan, the name comically anglicized to rhyme with “new one” and “true one,” is a passive character, in many ways a victim of predatory women, and more of a picaresque hero in his unwitting roguishness. Not only is he not the seductive, ruthless Don Juan of legend, he is also not a Byronic hero. That role falls more to the narrator of the comic epic, the two characters being more clearly distinguished than in Byron’s Childe Harold’s Pilgrimage. In Beppo: A Venetian Story, Byron discovered the appropriateness of ottava rima to his own particular style and literary needs. This Italian stanzaic form had been exploited in the burlesque tales of Luigi Pulci, Francesco Berni, and Giovanni Battista Casti, but it was John Hookham Frere’s (1817-1818) that revealed to Byron the seriocomic potential for this flexible form in the satirical piece he was planning. The colloquial, conversational style of ottava rima worked well with both the narrative line of Byron’s mock epic and the serious digressions in which Byron rails against tyranny, hypocrisy, cant, sexual repression, and literary mercenaries. -
Ps3 Little Big Planet Iso Download
Ps3 little big planet iso download LittleBigPlanet 3 + DLC (USA) PS3 ISO Download for the Sony PlayStation 3/PS3/RPCS3. Game description, information and ISO download. Ps3 iso games download, Ps3 games, free download ps3 iso, fix , eboot fix , jailbreak, True blue games, iso game download, ps3 iso, iso. Ps3 iso games download, Ps3 games, free download ps3 iso, fix , eboot fix , jailbreak, True blue games, iso game download. PS3ISO Games | Free Download | TB Games PS3 ISO | Eboot Fix - Jailbreak: Little Big Planet 3 PS3 ISO | Free Download. Little Big Planet 2 PS3 Free Download You can download this game full for free with direct link download or single link with full speed. PS3 Games LITTLE BIG PLANET 2 «4PLAYERs Games Direct Download IXtreme JTAG RGH DVD ISO XBLA ARCADES DLC []. Download page for Little Big Planet (USA) ISO for PSP PSP. Get LittleBigPlanet™ 2, Adventure, Action, Family game for PS3 console from the LittleBigPlanet™ 2. PS3. Buy Download. Buy Disc. Release Date: Out Now. Get LittleBigPlanet 3, Adventure,Platformer game for PS3 console from the official PS3; Also on PS4. Buy Download. Buy Disc. Release Date: Out Now; Genre. PS VITA VPK GAMES PSP ISO PS3 ISO WII ISO 3DS CIA Game Download · Home · PS LittleBigPlanet [USA] + (DLC) PSP ISO DOWNLOAD. 3D, Platformer, PSP GAME,. download LittleBigPlanet psp. name: LittleBigPlanet format: ISO. ISO download page for the game: LittleBigPlanet (PSP) - File: LittleBigPlanet (USA) (PSN).torrent - Developed by Media Molecule, LittleBigPlanet™ is a new PlayStation®3 (PS3™) computer entertainment system community-based game with a hugely. “PlayStation”, “PS3”, “” and “” are trademarks or registered trademarks of Sony Computer Entertainment Inc. -
Lunar Distances Final
A (NOT SO) BRIEF HISTORY OF LUNAR DISTANCES: LUNAR LONGITUDE DETERMINATION AT SEA BEFORE THE CHRONOMETER Richard de Grijs Department of Physics and Astronomy, Macquarie University, Balaclava Road, Sydney, NSW 2109, Australia Email: [email protected] Abstract: Longitude determination at sea gained increasing commercial importance in the late Middle Ages, spawned by a commensurate increase in long-distance merchant shipping activity. Prior to the successful development of an accurate marine timepiece in the late-eighteenth century, marine navigators relied predominantly on the Moon for their time and longitude determinations. Lunar eclipses had been used for relative position determinations since Antiquity, but their rare occurrences precludes their routine use as reliable way markers. Measuring lunar distances, using the projected positions on the sky of the Moon and bright reference objects—the Sun or one or more bright stars—became the method of choice. It gained in profile and importance through the British Board of Longitude’s endorsement in 1765 of the establishment of a Nautical Almanac. Numerous ‘projectors’ jumped onto the bandwagon, leading to a proliferation of lunar ephemeris tables. Chronometers became both more affordable and more commonplace by the mid-nineteenth century, signaling the beginning of the end for the lunar distance method as a means to determine one’s longitude at sea. Keywords: lunar eclipses, lunar distance method, longitude determination, almanacs, ephemeris tables 1 THE MOON AS A RELIABLE GUIDE FOR NAVIGATION As European nations increasingly ventured beyond their home waters from the late Middle Ages onwards, developing the means to determine one’s position at sea, out of view of familiar shorelines, became an increasingly pressing problem. -
The Operas of Mozart Part I
The Operas of Mozart Part I Professor Robert Greenberg THE TEACHING COMPANY ® Robert Greenberg, Ph.D. San Francisco Conservatory of Music Robert Greenberg has composed over forty-five works for a wide variety of instrumental and vocal ensembles. Recent performances of Greenberg’s work have taken place in New York, San Francisco, Los Angeles, Chicago, England, Ireland, Italy, Greece, and The Netherlands, where his Child’s Play for string quartet was performed at the Concertgebouw of Amsterdam. Professor Greenberg holds degrees from Princeton University and the University of California at Berkeley, where he received a Ph.D. in music composition in 1984. His principal teachers were Edward Cone, Claudio Spies, Andrew Imbrie, and Olly Wilson. Professor Greenberg’s awards include three Nicola De Lorenzo prizes in composition, three Meet the Composer grants, and commissions from the Koussevitzky Foundation of the Library of Congress, the Alexander String Quartet, XTET, the San Francisco Contemporary Music Players, and the Dancer’s Stage Ballet Company. He is currently on the faculty of the San Francisco Conservatory of Music, where he served as Chair of the Department of Music History and Literature and Director of Curriculum of the Adult Extension Division for thirteen years. Professor Greenberg is resident music historian for National Public Radio’s “Weekend All Things Considered” program. He has taught and lectured extensively across North America and Europe, speaking to such schools, corporations, and musical institutions as the Wharton School of Business at the University of Pennsylvania, Harvard Business School Publishing, Deutches Financial Services, Canadian Pacific, Quintiles Transnational, Lincoln Center, Van Cliburn Foundation, San Francisco Performances, University of California/Haas School of Business, University of Chicago Graduate School of Business, Chautauqua Institute, Commonwealth Club of San Francisco, and others. -
Don Juan Lord Byron (1821) DEDICATION Bob Southey! You're
Don Juan Lord Byron (1821) DEDICATION Bob Southey! You're a poet, poet laureate, And representative of all the race. Although 'tis true that you turned out a Tory at Last, yours has lately been a common case. And now my epic renegade, what are ye at With all the lakers, in and out of place? A nest of tuneful persons, to my eye Like four and twenty blackbirds in a pye, Which pye being opened they began to sing' (This old song and new simile holds good), 'A dainty dish to set before the King' Or Regent, who admires such kind of food. And Coleridge too has lately taken wing, But like a hawk encumbered with his hood, Explaining metaphysics to the nation. I wish he would explain his explanation. You, Bob, are rather insolent, you know, At being disappointed in your wish To supersede all warblers here below, And be the only blackbird in the dish. And then you overstrain yourself, or so, And tumble downward like the flying fish Gasping on deck, because you soar too high, Bob, And fall for lack of moisture quite a dry Bob. And Wordsworth in a rather long Excursion (I think the quarto holds five hundred pages) Has given a sample from the vasty version Of his new system to perplex the sages. 'Tis poetry, at least by his assertion, And may appear so when the Dog Star rages, And he who understands it would be able To add a story to the tower of Babel. You gentlemen, by dint of long seclusion From better company, have kept your own At Keswick, and through still continued fusion Source URL: http://www.gutenberg.org/files/21700/21700-h/21700-h.htm Saylor URL: http://www.saylor.org/courses/engl404/ Saylor.org This work is in the public domain. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Deutsche Nationalbibliografie 2012 T 09
Deutsche Nationalbibliografie Reihe T Musiktonträgerverzeichnis Monatliches Verzeichnis Jahrgang: 2012 T 09 Stand: 19. September 2012 Deutsche Nationalbibliothek (Leipzig, Frankfurt am Main) 2012 ISSN 1613-8945 urn:nbn:de:101-ReiheT09_2012-0 2 Hinweise Die Deutsche Nationalbibliografie erfasst eingesandte Pflichtexemplare in Deutschland veröffentlichter Medienwerke, aber auch im Ausland veröffentlichte deutschsprachige Medienwerke, Übersetzungen deutschsprachiger Medienwerke in andere Sprachen und fremdsprachige Medienwerke über Deutschland im Original. Grundlage für die Anzeige ist das Gesetz über die Deutsche Nationalbibliothek (DNBG) vom 22. Juni 2006 (BGBl. I, S. 1338). Monografien und Periodika (Zeitschriften, zeitschriftenartige Reihen und Loseblattausgaben) werden in ihren unterschiedlichen Erscheinungsformen (z.B. Papierausgabe, Mikroform, Diaserie, AV-Medium, elektronische Offline-Publikationen, Arbeitstransparentsammlung oder Tonträger) angezeigt. Alle verzeichneten Titel enthalten einen Link zur Anzeige im Portalkatalog der Deutschen Nationalbibliothek und alle vorhandenen URLs z.B. von Inhaltsverzeichnissen sind als Link hinterlegt. Die Titelanzeigen der Musiktonträger in Reihe T sind, wie sche Katalogisierung von Ausgaben musikalischer Wer- auf der Sachgruppenübersicht angegeben, entsprechend ke (RAK-Musik)“ unter Einbeziehung der „International der Dewey-Dezimalklassifikation (DDC) gegliedert, wo- Standard Bibliographic Description for Printed Music – bei tiefere Ebenen mit bis zu sechs Stellen berücksichtigt ISBD (PM)“ zugrunde.