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Rob Mills Became a Household Name on Australian Idol. Now He's Starring
Wicked boy “I don’t mind male attention. It’s a bit of fun,” says Rob Mills. Rob Mills became a household name on Australian Idol. watched that show? No, I’ve never seen it, and I don’t think she Now he’s starring in Wicked and living the musical theatre likes talking about it too much. She doesn’t dream. From nude scenes to selling his used G-strings, bring it up, so I choose to avoid it. Millsy reveals all to Matt Myers. Prisoner has a big gay cult following. I’ve heard she was a pretty terrifying lady DNA: You’ve played Fiyero in Wicked for a so I’ll definitely be auditioning for Corny in Prisoner. I can tell you now, she’s just as year now. What has the experience been like? Collins at least. terrifying as Madame Morrible in Wicked! Rob Mills: It’s a dream come true! I’ve wanted You played Claude in the 2007 production of That’s probably why she’s got a Helpman to play this part for the past three years and Hair. Did you end up going nude? nomination. She just owns that character. now that I’m doing it, it’s a great rush. Fiyero The part where that happens is where my She has a powerful presence on the stage is a great character and I get to work with character sings, “Where do I go? Follow and is a tremendous actor. Maggie’s helped some amazing stars. Bert Newton’s joined us the river…” In most productions they hold me heaps. -
ANNUAL REPORT 2019 Revellers at New Year’S Eve 2018 – the Night Is Yours
AUSTRALIAN BROADCASTING CORPORATION ANNUAL REPORT 2019 Revellers at New Year’s Eve 2018 – The Night is Yours. Image: Jared Leibowtiz Cover: Dianne Appleby, Yawuru Cultural Leader, and her grandson Zeke 11 September 2019 The Hon Paul Fletcher MP Minister for Communications, Cyber Safety and the Arts Parliament House Canberra ACT 2600 Dear Minister The Board of the Australian Broadcasting Corporation is pleased to present its Annual Report for the year ended 30 June 2019. The report was prepared for section 46 of the Public Governance, Performance and Accountability Act 2013, in accordance with the requirements of that Act and the Australian Broadcasting Corporation Act 1983. It was approved by the Board on 11 September 2019 and provides a comprehensive review of the ABC’s performance and delivery in line with its Charter remit. The ABC continues to be the home and source of Australian stories, told across the nation and to the world. The Corporation’s commitment to innovation in both storytelling and broadcast delivery is stronger than ever, as the needs of its audiences rapidly evolve in line with technological change. Australians expect an independent, accessible public broadcasting service which produces quality drama, comedy and specialist content, entertaining and educational children’s programming, stories of local lives and issues, and news and current affairs coverage that holds power to account and contributes to a healthy democratic process. The ABC is proud to provide such a service. The ABC is truly Yours. Sincerely, Ita Buttrose AC OBE Chair Letter to the Minister iii ABC Radio Melbourne Drive presenter Raf Epstein. -
Anthony Warlow
REWARDSVISITOR INSIDE 1803 MAPS•VISITOR REWARDS•EVENTS•SHOPPING•DINING•ATTRACTIONS LUCY ANTHONY JEMMA WARLOW RIX DURACK AND SAMANTHA DODEMAIDE ANDREW LLOYD WEBBER’S NEW PRODUCTION OF ALL THE CLASSICS PLUS NEW SONGS BY TIM RICE & ANDREW LLOYD WEBBER FROM 15 MAY • REGENT THEATRE WIZARDOFOZTHEMUSICAL.COM Download this issue to your mobile device at www.hellomelbourne.com.au NaturalAdorn yourself Attractionwith natural beauty OVERSEAS VISITORS MENTION THIS HELLO MELBOURNE ADVERT TO RECEIVE YOUR FREE OPAL GIFT! The foreign currency experts. ■ Exchange over 60 currencies ■ Open late and on weekends ■ 30+ Melbourne locations ■ Best Price Guarantee+ CBD Locations • 250 Flinders Street • 385 Bourke Street • 97 Swanston Street • Bourke Street Mall • 142 Elizabeth Street • Melbourne Central • Southern Cross Station 1300 768 021 travelmoneyoz.com +Terms and conditions apply. Whether you are buying or selling your foreign currency, we guarantee to beat any Australian competitor’s overall transaction price by $1AUD, or we will give you $100AUD. Our guarantee applies to all the foreign currencies we trade. What do we need from you? Simply bring us an official written quotation or show us a published rate available to the public from a competitor. Visit us in store or online at travelmoneyoz.com for full details. Travel Money Currency Exchange Pty Ltd trading as Travel Money Oz. ABN 46 121 451 723. history THE HISTORY OF MELBOURNE The city’s origins lie in a surge in for granted, but Melbourne was not nineteenth century urbanisation predetermined or inevitable. It was which ringed the Pacific with a established by speculators technically network of bustling commercial in breach of the law. -
2021 Marquee Program – Shoshana Bean
APRIL 30, 2021 WE ARE A LEGACY-MINDED PRIVATE EQUITY FIRM INVESTING FOR THE GLORY OF GOD We invest for the long term with a focus on making a positive impact on businesses and organizations, on people and communities. Find out more at Ambassador-Enterprises.com 2021AE-ProgramAd-EmbassyMarqueeEvent.indd 1 3/30/21 1:05 PM Successful graduates. Career-focused degrees. See how far an Indiana Tech education can take you. INDIANATECH.EDU AT THE HEART OF ENTERTAINMENT Barnes & Thornburg proudly supports the Embassy Theatre 2021 Marquee Gala. Uncommon Value ATLANTA CALIFORNIA CHICAGO DELAWARE INDIANA MICHIGAN MINNEAPOLIS NEW YORK OHIO RALEIGH SALT LAKE CITY TEXAS WASHINGTON, D.C. btlaw.com A Message from Kelly Updike EMBASSY PRESIDENT & CEO Welcome to the Embassy’s fifth annual Marquee presented by Mark Ulmschneider & Georgia Wralstad Ulmschneider. We are excited to have Shoshana Bean here to spread some joy and showcase her talent on the Embassy stage. Our team is committed to bringing meaningful Broadway experiences to you, and we are excited to present this special experience as we await the return of Broadway Shows to our stage. This year continues to bring challenges as we move our way through the pandemic. However, we are hopeful and continue planning shows for this year and 2022 that are sure to delight. With the support of Embassy members, sponsors and donors we continue to be an arts and cultural hub for this region and for fans of all generations. Please consider making a tax-deductible gift to assist the Embassy in growing audiences and maximizing the quality of arts experiences in Northeast Indiana. -
Annual Financial Report 30 June 2020
Australasian Performing Right Association Limited (a company limited by guarantee) and its controlled entity ABN 42 000 016 099 Annual Financial Report 30 June 2020 Australasian Performing Right Association Limited and its controlled entity Annual Report 30 June 2020 Directors’ report For the year ended 30 June 2020 The Directors present their report together with the financial statements of the consolidated entity, being the Australasian Performing Right Association Limited (Company) and its controlled entity, for the financial year ended 30 June and the independent auditor’s report thereon. Directors The Directors of the Company at any time during or since the financial year are: Jenny Morris OAM, MNZM Non-executive Writer Director since 1995 and Chair of the Board A writer member of APRA since 1983, Jenny has been a music writer, performer and recording artist since 1980 with three top 5 and four top 20 singles in Australia and similar success in New Zealand. Jenny has recorded nine albums gaining gold, platinum and multi-platinum status in the process and won back to back ARIA awards for best female vocalist. Jenny was inducted into the NZ Music Hall of Fame in 2018. Jenny is also a non-executive director and passionate supporter of Nordoff Robbins Music Therapy Australia. Jenny presents their biennial ‘Art of Music’ gala event, which raises significant and much needed funds for the charity. Bob Aird Non-executive Publisher Director from 1989 to 2019 Bob recently retired from his position as Managing Director of Universal Music Publishing Pty Limited, Universal Music Publishing Group Pty Ltd, Universal/MCA Publishing Pty Limited, Essex Music of Australia Pty Limited and Cromwell Music of Australia Pty Limited which he held for 16 years. -
Popular Music, Stars and Stardom
POPULAR MUSIC, STARS AND STARDOM POPULAR MUSIC, STARS AND STARDOM EDITED BY STEPHEN LOY, JULIE RICKWOOD AND SAMANTHA BENNETT Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au A catalogue record for this book is available from the National Library of Australia ISBN (print): 9781760462123 ISBN (online): 9781760462130 WorldCat (print): 1039732304 WorldCat (online): 1039731982 DOI: 10.22459/PMSS.06.2018 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design by Fiona Edge and layout by ANU Press This edition © 2018 ANU Press All chapters in this collection have been subjected to a double-blind peer-review process, as well as further reviewing at manuscript stage. Contents Acknowledgements . vii Contributors . ix 1 . Popular Music, Stars and Stardom: Definitions, Discourses, Interpretations . 1 Stephen Loy, Julie Rickwood and Samantha Bennett 2 . Interstellar Songwriting: What Propels a Song Beyond Escape Velocity? . 21 Clive Harrison 3 . A Good Black Music Story? Black American Stars in Australian Musical Entertainment Before ‘Jazz’ . 37 John Whiteoak 4 . ‘You’re Messin’ Up My Mind’: Why Judy Jacques Avoided the Path of the Pop Diva . 55 Robin Ryan 5 . Wendy Saddington: Beyond an ‘Underground Icon’ . 73 Julie Rickwood 6 . Unsung Heroes: Recreating the Ensemble Dynamic of Motown’s Funk Brothers . 95 Vincent Perry 7 . When Divas and Rock Stars Collide: Interpreting Freddie Mercury and Montserrat Caballé’s Barcelona . -
For Calendar Editors
FOR IMMEDIATE RELEASE CONTACT: Kevin Kopjak | Charles Zukow Associates 415.296.0677 | [email protected] FEINSTEIN’S AT THE NIKKO WELCOMES TONY AND GRAMMY AWARD-WINNER, BILLY PORTER, FOR THREE PERFORMANCES ONLY! JANUARY 30 – FEBRUARY 1, 2015 SAN FRANCISCO (January 7, 2015) – Hotel Nikko San Francisco and Michael Feinstein are honored to welcome Tony® and Grammy® Award-winning singer, composer, actor, playwright and director Billy Porter to Feinstein’s at the Nikko for three performances only – Friday, January 30 (8 p.m.); Saturday, January 31 (7 p.m.) and Sunday, February 1 (7 p.m.). Porter will perform songs from his new critically acclaimed album, “Billy’s Back on Broadway,” as well some of his other favorites! Tickets for Billy Porter range in price from $45–$60 and are available now by calling 866.663.1063 or visiting www.ticketweb.com. Located within Hotel Nikko (222 Mason Street, San Francisco), Feinstein’s at the Nikko presents a wide range of entertainers from stage and screen all within an intimate 140-seat cabaret setting. There is a $20 food and beverage minimum per person inside the showroom which guests can use towards cocktails as well as a variety of small plates crafted exclusively for Feinstein’s at the Nikko by Executive Chef Philippe Striffeler, through Restaurant Anzu. Cheese and dessert platters will also be available in the showroom. Porter currently stars as “Lola” in the smash hit Broadway musical Kinky Boots, for which he won the 2013 Drama Desk and Tony Awards for Best Actor in a Musical. Other Broadway acting credits include Miss Saigon, Five Guys Named Moe, Grease (all original cast), Smokey Joe’s Café and Dreamgirls (20th Anniversary Broadway Concert and LA Ovation Award). -
Celebrate Holidays at the Apollo with Festive Programs for Audiences of All Ages
Celebrate Holidays at the Apollo With Festive Programs for Audiences of All Ages 28th Annual Double Dutch Holiday Classic Sunday, December 8 at 1:00 p.m. COCA-COLA WINTER WONDERLAND Under the Apollo Theater’s Iconic Marquee Saturday, December 14 from 2:00 – 6:00 p.m. AMATEUR NIGHT HOLIDAY SPECIAL Featuring the Apollo Stars of Tomorrow Alumni Matthew Whitaker, Ronald Johnson, Michelle Galvis, Christian Guardino And Special Guest Angelica Hale Co-Hosted by Capone Saturday, December 14 at 7:30 p.m. NIGHT DIVINE Featuring Cynthia Erivo and Shoshana Bean Monday, December 16 at 7:30 p.m. HOLIDAY JOY: A GOSPEL CELEBRATION Featuring Yolanda Adams and Donald Lawrence and Company Hosted by Marcus Wiley Saturday, December 21 at 4:00 p.m. KWANZAA CELEBRATION: REGENERATION NIGHT A Night of Dance, Culture, Community, and Family Featuring Abdel R. Salaam’s Forces of Nature Dance Theatre, With Special Guests The KIPP AMP Legacy Jazz Ensemble Hosted by Imhotep Gary Byrd Saturday, December 28 at 2:00 and 7:30 p.m. Harlem, NY – October 31, 2019 – This December, the Apollo Theater will celebrate the holidays with offerings for the entire family. Holidays at the Apollo includes programs that will celebrate culture, music, and community during the festive season. Highlights of the Holidays at the Apollo include: The 28th Annual Double Dutch Holiday Classic (Sunday, December 8) presented by the National Double Dutch League, returns to the Apollo stage—bringing together national and international communities of jumpers. Coca-Cola Winter Wonderland (Saturday, December 14) the theater’s free annual family event taking place under the iconic Apollo marquee, features live entertainment, presentations, a visit from Santa, and a toy and book drive for a Harlem charity. -
Opera Australia 2018 Annual Report
2018 ANNUAL REPORT Cover image: Simon Lobelson as Gregor in Metamorphosis, which played at the Opera Australia Scenery Workshop in Enriching Australia’s Surry Hills and the Malthouse cultural life with Theatre in Melbourne. exceptional opera. One of Opera Australia’s new Vision productions, it was written by Australian Brian Howard, performed by an all Australian cast To present opera that excites and produced by an all Australian audiences and sustains and creative team. Photo: develops the art form. Prudence Upton Mission TABLE OF CONTENTS At a glance 3 Artistic Sydney Screens on stage 32 Director’s Report 12 Conservatorium Productions: of Music 2018 awards 34 performances and Regional Tour 13 Internships 23 attendances 4 China tour 36 Regional Student Professional and Artists 38 Season star ratings 5 Scholarships 16 Talent Development 24 Orchestra 39 Revenue and expenditure 6 Schools Tour 18 Evita 26 Philanthropy 40 Australia’s biggest Auslan Handa Opera arts employer 7 shadow-interpreting 20 on Sydney Harbour – Opera Australia Community reach 8 Community events 21 La Bohème 28 Capital Fund 43 Chairman’s Report 10 NSW Regional New works Staff 46 Conservatoriums in development 30 Partners 48 Chief Executive Project 22 Officer’s Report 11 opera.org.au 2 At a glance 77% Self-generated revenue $61mBox office 1351 jobs provided 543,500 58,000 attendees student attendees 7 637 productions new to Australia performances opera.org.au 3 Productions Productions Performances Attendance A Night at the Opera, Sydney 1 2,182 Performances and total attendances Aida, Sydney 19 26,266 By the Light of the Moon, Victorian Schools tour 85 17,706 Carmen, Sydney 13 18,536 Die Meistersinger von Nürnberg, Melbourne 4 6,175 Don Quichotte, Melbourne 4 5,269 Don Quichotte, Sydney 6 7,889 Great Opera Hits 2018 27 23,664 La Bohème, Handa Opera on Sydney Harbour 26 48,267 La Bohème, Melbourne 7 11,228 La Bohème, New Year 1 1,458 The chorus of Bizet’s Carmen, directed by John Bell. -
Entry Form Must Be Submitted
E N T R Y K I T ALL TRACKS ENTERED MUST BE THE ORIGINAL WORK OF THE ARTIST / BAND WHO ENTERS THEM. A MAXIMUM OF 3 TRACKS PER ARTIST / BAND MAY BE ENTERED. TRACKS MAY BE ENTERED INTO THE SAME CATEGORY OR DIFFERENT CATEGORIES; HOWEVER, THE SAME TRACK MUST NOT BE ENTERED IN TO MORE THAN ONE CATEGORY. AN INDIVIDUAL MAY ENTER AS A SOLO ARTIST AND MAY ALSO BE A MEMBER OF ONE OTHER ENTERED BAND. FOR EACH TRACK ENTERED, A SEPARATE AND COMPLETE ENTRY FORM MUST BE SUBMITTED. ALL SECTIONS OF THE ENTRY FORM MUST BE FILLED IN! INCOMPLETE FORMS WILL NOT BE ACCEPTED OR PROCESSED. IF AN ARTIST / MEMBER OF A BAND IS UNDER 18 YEARS OF AGE, A PARENT OR GUARDIAN MUST AUTHORISE THE ENTRY FORM. THE ARTIST / BAND (MAJORITY OF BAND MEMBERS) MUST BE LOCAL TO THE NEWCASTLE, LAKE MACQUARIE, UPPER AND LOWER HUNTER, PORT STEPHENS AND CENTRAL COAST AREA; LIVING HERE NOW (FOR AT LEAST 6 MONTHS) OR HAVING LIVED HERE FOR AT LEAST 5 OF THE LAST 7 YEARS OR LIVE AND WORK HERE AT LEAST 6 MONTHS OF THE YEAR. RD ENTRIES CLOSE 5PM ON FRIDAY 3 of JULY 1233 ABC Newcastle Music Awards 2009 W E L C O M E Thank you for entering the 1233 ABC Newcastle Music Awards in 2009, for sharing your music with us and for supporting this project that takes our great local talent to a wider audience on air and online. What are these Awards all about? It‟s true that when you enter a competition, a big motivator is the idea of winning something, and there are certainly awards and prizes for the winners of the categories and specialist areas. -
THE ARTS Name Genre Years School Alsop, John Radio & TV Script Writer / Director 1966-71 Whitefriars
THE ARTS Name Genre Years School Alsop, John Radio & TV script writer / Director 1966-71 Whitefriars Achievements / Major Awards & Nominations “Brides of Christ” won scriptwriting awards from the AFI, Australian Writers’ Guild; as well as receiving an International Emmy Award nomination. “The Leaving of Liverpool” also received an AFI award for Best TV Screenplay and a Writers’ Guild Awgie for Best Screenplay (mini Series). The production also won AFI awards and an ATOM award. “Bordertown” Episodes 7 & 8 (“The Cracks and The Squares”) “R.A.N. Remote Area Nurse” Episode Two won its year’s Best Screenplay (Television Series) Australian Writers’ Guild Awgie Award. Also Recipient of the Hector Crawford Award for Contribution to Script Editing in a body of work. In 2007 received an Asialink grant to develop a script with an Australian-Filipino connection, resulting in the short film “He She It”, which premiered as part of the Accelerator program at the Melbourne Film Festival and also screened at more than a dozen international film festivals. The 2008 Foxtel Fellowship for achievement in television writing funded development of a feature film script currently at the production finance stage. Borrack, John Visual Arts 1950 Parade A master colourist predominantly in watercolour and gouache, John Borrack has described his art as “a celebration of the natural world and its wonders that are all around us”. He has been described as “something of a maverick, a man who has dedicated the last 50 years of his life to the pursuit of a pure, spiritual expression”. John and his wife, Gillian, have campaigned against the Plenty Valley growth corridor. -
Casting Women, Fat Stigma, and Broadway Bodies
The Journal of American Drama and Theatre (JADT) https://jadt.commons.gc.cuny.edu "Must Be Heavyset": Casting Women, Fat Stigma, and Broadway Bodies by Ryan Donovan The Journal of American Drama and Theatre Volume 31, Number 3 (Spring 2019) ISNN 2376-4236 ©2019 by Martin E. Segal Theatre Center “We need a young girl who is—what shall we say—chubby/fat/big. But a healthy version of a fat girl, because she is dancing her ass off for two hours.” —Bernard Telsey, casting director[1] Introduction Casting director Craig Burns worked on Broadway’s Hairspray (2002) from its first workshops, and it remains his favorite production because of the opportunity to cast people who “weren’t normally considered for leads in a show, and now all of a sudden these girls are getting a chance because we need a fat girl. There was so much joy in that.”[2] Katrina Rose Dideriksen was one such woman given the chance to play Hairspray’s Tracy Turnblad on Broadway and on tour. She remembered feeling excited to play Tracy because she “is the ingénue, she wins the guy, she saves the day . she’s funny and she’s lovable and all those things, but in this very real-girl way.” Dideriksen then noticed a “weight clause” in her contract: “It was really this underlying pinch to realize that subconsciously I was being told I was still wrong for it, that there was something I had to fix. I don’t think they realized how hurtful, and how anti-Hairspray it really was for them to be like, ‘Lose 20 pounds.’”[3] Apart from a few roles (including Tracy), fat women are almost never cast in roles beyond the comedic sidekick or best friend in commercial theatre.