The Twenty-Second Sunday After Pentecost
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
Multimillion-Selling Singer Crystal Gayle Has Performed Songs from a Wide Variety of Genres During Her Award-Studded Career, B
MultiMillion-selling singer Crystal Gayle has performed songs from a wide variety of genres during her award-studded career, but she has never devoted an album to classic country music. Until now. You Don’t Know Me is a collection that finds the acclaimed stylist exploring the songs of such country legends as George Jones, Patsy Cline, Buck Owens and Eddy Arnold. The album might come as a surprise to those who associate Crystal with an uptown sound that made her a star on both country and adult-contemporary pop charts. But she has known this repertoire of hardcore country standards all her life. “This wasn’t a stretch at all,” says Crystal. “These are songs I grew up singing. I’ve been wanting to do this for a long time. “The songs on this album aren’t songs I sing in my concerts until recently. But they are very much a part of my history.” Each of the selections was chosen because it played a role in her musical development. Two of them point to the importance that her family had in bringing her to fame. You Don’t Know Me contains the first recorded trio vocal performance by Crystal with her singing sisters Loretta Lynn and Peggy Sue. It is their version of Dolly Parton’s “Put It Off Until Tomorrow.” “You Never Were Mine” comes from the pen of her older brother, Jay Lee Webb (1937-1996). The two were always close. Jay Lee was the oldest brother still living with the family when their father passed away. -
Course Description, Class Outline and Syllabus Instructor: Peter Elman
Course description, class outline and syllabus Instructor: Peter Elman Title: “A Round-Trip Road Trip of Country Music, 1950-present: From Nashville to California to Texas--and back.” Course Description: An up close and personal look at the golden era of American country music, this class will explore key movements that contributed to the explosive growth of country music as an industry, art form and subculture. The first half of this course will focus on three major regions: Nashville, California and Texas, and concentrate on the period 1950-1975. The second half will look at the women of country, discuss the making of a country song and record, look at the work of five great songsmiths, visit the country music of the 1980’s, and end with an examination of Americana music. The course will do this through lectures, photographs, recorded music, film clips, question and answer sessions, and the use of live music. The instructor will play piano, guitar and sing, and will choose appropriate examples from each region, period and style. - - - - - - - - - - - Course outline by week, with syllabus; suggested reading, listening and viewing Week one: The rise of “honky-tonk” music, 1940-60: Up from bluegrass—the roots of country music. Roy Acuff, Ernest Tubb, Hank Williams, Kitty Wells, Lefty Frizzell, Porter Wagoner, Jim Reeves, Webb Pierce, Ray Price, Hank Lochlin, Hank Snow, and the Grand Old Opry. Reading: The Nashville sound: bright lights and country music Paul Hemphill, 1970-- the definitive portrait of the roots of country music. Listening: 20 of Hank Williams Greatest Hits, Mercury, 1997 30 #1 Country Hits of the 1950s, 3-disc set, Direct Source, 1997 Viewing: O Brother Where Art Thou, 2000, by the Coen brothers America's Music: The Roots of Country 1996, three-part, six episode documentary. -
Willie Nelson the Projects Keep Coming for the Red Headed Stranger
ISSUE #32 MMUSICMAG.COM Q&A David McClister WILLIE NELSON The projects keep coming for the Red Headed Stranger WILLIE NELSON KNOWS HOW TO write. If you’re a writer, you get a good idea and to a lot of Western Swing—which has throw a party. He marked his 80th birthday and somehow you know it’s good. Then you jazz and blues in it. I even bought my guitar, last April with the release of two albums: either write it down or forget it. The best Trigger, because it had a similar tone to Let’s Face the Music and Dance, covering place for me to write is usually when I’m Django’s guitar. Whatever I’m playing is not material from the Great American Songbook driving down the highway. I’ll jump in the car half as good as Django played, but I’ve got and gypsy jazz pioneer Django Reinhardt, and head down the road—and within 100 him in mind when I play. and To All the Girls, a collection of duets miles I’ll come up with some kind of idea or with female artists. Over the course of his a line. Whether it’s good or not, who knows, What’s next? career, Nelson has recorded more than but if I need to write a song, that’s the way I I have a few new songs. I’ve been in the 60 studio albums of country, pop and even do it. Sometimes I’ll hear a melody and a lyric studio with Buddy, and we’re about halfway reggae. -
Working Finding Aid the Center for Popular Music
THIS COLLECTION IS STILL IN PROCESS – WORKING FINDING AID THE CENTER FOR POPULAR MUSIC, MIDDLE TENNESSEE STATE UNIVERSITY, MURFREESBORO, TN ALAN L. MAYOR COLLECTION 17-005 Creator: Mayor, Alan Leslie (August 21, 1949 – February 22, 2015) Type of Material: Manuscript Materials, Photographs, Negatives, Slides, Datebooks, Sound Recordings Physical Description: 162 linear feet of manuscript material including: 113 linear feet of photographic prints 19 linear feet of negatives 22 linear feet of slides 5 linear feet of CD/DVD/Floppy disc photographic files 1 linear foot of datebooks 2 linear foot of press passes Dates: circa 1977 – 2012, bulk 1990-2000 Access/Restrictions: The collection is partially processed, but is open for research use. The Center for Popular Music only owns rights to the physical materials in this collection. All materials in this collection are under copyright that is owned by the Mayor Family. Researchers must receive prior written permission from the Mayor Family for any reproductions of use. Center staff are able to assist with copyright questions for this material. Provenance and Acquisition Information: This collection was donated by Alan Mayor’s sister, Theresa Mayor Smith, in October 2017. The Center’s Director and Archivist picked up a portion of the collection on October 6, 2017 from Mrs. Smith’s storage unit in Cadiz, Kentucky. The second, and largest, portion was picked up by the Center’s Archivist and Assistant Archivist on October 13, 2017 from Cadiz, Kentucky. The third batch of remanding binders of negatives was dropped off at the Center by Mrs. Smith on November 9, 2017. Subjects/Index Terms: Country music – 1971-1980 THIS COLLECTION IS STILL IN PROCESS – WORKING FINDING AID Alan L. -
9 X 60 Or 7 X 120 + 1 X
9 x 60 or 7 x 120 + 1 x 150 Step back in time and journey through the compelling history of a musical art form with Country Music, a new eight-part film directed by Ken Burns, and produced by Burns and his long-time collaborators Dayton Duncan and Julie Dunfey. The series chronicles country music’s early days, from southern Appalachia’s songs of struggle, heartbreak and faith to the rollicking Western swing of Texas, California’s honky-tonks and Nashville’s “Grand Ole Opry.” The film follows the evolution of country music over the course of the 20th century. Country Music explores crucial questions—“What is country music?” 9 x 60 or 7 x 120 + 1 x 150 and “Where did it come from?”—while focusing on the biographies of the fascinating trailblazers who created and shaped it—from the Carter Family, contact Jimmie Rodgers, Bill Monroe and Bob Wills to Hank Williams, Patsy Cline, Tom Koch, Vice President Johnny Cash, Merle Haggard, Loretta Lynn, Charley Pride, Willie Nelson, Dolly PBS International Parton, Emmylou Harris, Garth Brooks and many more—as well as the times in 10 Guest Street which they lived. Much like the music itself, the film tells unforgettable stories Boston, MA 02135 USA of hardships and joys shared by everyday people. TEL: +1.617.208.0735 “At the heart of every great country music song is a story,” said Ken [email protected] pbsinternational.org Burns. “As the songwriter Harlan Howard said, ‘It’s three chords and the truth.’ The common experiences and human emotions speak to each of us about love and loss, about hard times and the chance of redemption. -
Austin's Progressive Country Music Scene and the Negotiation
Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978 Travis David Stimeling A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements of the Doctor of Philosophy in the Department of Music. Chapel Hill 2007 Approved by: Jocelyn R. Neal, Chair Jon W. Finson David García Mark Katz Philip Vandermeer © 2007 Travis David Stimeling ALL RIGHTS RESERVED ii ABSTRACT TRAVIS DAVID STIMELING: “Space, Place, and Protest: Austin’s Progressive Country Music Scene and the Negotiation of Texan Identities, 1968-1978” (Under the direction of Jocelyn R. Neal) The progressive country music movement developed in Austin, Texas, during the early 1970s as a community of liberal young musicians and concertgoers with strong interests in Texan country music traditions and contemporary rock music converged on the city. Children of the Cold War and the post-World War II migration to the suburbs, these “cosmic cowboys” sought to get back in touch with their rural roots and to leave behind the socially conservative world their parents had created for them. As a hybrid of country music and rock, progressive country music both encapsulated the contradictions of the cosmic cowboys in song and helped to create a musical sanctuary in which these youths could articulate their difference from mainstream Texan culture. Examining the work of the movement’s singer-songwriters (Michael Murphey, Guy Clark, Gary P. Nunn), western swing revivalists (Asleep at the Wheel, Alvin Crow and the Pleasant Valley Boys), and commercial country singers (Willie Nelson, Waylon Jennings), this dissertation explores the proliferation of stock imagery, landscape painting, and Texan stereotypes in progressive country music and their role in the construction of Austin’s difference. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, November 2, 2017 NEWS CHART ACTION Kelsea Ballerini Announces New Tour, Celebrates New On The Chart —Debuting This Week Artist/song/label—chart pos. New Album With Hometown Crowd Andy Ross/Playing In The Mud/Buck Shot Records — 78 Runaway June/Wild West/Wheelhouse Records — 79 Greatest Spin Increase Artist/song/label—Spin Increase Chris Lane feat. Tori Kelly/Take Back Home Girl/Big Loud — 188 Russell Dickerson/Yours/Triple Tigers Records — 181 Jon Pardi/She Ain't In It/Capitol Nashville — 176 Brad Paisley/Heaven South/Arista Nashville — 175 Brett Young/Like I Loved You/BMLG — 166 Tim McGraw & Faith Hill/The Rest Of Our Life/Arista Nashville — 165 Devin Dawson/All On Me/Warner Bros. — 152 Old Dominion/Written In The Sand/RCA Nashville — 152 Midland/Make A Little/Big Machine — 144 Most Added Artist/song/label—No. of Adds Chris Lane feat. Tori Kelly/Take Back Home Girl/Big Loud — 17 Brad Paisley/Heaven South/Arista Nashville — 12 Kelsea Ballerini is kicking off 2018 with the just-announced Jon Pardi/She Ain't In It/Capitol Nashville — 9 Unapologetically Tour, which will launch Feb. 8 in Birmingham, Alabama. Stephanie Quayle/Selish/Rebel Engine — 8 Ballerini will be joined by Walker Hayes on the dates. On Oct. 28, the Tim McGraw & Faith Hill/The Rest Of Our Life/Arista Nashville — 8 Tennessee Department of Tourist Development teamed up Ballerini for a Shenandoah/Noise/BMG — 7 one-of-a-kind album celebration in her hometown of Knoxville. To read Jason Pritchett/Heaven/Dynamite Music Group — 7 the full article, click here. -
They Say in Harlan County
They Say in Harlan County They Say in Harlan County An Oral History ALESSANDRO PORTELLI 1 2011 1 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2011 by Oxford University Press, Inc. Published by Oxford University Press, Inc. 198 Madison Avenue, New York, NY 10016 www.oup.com Oxford is a registered trademark of Oxford University Press All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data They say in Harlan County : an oral history / Alessandro Portelli. p. cm. Includes bibliographical references and index. ISBN 978–0–19–973568–6 1. Harlan County (Ky.)—History. 2. Harlan County (Ky.)—Social conditions. 3. Harlan County (Ky.)—Economic conditions. 4. Harlan County (Ky.)—Social life and customs. 5. Harlan County (Ky.)—Biography. 6. United Mine Workers of America—History. 7. Labor unions—Organizing—Kentucky—Harlan County—History. 8. Working class— Kentucky—Harlan County. 9. Oral history—Kentucky—Harlan County. 10. Interviews—Kentucky—Harlan County. I. Portelli, Alessandro. F457.H3T447 2010 976.9'154—dc22 2010010364 987654321 Printed in the United States of America on acid-free paper Frontispiece: Employees’ homes in the west end of Benham, Harlan County. -
Countrybreakout Chart Covering Secondary Radio Since 2002
COUNTRYBREAKOUT CHART COVERING SECONDARY RADIO SINCE 2002 Thursday, March 29, 2018 NEWS CHART ACTION Thompson Square Returns After Five-Year Hiatus New On The Chart —Debuting This Week song/artist/label—Chart Position With Masterpiece Coming Home/Keith Urban feat. Julia Michaels/Capitol — 45 Nowhere With You/Dave McElroy/Free Flow Records — 77 Anything Is Possible/Southern Halo/Southern Halo Records — 79 David Ashley Parker From Powder Springs/Travis Denning/Mercury Nashville — 80 Greatest Spin Increase song/artist/label—Spin Increase Coming Home/Keith Urban feat. Julia Michaels/Capitol — 468 I Was Jack (You Were Diane)/Jake Owen/Big Loud Records — 372 Woman, Amen/Dierks Bentley/Capitol Nashville — 215 Heaven/Kane Brown/RCA Nashville — 214 You Make It Easy/Jason Aldean/Broken Bow — 207 One Number Away/Luke Combs/Columbia — 199 I Lived It/Blake Shelton/Warner Bros. — 183 Most Added song/artist/label—No. of Adds Thompson Square are back with their irst new album in more than ive Coming Home/Keith Urban feat. Julia Michaels/Capitol — 35 years, MASTERPIECE, which is set for release June 1. The duo worked with I Hate Love Songs/Kelsea Ballerini/Black River Entertainment — 9 producers Nathan Chapman and Dann Huff on the new project, but also You Came Along/Risa Binder/Warehouse Records — 8 self-produced a few of the independent CD’s 11 new tracks which feature Break Up In The End/Cole Swindell/Warner Bros. — 7 touches of R&B, reggae and hard rock in8luences. Click here for a preview Burn Out/Midland/Big Machine Records — 6 video. Keepin' On/Rod Black/Bristol Records — 6 Early ACM Winners: Lauren Alaina, Midland, Worth It/Danielle Bradbery/BMLG — 5 I Was Jack (You Were Diane)/Jake Owen/Big Loud Records — 5 Brett Young Power Of Garth/Lucas Hoge/Forge Entertainment — 5 On Deck—Soon To Be Charting song/artist/label—No. -
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected]
BEAR FAMILY RECORDS TEL +49(0)4748 - 82 16 16 • FAX +49(0)4748 - 82 16 20 • E-MAIL [email protected] KÜNSTLER Wynn Stewart TITEL Come On Gonna Shake This Shack Tonight LABEL Bear Family Records KATALOG # BCD 17252 PREIS-CODE AH EAN-CODE ÆxAKABMRy172525z ISBN-CODE 978-3-89916-630-9 FORMAT 1 CD Digipack mit 44-seitigem Booklet GENRE Country / Rockabilly ANZAHL TITEL 32 SPIELDAUER 73:29 G Die erste Kopplung von Wynn Stewarts Klassikern aus Rock 'n' Roll, Country Boogie und Honky Tonk. Satte 32 Titel! G Mit der superschnellen Version von Come On,zuvor nur in unserer 10-CD-Box enthalten. G Eddie Cochran spielt Gitarre auf Slowly But Surely! G Mit einem Bonus-Rock 'n' Roll seines Bühnenpartners Jackie Burns! G Mit Another Day, Another Dollar aus einem aktuellen Volkswagen-Werbespot! INFORMATIONEN Wynn Stewart wird generell als einer der unverfälschtesten aller Countrysänger gelobt und als einer der Architekten des klassi- schen Bakersfield Sound bezeichnet. Zu denjenigen, die Wynn zu den besten und einflußreichsten Countrysängern zählen, ge- hören Dwight Yoakam, Buck Owens, Harlan Howard (er schrieb viele Hits für Wynn) und Merle Haggard (er begann seine Karriere in Wynns Band). Diese Zusammenstellung enthält seine schnellen Nummern für INTRO,CAPITOL,JACKPOT und CHALLENGE –fast alle sind kaum noch aufzutreiben. Während der 50er- und 60er-Jahre galt Wynn als Westküsten-Legende, dennoch ist er fast vergessen. Er starb, bevor sein klassi- scher Bakersfield Sound eine Vorlage für die aktuelle alternative Country Music wurde. Er hat es nicht mehr miterlebt, wie ein Dwight Yoakam ihn als einen der Begründer pries, und er konnte seine Songs nicht mehr in Werbejingles und als Filmmusiken hören. -
National Historic Landmark Nomination Form (Washington, DC: U.S
NATIONAL HISTORIC LANDMARK NOMINATION NPS Form 10-934 (Rev. 12-2015) OMB Control No. 1024-0276 (Exp. 01/31/2019) PATSY CLINE HOUSE Page 1 United States Department of the Interior, National Park Service National Historic Landmarks Nomination Form 1. NAME AND LOCATION OF PROPERTY Historic Name: Patsy Cline House Other Name/Site Number: Patsy Cline Historic House Street and Number (if applicable): 608 South Kent Street City/Town: Winchester County: N/A State: Virginia 2. SIGNIFICANCE DATA NHL Criteria: 1 and 2 NHL Criteria Exceptions: n/a NHL Theme(s): III. Expressing Cultural Values 2. Visual and Performing Arts Period(s) of Significance: 1948–1957 Significant Person(s) (only Criterion 2): Patsy Cline (Virginia Patterson Hensley) Cultural Affiliation (only Criterion 6): n/a Designer/Creator/Architect/Builder: unknown Historic Contexts: Women’s History Initiative XXII. Music D. Popular K. Performers (Soloists and Ensembles) O. Recording Designated a National Historic Landmark by the Secretary of the Interior January 13, 2021 Paperwork Reduction Act Statement. We are collecting this information under the authority of the Historic Sites Act of 1935 (16 U.S.C. 461-467) and 36 CFR part 65. Your response is required to obtain or retain a benefit. We will use the information you provide to evaluate properties nominated as National Historic Landmarks. We may not conduct or sponsor and you are not required to respond to a collection of information unless it displays a currently valid OMB control number. OMB has approved this collection of information and assigned Control No. 1024-0276. Estimated Burden Statement. Public reporting burden is 2 hours for an initial inquiry letter and 344 hours for NPS Form 10-934 (per response), including the time it takes to read, gather and maintain data, review instructions and complete the letter/form.