27Th GALWAY FILM FLEADH 7-12 JULY 2015
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'British Small Craft': the Cultural Geographies of Mid-Twentieth
‘British Small Craft’: the cultural geographies of mid-twentieth century technology and display James Lyon Fenner BA MA Thesis submitted to the University of Nottingham for the degree of Doctor of Philosophy August 2014 Abstract The British Small Craft display, installed in 1963 as part of the Science Museum’s new Sailing Ships Gallery, comprised of a sequence of twenty showcases containing models of British boats—including fishing boats such as luggers, coracles, and cobles— arranged primarily by geographical region. The brainchild of the Keeper William Thomas O’Dea, the nautical themed gallery was complete with an ocean liner deck and bridge mezzanine central display area. It contained marine engines and navigational equipment in addition to the numerous varieties of international historical ship and boat models. Many of the British Small Craft displays included accessory models and landscape settings, with human figures and painted backdrops. The majority of the models were acquired by the museum during the interwar period, with staff actively pursuing model makers and local experts on information, plans and the miniature recreation of numerous regional boat types. Under the curatorship supervision of Geoffrey Swinford Laird Clowes this culminated in the temporary ‘British Fishing Boats’ Exhibition in the summer of 1936. However the earliest models dated back even further with several originating from the Victorian South Kensington Museum collections, appearing in the International Fisheries Exhibition of 1883. 1 With the closure and removal of the Shipping Gallery in late 2012, the aim of this project is to produce a reflective historical and cultural geographical account of these British Small Craft displays held within the Science Museum. -
TG4 Strikes Gold for Its Autumn Schedule
1/09/2015 TG4 Strikes Gold for its Autumn Schedule Original Drama from the Alaskan Gold Rush, Fireside chats, Music in Glens and Top-class Sport at home and abroad An entertaining and distinctive Autumn 2015 offering from TG4, announced today includes a new powerful Irish language drama series set in the Klondike Gold Rush. It also brings a fresh approach for televising traditional music and shows how our lives are still governed by folklore. We decode the secrets locked in Irish place- names and offer exciting young peoples’ programmes with a difference. There is also a mouth-watering line-up of free to view movies and a great selection of exclusive live Gaelic games, rugby and racing from the Listowel Festival. Highlights include An Klondike: A major new original 4 part drama series set in the harsh world of the gold mines of Alaska over a century ago. Three Connemara-born brothers venture from the silver mines of Montana to the Alaskan Gold Rush of 1895. They seek their fortune in Dominion Creek, a town built on greed. All that glisters… Cogar: Documentaries that concentrate on people more than on issues: Remembering a German U Boat commander’s humanitarian landing in West Kerry young film actors Judi Dench and Jeremy Irons’ bringing scandal to south Kilkenny in the 1970s, growing tomatoes to save the Gaeltacht in the 1950s, the amazing secret life of a 19th century Louth woman who spent much of her life disguised as a man in the US Army and the forgotten story of the Major-League US baseball stars whose secret code during play was simplicity itself – they were native speakers and talked Irish to one another. -
Report on Future Funding of Public Service Broadcasting
Tithe an Oireachtais An Comhchoiste um Chumarsáid, Gníomhú ar son na hAeráide agus Comhshaol Tuarascáil ón gComhchoiste maidir leis Craoltóireacht Seirbhíse Poiblí a Mhaoiniú sa Todhchaí A leagadh faoi bhráid dhá Theach an Oireachtais 28 Samhain 2017 Houses of the Oireachtas Joint Committee on Communications, Climate Action and Environment Report of the Joint Committee on the Future Funding of Public Service Broadcasting Laid before both Houses of the Oireachtas 28 November 2017 32CCAE002 Tithe an Oireachtais An Comhchoiste um Chumarsáid, Gníomhú ar son na hAeráide agus Comhshaol Tuarascáil ón gComhchoiste maidir leis Craoltóireacht Seirbhíse Poiblí a Mhaoiniú sa Todhchaí A leagadh faoi bhráid dhá Theach an Oireachtais 28 Samhain 2017 Houses of the Oireachtas Joint Committee on Communications, Climate Action and Environment Report of the Joint Committee on the Future Funding of Public Service Broadcasting Laid before both Houses of the Oireachtas 28 November 2017 32CCAE002 Report on Future Funding of Public Service Broadcasting TABLE OF CONTENTS Brollach .............................................................................................................. 3 Preface ............................................................................................................... 4 1. Key Issue: The Funding Model – Short Term Solutions .......................... 6 Recommendation 1 - Fairness and Equity ............................................................ 6 Recommendation 2 – All Media Consumed ........................................................... -
The Role of Irish-Language Film in Irish National Cinema Heather
Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall A Thesis in the PhD Humanities Program Presented in Partial Fulfillment of the Requirements for the degree of Doctor of Philosophy at Concordia University Montreal, Quebec, Canada August 2012 © Heather Macdougall, 2012 ABSTRACT Finding a Voice: The Role of Irish-Language Film in Irish National Cinema Heather Macdougall, Ph.D. Concordia University, 2012 This dissertation investigates the history of film production in the minority language of Irish Gaelic. The objective is to determine what this history reveals about the changing roles of both the national language and national cinema in Ireland. The study of Irish- language film provides an illustrative and significant example of the participation of a minority perspective within a small national cinema. It is also illustrates the potential role of cinema in language maintenance and revitalization. Research is focused on policies and practices of filmmaking, with additional consideration given to film distribution, exhibition, and reception. Furthermore, films are analysed based on the strategies used by filmmakers to integrate the traditional Irish language with the modern medium of film, as well as their motivations for doing so. Research methods included archival work, textual analysis, personal interviews, and review of scholarly, popular, and trade publications. Case studies are offered on three movements in Irish-language film. First, the Irish- language organization Gael Linn produced documentaries in the 1950s and 1960s that promoted a strongly nationalist version of Irish history while also exacerbating the view of Irish as a “private discourse” of nationalism. Second, independent filmmaker Bob Quinn operated in the Irish-speaking area of Connemara in the 1970s; his fiction films from that era situated the regional affiliations of the language within the national context. -
'Ar Thóir an Óir in Alasca'
EMBARGO 1pm 01/9/2015 ‘Ar thóir an Óir in Alasca’ Seoda Ceoil, Drámaíochta, Spraoi, Spóirt agus Seanchais Sceideal an Fhómhair seolta ag TG4 Tá siamsaíocht, stair, spórt agus spraoi ar fáil go flúirseach i gclársceideal nua TG4 de réir an eolais atá foilsithe ag an gcainéal lena Sheoladh Fómhair inniu. Ar na gnéithe is tarraingtí ann tá léargas nuálach ar ghnéithe rúnda agus folaithe de shaol na hÉireann, beochraoladh eisiach ar na cluichí Gaelacha, rogha iontach ábhair do dhaoine óga agus seirbhís nuachta agus cúrsaí reatha atá éagsúil agus géarchúiseach. Ar na buaicphointí sa sceideal nua tá: An Klondike: Mór-shraith nua drámaíochta Gaeilge ina ríomhtar scéal triúr dearthár as Conamara i ngleic le saol achrannach na mianadóireachta óir in Alasca. Is iomaí cor crua sa saol agus ní fada gur in aighneas le chéile atá siad faoin ór céanna. Mór-thogra scannánaíochta ab ea é seo a taifeadadh ar an láthair i gConamara. Cogar: Na gearr-chláir fhaisnéise is fearr ar fad, sraith ina dtugtar léargas as an nua ar scéal nó ar dhaoine. Sa séasúr nua seo, tráchtfar ar an bhfomhuireán UB Gearmánach a thuill cáil na trócaire i gCorca Dhuibhne, ar scéim a chuir trátaí ag fás sna Gaeltachtaí leathchéad bliain ó shin, tabharfar ath-chuairt bhrónach ar oileán i nDún na nGall a tréigeadh i 1955, cloisfear faoin teanga rúnda (Gaeilge) a bhíodh ag beirt réaltaí Major League Baseball agus rianófar scéal ait na mná as Co Lú a chaith saol fada mar fhear, cuid de mar shaighdiúir i gCogadh Cathartha Mheiriceá. Hup: Sraith úrnua ceol traidisiúnta, taifeadta le gean agus le samhlaíocht fhísiúil ag na hócáidí is gaire do chuisle an cheoil. -
Dictionary.Pdf
THE SEAFARER’S WORD A Maritime Dictionary A B C D E F G H I J K L M N O P Q R S T U V W X Y Z Ranger Hope © 2007- All rights reserved A ● ▬ A: Code flag; Diver below, keep well clear at slow speed. Aa.: Always afloat. Aaaa.: Always accessible - always afloat. A flag + three Code flags; Azimuth or bearing. numerals: Aback: When a wind hits the front of the sails forcing the vessel astern. Abaft: Toward the stern. Abaft of the beam: Bearings over the beam to the stern, the ships after sections. Abandon: To jettison cargo. Abandon ship: To forsake a vessel in favour of the life rafts, life boats. Abate: Diminish, stop. Able bodied seaman: Certificated and experienced seaman, called an AB. Abeam: On the side of the vessel, amidships or at right angles. Aboard: Within or on the vessel. About, go: To manoeuvre to the opposite sailing tack. Above board: Genuine. Able bodied seaman: Advanced deckhand ranked above ordinary seaman. Abreast: Alongside. Side by side Abrid: A plate reinforcing the top of a drilled hole that accepts a pintle. Abrolhos: A violent wind blowing off the South East Brazilian coast between May and August. A.B.S.: American Bureau of Shipping classification society. Able bodied seaman Absorption: The dissipation of energy in the medium through which the energy passes, which is one cause of radio wave attenuation. Abt.: About Abyss: A deep chasm. Abyssal, abysmal: The greatest depth of the ocean Abyssal gap: A narrow break in a sea floor rise or between two abyssal plains. -
Creative Sectoral Overview
Creative Sectoral Overview Galway City and County Economic and Industrial Baseline Study CREATIVE SECTORAL OVERVIEW James Cunningham Brendan Dolan David Kelly Chris Young 14/04/2015 Table of Contents Executive Summary Overview of the Creative Sector ......................................... 6 Global Overview of the Creative Sector .............................................................. 8 1.1 Global Market Size .......................................................................................... 8 1.2 Classification of the Creative Industry ........................................................... 11 1.2.1 Heritage ......................................................................................................... 11 1.2.2 Art Crafts ....................................................................................................... 12 1.2.3 Performing Arts ............................................................................................. 12 1.2.4 Music ............................................................................................................. 13 1.2.5 Visual Arts ..................................................................................................... 16 1.2.6 Audio Visuals ................................................................................................. 17 1.2.6.1 Film Industry .................................................................................................. 18 1.2.6.2 Television and Radio .................................................................................... -
010 West Cork Sailing Ltd (481.48
Name – Niall Mac Allister Organisation – West Cork Sailing Ltd, The Boat house, Drumlave pier, Adrigole, Beara, Co Cork. Contact email – [email protected] Contact telephone 0868542854 Trading as: West Cork Sailing and Powerboat Centre providing Irish Sailing certified sail training and powerboat training. Wild Atlantic Wild life providing liveaboard sailing wildlife expeditions along the south west coast of Ireland. Kayak with The Seals offering kayak rental in Adrigole harbour. We are a family run, rural, marine based establishment along the Wild Atlantic Way primarily engaged in the tourist business. We live on the Beara Peninsula and as well as working in the marine environment, we spend much of our leisure time involved with dinghy racing (we are members of Bantry Sailing Club and Kinsale Yacht Club), Sea Kayaking (we are members of West Cork Kayaking Club) windsurfing, sea swimming and surfing. We enjoy living and working on the sea and we love sharing and showing this wonderful biome with friends, family, visitors and locals alike. We want to preserve and conserve what we have for our (and their) children and grand children to enjoy as much as we do. We would like to see the Marine Spatial Development Plan have Marine Conservation as its central theme. This, as opposed to “marine economic development” which it currently appears to be directed toward. Ireland is lucky in that much of its marine environment is still pristine. In a world where 60% of the planets living organisms have recently become extinct due to anthropogenic influence and where irreversible climate change is less than 12 years from now, we feel that the baseline report on the MSDP does not nearly begin to address these critical issues but instead focus on an outdated economic policy and resource grabbing. -
TG4 Annual Public Funding Review 2012
TG4 Annual Public Funding Review 2012 A report submitted to the Minister for Communications, Energy and Natural Resources further to section 124(4) of the Broadcasting Act, 2009. Prepared for The Broadcasting Authority of Ireland Prepared by www.indecon.ie October 2013 Contents Page Executive Summary i 1 Introduction and Background to Review 1 1.1 Introduction 1 1.2 Background to the Review 1 1.3 Methodology and Structure of the Report 2 1.4 Acknowledgements 4 2 Trends in the Irish Economy and Broadcasting Industry 5 2.1 Introduction 5 2.2 Overview of the Irish Economy 5 2.3 Trends in the Irish Broadcasting Industry 8 3 Examination of Extent to Which TG4 Commitments Have Been Met 14 3.1 Introduction 14 3.2 TG4 Performance against Commitments 2012 14 3.3 TG4 Fulfilment of its Public Service Statement 45 3.4 Summary of Findings 47 4 Review of TG4’s Role in Supporting Creativity 2012 48 4.1 Introduction 48 4.2 Creative Staff Supported by TG4 48 4.3 Innovation in TG4 content 50 4.4 TG4 Support for the Independent Production Sector 52 4.5 Summary of Findings 54 5 Analysis of TG4’s Financial Performance 56 5.1 Introduction 56 5.2 TG4 Group Financial Performance 2010-2012 56 5.3 TG4 Financial Outlook 66 5.4 Summary of Findings 67 6 Examination of TG4 Efficiency, Effectiveness and Value for Money in 2012 68 6.1 Introduction 68 6.2 Overview – Cost of Programming 68 6.3 Commissioning Expenditure and Cost per Hour 69 6.4 Internal Productions 74 6.5 TG4 Acquisitions Expenditure and Cost per Hour 75 6.6 TG4 Broadcasting Hours and Cost per Hour 76 -
Research on Use of the Irish Language on Radio
Research on use of the Irish language on radio January 2018 Dr John Walsh, National University of Ireland, Galway Dr Rosemary Day, Mary Immaculate College, University of Limerick 1. Introduction The Irish language has had a role in broadcasting since the establishment of Ireland’s first radio station 2RN in 1926. The founders of the state imagined that radio would play a key role in the development of Irish identity in nation-building (Watson, 2003; Pine, 2002; Day, 2012). Following the consolidation of the existing Dublin and Cork stations in 1933, a national audience could hear programmes in Irish for the first time, due to the introduction of a high-powered transmitter in Athlone. Although a separate service was promised for the Gaeltacht in 1926, a distinct station did not materialise until 1972, with the establishment of Raidió na Gaeltachta (Day, 2012). Some Irish is broadcast on RTÉ’s other radio stations but as a full-time national broadcaster, RTÉ Raidió na Gaeltachta provides the majority of Irish language radio broadcasts in the country. Following the introduction of the Radio and Television Act of 1988, the pirate stations that had proliferated during the 1970s and 1980s were put off the air and new commercial broadcasters were licensed. Irish was granted only limited recognition in the schedules of these stations that came on air from 1989 onwards. As a result of a campaign by language activists in Dublin, Raidió na Life was established in 1993 as a community of interest service to serve Irish speakers in the capital (Ó Drisceoil, 2007). -
Fómhar/Autumn 2016 Drámaíocht/Drama
Fómhar/Autumn 2016 Drámaíocht/Drama Ros na Rún 8.30pm Tuesdays & Thursdays from 6/9/16 (omnibus Sunday) The flagship drama series comes of age this season (the 21st) and is one of TG4’s best-loved programmes. It has engaging storylines that bring the leading characters through awkward situations and extreme jeopardy. There are many laughs along the way, the kindling of romance and consequent broken hearts for some but not all. The coming season will continue to delight, excite and engage audiences with cliffhanging drama, deception, deceit, death and of course romance and humour. In its unique natural style, Ros na Rún deals with the many social issues which face rural communities in today’s world and excels in the exposure of such matters with insightful writing and acting. Following on from the end of season showdown in the woods, audiences wait to see the fate of Bobbi Lee and Andy and will be intrigued to find out if he was left for dead. Tadhg, the series lynchpin is seriously threatened this season but will he get away with it, or must he spend the rest of his life looking over his shoulder? The season opens with much treachery and drama, and viewers will once again be glued to their seats as the season unfolds and death hits the coastal village, depriving the community of one of its long-time residents. Wakes and weddings are part of rural life and a Christmas wedding could be on the cards bringing the village some much needed romance and happiness. With tales of affairs, theft, controversial pregnancies, break-ins and break-ups viewers will have plenty to guess at and gossip about every Tuesday and Thursday night at 8.30pm on TG4 with the omnibus on Sundays at 10.30pm. -
Developing a Communication Plan
Communication Plans with Garry Kelly S www.GKMedia.ie Introduction Garry Kelly S Working in Local & National Radio since 2007 S Formed GK Media in 2013 S Fully Registered with the Teaching Council of Ireland. S NUI Galway, Galway Community College, Galway Technical Institute, Galway County Council, Galway Chamber of Commerce, and many private businesses. www.GKMedia.ie Introduction Garry Kelly www.GKMedia.ie AIM Help you SPREAD the word of the great work you are doing. www.GKMedia.ie Communication www.GKMedia.ieS Firstly what are the goals of communication? 1. To inform – you are providing information for use in decision making. 2. To persuade – to reinforce or change a belief about a topic. 3. To build relationships – some messages that you send may have the goal of building good will between you and the other person. www.GKMedia.ie What is a Communication Plan? www.GKMedia.ie Communication Plan It is a policy-driven approach to providing stakeholders with information about your event/campaign, whilst at the same time having a clear template of intention, targets and goals, and ultimately reducing the risk of miscommunication. www.GKMedia.ie Communication Plan Decide: (1) Your Message (2) Your Audience (3) Your Deliver y www.GKMedia.ie Communication Plan www.GKMedia.ie Communication Plan A Communication Plan formally defines: (1) who should be given specific information, (2) when that information should be delivered and (3) what communication channels will be used to deliver the information. www.GKMedia.ie Communication Plan O.R.A.L. www.GKMedia.ie Communication Plan Outlets: Where should the information be disseminated - email, websites, printed reports, radio, video, social media, newsletters, presentations, etc.