ADAPTIVE WEB DESIGN SECOND EDITION Crafting Rich Experiences with Progressive Enhancement
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RESPONSIVE Elearning DESIGN & DEVELOPMENT Contents
RESPONSIVE eLEARNING DESIGN & DEVELOPMENT Contents Chapter 1 A Responsive World 1.1: How It All Began 4 1.2: Responsive Design: Understanding the Term 7 Chapter 2 Understanding Responsive eLearning Design 2.1: The Need for Responsive Design in eLearning 10 2.2: Key Features of Responsive Design 12 2.3: Adaptive Vs. Responsive Design 14 2.4: Benefits of Responsive eLearning Design 21 2.5: What Does a Responsive eLearning Design Look Like? 23 Contents Chapter 3 Determining a Responsive eLearning Design Strategy 3.1: When to Use Responsive eLearning Design 28 3.2: Getting Started Responsively 31 3.3: Challenges and Solutions 34 3.3.1: Design 35 3.3.2: Development 52 3.3.3: Testing 57 Chapter 4 Conclusion Share Some Love 65 References 66 Authors 69 A Responsive World 1 1.1: How It All Began From the launch of desktop PCs and laptops to the mass adoption of tablets and smartphones, the world of connected devices has expanded—and how! Today, individuals own multiple devices and shift seamlessly between them depending on task, location and time of day. The primary device that connects them to the World Wide Web is likely to be anything from a smartphone or phablet to a tablet or PC. 4 A Responsive World 1 1.1: How It All Began In 2012, Google released a comprehensive report on the emerging use of multiple devices. This report states that 90% of our daily media interactions are screen based, with our time online primarily spread between four devices—television, desktop PCs/laptops, tablets and finally smartphones. -
Understanding the Impulsiveness Effect of a Web Design on Online Fashion Stores*
Proceedings of the 2016 International Conference on Industrial Engineering and Operations Management Kuala Lumpur, Malaysia, March 8-10, 2016 Understanding the Impulsiveness Effect of a Web Design on Online Fashion Stores* Paulina Kus Ariningsih, Marihot Nainggolan, Ignatius Sandy, Dhea Widyasti Departement of Industrial Engineering Universitas Katolik Parahyangan Bandung, Indonesia [email protected], [email protected], [email protected], [email protected] Abstract—E-commerce had been a window of consumer-retailer and business-to-business relationship. It had changed supply chain design in last four decades. A Website display, as one of strategic decision of an e-commerce, has been a competitive advantage to win the market. Moreover, impulsive buying had recognized as cognitive natural flaw which had given an advantage for both retailer and consumer. Sometimes, the tremendous increment of the number of internet access on an e-commerce site is not accompanied by increment of buying. Meanwhile, the study about the influences of a web display to impulse buying behaviors had been written so little. In this paper, a preliminary research about the influences of a web display to impulse buying behaviors is conducted. The study is conducted on online fashion stores in Indonesia. This paper depicts the development of sixteen display attributes for accessing impulse buying on online fashion stores. Twenty (20) attributes has been developed from literature survey and interview. Then, a survey has been given to 150 respondents to determine the display’s attributes that influenced to impulsive buying. A factor analysis has been run to sixteen (16) attributes that have significant influence to Impulse Buying and four factors have been developed. -
John Athayde and Bruce Williams — «The Rails View
What readers are saying about The Rails View This is a must-read for Rails developers looking to juice up their skills for a world of web apps that increasingly includes mobile browsers and a lot more JavaScript. ➤ Yehuda Katz Driving force behind Rails 3.0 and Co-founder, Tilde In the past several years, I’ve been privileged to work with some of the world’s leading Rails developers. If asked to name the best view-layer Rails developer I’ve met, I’d have a hard time picking between two names: Bruce Williams and John Athayde. This book is a rare opportunity to look into the minds of two of the leading experts on an area that receives far too little attention. Read, apply, and reread. ➤ Chad Fowler VP Engineering, LivingSocial Finally! An authoritative and up-to-date guide to everything view-related in Rails 3. If you’re stabbing in the dark when putting together your Rails apps’ views, The Rails View provides a big confidence boost and shows how to get things done the right way. ➤ Peter Cooper Editor, Ruby Inside and Ruby Weekly The Rails view layer has always been a morass, but this book reins it in with details of how to build views as software, not just as markup. This book represents the wisdom gained from years’ worth of building maintainable interfaces by two of the best and brightest minds in our business. I have been writing Ruby code for over a decade and Rails code since its inception, and out of all the Ruby books I’ve read, I value this one the most. -
Web UI Animation
Web UI Animation Group 5 Rok Kogovšek, Alexei Kruglov, Fernando Pulido Ruiz, and Helmut Zöhrer 706.041 Information Architecture and Web Usability WS 2016 Graz University of Technology A-8010 Graz, Austria 12 Dec 2016 Abstract This survey tries to give insights into the uses of web animations and possible ways of creating them with CSS and JavaScript. Not only, why they should be used on a website, but also when to use CSS or JavaScript, will be covered. We also explore the enhancement of animation through SVG. In addition to the theoretical background, numerous practical code examples will be included and discussed. © Copyright 2016 by the author(s), except as otherwise noted. This work is placed under a Creative Commons Attribution 4.0 International (CC BY 4.0) licence. It uses the LaTex template from "Writing a Survey Paper" by Keith Andrews, used under CC BY 4.0 / Desaturated from original Contents Contents i List of Figures iii List of Listings v 1 Introduction 1 2 Animation 3 2.1 Not Just Motion! . .3 2.2 Why Animation in Web UI? . .3 2.3 Aim For Invisible Animation . .4 2.4 Development of Animation . .4 3 Cascading Style Sheets (CSS)7 3.1 Do Everything You Can With CSS . .7 3.2 CSS Animation Declaration . .8 3.2.1 Animation Property and Keframe Rule . .8 3.2.2 Transition Property and Selector Pattern . 10 3.2.3 Powerful Effect from Single Property . 10 3.3 CSS Examples . 11 3.3.1 Navigation Animation . 11 3.3.2 Loading Animation . -
Aaron Gustafson, Presentation in English
PROGRESSIVE ENHANCEMENT &MOBILE Aaron Gustafson @aarongustafson slideshare.net/AaronGustafson BROWSERS ARE A PAIN IN THE ASS AND THEN THERE’S MOBILE © Brad Frost © Brad Frost WHAT IS MOBILE? WHAT IS MOBILE? “There is no WebKit on Mobile — Peter-Paul Koch “There is no WebKit on Mobile — Peter-Paul Koch http://www.quirksmode.org/webkit.html “There is no Android — Stephanie Rieger http://yfrog.com/z/ob5kndj http://yfrog.com/z/ob5kndj http://yfrog.com/z/ob5kndj WHAT IS MOBILE? Um… I think I’ll just build an iPhone app. kthxbye. NATIVE vs. WEB CONSISTENT vs. UNPREDICTABLE SPECIFIC vs. UNIVERSAL © Brad Frost © Brad Frost WE DON’T KNOW WE DON’T KNOW EVEN WHEN WE THINK WE KNOW, WE ARE PROBABLY WRONG SO HOW DO WE COPE? PROGRESSIVE ENHANCEMENT TECHNOLOGICAL RESTRICTIONS MCMLXXVII MCMLXXVII (that’s 1977) HTML CSS fault tolerance n. a system’s ability to continue to operate when it encounters and unexpected error. BROWSERS IGNORE WHAT THEY DON’T UNDERSTAND I like an escalator because an escalator can never break, it can only become stairs. — Mitch Hedberg an electric toothbrush can never break, it can only become a toothbrush. a dynamic web page can never break, it can only become a web page. GRACEFUL DEGRADATION MODERN BROWSERS OLDER BROWSERS MODERN BROWSERS OLDER BROWSERS MODERN BROWSERS OLDER BROWSERS PROGRESSIVE ENHANCEMENT CONTENT CONTENT ACCESSIBILITY “SPECIAL NEEDS” “SPECIAL NEEDS” “SPECIAL NEEDS” CAN BE CONTEXTUAL PROGRESSIVE GRACEFUL DEGRADATION ENHANCEMENT OOOH, SHINY! PROGRESSIVE ENHANCEMENT ISN’T ABOUT BROWSERS BROWSERS AND TECHNOLOGIES -
Gender and Web Design Software
Gender and web design software Gabor HORVATH Gloria MOSS Rod GUNN Eszter VASS Glamorgan Business School University of Glamorgan Pontypridd, Wales CF37 1DL, UK ABSTRACT been extensively studied [17] but a relatively unexplored field concerns itself with the non-interpretive elements of navigation, There are several studies dealing with the differences between content, form and colours. sites originated by men and women. However, these references are mainly related to the “output”, the final web site. In our Web-design research we examined the input side of web designing. We Summarizing the work on web-design aesthetics, a recent study thoroughly analysed a number of randomly selected web refers to the relative ‘paucity of research’ [12], with ‘no designer softwares to see, whether and to what extent the principles of good www design ... set in stone’ [9] The fact that templates they offer determine the final look of an individual’s some web design is perceived as less than optimum is website. We have found that most of them are typical masculine demonstrated by the fact that the 10 factors with the greatest templates, which makes it difficult to any women to design a deficit amongst Internet users in the US and Netherlands feminine looking website. It can be one of the reasons of the included a factor relating to graphics [20]. masculine website hegemony on the web. The design of websites can most easily be affected by IT Key words: Internet, gender differences, web aesthetics, web professionals. This is a profession in which participation rates design, websites for women, across the board, have fluctuated during the 1990s somewhere between 19% and 22% [15]. -
Responsive Web Design.Docx
Theresa Agostinelli, Librarian, Instructional & Educational Services Monroe Township Public Library, theresacahill@hotmail What is Responsive Web Design? Responsive web sites adapt gracefully to different screen sizes. For example, a site may display in three columns on a laptop or desktop computer, in two columns on a tablet, and in one column on a smartphone. This is illustrated in the above image. It is using the same content, but displaying it differently depending on the width of the screen. Instead of creating a desktop version of a site, and then a mobile version, one site is used for all devices. Web designers used to design for laptop and desktop computers. Now, with users accessing the Internet through laptops, desktop computers, smartphones, tablets, televisions, refrigerators, and more, many web designers have reversed their way of thinking. Instead of designing primarily for laptop and desktop users, and then creating a separate mobile app, many designers are now designing first for mobile users. Mobile first designs should be simpler than traditional layouts, since loading times can vary across devices. Designers may want to limit their use of images and enhance their designs through the use of white space, typography, and cascading style sheets (CSS.) Advantages of Responsive Web Design Responsive websites create a consistent user experience across various devices. Webmasters can make changes one time and those changes will carry over to all of their users. If the site is using a separate mobile app, changes must be made to the full website, as well as the mobile site, for users to see those changes. -
Responsive Web Design (RWD) Best Practices Guide
Responsive Web Design (RWD) Best Practices Guide Version: 2013.11.20 This document includes best practices around responsive web design (RWD) when developing hybrid applications. Details on each checklist item are discussed later in the document. Checklist RWD Practitioner ❏ Use CSS3 media queries rather than JavaScript onorientation change � ❏ Use flexible font units � ❏ Define a fluid grid system for layout � ❏ Use Flexible Margins and Padding � ❏ Make Images Responsive Where possible � ❏ Use CSS3 Media Queries � ❏ Accept limitations of CSS3 Media Queries � ❏ Consider using CSS Flexbox Layout � ❏ Design for Orientation Changes � ❏ Start and stay with simple layout � ❏ Define key horizontal (and vertical) breakpoints you need to support � Common RWD Problems Copyright © 2013 International Business Machines. All rights reserved. ❏ Avoid onorientationchange events to trigger DOM manipulation � ❏ Manage complex web components with different size-based structures � ❏ Managing graphically drawn components which require recalculation/redraw � ❏ Repaint/flicker due to use of Dojo’s portrait and landscape classes in CSS � Copyright © 2013 International Business Machines. All rights reserved. Discussion RWD Practitioner This section contains technical information for implementing responsive design relevant to practitioners such as CSS experts and web developers. Many of the topics discussed in this documents are also covered in and/or related topics in the following documents and should be used in parallel. ● CSS Best Practices ● JavaScript Best Practices ● Images Best Practices Use CSS Media Queries rather than JavaScript orientationchange events When you rotate a device’s orientation, the browser engine first reflows the content to the new orientation/screen dimensions (using CSS rules). After the reflow occurs, onorientationchange events are emitted to JavaScript. -
Advancements in Web Typography (Webfonts and WOFF)
Advancements in Web Typography (WebFonts and WOFF) Aaron A. Aliño Graphic Communication Department California Polytechnic State University 2010 Advancements in Web Typography (WebFonts and WOFF) Aaron A. Aliño Graphic Communication Department California Polytechnic State University 2010 Table of Contents Chapter I: Introduction………………………………………………………….…………..2 Chapter II: Literature Review……………………………………………………….………5 Chapter III: Research Methods………………………………………………….…..…....18 Chapter IV: Results………………………………………………………………….……..24 Chapter V: Conclusions……………………………………………………………….…..38 References……………………………………………………………………………...…..41 1 Chapter I: Introduction When it comes to the control one has in designing and creating content for the World Wide Web, typography should be no different. Print designers have had the advantage for a long time over their ability to choose exactly how type is printed, limited only by their imagination and the mechanical limits of setting and printing type. Web designers, on the other hand, have been held back by the inherent hardware and software limitations associated with web design and font selection. What this means is that web designers have not been able to control type exactly the way they want. Web designers have been limited to fonts that can safely be displayed on most computers and web browsers. If web designers wanted to display type with a special font, they had to resort to a workaround that was not always effective. Web designers should have the same absolute control over typography as print designers. Control of web typography has gotten much better compared to the early days of web design, but 2 considering how powerful and robust computers and web browsers are now, it seems unfortunate that control over web typography is so primitive That has changed now. -
Web Design Handbook Pdf
Web Design Handbook Pdf If litten or violated Benton usually howff his intrant log unfairly or conglobed cryptography and brashly, how bitchy is Ephram? How synchronisticallytomboyish is Will andwhen gapings toplofty his and Susannah. pulverized Cass kibosh some remainder? Helpable and excrescent Hartley always gagglings We between the item id that describes the current element. What is a domain name? What does not only top of their own semantics it describes what matters of web design handbook pdf for easy. And again before its users look around web browser like any web design handbook. This handbook is served from johns hopkins university, design web handbook pdf for you. Data compression also canno insall he has many sites. Anticipate change plan mention the actions and paths that usersare likely to choose when they traverse your site. When we create a pdf form will function is an old car radios that? Free online courses might exceed one sale the best resources. Digital cameras enable you to snap a photo and then instantly send the picture into your computer. Oddly enough active tab in a grid, you need to design web handbook pdf form an information about wordpress, strategies followed may not be. It take up that on your own freelance business and forget their hand, you pushed me list shows how can be readable or using. Copyright The lodge Library Authors. First and foremost, and how to make money from it. Indian railways web link text weight and services. Web Application Design Handbook is written by the author Susan Fowler. When it comes to progressive enhancement with CSS, had they designed their new platform using progressive enhancement. -
Cultural Based Adaptive Web Design for Wellington Institute of Technology
WEB 2018 : The Sixth International Conference on Building and Exploring Web Based Environments Cultural Based Adaptive Web Design For Wellington Institute of Technology Lakshmi Sivadas Abdolreza Hajmoosaei School of IT School of IT Wellington Institute of Technology Wellington Institute of Technology Wellington, New Zealand Wellington, New Zealand Email:[email protected] Email:[email protected] Abstract— Currently academic institutions’ websites are used provides revenue to institution. A poorly designed website for evaluating the standard of institutions. The institution’s is risky because it will create a negative impact about website is an important marketing tool because it is an academic institution. When students visit academic advertising forum to students. Website is a kind of institution website they must find it easy to navigate and promotional material which exchanges academic images to access information otherwise they will leave the website and students which will in turn provides revenue to institution. Poorly designed website is risky because it will create a institute will lose potential candidates. According to Davis negative impact about academic institution. The role of and Lindridge as cited by [5] , cultural factors must be academic website is very important for student’s decision to considered in web design which can increase aesthetic select an academic institution because every student will quality and success of website. A well-designed website examine website before enrolling. There are many features with improved user interface incorporated with various that attract users to a website; one among those factors is cultural factors will definitely increase the revenue [6]. cultural attributes. Web designers should adapt a cross Therefore, while designing a web interface, relevant cultural web design by considering the culture of the targeted visitors’ culture attributes should also be considered. -
Cascading Style Sheets Level 2 Revision 1 (CSS 2.1) Specification
Cascading Style Sheets Level 2 Revision 1 (CSS 2.1) Specification W3C Recommendation 07 June 2011, edited in place 12 April 2016 to point to new work This version: http://www.w3.org/TR/2011/REC-CSS2-20110607 Latest version: http://www.w3.org/TR/CSS2 Previous versions: http://www.w3.org/TR/2011/PR-CSS2-20110412 http://www.w3.org/TR/2008/REC-CSS2-20080411/ Latest editor's draft: http://dev.w3.org/csswg/css2/ Editors: Bert Bos <BERT @w3.org> Tantek Çelik <TANTEK @cs.stanford.edu> Ian Hickson <IAN @hixie.ch> Håkon Wium Lie <HOWCOME @opera.com> Please refer to the errata for this document. This document is also available in these non-normative formats: plain text, gzip'ed tar file, zip file, gzip'ed PostScript, PDF. See also translations. Copyright © 2011 W3C® (MIT, ERCIM, Keio), All Rights Reserved. W3C LIABILITY, TRADEMARK AND DOCUMENT USE rules apply. Abstract This specification defines Cascading Style Sheets, level 2 revision 1 (CSS 2.1). CSS 2.1 is a style sheet language that allows authors and users to attach style (e.g., fonts and spac- ing) to structured documents (e.g., HTML documents and XML applications). By separating the presentation style of documents from the content of documents, CSS 2.1 simplifies Web authoring and site maintenance. CSS 2.1 builds on CSS2 [CSS2] p. 284 which builds on CSS1 [CSS1] p. 283. It supports media-specific style sheets so that authors may tailor the presentation of their documents to visual browsers, aural devices, printers, braille devices, handheld devices, etc. It also sup- ports content positioning, table layout, features for internationalization and some properties related to user interface.