DOCSLIB.ORG

The Inventory of the Philip Caputo Collection #711

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Inventory of the Philip Caputo Collection #711 The Inventory of the Philip Caputo Collection #711 Howard Gotlieb Archival Research Center CAPUTO , Ph i1 i p March 1978 Box 1 I. MANUSCRIPTS A. Memoirs A RUMOR OF WAR. Holt, Rinehart & Winston, 1977. a. Carbon typescript with holo. corr., 505 p., incl. prelim. p. 1-163 (FIi 1) 167-314 (Flf2) 312-502 (Fl/3) b. Galleys with holo. corr. (Flf4) B. Short Stories, Essays, Fragments of Longer Works 1. "The Adultress. '~ic} a. Typescript, 11 p. (F//5) b. Typescript, 11 p. c. Carbon typescript with holo. corr., 11 p. 2. "As A Wind Through the Desert." (Novel fragment). Typescript with holo. corr., 20 p. 3. "The Caretaker of the Dead." Holo., li8 p. on 31 1. Lr. "Closed Season. 11 a. Holo., 13 p. on 11 1. b. Holo. , 5 p. on 3 1. 5. "The Death of Sergeant O'Hanran. 11 Holo., 50 p. on 25 1. 6. "A Delayed Reaction." a. Typescript with bolo. corr., 6 p. (F#6) b. Carbon typescript with holo. corr., 6 p. c. Typescript with holo. corr., 7 p. CAPUTO, Philip p. 2 March 1978 Box 1 7. "The Deserted Village," Typescript with holo. corr., 36 p. on 35 1. (F/16) 8. "The End of Summer. 11 a, Typescript, 14 p. b. Typescript with holo, sections, 4 p. on 2 1. c. Carbon typescript, 8 p. d, Typescript with holo. corr., 8 p. e. Carbon typescript with holo. corr., 9 p., incomplete. f. Typescript, 15 p. g. Carbon typescript with holo. corr,, 15 p. h. Typescript fragment with holo. corr., 5 p. i. Typescript fragment with holo. corr., 9 p. on 8 1. 9. "Green Leaves Cannot in Autumn Grow," a. Typescript, 3 p. (F/17) b, Typescript with holo. corr., 30 p-. C, Typescript with holo. corr., 35 p. d. Carbon typescript, 31 p. 10. "The Gypsy." Carbon typescript, 5 p. 11. "Homecoming." (Written under pseud., Philip Allan) a. Typescript with holo. corr., 15 p. b, Carbon typescript, 15 p. c. Typescript with holo. corr., 15 p. 12, "The Ignorant Armies. 11 (Novel fragment) Typescript and holo. ms., 107 p. (F//8) Box 2 13. "The Indian, 11 a, Typescript with holo, corr., 10 p. on 6 1. (F#l) CAPUTO, Philip p. 3 March 1978 Box 2 b. Typescript with halo. corr., 7 p. (F//1) c. Typescript with halo. corr., 6 p. d. Carbon typescript, 6 p. e. Typescript fragments, 4 p. 14. "Landing." Carbon typescript, 21 p. (P. 14 is missing) 15. "The Lumber King." Typescript with halo. corr., 10 p. 16. "The Man Who Carressed [sic:J Little Girls. 11 Typescript with halo. corr., 12 p. 17. "The Millers. 11 (Written under pseud., Philip Allan) Carbon typescript, 18 p. 18. "A Natural Man. 11 a. Typescript, 6 p. b. Typescript with some halo. corr. (written under pseud., Philip Allan), 6 p. c. Carbon typescript (under pseud., Philip Allan), 6 p. 19. "The Patriot." a. Typescript with halo. corr., 2 p. b. Typescript, 4 p. c. Typescript, 6 p. d. Typescript with halo. additions, 22 p. 20. "The Patriot Game. 11 a. "1st draft." Halo., 35 p. (Fl/2) b. 22nd draft." Holo. , 46 p. c. "Manuscript Draft." Holo. , 11 p. d. Halo., 67 p. on 65 1. e. Titled, "The Patriot's Game.A Novelette." Carbon typescript with halo. corr., 80 p. CAPUTO, Philip p. 4 March 1978 Box 2 21. "Portrait in Blue. 11 (Fragment) Typescript, 1 p. (Ff/2) 22. "The Pris.oner." Typescript with holo. corr., 22 p. on 21 1. (Ff/3) 23. "Prisoner of War." Typescript wmth holo. corr., 37 p. 24. "Relief Column." a. Holo., 30 p. b. Typescript, 21 p. c. "Carbon Final Draft." Carbon typescript with bolo. corr., 21 p. 25. "Situation Remains the Same." a. Holo., 37 p. (Ff/4) b. Typescript, 54 p. c. Carbon typescript, 54 p. d. Xerox typescript with holo. corr., retitled, "The Patriot Game," 5li p. Box 3 26. "Soldier's Camp." (Written under pseud., Philip Allan) a. Typescript, 6 p. (F#l) b. Carbon typescript, 6 p. 27. "Though Not the Conquerer." Typescript and holo., 31 p. 28. "The Undeformed." Typescript, 3 p. 29. "The Vag." Typescript, 13 p. 30. "You Can't StliJY Here. 11 a. Typescript with holo. corr., 16 p. on 13 1. b. Typescript with holo. comments by reader, 22 p. on 17 1. c. Typescript with holo. notes, 15 p. d. Typescript and carbon typescript, 15 p. CAPUTO, Philip p. 5 March 1978 Box 3 C. Untitled Short Pieces 1. "Bill stopped the truck at a red light." Typescript with holo. corr. , 7 p. (Flf 2) 2. "Corporal James Becker stood in the trench staring at the clouds of flies that hovered al10ve the plain beyond the trench, ... 11 Typescript with holo. corr., 11 p. 3. "Dan drove the jeep slowly down the one street of Skaney, passing a building with its windows boarded." a. Typescript with holo. corr., 21 p. b. Typescript, 6 p., incomplete. c. Carbon typescript, 5 p., incomplete. 4. "From outside the tent Sergeant Jacin called, 'Turn to them rifles second squad. We're movin' out in an hour.' " Carbon typescript with holo. corr., 10 p. 5. "I was fishing a pond beneath a stand of jackpine, •.• " Typescript with holo. corr., 5 p. 6. "It was late at night when the young man awoke, ••• " Typescript, 23 p. 7. "Of course now he realized that most of what had been going through his mind .•. " Typescript, 2 p. 8. "Our mortars commenced firing .•• " Holo. , 3 p. on 2 1. (F// 3) 9. "Pity poor warfare." Typescript with holo. corr., 4 p. 10, "The battalion was among the first to land in South Vietnam, late in the spring of 1965.'' Typescript with holo. corr., 69 p. 11. "When I arrived in Vietnam, as a second lieutenant, I thought war an hilarious adventure." Typescript with holo. corr., 3 p. CAPUTO, Philip p. 6 March 1978 Box 3 12. "When I was very young, I was told by a Catholic priest ... " Halo., 100 p., incomplete. (F//4) D. Poetry 1. "The Ambush. 11 a. Typescript, 3 p. b. Carbon typescript with halo. corr., 3 p. c. Photocopy of carbon typescript with halo. corr., 3 p. 2. "And Even Death Shall Die," Typescript with halo. corr., 1 p. 3. '3The Drums and Guns." Typescript, 3 p. 4. "Eternal Beginning." Typescript, 1 p. 5. "Poem to Katherine," Halo., 1 p. 6. "Tomorrow's War." Holo. , 2 p. (F/f 5) 7. "Truth." Halo., 4 p. on 2 1. 8. "The Veterans." a, "Exhausted, having been tried all day by the deep" Typescript with halo. corr., 2 p. b. "A few sit, awake on their bunks, smoking" Holo,, 1 p. c, "When like, the rumors.of distant wars," Typescript, 1 p. d. "When the wind pelts against the sills," Variant drafts. Halo., 6 p. on 4 1. 9. "The Walking Dead. II a, Halo., Lf p. on 2 1. b, Holo., 2 p. c. llolo., 1 p. d, Holo., 1 p. e. Typescript with holo. corr. , 1 p. CAPUTO, Philip p. 7 March 1978 Box 3 f. Typescript with holo. corr., 1 p. (F#S) g. Carbon typescript, 1 p. h. Typescript, 1 p. i. Carbon typescript with halo. corr., 1 p. 10. "War Requiem." Holo. , 1 p. 11. Misc., untitled, fragments a, Holo,, 78 p. on 63 1. b. Typescript, 1 p. E. Play "The Circus Comes to Town." Typescript, 4 p., incomplete (?). II. LETTER Caputo, Philip J, xerox TLS to Pres, Richard M. Nixon, May 1, 1971, Returning campaign ribbons awarded for serving in Vietnam in 1965 and 1966, Lt p. III. PRINTED MATERIAL A. Short Story "The Ambulance Driver." Cadence, . Dec. 1962, p. 6-9. B. Poetry 1. "All There Is." Cadence, Oct. 1963, p. 32, 2. 11 ',l'umbleweed. 11 Cadence, March 1963, p. 4, 3. "The Veterans" and "The Walking Dead." Midwestern University Quarterly, 1967, p. 24-26. 4. "War Poem." Midwestern University Quarterly, 1966, p. 37-39. Caputo, Philip Addenda May 1980 - April 1982 I. MANUSCRIPTS A. Novels Box 3 1. HORN OF AFRICA, Holt, Rhinehart, and Winston, 1980. a. Holograph synopsis in form of letter to "Aaron" (possibly an agent), on legal-size pad, 49 p. (#6) b. Rough notes, holograph, on two legal-size pads, ca. 65 p. (#6) c. Rough holograph draft, beginning "DARK SUN, Chapter olne'', on twelve legal-size pads, not numbered, ca. 600 p. Pads 1-3 (//7) Box 4 Pads 4-7 (Ill) Pads 8-12 (1/2) d, Later holograph draft, on 14 legal-size pads, pages numbered p. 1- 677, signed and dated "Philip Caputo Key West Fla., Sept. 15, 1978 - April 25, 1979." With holograph note from Jill Caputo explaining water damage, dated May 1980. 4 pads: 1-189 (//3) 2 pads: 190-289 (//4) Box 5 4 pads: 290-487 (#1) 4 pads: 488-677 (//2) e, "First Typed Draft, Part one,'' 165 p. with holograph corrections, in black binder. (#3) f, "First typed draft, Part Two," incomplete, pages 179-194, and 10 discarded pages, (#4) g. "Second typed draft, Part One'', with holograph corrections, 179 p. in black binder, With two letters (TLS) from unidentified Caputo, Philip page 2 Box 5 editor at Holt, Rinehart and Winston July 19 and 20, 1978, concerning manuscript, (115) Box 6 h. "Second typed draft, Part One", carbon typescript, 179 p. (111) i. "Third typed draft, Part One", carbon typescript, 178 p. (112) j. "Third typed draft, Part One", typescript photocopy, with holo. corr., 179 p. (#3) k. Later draft, with "Author's Note", incomplete, photocopy with a few holograph corrections, 314 p.
Load more

Recommended publications
  • Download Music for Free.] in Work, Even Though It Gains Access to It
    Vol. 54 No. 3 NIEMAN REPORTS Fall 2000 THE NIEMAN FOUNDATION FOR JOURNALISM AT HARVARD UNIVERSITY 4 Narrative Journalism 5 Narrative Journalism Comes of Age BY MARK KRAMER 9 Exploring Relationships Across Racial Lines BY GERALD BOYD 11 The False Dichotomy and Narrative Journalism BY ROY PETER CLARK 13 The Verdict Is in the 112th Paragraph BY THOMAS FRENCH 16 ‘Just Write What Happened.’ BY WILLIAM F. WOO 18 The State of Narrative Nonfiction Writing ROBERT VARE 20 Talking About Narrative Journalism A PANEL OF JOURNALISTS 23 ‘Narrative Writing Looked Easy.’ BY RICHARD READ 25 Narrative Journalism Goes Multimedia BY MARK BOWDEN 29 Weaving Storytelling Into Breaking News BY RICK BRAGG 31 The Perils of Lunch With Sharon Stone BY ANTHONY DECURTIS 33 Lulling Viewers Into a State of Complicity BY TED KOPPEL 34 Sticky Storytelling BY ROBERT KRULWICH 35 Has the Camera’s Eye Replaced the Writer’s Descriptive Hand? MICHAEL KELLY 37 Narrative Storytelling in a Drive-By Medium BY CAROLYN MUNGO 39 Combining Narrative With Analysis BY LAURA SESSIONS STEPP 42 Literary Nonfiction Constructs a Narrative Foundation BY MADELEINE BLAIS 43 Me and the System: The Personal Essay and Health Policy BY FITZHUGH MULLAN 45 Photojournalism 46 Photographs BY JAMES NACHTWEY 48 The Unbearable Weight of Witness BY MICHELE MCDONALD 49 Photographers Can’t Hide Behind Their Cameras BY STEVE NORTHUP 51 Do Images of War Need Justification? BY PHILIP CAPUTO Cover photo: A Muslim man begs for his life as he is taken prisoner by Arkan’s Tigers during the first battle for Bosnia in March 1992.
    [Show full text]
  • Download Delcorso's Gallery, Philip Caputo, Random House LLC, 2012
    DelCorso's Gallery, Philip Caputo, Random House LLC, 2012, 0307822052, 9780307822055, 368 pages. A classic novel of Vietnam and its aftermath from Philip Caputo, whose Pulitzer Prize-winning memoir A Rumor of War is widely considered among the best ever written about the experience of war.At thirty-three, Nick DelCorso is an award-winning war photographer who has seen action and dodged bullets all over the world–most notably in Vietnam, where he served as an Army photographer and recorded combat scenes whose horrors have not yet faded in his memory. When he is called back to Vietnam on assignment during a North Vietnamese attempt to take Saigon, he is faced with a defining choice: should he honor the commitment he has made to his wife not to place himself in any more danger for the sake of his career, or follow his ambition back to the war-torn land that still haunts his dreams? What follows is a riveting story of war on two fronts, Saigon and Beirut, that will test DelCorso’s faith not only in himself, but in the nobler instincts of men.. DOWNLOAD http://bit.ly/1j0zXiV Acts of Faith , Philip Caputo, May 3, 2005, Fiction, 669 pages. Philip Caputo’s tragic and epically ambitious new novel is set in Sudan, where war is a permanent condition. Into this desolate theater come aid workers, missionaries, and .... Dispatches , Michael Herr, 2009, History, 247 pages. Written on the front lines in Vietnam, "Dispatches" became an immediate classic of war reportage when it was published in 1977.
    [Show full text]
  • War on Film: Military History Education Video Tapes, Motion Pictures, and Related Audiovisual Aids
    War on Film: Military History Education Video Tapes, Motion Pictures, and Related Audiovisual Aids Compiled by Major Frederick A. Eiserman U.S. Army Command and General Staff College Fort Leavenworth, Kansas 66027-6900 Library of Congress Cataloging-in-Publication Data Eiserman, Frederick A., 1949- War on film. (Historical bibliography ; no. 6) Includes index. 1. United States-History, Military-Study and teaching-Audio-visual aids-Catalogs. 2. Military history, Modern-Study and teaching-Audio- visual aids-Catalogs. I. Title. II. Series. E18I.E57 1987 904’.7 86-33376 CONTENTS PREFACE ................................................. vii Chapter One. Introduction ............................... 1 1. Purpose and Scope .................................. 1 2. Warnings and Restrictions .......................... 1 3. Organization of This Bibliography .................. 1 4. Tips for the Instructor ............................... 2 5. How to Order ........................................ 3 6. Army Film Codes ................................... 3 7. Distributor Codes .................................... 3 8. Submission of Comments ............................ 5 Chapter Two. General Military History ................. 7 1. General .............................................. 7 2. Series ................................................ 16 a. The Air Force Story ............................. 16 b. Air Power ....................................... 20 c. Army in Action ................................. 21 d. Between the Wars ..............................
    [Show full text]
  • The Vietnam War: 50 Years on SEPTEMBER 8-9, 2015 • JAMES A
    The Vietnam War: 50 Years On SEPTEMBER 8-9, 2015 • JAMES A. BAKER III HALL, RICE UNIVERSITY ABOUT THE EVENT “The Vietnam War: 50 Years On,” a special event co- hosted by the Baker Institute’s young professionals groups and the Rice Veterans in Business Association (VIBA) at the Jones Graduate School of Business, will commemorate one of the most controversial periods in U.S. history. On September 9, four critically acclaimed writers — Philip Caputo, Larry Heinemann, Tim O’Brien, and Tobias Wolff — will participate in a panel discussion at the institute, using literature as a lens to examine the war’s legacy. All four served in Vietnam in the infantry or Special Forces before launching their literary careers. The authors will discuss not only the effect of the war on their writing, but also its relevance in the post-9/11 era The Honorable James A. Baker, III, reflected on his public service and the human cost of policy decisions. under three U.S. presidents and the founding of the Baker Institute at an exclusive Roundtable Young Professionals event. In addition to the panel discussion, the authors will visit campus for two days, talking informally with members of the institute’s young professionals groups — the Emerging Leaders and Associate Roundtable — and with military veterans enrolled at Rice University. The Baker Institute will host a 5:00 p.m. reception for the authors prior to the 6:00 p.m. panel discussion on September 9. A brief book-signing session will follow. While the special event observes the 50th anniversary of the Vietnam War, it is also intended to spotlight the growing presence of veterans at Rice University.
    [Show full text]
  • Alfred A. Knopf
    Alfred A. Knopf Publisher of Borzoi Books Fall 2009 22112_K-Fa09_f_MM.qxp:K-Fa09_1p_r1 3/6/09 3:21 PM Page 43 Alfred A.Knopf Index of Titles Page Page The American Civil War, John Keegan 85 Lincoln, Life-Size, Philip B. Kunhardt III, American Icon, Teri Thompson, Peter W. Kunhardt, and Peter W. Nathaniel Vinton, Michael O’Keeffe, and Kunhardt, Jr. 89 Christian Red 46 The Museum of Innocence, Orhan Pamuk 83 Angel Time, Anne Rice 79 The National Parks, Dayton Duncan and The Art Student’s War, Brad Leithauser 94 Ken Burns 55 The Bauhaus Group, Nicholas Fox Weber 78 News of the World, Philip Levine 74 Blood’s A Rover, James Ellroy 63 Noah’s Compass, Anne Tyler 61 The Case for God, Karen Armstrong 57 Nocturnes, Kazuo Ishiguro 53 The Children’s Book, A. S. Byatt 69 Nothing Was the Same, Kay Redfield Civil War Wives, Carol Berkin 64 Jamison 65 The Complete Lyrics of Johnny Mercer, On Thin Ice, Richard Ellis* 92 Johnny Mercer 80 The Original of Laura, Vladimir Nabokov 97 Conquering Fear, Harold S. Kushner 81 Painting Below Zero, James Rosenquist 86 Conversations with Woody Allen, Eric Lax 52 A Phone Call to the Future, Mary Jo Crossers, Philip Caputo 76 Salter 54 Crude World, Peter Maass 58 The Pleasures of Cooking for One, The Death of Ivan Ilyich and Other Judith Jones 62 Stories, Leo Tolstoy 98 The Queen Mother, William Shawcross 93 Defend the Realm, Christopher Andrew 77 Redeeming Features, Nicholas Haslam 96 Easy, Marie Ponsot 84 Robert Altman, Mitchell Zuckoff 73 Eating, Jason Epstein 82 Robert Redford, Michael Feeney Callan 95 The Education of a British-Protected Child, Chinua Achebe* 72 Selected Poems, Frank O’Hara 54 Endpoint and Other Poems, John Updike 45 The Sibley Guide to Bird Life and Behavior, David Allen Sibley 48 A Gate at the Stairs, Lorrie Moore 59 The Slippery Year, Melanie Gideon 51 The Godfather of Kathmandu, John Burdett 75 Sweet Thunder, Wil Haygood* 68 Half the Sky, Nicholas D.
    [Show full text]
  • UNDERLINING and ITALICS
    Directed Learning Activity PM.8 Name: ___________________________ Date: ___________________________ UNDERLINING and ITALICS Purpose: Upon completion of this activity, students will understand how to use underlining/italics. This DLA should take approximately 30 to 45 minutes to complete. Step 1: Consult your own textbook about the rules for italicizing. Step 2: Now that you have reviewed italicizing rules, do the activity below. If an item needs to be italicized, underline it. If an item is italicized and should not be, circle it. Some items might be correctly italicized. Original: Of Hitchcock’s movies, Psycho is the scariest. Correction: Of Hitchcock’s movies, Psycho is the scariest . 1. Of the many Vietnam veterans who are writers, Oliver Stone is perhaps the most famous for writing and directing the films Platoon and Born on the Fourth of July. 2. Tim O’Brien has written short stories for Esquire, GQ, and Massachusetts Review. 3. Going After Cacciato is O’Brien’s dreamlike novel about the horrors of combat. 4. The word Vietnam is technically two words (Viet and Nam), but most American writers spell it as one word. 5. American writers use words or phrases borrowed from Vietnamese, such as di di mau (which means “go quickly”) or dinky dau (“crazy”). 6. Philip Caputo’s gripping account of his service in Vietnam appears in the book A Rumor of War. 7. Caputo’s book was made into a television movie, also titled A Rumor of War. 8. David Rabe’s plays—including The Basic Training of Pavlo Hummel, Streamers, and Sticks and Bones—depict the effects of the war not only on the soldiers but on their families.
    [Show full text]
  • The News Media Coverage of the Tet Offensive (1968): Historical Evaluation As and Educational Tool
    Loyola University Chicago Loyola eCommons Dissertations Theses and Dissertations 1992 The News Media Coverage of the Tet Offensive (1968): Historical Evaluation as and Educational Tool Edmund J. Rooney Loyola University Chicago Follow this and additional works at: https://ecommons.luc.edu/luc_diss Part of the Education Commons Recommended Citation Rooney, Edmund J., "The News Media Coverage of the Tet Offensive (1968): Historical Evaluation as and Educational Tool" (1992). Dissertations. 3196. https://ecommons.luc.edu/luc_diss/3196 This Dissertation is brought to you for free and open access by the Theses and Dissertations at Loyola eCommons. It has been accepted for inclusion in Dissertations by an authorized administrator of Loyola eCommons. For more information, please contact [email protected]. This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 3.0 License. Copyright © 1992 Edmund J. Rooney LOYOLA UNIVERSITY OF CHICAGO THE NEWS MEDIA COVERAGE OF THE TET OFFENSIVE (1968): HISTORICAL EVALUATION AS AN EDUCATIONAL TOOL A DISSERTATION SUBMITTED TO THE FACULTY OF THE SCHOOL OF EDUCATION IN CANDIDACY FOR THE DEGREE OF DOCTOR OF EDUCATION EDUCATIONAL LEADERSHIP AND POLICY STUDIES BY EDMUND J. ROONEY JR. CHICAGO, ILLINOIS MAY 1992 ACKNOWLEDGMENTS First, thanks to my family, including my deceased parents, for their help and encouragement over many years. Especial gratitude goes to my wife of thirty-six years--Mary--and to my six children of whom five are Loyola graduates and the sixth is a senior in Loyola's School of Education. Second, many thanks to my Loyola faculty colleagues--past and present. Two former Chairs of the Department of Communication--the late Professor Elaine Bruggemeier and Dr.
    [Show full text]
  • Vietnam War Literature Catherine-Jeanette
    VIETNAM WAR LITERATURE REFLECTIONS OF THE SUSTAINED TENSION BETWEEN POLITICS, HISTORY, MORALITY AND THE EFFECT OF WAR ON HUMAN NATURE. by CATHERINE-JEANETTE MELISSAKIS DISSERTATION submitted in fulfilment of the requirements for the degree of MASTERS in ENGLISH in the FACULTY OF HUMANITIES at the UNIVERSITY OF JOHANNESBURG JOHANNESBURG 2006 TABLE OF CONTENTS INTRODUCTION 1 CHAPTER 1: WHO SAID WAR? 13 CHAPTER 2: THE VIETNAM LEGACY 40 CONCLUSION 112 END NOTES 120 BIBLIOGRAPHY 123 INTRODUCTION Vietnam War literature is a reflection of a sustained tension between politics and history on the one hand and morality and the effect of the war on human nature on the other hand. Although the authors under discussion urge the reader to forget the political, moral and historical milieu of the Vietnam War, it is impossible to separate the war from those three factors and by extension, the literature that stems from it. I have chosen Philip Caputo’s A Rumor of War (1977) and Robert Mason’s Chickenhawk (1983) because I think they represent, perhaps in the simplest and least obtrusive way, the voices of 55 000 men whose names appear on a black, granite wall in Washington. The authors chose to write their respective memoirs for the Everyman who died in, or lived through, the aberration that was Vietnam. Through their reconstruction of the war and their experiences, they keep the demand for recognition of those who fought (whether morally sanctioned or not) in Vietnam for their country. While American society tried to force the war from its psyche because so many of them thought it was unjust, immoral and unnecessary, authors like Caputo and Mason demanded that the nation examine itself on the whole and reconsider its political endeavours.
    [Show full text]
  • Lew Puller's Fortunate Son and the Myth of Resolution
    “THROUGH STAR-SPANGLED EYES”: LEW PULLER’S FORTUNATE SON AND THE MYTH OF RESOLUTION By JASON A. HIGGINS Bachelor of Arts English and History University of Arkansas at Monticello Monticello, Arkansas 2013 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of MASTER OF ARTS May, 2016 “THROUGH STAR-SPANGLED EYES”: LEW PULLER’S FORTUNATE SON AND THE MYTH OF RESOLUTION Thesis Approved: Dr. Elizabeth Grubgeld Thesis Adviser Dr. Richard Frohock Committee Member Dr. Stacy Takacs Committee Member Dr. John M. Kinder Committee Member ii ACKNOWLEDGEMENTS First and foremost, I acknowledge my advisor and committee chair, Dr. Elizabeth Grubgeld, for the many hours of conversation that always exceeded her scheduled office hours and the encouragement she has given me throughout my time at Oklahoma State University. I appreciate the dedication and the thoroughness with which she read several drafts of my thesis over the past year. I thank her for the proliferation of letters of recommendations that she has written in support of my scholarship and my education. I want to express my sincere appreciation to my thesis committee. Dr. Richard Frohock’s support of graduate student research has provided me and so many others numerous opportunities for professional development and has enhanced my education in significant ways—and my sincere thanks for making the study of pirates a thing. I want to emphasize my esteemed appreciation of Dr. Stacy Takacs; although I regret never having had the privilege of taking one of her seminars, she has supported my work with enthusiasm and offered valuable feedback throughout the writing process.
    [Show full text]
  • Fortunate Son and the Problem of Resolution
    JASON A. HIGGINS Through “Star-Spangled Eyes”: Fortunate Son and the Problem of Resolution “STORIES CAN SAVE US,” TIM O’BRIEN WRITES (Things 213). But what can we learn about trauma from the life-writing of a Vietnam veteran who committed suicide? In the decades after the American War in Vietnam, veterans produced numerous accounts of trauma. Some of the best non-fiction, Tim O’Brien’s If I Die in a Combat Zone (1973), Philip Caputo’s A Rumor of War (1977), Michael Herr’s Dispatches (1977), Ron Kovic’s Born on the Fourth of July (1976), and Lewis B. Puller Jr.’s Fortunate Son (1991) challenge the dominant ideologies of the Cold War era, such as American exceptionalism. These memoirs are also intimate responses to war-related trauma. They testify to war’s lasting consequences. Some authors constructed these narratives as ways to cope with their experiences, communicate their memories, and resolve the lasting effects of trauma. The post-modern narrative structures of these books help create the quintessential Vietnam War experience in American memory. Trauma disrupts the survivor’s understanding of self in relation to the world and defies conventional narrative structures. Trauma also transforms the ways people remember and retell experiences. In this essay, I reconceptualize narrative arcs to acknowledge this transformation by inverting Freytag’s Pyramid. Story-telling customarily includes exposition, rising action, climax, falling action, and resolution. By inverting the structure, the climax becomes the nadir—rock bottom. Reimagining the structure of trauma narratives in this way illustrates the challenges of post-war recovery.
    [Show full text]
  • Vietnam Generation Newsletter, Volume 3 Number 2
    Vietnam Generation Volume 3 Number 2 Australia R&R: Representation and Article 12 Reinterpretations of Australia's War in Vietnam 6-1991 Vietnam Generation Newsletter, Volume 3 Number 2 Follow this and additional works at: http://digitalcommons.lasalle.edu/vietnamgeneration Part of the American Studies Commons Recommended Citation (1991) "Vietnam Generation Newsletter, Volume 3 Number 2," Vietnam Generation: Vol. 3 : No. 2 , Article 12. Available at: http://digitalcommons.lasalle.edu/vietnamgeneration/vol3/iss2/12 This Newsletter is brought to you for free and open access by La Salle University Digital Commons. It has been accepted for inclusion in Vietnam Generation by an authorized editor of La Salle University Digital Commons. For more information, please contact [email protected]. ■ June, 1991 VoLume 5 NuMbER 2 Editorial In This Issue.............................................................2 Long issue, short editorial. We all know the Vietnam Syndrome isn’t over. The steady readers of Vietnam A nnouncements, Notices, ANd Reports..................... 2 Generation aren’t about to stop thinking about the U.S. in terms of what the nation did in Southeast Features................................................................ 16 Asia twenty years ago. But we did j ust have another big war, and an awful lot of personnel from the last WaLt Carey Is DEAd, by AIan FarreU.....................16 big one played a part, and we did win. At least two lieutenants from the siege of Khe Sanh were USMC War ANd REMEMbRANCE, by Ben KIernan.................. 17 Colonels in the Gulf, Vietnam combat enthusiast David Hackworth was a Newsweek correspondent DeatH of tHe Dreamer, by WILUam M. KiNq............ 18 there, Norman Schwarzkopf of Friendly Fire ran the show, and Peter Arnett was filing the real story Poetry fROM Bill SHiElds.......................................20 again, from Baghdad this time.
    [Show full text]
  • Teacher's Guide
    FARRAR, STRAUS AND GIROUX TEACHER’S GUIDE Accelerated Reader A Long Way Gone Memoirs of a Boy Soldier by Ishmael Beah “Everyone in the world should read this book . We should read it to learn about the world and about what it means to be human.” —Carolyn See, The Washington Post Book World 240 pages • 0-374-10523-5 TO THE TEACHER In the fifty-plus conflicts now going on around the globe, it is estimated that there are some 300,000 child soldiers. Ishmael Beah, the author of this horrifying yet vitally important memoir, used to be one of them. What is war like for a twelve- or thirteen-year-old soldier? How does a child become a killer? How does one stop? Child soldiers have been profiled by journal- ists, and novelists have tried to imagine their lives. But until now, there has been © John Madere no firsthand account by someone who came through such hell and survived. Riveting yet readable, unimaginable yet unforgettable, A Long Way Gone is sure to become a classic: a unique autobiography about the civil war in Sierra Leone, as recorded by one who took up an AK-47 at the age of twelve. Now in his mid-twen- ties, Beah is both eloquent and perceptive in his account of fleeing attacking rebels, searching for his lost relatives, seeking out food and shelter in the bush, and wan- dering a land rendered unrecognizable by brutality and violence. Yet once he’s been picked up and recruited by the government army, Beah, a gentle boy at heart, finds that he, too, is capable of truly terrible actions.
    [Show full text]