Volume 25, Number 3
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Where to Study Jazz 2019
STUDENT MUSIC GUIDE Where To Study Jazz 2019 JAZZ MEETS CUTTING- EDGE TECHNOLOGY 5 SUPERB SCHOOLS IN SMALLER CITIES NEW ERA AT THE NEW SCHOOL IN NYC NYO JAZZ SPOTLIGHTS YOUNG TALENT Plus: Detailed Listings for 250 Schools! OCTOBER 2018 DOWNBEAT 71 There are numerous jazz ensembles, including a big band, at the University of Central Florida in Orlando. (Photo: Tony Firriolo) Cool perspective: The musicians in NYO Jazz enjoyed the view from onstage at Carnegie Hall. TODD ROSENBERG FIND YOUR FIT FEATURES f you want to pursue a career in jazz, this about programs you might want to check out. 74 THE NEW SCHOOL Iguide is the next step in your journey. Our As you begin researching jazz studies pro- The NYC institution continues to evolve annual Student Music Guide provides essen- grams, keep in mind that the goal is to find one 102 NYO JAZZ tial information on the world of jazz education. that fits your individual needs. Be sure to visit the Youthful ambassadors for jazz At the heart of the guide are detailed listings websites of schools that interest you. We’ve com- of jazz programs at 250 schools. Our listings are piled the most recent information we could gath- 120 FIVE GEMS organized by region, including an International er at press time, but some information might have Excellent jazz programs located in small or medium-size towns section. Throughout the listings, you’ll notice changed, so contact a school representative to get that some schools’ names have a colored banner. detailed, up-to-date information on admissions, 148 HIGH-TECH ED Those schools have placed advertisements in this enrollment, scholarships and campus life. -
Jazz Workshop Dana Hall, Director Jazz Orchestra Thomas Matta, Director Jazz Ensemble Bob Lark, Director Program Jazz Workshop Dana Hall, Director
Thursday, May 25, 2017 • 8:00 P.M. Jazz Workshop Dana Hall, director Jazz Orchestra Thomas Matta, director Jazz Ensemble Bob Lark, director DePaul Student Center 2250 North Sheffield Avenue • Chicago Thursday, May 25, 2017 • 8:00 P.M. DePaul Student Center JAZZ WORKSHOP Dana Hall, director JAZZ ORCHESTRA Thomas Matta, director JAZZ ENSEMBLE Bob Lark, director PROGRAM JAZZ WORKSHOP Dana Hall, director Dan Higgins A New Start Bob Meyer In The Moment Joel Adams Love Song Benjamin Phillips Little Warrior Dan Burke Living in the Existential Vacuum Sammy Galop and Peter DeRose; arr. Alex Blomarz Autumn Serenade Ben Voigt B’s Blues DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM JAZZ ORCHESTRA Thomas Matta, director To be selected from the following: Bill Holman Told You So George and Ira Gershwin; arr. Ted Nash Our Love Is Here To Stay Matt Harris Cabeza De Carne Mike Crotty The Poet Jim McNeely Extra Credit Harry Warren & Al Dubin; arr. Frank Mantooth I Only Have Eyes For You Thelonius Monk; arr. Ryan Adamsons Epistophry JAZZ ENSEMBLE Bob Lark, director Juan Tizol & Duke Ellington; arr. John Wasson Caravan Bob Lark; arr. Chris Madsen Rum Point Phil Woods Randi Thomas Matta Another Shuffle DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 PROGRAM Richard Rodgers & Lorenz Hart; arr. Thomas Matta It Never Entered My Mind Joseph Clark Blaze Sammy Mysels, Nelson Cogane & Dick Robertson; arr. Joseph Clark Yesterday’s Gardenias DEPAUL JAZZ ENSEMBLES • MAY 25, 2017 BIOGRAPHIES Drummer, composer, ethnomusicologist, and bandleader Dana Hall has been an important musician on the international music scene since 1992, after leaving aerospace engineering for a life in music. -
WATCHMOJO – the Life and Career of David Bowie (1947-2016)
WATCHMOJO – The life and career of David Bowie (1947-2016) https://www.youtube.com/watch?v=Lan_wotkon0 [Fashion] Welcome to watchmojo.com and today we're taking a look at the life and career of David Bowie. [Queen Bitch] David Robert Jones was born on January 8 1947 in Brixton London England. Though he showed musical interest at a young age it was only in the early 60s that he really pursued the art. He started by joining several blues bands but branched off on his own when they had little success. Renaming himself David Bowie he released his self-titled debut in 1967. [Who's that hiding in the apple tree clinging to a branch] Its lack of success led Bowie to participate in a promotional film called Love you till Tuesday which showcased several of his songs. A particular interest was Space Oddity : that track became a hit after it was released at the same time as the first moon landing. [Ground control to Major Tom] His sophomore effort of the same name however was another commercial disappointment. [The man who sold the world] To promote his third album The man who sold the world, Bowie was put in a dress to capitalize on his androgynous look. [Life on mars] [Ziggy Stardust] In 1971 a pop influenced record called Hunky-Dory came out and was followed by the creation of his flamboyant Ziggy Stardust persona and stage show with backing band The Spiders from Mars. Then came his breakthrough record The rise and fall of Ziggy Stardust and the Spiders from Mars which climbed the charts thanks to his performance of the single Star Man on Top of the Pops. -
Cool Trombone Lover
NOVEMBER 2013 - ISSUE 139 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM ROSWELL RUDD COOL TROMBONE LOVER MICHEL • DAVE • GEORGE • RELATIVE • EVENT CAMILO KING FREEMAN PITCH CALENDAR “BEST JAZZ CLUBS OF THE YEAR 2012” SMOKE JAZZ & SUPPER CLUB • HARLEM, NEW YORK CITY FEATURED ARTISTS / 7:00, 9:00 & 10:30pm ONE NIGHT ONLY / 7:00, 9:00 & 10:30pm RESIDENCIES / 7:00, 9:00 & 10:30pm Fri & Sat, Nov 1 & 2 Wed, Nov 6 Sundays, Nov 3 & 17 GARY BARTZ QUARTET PLUS MICHAEL RODRIGUEZ QUINTET Michael Rodriguez (tp) ● Chris Cheek (ts) SaRon Crenshaw Band SPECIAL GUEST VINCENT HERRING Jeb Patton (p) ● Kiyoshi Kitagawa (b) Sundays, Nov 10 & 24 Gary Bartz (as) ● Vincent Herring (as) Obed Calvaire (d) Vivian Sessoms Sullivan Fortner (p) ● James King (b) ● Greg Bandy (d) Wed, Nov 13 Mondays, Nov 4 & 18 Fri & Sat, Nov 8 & 9 JACK WALRATH QUINTET Jason Marshall Big Band BILL STEWART QUARTET Jack Walrath (tp) ● Alex Foster (ts) Mondays, Nov 11 & 25 Chris Cheek (ts) ● Kevin Hays (p) George Burton (p) ● tba (b) ● Donald Edwards (d) Captain Black Big Band Doug Weiss (b) ● Bill Stewart (d) Wed, Nov 20 Tuesdays, Nov 5, 12, 19, & 26 Fri & Sat, Nov 15 & 16 BOB SANDS QUARTET Mike LeDonne’s Groover Quartet “OUT AND ABOUT” CD RELEASE LOUIS HAYES Bob Sands (ts) ● Joel Weiskopf (p) Thursdays, Nov 7, 14, 21 & 28 & THE JAZZ COMMUNICATORS Gregg August (b) ● Donald Edwards (d) Gregory Generet Abraham Burton (ts) ● Steve Nelson (vibes) Kris Bowers (p) ● Dezron Douglas (b) ● Louis Hayes (d) Wed, Nov 27 RAY MARCHICA QUARTET LATE NIGHT RESIDENCIES / 11:30 - Fri & Sat, Nov 22 & 23 FEATURING RODNEY JONES Mon The Smoke Jam Session Chase Baird (ts) ● Rodney Jones (guitar) CYRUS CHESTNUT TRIO Tue Cyrus Chestnut (p) ● Curtis Lundy (b) ● Victor Lewis (d) Mike LeDonne (organ) ● Ray Marchica (d) Milton Suggs Quartet Wed Brianna Thomas Quartet Fri & Sat, Nov 29 & 30 STEVE DAVIS SEXTET JAZZ BRUNCH / 11:30am, 1:00 & 2:30pm Thu Nickel and Dime OPS “THE MUSIC OF J.J. -
Marlena Shaw out of Different Bags Mp3, Flac, Wma
Marlena Shaw Out Of Different Bags mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz / Funk / Soul Album: Out Of Different Bags Country: US Released: 1967 Style: Soul-Jazz MP3 version RAR size: 1107 mb FLAC version RAR size: 1251 mb WMA version RAR size: 1159 mb Rating: 4.4 Votes: 287 Other Formats: WAV VOX VQF DXD ASF DTS DMF Tracklist A1 Matchmaker, Matchmaker 2:58 A2 The Eyes Of Love (Carol's Theme) 2:30 A3 Nothing But Tears 2:50 A4 Will I Find My Love Today 3:20 A5 It Sure Is Groovy 2:35 A6 I've Gotten Over You 3:10 B1 Ahmad's Blues 3:05 B2 A Couple Of Losers 2:35 B3 I Stayed Too Long At The Fair 3:05 B4 Alone Together 3:07 B5 Somewhere In The Night (Naked City Theme) 2:20 Companies, etc. Recorded At – Ter Mar Studios Manufactured By – Chess Producing Corp. Credits Artwork [Cover Art] – Jerry Griffith Engineer [Recording] – Doug Brand Photography By [Cover Image] – Don S. Bernstein Producer, Arranged By – Richard Evans Notes Recorded October, 1967, at Ter Mar Studios, Chicago. Same picture sleeve as the regular release. Other versions Category Artist Title (Format) Label Category Country Year LPS 803 Marlena Shaw Out Of Different Bags (LP, Album) Cadet LPS 803 US 1967 CAS 803 Marlena Shaw Out Of Different Bags (LP, Album) Cadet CAS 803 Canada 1968 LPS 803 Marlena Shaw Out Of Different Bags (LP, Album) Cadet LPS 803 Japan 1983 Out Of Different Bags (LP, Album, LP 803 Marlena Shaw Cadet LP 803 US 1967 Mono) Out Of Different Bags (CD, Album, UCCC-9128 Marlena Shaw Cadet UCCC-9128 Japan 2005 Ltd, RE, RM, Pap) Related Music albums to Out Of Different Bags by Marlena Shaw Kitty Kallen - Matchmaker, Matchmaker Marlena Shaw - The Spice Of Life Lynn Thomas - Unreturned Love / (Stayed) Too Long At The Fair Con O'Neill & Warwick Evans - A Tribute To The Blues Brothers (Recorded Live At The Whitehall Theatre) Carol Leigh - Go Back Where You Stayed Last Night Marlena Shaw - Looking Thru The Eyes Of Love Brother Jack McDuff - Getting Our Thing Together Ahmad Jamal - Macanudo Ramsey Lewis - Goin' Latin Bo Diddley, Little Walter, Muddy Waters - Super Blues. -
Songs by Title Karaoke Night with the Patman
Songs By Title Karaoke Night with the Patman Title Versions Title Versions 10 Years 3 Libras Wasteland SC Perfect Circle SI 10,000 Maniacs 3 Of Hearts Because The Night SC Love Is Enough SC Candy Everybody Wants DK 30 Seconds To Mars More Than This SC Kill SC These Are The Days SC 311 Trouble Me SC All Mixed Up SC 100 Proof Aged In Soul Don't Tread On Me SC Somebody's Been Sleeping SC Down SC 10CC Love Song SC I'm Not In Love DK You Wouldn't Believe SC Things We Do For Love SC 38 Special 112 Back Where You Belong SI Come See Me SC Caught Up In You SC Dance With Me SC Hold On Loosely AH It's Over Now SC If I'd Been The One SC Only You SC Rockin' Onto The Night SC Peaches And Cream SC Second Chance SC U Already Know SC Teacher, Teacher SC 12 Gauge Wild Eyed Southern Boys SC Dunkie Butt SC 3LW 1910 Fruitgum Co. No More (Baby I'm A Do Right) SC 1, 2, 3 Redlight SC 3T Simon Says DK Anything SC 1975 Tease Me SC The Sound SI 4 Non Blondes 2 Live Crew What's Up DK Doo Wah Diddy SC 4 P.M. Me So Horny SC Lay Down Your Love SC We Want Some Pussy SC Sukiyaki DK 2 Pac 4 Runner California Love (Original Version) SC Ripples SC Changes SC That Was Him SC Thugz Mansion SC 42nd Street 20 Fingers 42nd Street Song SC Short Dick Man SC We're In The Money SC 3 Doors Down 5 Seconds Of Summer Away From The Sun SC Amnesia SI Be Like That SC She Looks So Perfect SI Behind Those Eyes SC 5 Stairsteps Duck & Run SC Ooh Child SC Here By Me CB 50 Cent Here Without You CB Disco Inferno SC Kryptonite SC If I Can't SC Let Me Go SC In Da Club HT Live For Today SC P.I.M.P. -
The Jazz Record
oCtober 2019—ISSUe 210 YO Ur Free GUide TO tHe NYC JaZZ sCene nyCJaZZreCord.Com BLAKEYART INDESTRUCTIBLE LEGACY david andrew akira DR. billy torn lamb sakata taylor on tHe Cover ART BLAKEY A INDESTRUCTIBLE LEGACY L A N N by russ musto A H I G I A N The final set of this year’s Charlie Parker Jazz Festival and rhythmic vitality of bebop, took on a gospel-tinged and former band pianist Walter Davis, Jr. With the was by Carl Allen’s Art Blakey Centennial Project, playing melodicism buoyed by polyrhythmic drumming, giving replacement of Hardman by Russian trumpeter Valery songs from the Jazz Messengers songbook. Allen recalls, the music a more accessible sound that was dubbed Ponomarev and the addition of alto saxophonist Bobby “It was an honor to present the project at the festival. For hardbop, a name that would be used to describe the Watson to the band, Blakey once again had a stable me it was very fitting because Charlie Parker changed the Jazz Messengers style throughout its long existence. unit, replenishing his spirit, as can be heard on the direction of jazz as we know it and Art Blakey changed By 1955, following a slew of trio recordings as a album Gypsy Folk Tales. The drummer was soon touring my conceptual approach to playing music and leading a sideman with the day’s most inventive players, Blakey regularly again, feeling his oats, as reflected in the titles band. They were both trailblazers…Art represented in had taken over leadership of the band with Dorham, of his next records, In My Prime and Album of the Year. -
The Age of Bowie 1St Edition Pdf, Epub, Ebook
THE AGE OF BOWIE 1ST EDITION PDF, EPUB, EBOOK Paul Morley | 9781501151170 | | | | | The Age of Bowie 1st edition PDF Book His new manager, Ralph Horton, later instrumental in his transition to solo artist soon witnessed Bowie's move to yet another group, the Buzz, yielding the singer's fifth unsuccessful single release, " Do Anything You Say ". Now, Morley has published his personal account of the life, musical influence and cultural impact of his teenage hero, exploring Bowie's constant reinvention of himself and his music over a period of five extraordinarily innovative decades. I think Britain could benefit from a fascist leader. After completing Low and "Heroes" , Bowie spent much of on the Isolar II world tour , bringing the music of the first two Berlin Trilogy albums to almost a million people during 70 concerts in 12 countries. Matthew McConaughey immediately knew wife Camila was 'something special'. Did I learn anything new? Reuse this content. Studying avant- garde theatre and mime under Lindsay Kemp, he was given the role of Cloud in Kemp's theatrical production Pierrot in Turquoise later made into the television film The Looking Glass Murders. Hachette UK. Time Warner. Retrieved 4 October About The Book. The line-up was completed by Tony and Hunt Sales , whom Bowie had known since the late s for their contribution, on bass and drums respectively, to Iggy Pop's album Lust for Life. The Sydney Morning Herald. Morely overwrites, taking a significant chunk of the book's opening to beat Bowie's death to death, the takes the next three-quarters of the book to get us through the mid-Sixties to the end of the Seventies, then a ridiculously few yet somehow still overwritten pages to blast through the Eighties, Nineties, and right up to Blackstar and around to his death again. -
Performer Bios – April Jazz Pianists at the Betsy Hotel for Jazz Appreciation Month 2021
MIAMI BEACH – (For Immediate Release) The Betsy Hotel (thebetsyhotel.com) announces a stellar line up for Jazz Appreciation Month, featuring Miami-based pianists: Jim Gasior, Tal Cohen, Wilkie Ferguson, David Attelan, and Ryan Ellis. Pianist/Composer Marc Irwin (based in NYC and Baltimore) is The Hotel’s visiting jazz artist for 2021. The Betsy’s Jazz program is the longest continually running series of its kind in the region, featuring live performances 9 times a week – from 6 to 11 PM nightly, and from 11 AM to 4 PM on weekends during brunch at LT Steak and Seafood. All performances are in the Lobby of The Betsy Hotel located at 1440 Ocean Drive, Miami Beach. https://www.thebetsyhotel.com/calendar Jazz Appreciation Month (fondly known as "JAM") was created in 2001 at the Smithsonian to recognize and celebrate the extraordinary heritage and history of jazz for the entire month of April. The Betsy’s Jazz program connects to a rich legacy that links South Florida to the National historic Jazz circuit which brought musicians who played in both Harlems (the one in NY and the one in Overtown a.k.a. The Harlem of the South), as they made their way from club to club – across the USA. Back in the day in Overtown and on Miami Beach, stars like Count Basie, Ella Fitzgerald, Billie Holiday, Duke Ellington, Louis Armstrong, McCoy Tyner, and Josephine Baker performed the same jazz standards that will be performed live at The Betsy Hotel during Jazz Appreciation Month (JAM) 2021. The Betsy’s jazz schedule for April 2021 is listed below. -
The Canon, [1972-73]: Volume 3, Number 4
Digital Collections @ Dordt Dordt Canon University Publications 1973 The Canon, [1972-73]: Volume 3, Number 4 Dordt College Follow this and additional works at: https://digitalcollections.dordt.edu/dordt_canon Recommended Citation Dordt College, "The Canon, [1972-73]: Volume 3, Number 4" (1973). Dordt Canon. 55. https://digitalcollections.dordt.edu/dordt_canon/55 This Book is brought to you for free and open access by the University Publications at Digital Collections @ Dordt. It has been accepted for inclusion in Dordt Canon by an authorized administrator of Digital Collections @ Dordt. For more information, please contact [email protected]. Soli Deo Gloria CANNON DORDT COLLEGE, SIOUX CENTER, IOWA VOL. III -.- No.4 Mother Night: Victims of Change Victoria and Blue·Jeans Prof. James Koldenhoven by Pat De Young What Is Life? The old and the new, like jaws of a trap, have closed on the people of I saw Victoria Allison for the first ally she disagreed in discussion-too by Becky Maatman Tennessee Williams and John Osborne's time on satge. She walked out, long loudly in her curt, clipped Yankee ac- Vonnegut, author of Mother Night plays, The Glass Menagerie and Look swinging steps, took the mike, and cent. Having said what she wanted to asks, "What is a war criminal? Is it Back inAnger. Laura Wingfield iS1he quietly announced, "I will sing a selec- say, she would give her head a toss someone who has obeyed his conscience, central victim in Williams' American tion from Hair." Staring at the floor in and return to silence, eyes focused on perhaps doing wrong,",» is it someone (U.S.A.) culture in the 1930's and silence, she paused. -
Jason Marsalis ANDJASON the 21ST CENTURYMARSALIS TRAD BAND Melody Reimagined : Book 1
Back Row: (L-R) Austin Johnson, Dave Potter, Will Goble. Front: Jason Marsalis ANDJASON THE 21ST CENTURYMARSALIS TRAD BAND Melody Reimagined : book 1 1. Ratio Man Strikes Again 6:02 JASON MARSALIS vibes 2. Off the Rails 5:08 3. Just as Cool as the Other Side of the Pillow 9:38 AUSTIN JOHNSON piano 4. Soot Sprites 4:42 WILL GOBLE bass 5. A Peaceful Silence 5:52 DAVE POTTER drums 6. Bourbon Street Ain’t Mardi Gras 6:29 7. Passionate Dancer 6:09 ELLIS MARSALIS piano* 8. Never Forget the 23rd Letter 7:11 * * DELFEAYO MARSALIS trombone 9. 80 7:34 All compositions written by Jason Marsalis @BasinStRecords #BSR20 JASON MARSALIS On various shows I’ve done as a leader, original compositions would be mixed with standards for the setlist. Spontaneous arrangements would evolve to spice up the standards. As these standards would evolve into originals, a concept for an album was born: original compositions based on the harmonic structure, or chord changes, from other songs. In previous years, harmonic structures from the standard American songbook would be used to create new melodies. For example, Duke Ellington’s “In a Mellow Tone” is based on the harmony from “Rose Room,” while Charlie Parker’s “Ornithology” is based on the harmony from “How High the Moon.” For this album, harmonies from not only the American songbook are utilized, but jazz standards, traditional jazz, and even 1980’s pop music contains chord changes to inspire these new pieces. We hope that this will be a fresh and familiar experience for the listener. -
Lee Morgan Chronology 1956–1972 by Jeffery S
Delightfulee Jeffrey S. McMillan University of Michigan Press Lee Morgan Chronology 1956–1972 By Jeffery S. McMillan This is an annotated listing of all known Lee Morgan performances and all recordings (studio, live performances, broadcasts, telecasts, and interviews). The titles of studio recordings are given in bold and preceded by the name of the session leader. Recordings that appear to be lost are prefaced with a single asterisk in parentheses: (*). Recordings that have been commercially issued have two asterisks: **. Recordings that exist on tape but have never been commercially released have two asterisks in parentheses: (**). Any video footage known to survive is prefaced with three asterisks: ***. Video footage that was recorded but appears to now be lost is prefaced with three asterisks in parentheses: (***). On numerous occasions at Slugs’ Saloon in Manhattan, recording devices were set up on the stage and recorded Morgan’s performances without objection from the trumpeter. So far, none of these recordings have come to light. The information herein is a collation of data from newspapers, periodicals, published and personal interviews, discographies, programs, pamphlets, and other chronologies of other artists. Morgan’s performances were rarely advertised in most mainstream papers, so I drew valuable information primarily from African-American newspapers and jazz periodicals, which regularly carried ads for nightclubs and concerts. Entertainment and nightlife columnists in the black press, such as “Woody” McBride, Masco Young, Roland Marsh, Jesse Walker, Art Peters, and Del Shields, provided critical information, often verifying the personnel of an engagement or whether an advertised appearance occurred or was cancelled. Newspapers that I used include the Baltimore Afro-American (BAA), Cleveland Call & Post (C&P), Chicago Defender (CD), New Jersey Afro-American (NJAA), New York Amsterdam News (NYAN), Philadelphia Tribune (PT), and Pittsburgh Courier (PC).