"It's the Music": Kent Finlay's Cheatham Street Warehouse In

Total Page:16

File Type:pdf, Size:1020Kb

Andrews: It's the Music Kent Finlay’s Cheatham Street Warehouse inSanMarcos,Warehouse Cheatham Street Finlay’s Kent Texas “‘It’s“It’s thethe Music’: Music”: theMusic”: “It’s Kent Finlay’s Cheatham Street Warehouse in San Marcos, Texas The weekly Songwriters Circle is the heart and soul of Canada, Australia, Mexico, Germany, Norway, The Netherlands, Gregg Andrews Finlay’s vision for the now legendary honky tonk that he and other regions of the world, songwriters make the pilgrimage opened in June, 1974. Seasoned songwriters are well-aware that to Cheatham Street to sample the influences of this very special Wednesday nights at Cheatham Street are much more than night of “church” under Kent Finlay’s creative ministry. “open mic” nights. For historical purposes, Finlay carefully Although Songwriters Circle is Finlay’s real passion, it is only preserves the yellow legal pads that contain years of lists of part of his broader vision of Cheatham Street—a vision that is Songwriters Night performers. As he often reminds the rooted in his own personal evolution. He was born in Brady, audience when he kicks off the show at nine o’clock, usually Texas, on February 9, 1938, the oldest of five children with his song, “I’ll Sing You a Story, I’ll Tell You a Song,” this (Barbara, Mike, Tommy, and Steve), to parents Grace (Short) Although Finlay grew up in a farm family, it became apparent during high school that his future would be in music and education, not farming. is “church,” and “we’re here to listen.” Little wonder, then, that and James Finlay, Jr. As anyone who has heard Finlay sing, “I’m Ace Ford has called Finlay the “Godfather of Texas Hanging My Hat Just Down the Road,” an entertaining song Songwriters.” Al Barlow, Director of Music Programs and about his wide travels in Texas, can tell you, he grew up in the Community Relations at the New Braunfels Museum of Art tiny west Texas town of Fife in McCulloch County. Some of his and Music and a popular singer-songwriter who got his start at ancestors gave Fife its name in 1882 to honor Fifeshire in Finlay’s Songwriters Night, has observed that Cheatham Street Scotland. Since only about 50 people lived in Fife at that time, “is kind of like the Ryman Auditorium for Texas songwriters.”1 his earliest education took place in a one-room school house.2 9 The fast-rolling trains that shake and rattle Cheatham Street’s Musical talent abounds on both sides of Finlay’s family, walls and tin sheeting may be especially on his mother’s side. too close-by for some folks’s His father had a good singing comfort, but for songwriters voice, and his mother and her Photo of Cheatham Street Warehouse, 1974. Courtesy, Nathan Allen Nathan 1974. Courtesy, Warehouse, of Cheatham Street Photo and other musicians, the trains family played at house dances are an important prop. Located in the area. One of his mother’s just a few yards from the cousins, “Sleepy” Short, was a railroad tracks, the honky tonk great fiddler who played in a with its low ceilings and well- popular Western swing band, seasoned wood provides the Texas Top Hands. Kent and fabulous acoustics in a setting his family often sat in the back that fires the imagination of yard at night to watch the stars writers. Woven into the folklore and play music. Since all of his As songwriters step inside Kent Finlay’s Cheatham Street Warehouse every of the old warehouse are brothers and sisters developed numerous stories about the their talent and appreciation Wednesday night in San Marcos, Texas, perhaps the most frequently asked outside crashing sounds of for music, family reunions question of the bartender and others gathered inside is,“Is the list out yet?” rumbling trains occasionally usually featured music, Of course, the “list,”which the bartender does not put out until eight o’clock picking off a stray car parked primarily piano, guitar, and (bar time), is a sign-up sheet for songwriters who hope to perform that too closely to the tracks. Charles Marshall (left) and Kent Finlay, FFA Talent Show, 1956. fiddle. Finlay took piano Except for newcomers who at Courtesy, Kent Finlay lessons as a kid but became night. Hopefuls eagerly check out the Budweiser Light clock behind the times need to be reminded of the unwritten courtesy code that bored with the regimentation, quit, and began to play on his bar in anticipation, aware that their position on the sign-up sheet might discourages talking, shooting pool, or distracting behavior while own and to try his hand at other instruments. During his determine whether they perform two songs or only one, depending on the songwriters are on stage, writers and faithful members of the freshman year of high school, he bought his first guitar in San number of names on the list. audience regard Wednesday nights at Cheatham Street with Angelo while on a Future Farmers of America (FFA) trip. It was reverential awe. They appreciate that they are part of something during high school that he had his first public gig. culturally distinctive and inspirational. Whether from small Although Finlay grew up in a farm family, it became Texas towns and cities, other parts of the United States, or apparent during high school that his future would be in music Produced by The Berkeley Electronic Press, 2005 1 Journal of Texas Music History, Vol. 5 [2005], Iss. 1, Art. 3 Kent Finlay’s Cheatham Street Warehouse inSanMarcos,Warehouse Cheatham Street Finlay’s Kent Texas “‘It’s“It’s thethe Music’: Music”: theMusic”: “It’s Kent Finlay’s Cheatham Street Warehouse in San Marcos, Texas The weekly Songwriters Circle is the heart and soul of Canada, Australia, Mexico, Germany, Norway, The Netherlands, Gregg Andrews Finlay’s vision for the now legendary honky tonk that he and other regions of the world, songwriters make the pilgrimage opened in June, 1974. Seasoned songwriters are well-aware that to Cheatham Street to sample the influences of this very special Wednesday nights at Cheatham Street are much more than night of “church” under Kent Finlay’s creative ministry. “open mic” nights. For historical purposes, Finlay carefully Although Songwriters Circle is Finlay’s real passion, it is only preserves the yellow legal pads that contain years of lists of part of his broader vision of Cheatham Street—a vision that is Songwriters Night performers. As he often reminds the rooted in his own personal evolution. He was born in Brady, audience when he kicks off the show at nine o’clock, usually Texas, on February 9, 1938, the oldest of five children with his song, “I’ll Sing You a Story, I’ll Tell You a Song,” this (Barbara, Mike, Tommy, and Steve), to parents Grace (Short) Although Finlay grew up in a farm family, it became apparent during high school that his future would be in music and education, not farming. is “church,” and “we’re here to listen.” Little wonder, then, that and James Finlay, Jr. As anyone who has heard Finlay sing, “I’m Ace Ford has called Finlay the “Godfather of Texas Hanging My Hat Just Down the Road,” an entertaining song Songwriters.” Al Barlow, Director of Music Programs and about his wide travels in Texas, can tell you, he grew up in the Community Relations at the New Braunfels Museum of Art tiny west Texas town of Fife in McCulloch County. Some of his and Music and a popular singer-songwriter who got his start at ancestors gave Fife its name in 1882 to honor Fifeshire in Finlay’s Songwriters Night, has observed that Cheatham Street Scotland. Since only about 50 people lived in Fife at that time, “is kind of like the Ryman Auditorium for Texas songwriters.”1 his earliest education took place in a one-room school house.2 9 The fast-rolling trains that shake and rattle Cheatham Street’s Musical talent abounds on both sides of Finlay’s family, walls and tin sheeting may be especially on his mother’s side. too close-by for some folks’s His father had a good singing comfort, but for songwriters voice, and his mother and her Photo of Cheatham Street Warehouse, 1974. Courtesy, Nathan Allen Nathan 1974. Courtesy, Warehouse, of Cheatham Street Photo and other musicians, the trains family played at house dances are an important prop. Located in the area. One of his mother’s just a few yards from the cousins, “Sleepy” Short, was a railroad tracks, the honky tonk great fiddler who played in a with its low ceilings and well- popular Western swing band, seasoned wood provides the Texas Top Hands. Kent and fabulous acoustics in a setting his family often sat in the back that fires the imagination of yard at night to watch the stars writers. Woven into the folklore and play music. Since all of his As songwriters step inside Kent Finlay’s Cheatham Street Warehouse every of the old warehouse are brothers and sisters developed numerous stories about the their talent and appreciation Wednesday night in San Marcos, Texas, perhaps the most frequently asked outside crashing sounds of for music, family reunions question of the bartender and others gathered inside is,“Is the list out yet?” rumbling trains occasionally usually featured music, Of course, the “list,”which the bartender does not put out until eight o’clock picking off a stray car parked primarily piano, guitar, and (bar time), is a sign-up sheet for songwriters who hope to perform that too closely to the tracks.
Recommended publications
  • RHYTHM & BLUES...63 Order Terms
    5 COUNTRY .......................6 BEAT, 60s/70s ..................71 AMERICANA/ROOTS/ALT. .............22 SURF .............................83 OUTLAWS/SINGER-SONGWRITER .......23 REVIVAL/NEO ROCKABILLY ............85 WESTERN..........................27 PSYCHOBILLY ......................89 WESTERN SWING....................30 BRITISH R&R ........................90 TRUCKS & TRAINS ...................30 SKIFFLE ...........................94 C&W SOUNDTRACKS.................31 AUSTRALIAN R&R ....................95 C&W SPECIAL COLLECTIONS...........31 INSTRUMENTAL R&R/BEAT .............96 COUNTRY AUSTRALIA/NEW ZEALAND....31 COUNTRY DEUTSCHLAND/EUROPE......32 POP.............................103 COUNTRY CHRISTMAS................33 POP INSTRUMENTAL .................136 BLUEGRASS ........................33 LATIN ............................148 NEWGRASS ........................35 JAZZ .............................150 INSTRUMENTAL .....................36 SOUNDTRACKS .....................157 OLDTIME ..........................37 EISENBAHNROMANTIK ...............161 HAWAII ...........................38 CAJUN/ZYDECO ....................39 DEUTSCHE OLDIES ..............162 TEX-MEX ..........................39 KLEINKUNST / KABARETT ..............167 FOLK .............................39 Deutschland - Special Interest ..........167 WORLD ...........................41 BOOKS .........................168 ROCK & ROLL ...................43 BOOKS ...........................168 REGIONAL R&R .....................56 DISCOGRAPHIES ....................174 LABEL R&R
    [Show full text]
  • TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
    THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much.
    [Show full text]
  • Southeast Texas: Reviews Gregg Andrews Hothouse of Zydeco Gary Hartman Roger Wood
    et al.: Contents Letter from the Director As the Institute for riety of other great Texas musicians. Proceeds from the CD have the History of Texas been vital in helping fund our ongoing educational projects. Music celebrates its We are very grateful to the musicians and to everyone else who second anniversary, we has supported us during the past two years. can look back on a very The Institute continues to add important new collections to productive first two the Texas Music Archives at SWT, including the Mike Crowley years. Our graduate and Collection and the Roger Polson and Cash Edwards Collection. undergraduate courses We also are working closely with the Texas Heritage Music Foun- on the history of Texas dation, the Center for American History, the Texas Music Mu- music continue to grow seum, the New Braunfels Museum of Art and Music, the Mu- in popularity. The seum of American Music History-Texas, the Mexico-North con- Handbook of Texas sortium, and other organizations to help preserve the musical Music, the definitive history of the region and to educate the public about the impor- encyclopedia of Texas tant role music has played in the development of our society. music history, which we At the request of several prominent people in the Texas music are publishing jointly industry, we are considering the possibility of establishing a music with the Texas State Historical Association and the Texas Music industry degree at SWT. This program would allow students Office, will be available in summer 2002. The online interested in working in any aspect of the music industry to bibliography of books, articles, and other publications relating earn a college degree with specialized training in museum work, to the history of Texas music, which we developed in cooperation musical performance, sound recording technology, business, with the Texas Music Office, has proven to be a very useful tool marketing, promotions, journalism, or a variety of other sub- for researchers.
    [Show full text]
  • Complex, Bloody Bond for Safety on Public
    Volume 79, No. 55B ©SS 2020 CONTINGENCY EDITION SUNDAY, JULY 5, 2020 stripes.com Free to Deployed Areas VIRUS OUTBREAK Governors put onus Complex, bloody bond for safety on public BY KIMBERLEE KRUESI Associated Press NASHVILLE, Tenn. — As Tennessee registered what then was its highest single-day coro- navirus case increase, Gov. Bill Lee held a news conference and issued a stern response. It wasn’t a mandate to wear masks in public or clamp down on businesses or social gatherings. Instead, it was a plea for residents to do the right thing. “When we have people dying in this state as a result of this virus, we should be taking personal re- sponsibility for this,” the Republi- can governor said. It was the same message Lee issued in late March as the COVID-19 disease was beginning to spread. He has vowed to stick to the personal responsibility mantra, with no plans to reinstate stay-at-home restrictions or im- pose statewide mandates — even as photos of unmasked people crowding bars and outdoor con- certs across Tennessee spread across social media. Instead, Lee signed an execu- tive order Friday that allows local officials to issue their own mask mandates if they want — as Nash- US, Russia share brutal history in Afghanistan ville and Memphis had already done. Elevating a message of person- al responsibility over statewide BY KATHY GANNON Now both superpowers are linked again country that does not serve as a base for crackdowns on businesses and Associated Press over Afghanistan, with intelligence re- extremists to export terrorism.
    [Show full text]
  • Whiskey River (Take My Mind)  I 
    whiskey river (take my mind) i introduction 00 Bush rev pg proofs 000i-xxiv i i 12/11/06 9:58:38 AM THIS PAGE INTENTIONALLY LEFT BLANK whiskey river (take my mind) iii The True Story of Texas Honky-Tonk by johnny bush with rick mitchell foreword by willie nelson University of Texas Press, Austin introduction 00 Bush rev pg proofs 000i-xxiv iii iii 12/11/06 9:58:39 AM iv copyright © 2007 by the university of texas press All rights reserved Printed in the United States of America First edition, 2007 Requests for permission to reproduce material from this work should be sent to: Permissions University of Texas Press P.O. Box 7819 Austin, TX 78713-7819 www.utexas.edu/utpress/about/bpermission.html ∞ The paper used in this book meets the minimum requirements of ansi/niso z39.48-1992 (r1997) (Permanence of Paper). library of congress cataloging-in-publication data Bush, Johnny. Whiskey river (take my mind) : the true story of Texas honky-tonk / by Johnny Bush with Rick Mitchell ; foreword by Willie Nelson. — 1st ed. p. cm. Includes discography (p. ), bibliographical references (p. ), and index. isbn-13: 978-0-292-71490-8 (cl. : alk. paper) isbn-10: 0-292-71490-4 1. Bush, Johnny. 2. Country musicians—Texas—Biography. 3. Spasmodic dysphonia—Patients—Texas—Biography. 4. Honky-tonk music—Texas— History and criticism. I. Mitchell, Rick, 1952– II. Title. ml420.b8967a3 2007 782.421642092—dc22 [B] 2006033039 whiskey river (take my mind) 00 Bush rev pg proofs 000i-xxiv iv iv 12/11/06 9:58:39 AM Dedicated to v John Bush Shinn, Jr., my dad, who encouraged me to follow my dreams.
    [Show full text]
  • Country Bus Schedules
    Capital Area Rural Transportation System COUNTRY BUS SCHEDULES COUNTIES SERVED BASTROP BLANCO BURNET CALDWELL FAYETTE CAPITAL AREA RURAL TRANSPORTATION SYSTEM HAYS LEE TRAVIS WILLIAMSON CARTS COUNTRY BUS CARTS RIDE LINE 1 (512) 478-RIDE (7433) CARTS INTERURBAN COACH Regional Transportation for the non-urbanized areas of Bastrop, The Interurban Coach is a Regional Intercity Route providing Blanco, Burnet, Caldwell Fayette, Hays, Lee, Travis and Williamson connections between Austin, Bastrop, Bertram Burnet, counties & the San Marcos urbanized area. Georgetown, Liberty Hill, Lockhart, Luling, Marble Falls, Round CARTS delivers transportation tailored specifically for each of the one hundred and sixty-nine communities it serves. The Rock, San Marcos, Taylor, Texas State University, La Grange, service frequency in or to the various communities range from many times a day to once a month. Be sure to visit the CARTS Giddings, Paige, Smithville and Elgin. This service also makes web site at RideCARTS.com for updates and further route information for each community. Persons traveling out of town can use the Interurban Coach service. Most Country Bus schedules make connections to Interurban Coach services. connections to Greyhound, Capital Metro and Amtrak. Rides are scheduled Monday thru Friday from 8am to 4pm / 24 hours advance notice required. Local vehicles serve Registered CARTS customers who ride into Austin on the Interurban Coach routes can schedule a connecting ride on the neighboring towns so local ride times may vary. Grasshopper to their destinations in Austin. Most Country Bus schedules make connections to Interurban Coach Routes. CURB-TO-CURB SERVICES RESERVED BY PHONE CARTS GRASSHOPPER SERVICE CARTS customers who use the Interurban Coach Routes into Austin can schedule a connecting ride from the CARTS Station Enjoy the convenience of having a to medical appointments or other business in Austin.
    [Show full text]
  • Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
    MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me​ is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away.
    [Show full text]
  • Stormwater Management Program 2013-2018 Appendix A
    Appendix A 2012 Texas Integrated Report - Texas 303(d) List (Category 5) 2012 Texas Integrated Report - Texas 303(d) List (Category 5) As required under Sections 303(d) and 304(a) of the federal Clean Water Act, this list identifies the water bodies in or bordering Texas for which effluent limitations are not stringent enough to implement water quality standards, and for which the associated pollutants are suitable for measurement by maximum daily load. In addition, the TCEQ also develops a schedule identifying Total Maximum Daily Loads (TMDLs) that will be initiated in the next two years for priority impaired waters. Issuance of permits to discharge into 303(d)-listed water bodies is described in the TCEQ regulatory guidance document Procedures to Implement the Texas Surface Water Quality Standards (January 2003, RG-194). Impairments are limited to the geographic area described by the Assessment Unit and identified with a six or seven-digit AU_ID. A TMDL for each impaired parameter will be developed to allocate pollutant loads from contributing sources that affect the parameter of concern in each Assessment Unit. The TMDL will be identified and counted using a six or seven-digit AU_ID. Water Quality permits that are issued before a TMDL is approved will not increase pollutant loading that would contribute to the impairment identified for the Assessment Unit. Explanation of Column Headings SegID and Name: The unique identifier (SegID), segment name, and location of the water body. The SegID may be one of two types of numbers. The first type is a classified segment number (4 digits, e.g., 0218), as defined in Appendix A of the Texas Surface Water Quality Standards (TSWQS).
    [Show full text]
  • A RECREATIONAL USE SURVEY of the SAN MARCOS RIVER Thesis
    A RECREATIONAL USE SURVEY OF THE SAN MARCOS RIVER Thesis Presented to the Graduate Council of Southwest Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF SCIENCE By David D Bradsby San Marcos, Texas May 1994 - A RECREATIONAL USE SURVEY OF THE SAN MARCOS RIVER Approved: B. G. Whiteside, Chairman Approved: TABLE OF CONTENTS List of Figures . i v List of Tables . vi Acknowledgements . vi i Introduction . 1 Recreational Literature Review . 2 San Marcos River . 6 Threatened and Endangered Species . 2 4 Methods . 27 Results.................................... 35 Discussion . 5 4 Conclusions . 6 9 Literature Cited . 7 2 iii LIST OF FIGURES Figure Page 1 . Map of the upper San Marcos River from Spring Lake to the Blanco River confluence ................ 7 2. Detailed map of the upper San Marcos River showing study areas ...... .... ..... ..... .. ... .. ....... ... .. ..... ......... ...... ... 9 3. Pepper's study area on the San Marcos River looking upstream .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. ... .. .. .. .. .. 1 1 4. Sewell Park study area on the San Marcos River looking downstream............................................................... 1 3 5. City Park study area on the San Marcos River ............ 1 5 6. Rio Vista Annex study area on the San Marcos River ........... ......... .... .... .... ......... ........ .... ......... ....... 1 7 7. Rio Vista Park study area on the San Marcos River ................ ......... ....... ..... .... ........ .... ........
    [Show full text]
  • March, April, May 2013 Vol. 31 No. 1 March
    MARCH, APRIL, MAY 2013 VOL. 31 NO. 1 George Strait Bids An Emotional Farewell To Oklahoma City On His “The Cowboy Rides Away Tour” By Brandy McDonnell…The Daily McBride opened her 70-minute crowd- declared McBride, who looked sassy in a Oklahoman warming set with the feisty toe-tapper red leather jacket over black jeans, a black The King of Country took on the role of “When God-Fearin’ Women Get the Blues” scooped-neck top and tall black boots with “The King of Broken Hearts” Saturday skinny skyscraper heels. night, bidding an emotional and engaging The Kansas native told the packed house farewell to Oklahoma City. that one of her favorite parts of planning George Strait embarked on his “The Cow- a tour is choosing cover songs, and she boy Rides Away Tour” Friday night with a wowed the crowd with her crystalline coun- home-state show in Lubbock, Texas. The try version of Etta James’ “At Last” and got second stop on his 2013-14 farewell trek fans wailing along with a medley of the Cat was the sold-out Chesapeake Energy Arena, Stevens classic “The First Cut Is the Deep- where he has reigned as a top concert draw est” and Tom Petty’s “Free Fallin’.” since the venue opened in 2002. “We’re not clapping; we’re snapping. It’s As usual, Strait put on a frills-free show the new thing. All the cool kids are do- designed to spotlight outstanding singing, ing it,” she quipped before launching into songwriting and musicianship. He and his a lively rendition of “King of the Road,” excellent opening act, Martina McBride, paying double tribute to her tourmate and along with their strong respective bands, the late, great Erick-bred singer-songwriter performed in the round on a massive Roger Miller.
    [Show full text]
  • Campus Edge Strategic Plan
    Campus Edge Strategic Plan Prepared by the Planning and Development Services Department Adopted: September 18, 2007 Recipient of the 2007 Texas Chapter of the American Planning Association Project Planning Award 2 CITY OF SAN MARCOS City Council Susan Clifford Narvaiz - Mayor Betsy Robertson - Place 1 Gaylord Bose - Place 2 Daniel Guerrero - Place 3 Chris Jones - Place 4 Pam Couch - Place 5 John Thomaides - Place 6 Planning and Zoning Commission Fred A. Terry, Chair William DeSoto, Vice-Chair Bob Wilson Ruben Becerra Saul Gonzales Sherwood Bishop Steven F. Cline Ryan Thomason Curtis Seebeck City Administration Dan O’Leary, City Manager Laurie Anderson, Assistant City Manager Collette Jamison, Assistant City Manager Contributing Staff Planning and Development Services Department Chance Sparks, Senior Planner Special Thanks Nancy Nusbaum, Associate Vice President for Finance & Support Services Planning Texas State University-San Marcos 3 Table of Contents INTRODUCTION.................................................................................................................................................7 Relationship Between the University and City ......................................................................................................................................7 The Campus Master Plan and Its Relationship to the City: Identifying Common Elements ...........................................................8 University Financing and Construction Process...................................................................................................................................15
    [Show full text]
  • 2007-150R / August 21, 2007 (PDF)
    RESOLUTION NO. 2007- 150 R A RESOLUTION OF THE CITY COUNCIL OF THE CITY OF I TEXAS, APPROVING A CHAPTER 380 SAN MARCOS, ECONOMIC DEVELOPMENT AGREEMENT BETWEEN THE CITY AND CREEKSIDE SQUARE, LTO; AUTHORIZING THE CITY MANAGER TO EXECUTE THE AGREEMENT; AND DECLARING AN EFFECTIVE DATE. RECITALS: I. The City Council has adopted an Economic Development Incentives Policy by Resolution 2006- 91 R. 2. Creekside Square, LTO is going to develop a 119. 165 acre tract of land, more or less, located along IH-35 South, as a retail development. This land is being purchased from the General Land Office; therefore the development will take land that is presently not on the tax roll and turn it into a productive development that will benefit the City. 3. The City and to enter into a chapter 380 economic development agreement pertaining to this project. BE IT RESOLVED BY THE CITY COUNCIL OF THE CITY OF SAN MARCOS, TEXAS: I the " between the PART 1. The attached development incentive agreement ( Agreement") City and Creekside Square, LTO is found to satisfy the requirements of the Policy. PART 2. The terms and conditions of the Agreement are approved and adopted. PART 3. The City Manager, Dan O' Leary, is authorized to execute this Agreement. PART 4. This Resolution is in full force and effect immediately upon its passage. ADOPTED on the 21st day of August 2007 vig , Susan Narvaiz ~ Mayor Attest: 71\-- ~~ r, , r,;' /)', ct,:rC;' f ~,;; r - /' ~_'><..._',j't'/ L / '"/ J Shel Good in . - I Interim City Clerk CHAPTER 380 I ECONOMIC DEVELOPMENT AGREEMENT BETWEEN THE CITY OF SAN MARCOS, TEXAS AND CREEKSIDE SQUARE, LTD This Chapter 380 Economic Development Agreement ( this " Af!Yeement") is entered into between Creekside Square Ltd., 301 Congress Ave.
    [Show full text]