Vietnam Generation Newsletter, Volume 3 Number 2
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VVMF Education Guide
FOUNDERS OF THE WALL ECHOES FROM THE WALL War will always have impacts on society and culture. Within the realm of popular culture, popular films released after the end of the Vietnam War reflect a range of public perspectives about the conflict. DISCUSSION GUIDE This lesson plan will involve a review of popular films that depict the Vietnam War, era, and veterans, as well as more How Does Film recent popular films that depict more recent wars. Students will examine the Reflect Perspectives perspectives of these films and how the range of perspectives was reflected in on War? broader society following the war. Download the Perspectives on War? Reflect Does Film How Accompanying Powerpoint Presentation for use in the classroom > PRE-VISIT ACTIVITY 1 Films from Vietnam Ask students to create a list of movies they have seen that have a focus on the Vietnam War, era, or veterans (for a list, see: http://www.vvmf.org/teaching-vietnam). Ask each student to choose a favorite from the list and explain his/her reasoning for why it’s his/her favorite. If a student hasn’t see any—ask him or her to choose one to watch at home. For that movie, ask students to answer the following questions: • What issues are depicted in the movie? • Would you say that the movie takes a position on the war? What evidence supports your answer? • What part or parts of the movie struck you? Why? • What do you think someone who had no background on the Vietnam War or era would take away about it from this movie? PRE-VISIT ACTIVITY 2 Vietnam in Media Ask students to poll 10 of their siblings, friends, or even parents: What are the top two NOTE TO sources from which they have any understanding of the TEACHER Vietnam War and era? Place a tally mark beside each response. -
The Cinema of Oliver Stone
Interviews Stone on Stone Between 2010 and 2014 we interviewed Oliver Stone on a number of occasions, either personally or in correspondence by email. He was always ready to engage with us, quite literally. Stone thrives on the cut- and- thrust of debate about his films, about himself and per- ceptions of him that have adorned media outlets around the world throughout his career – and, of course, about the state of America. What follows are transcripts from some of those interviews, with- out redaction. Stone is always at his most fascinating when a ques- tion leads him down a line of theory or thinking that can expound on almost any topic to do with his films, or with the issues in the world at large. Here, that line of thinking appears on the page as he spoke, and gives credence to the notion of a filmmaker who, whether loved or loathed, admired or admonished, is always ready to fight his corner and battle for what he believes is a worthwhile, even noble, cause. Oliver Stone’s career has been defined by battle and the will to overcome criticism and or adversity. The following reflections demonstrate why he remains the most talked about, and combative, filmmaker of his generation. Interview with Oliver Stone, 19 January 2010 In relation to the Classification and Ratings Administration Interviewer: How do you see the issue of cinematic censorship? Oliver Stone: The ratings thing is very much a limited game. If you talk to Joan Graves, you’ll get the facts. The rules are the rules. -
Newsletter Still Doesn't Have Any Reporting on Direct Queries and Submissions To: Recent Developments in U.S
N ewsletter NoVEMbER, 1991 VolUME 5 NuMbER 5 SpEciAl JournaL Issue In This Issue................................................................ 2 The Speed of DAnksess ancI "CrazecJ V ets on tHe oorstep rama e o s e PublJshER's S tatement, by Ka U TaL .............................5 D D ," by DAvId J. D R ...............40 REMF Books, by DAvid WHLs o n .............................. 45 A nnouncements, Notices, & Re p o r t s ......................... 4 eter C ortez In DarIen, by ALan FarreU ........................... 22 PoETRy, by P D ssy............................................4 4 FIctIon: Hie Romance of Vietnam, VoIces fROM tHe Past: TTie SearcTi foR Hanoi HannaK by RENNy ChRlsTophER...................................... 24 by Don NortTi ...................................................44 A FiREbAlL In tBe Nlqlrr, by WHUam M. KiNq...........25 H ollyw ood CoNfidENTlAl: 1, b y FREd GARdNER........ 50 Topics foR VJetnamese-U.S. C ooperation, PoETRy, by DennIs FRiTziNqER................................... 57 by Tran Qoock VuoNq....................................... 27 Ths A ll CWnese M ercenary BAskETbAll Tournament, Science FIctIon: This TIme It's War, by PauI OLim a r t ................................................ 57 by ALascIaIr SpARk.............................................29 (Not Much of a) War Story, by Norman LanquIst ...59 M y Last War, by Ernest Spen cer ............................50 Poetry, by Norman LanquIs t ...................................60 M etaphor ancI War, by GEORqE LAkoff....................52 A notBer -
Memorial Day 2021
MEMORIAL DAY 2021 Virgil Poe and RC Pelton This article is dedicated to the families and friends of all soldiers, sailors and Marines who did not survive war and those who did survive but suffered with battle fatigue Shell Shock, or PTSD . Virgil Poe served in the US ARMY DURING WORLD WAR ll. HE WAS IN THE BATTLE OF THE BULGE AS WAS MY UNCLE LOWELL PELTON. As a teenager, Virgil Poe, a 95 year old WWII veteran served in 3rd army and 4th army in field artillery units in Europe (France, Belgium Luxemburg, and Germany) He recently was awarded the French Legion of Honor for his WWII service. Authorized by the President of France, it is the highest Military Medal in France. After the war in Germany concluded, he was sent to Fort Hood Texas to be reequipped for the invasion of Japan. But Japan surrendered before he was shipped to the Pacific. He still calls Houston home. Ernest Lowell Pelton My Uncle Ernest Lowell Pelton was there with Virgil during the battle serving as a Medic in Tank Battalion led by General Gorge Patton. During the battle he was wounded while tending to 2 fellow soldiers. When found they were both dead and Lowell was thought dead but still barely alive. He ended up in a hospital in France where he recovered over an 8-month period. He then asked to go back to war which he did. Lowell was offered a battlefield commission, but declined saying, I do not want to lead men into death. In Anson Texas he was called Major since all the small-town residents had heard of his heroism. -
The Vietnam War in the American Mind, 1975-1985 Mark W
University of Richmond UR Scholarship Repository Master's Theses Student Research 8-1989 Half a memory : the Vietnam War in the American mind, 1975-1985 Mark W. Jackley Follow this and additional works at: http://scholarship.richmond.edu/masters-theses Recommended Citation Jackley, Mark W., "Half a memory : the Vietnam War in the American mind, 1975-1985" (1989). Master's Theses. Paper 520. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Master's Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. Half A Memory: The Vietnam War In The American Mind, 1975 - 1985 Mark W. Jackley Submitted for the Degree of Master of Arts in History University of Richmond, 1989 Dr. Barry Westin, Thesis Director This study attempts to show how Americans in general remembered the Vietnam War from 1975 to 1985, the decade after it ended. A kind of social history, the study concentrates on the war as remembered in the popular realm, examining novels as well as nonfiction, poetry, plays, movies, articles in political journals, songs, memorials, public opinion polls and more. Most everything but academic history is discussed. The study notes how the war's political historY. was not much remembered; the warrior, not the war, became the focus of national memory. The study argues that personal memory predominated over political memory for a number of reasons, the most important being the relative unimportance of the nation of Vietnam to most Americans. -
Literary War Journalism: Framing and the Creation of Meaning J
Literary War Journalism: Framing and the Creation of Meaning J. Keith Saliba, Ted Geltner Journal of Magazine Media, Volume 13, Number 2, Summer 2012, (Article) Published by University of Nebraska Press DOI: https://doi.org/10.1353/jmm.2012.0002 For additional information about this article https://muse.jhu.edu/article/773721/summary [ Access provided at 1 Oct 2021 07:15 GMT with no institutional affiliation ] Literary War Journalism Literary War Journalism: Framing and the Creation of Meaning J. Keith Saliba, Jacksonville University [email protected] Ted Geltner, Valdosta State University [email protected] Abstract Relatively few studies have systematically analyzed the ways literary journalists construct meaning within their narratives. This article employed rhetorical framing analysis to discover embedded meaning within the text of John Sack’s Gulf War Esquire articles. Analysis revealed several dominant frames that in turn helped construct an overarching master narrative—the “takeaway,” to use a journalistic term. The study concludes that Sack’s literary approach to war reportage helped create meaning for readers and acted as a valuable supplement to conventional coverage of the war. Keywords: Desert Storm, Esquire, framing, John Sack, literary journalism, war reporting Introduction Everything in war is very simple, but the simplest thing is difficult. The difficulties accumulate and end by producing a kind of friction that is inconceivable unless one has experienced war. —Carl von Clausewitz Long before such present-day literary journalists as Rolling Stone’s Evan Wright penned Generation Kill (2004) and Chris Ayres of the London Times gave us 2005’s War Reporting for Cowards—their poignant, gritty, and sometimes hilarious tales of embedded life with U.S. -
War Comics from Wikipedia, the Free Encyclopedia
War comics From Wikipedia, the free encyclopedia War comics is a genre of comic books that gained popularity in English-speaking countries following War comics World War II. Contents 1 History 1.1 American war comics 1.2 End of the Silver Age 1.3 British war comics 2 Reprints 3 See also 4 References 5 Further reading 6 External links History American war comics Battlefield Action #67 (March 1981). Cover at by Pat Masulli and Rocco Mastroserio[1] Shortly after the birth of the modern comic book in the mid- to late 1930s, comics publishers began including stories of wartime adventures in the multi-genre This topic covers comics that fall under the military omnibus titles then popular as a format. Even prior to the fiction genre. U.S. involvement in World War II, comic books such as Publishers Quality Comics Captain America Comics #1 (March 1941) depicted DC Comics superheroes fighting Adolf Hitler and the Nazis. Marvel Comics Golden Age publisher Quality Comics debuted its title Charlton Comics Blackhawk in 1944; the title was published more or less Publications Blackhawk continuously until the mid-1980s. Sgt. Fury and his Howling Commandos In the post-World War II era, comic books devoted Sgt. Rock solely to war stories began appearing, and gained G.I. Combat popularity the United States and Canada through the 1950s and even during the Vietnam War. The titles Commando Comics tended to concentrate on US military depictions, Creators Harvey Kurtzman generally in World War II, the Korean War or the Robert Kanigher Vietnam War. Most publishers produced anthologies; Joe Kubert industry giant DC Comics' war comics included such John Severin long-running titles as All-American Men of War, Our Russ Heath Army at War, Our Fighting Forces, and Star Spangled War Stories. -
Download Music for Free.] in Work, Even Though It Gains Access to It
Vol. 54 No. 3 NIEMAN REPORTS Fall 2000 THE NIEMAN FOUNDATION FOR JOURNALISM AT HARVARD UNIVERSITY 4 Narrative Journalism 5 Narrative Journalism Comes of Age BY MARK KRAMER 9 Exploring Relationships Across Racial Lines BY GERALD BOYD 11 The False Dichotomy and Narrative Journalism BY ROY PETER CLARK 13 The Verdict Is in the 112th Paragraph BY THOMAS FRENCH 16 ‘Just Write What Happened.’ BY WILLIAM F. WOO 18 The State of Narrative Nonfiction Writing ROBERT VARE 20 Talking About Narrative Journalism A PANEL OF JOURNALISTS 23 ‘Narrative Writing Looked Easy.’ BY RICHARD READ 25 Narrative Journalism Goes Multimedia BY MARK BOWDEN 29 Weaving Storytelling Into Breaking News BY RICK BRAGG 31 The Perils of Lunch With Sharon Stone BY ANTHONY DECURTIS 33 Lulling Viewers Into a State of Complicity BY TED KOPPEL 34 Sticky Storytelling BY ROBERT KRULWICH 35 Has the Camera’s Eye Replaced the Writer’s Descriptive Hand? MICHAEL KELLY 37 Narrative Storytelling in a Drive-By Medium BY CAROLYN MUNGO 39 Combining Narrative With Analysis BY LAURA SESSIONS STEPP 42 Literary Nonfiction Constructs a Narrative Foundation BY MADELEINE BLAIS 43 Me and the System: The Personal Essay and Health Policy BY FITZHUGH MULLAN 45 Photojournalism 46 Photographs BY JAMES NACHTWEY 48 The Unbearable Weight of Witness BY MICHELE MCDONALD 49 Photographers Can’t Hide Behind Their Cameras BY STEVE NORTHUP 51 Do Images of War Need Justification? BY PHILIP CAPUTO Cover photo: A Muslim man begs for his life as he is taken prisoner by Arkan’s Tigers during the first battle for Bosnia in March 1992. -
ORAL HISTORY Lieutenant General John H. Cushman US Army, Retired
ORAL HISTORY Lieutenant General John H. Cushman US Army, Retired VOLUME FOUR TABLE OF CONTENTS Chapter Title Pages Preface 1 18 Cdr Fort Devens, MA 18-1 to 18-18 19 Advisor, IV Corps/Military Region 4, Vietnam 19-1 to 19A-5 20 Cdr 101st Airborne Division & Fort Campbell, KY 20-1 to 20-29 Preface I began this Oral History with an interview in January 2009 at the US Army Military History Institute at Carlisle Barracks, PA. Subsequent interviews have taken place at the Knollwood Military Retirement Residence in Washington, DC. The interviewer has been historian Robert Mages. Until March 2011 Mr. Mages was as- signed to the Military History Institute. He has continued the project while assigned to the Center of Military History, Fort McNair, DC. Chapter Title Pages 1 Born in China 1-1 to 1-13 2 Growing Up 2-1 to 2-15 3 Soldier 3-1 to 3-7 4 West Point Cadet 4-1 to 4-14 5 Commissioned 5-1 to 5-15 6 Sandia Base 6-1 to 6-16 7 MIT and Fort Belvoir 7-1 to 7-10 8 Infantryman 8-1 to 8-27 9 CGSC, Fort Leavenworth, KS, 1954-1958 9-1 to 9-22 10 Coordination Group, Office of the Army Chief of Staff 10-1 to 10-8 11 With Cyrus Vance, Defense General Counsel 11-1 to 11-9 12 With Cyrus Vance, Secretary of the Army 12-1 to 12-9 13 With the Army Concept Team in Vietnam 13-1 to 13-15 14 With the ARVN 21st Division, Vietnam 14-1 to 14-19 15 At the National War College 15-1 to 15-11 16 At the 101st Airborne Division, Fort Campbell, KY 16-1 to 16-10 17 Cdr 2d Brigade, 101st Airborne Division, Vietnam 17-1 to 17-35 18 Cdr Fort Devens, MA 18-1 to 18-18 19 Advisor, IV Corps/Military Region 4, Vietnam 19-1 to 19A-5 20 Cdr 101st Airborne Division & Fort Campbell, KY 19-1 to 19-29 21 Cdr Combined Arms Center and Commandant CGSC 22 Cdr I Corps (ROK/US) Group, Korea 23 In Retirement (interviews for the above three chapters have not been conducted) For my own distribution in November 2012 I had Chapters 1 through 7 (Volume One) print- ed. -
Download Delcorso's Gallery, Philip Caputo, Random House LLC, 2012
DelCorso's Gallery, Philip Caputo, Random House LLC, 2012, 0307822052, 9780307822055, 368 pages. A classic novel of Vietnam and its aftermath from Philip Caputo, whose Pulitzer Prize-winning memoir A Rumor of War is widely considered among the best ever written about the experience of war.At thirty-three, Nick DelCorso is an award-winning war photographer who has seen action and dodged bullets all over the world–most notably in Vietnam, where he served as an Army photographer and recorded combat scenes whose horrors have not yet faded in his memory. When he is called back to Vietnam on assignment during a North Vietnamese attempt to take Saigon, he is faced with a defining choice: should he honor the commitment he has made to his wife not to place himself in any more danger for the sake of his career, or follow his ambition back to the war-torn land that still haunts his dreams? What follows is a riveting story of war on two fronts, Saigon and Beirut, that will test DelCorso’s faith not only in himself, but in the nobler instincts of men.. DOWNLOAD http://bit.ly/1j0zXiV Acts of Faith , Philip Caputo, May 3, 2005, Fiction, 669 pages. Philip Caputo’s tragic and epically ambitious new novel is set in Sudan, where war is a permanent condition. Into this desolate theater come aid workers, missionaries, and .... Dispatches , Michael Herr, 2009, History, 247 pages. Written on the front lines in Vietnam, "Dispatches" became an immediate classic of war reportage when it was published in 1977. -
Fall 2019 Newsletter – Issue 56
Charles M. Schulz – Sonoma County Airport (STS) The Red Baron Flyer Fall 2019 Newsletter – Issue 56 Airport Solar System Awarded! A Power Purchase Agreement has been approved by the Board of Supervisors for a solar system at the Airport. The approved 834kW parking canopy solar structure will be installed over Long Term Parking Lot B, and will meet 100% of the Airport’s electrical needs. Parking canopies provide protection from weather elements, and produce clean and renewable electricity. The project will reduce greenhouse gas emissions by 1,023 metric tons, the equivalent to 2,500,956 miles driven by an average vehicle, and save the County $3,627,981 over 20 years. The solar project has been awarded to Forefront Power. They are currently conducting the FAA glare analysis, and the project is expected to be operational by late summer 2020. Alaska Airlines Voted #1 by Conde Nast Traveler 2019 It’s a huge honor to be recognized as “Best U.S. Airline” at any time––but two years in a row? We’re thankful to flyers for choosing Alaska, over and over again. Today, Condé Nast Traveler named us “Best U.S. Airline” in their 2019 Readers’ Choice Awards. The award is especially significant because it’s based on the ratings of more than 600,000 readers who shared feedback about their recent travel experiences. We’re constantly pushing ourselves to be better. Remaining at the top means staying focused on giving you what you want. We work hard to provide you with a remarkable onboard experience from bigger overhead bins and assigned seating to free texting and movies, seatback power and a fresh West Coast-inspired menu. -
Broadcasting: Feb 18 Reaching Over 117,000 Readers Every Week 60Th Year 1991
Broadcasting: Feb 18 Reaching over 117,000 readers every week 60th Year 1991 TELEVISION / 38 RADIO / 43 BUSINESS / 54 TECHNOLOGY / 64 Fox gears up in -house Operators endorse Em : roadcasting Fiber -satellite pact: production; network chiefs NAB's DAB objectives, r . ncial Vyvx to backhaul sports bemoan sponsor skittishness question its methods tightropeghtrope for IDB- Hughes FES 1 9 1991 F &F Team Scores A Super Bowl "Three- Peat :' F &F remote facilities teams have gone to the last three Super Bowls ... and come away with a winner every time. From editing and support equipment to Jumbotron production to live feeds overseas, F &F t scored every time. So whenever you need mobile units or location facilities for sports, entertainment, or teleconferencing, call the F &F team. You'll get a super production. Productions, Inc. A subsidiary of Hubbard Broadcasting. Inc. 9675 4th Street North, St. Petersburg, FL 33702 813/576 -7676 800/344 -7676 609LA NI 31(1.0._ PIl w3W WVNONINNfl3 (1 31V1S VNVICNI SlV Ia3S 16/a.W )I(1 +7£0f'8VI213S6081h 9/..5 119I C-f **, * * :^*=`** *::*AM ) IndÏaflapolis 3 - A. Broadcasting i Feb 18 THIS WEEK 27 / MORE INPUT ON endorsed the association's plan to back the Eureka 147 FIN -SYN DAB system and to serve White House Chief of as U.S. licensing agent, other Staff John Sununu weighs in broadcasters have on the fin -syn battle, reservations about the action. underscoring President Last week, at two separate Bush's interest in a meetings in Washington -the deregulatory solution to the Radio Operators Caucus issue.