Swr11786may2011.Pdf

Total Page:16

File Type:pdf, Size:1020Kb

Swr11786may2011.Pdf Shoreham-Wading River High School ildcat ause Volume XXXIII No. 7 WShoreham-Wading River High School P May 2011 Two different paths, both lead to success JUDITH GOLDFARB major but is interested in a career in the medical field. STAFF WRITER According to math teacher Mr. Michael Gabriel, “you have to strive to be the best to Dreams are not hard to come by. Walk through the halls and you’ll hear goals of be the best,” and in his eyes, Szymanski did just that. “It was fantastic [working with her,]” becoming a professional dancer or making it to the MLB. To some this might seem foolish, said Mr. Gabriel. Szymanski works to her full potential and encourages those around her to but after all, the saying is “dream big or go home.” do so as well. “She’s a spectacular kid,” said Mr. Gabriel. The class of 2011’s valedictorian and salutatorian, Rachel Szymanski and Michelle Szymanski scored a 2260 on the SAT, a 34 on the ACT, a 790 on the Chemistry SAT II Gostic, were announced before spring break. The news did not come as a surprise to the and a 770 on the US History SAT II. “I have studied a lot over the years, but luckily I have student body since since Syzmanski and Gostic are notorious for their hard work and a very good memory,” she explained. “Once I learn something it sticks, so I tend to not need too much review to do well.” It is assumed that those who earn the title of valedictorian or salutatorian work specifically to achieve them, but this was not among Gostic’s goals. It was important to her to work hard in general so that she could attend a good college. In the fall she will attend Cornell University in hopes becoming an environmental engineer. Gostic had the luxury of choosing between many schools, including Tuft Univer- sity. “Out of the schools I was accepted to,” she explained, “Cornell had the best academics, and I felt that their environmental engineering program was the strongest.” She knows that attending Cornell will guarantee her a job in four years. Students might describe Gostic as a “genius” due to her track record with test grades. She scored a 35 on the ACT, a 720 on the World History SAT II’s, and a 700 on the Math 1 SAT II’s. Impressive as these scores are, they did not come without preparation. “I definitely have to study to get good grades,” said Gostic, “I probably study a lot more than I need to, actually.” Along with studying, both Gostic and Szymanski are involved in many extra curricular activities. Gostic participates in cross country, softball, basketball, Natural Helpers and National Honor Society. She also plays the trumpet and piano. Time management was a struggle for her, and it took time and experience to learn how to balance everything. It was a challenge to decide how much time should be devoted to studying and how much to athletics, but “after a lot of stress, I think I’ve figured it out,” she said. Similar to Gostic, the most difficult struggle for Szymanski was learning how to balance academics and extracurriculars. She has played violin for 10 years which she dedicates time to taking private lessons as well as playing in school. She’s involved in the chamber orchestra and was accepted into the All-County and All-State orches- tras. She is also actively involved in Best Buddies, making time for her buddy and the events each month. Through her high school career, Szymanski has sacrificed “a lot of fun” and down Photo by J. Goldfarb Seniors Michelle Gostic, salutatorian, and Rachel Szymanski, valedictorian, time. She chose to take difficult courses which require a great deal of work. “Even on are proof that hard work and dedication pay off. On June 25, they will give weekends and vacations, I spent most of my time doing school work,” she said. graduation speeches marking the end of high school for the class of 2011. Having experienced what it’s like to live without some recreations that stuents take part in, Szymanski would like to leave the school with the message that “Although it dedication to school. They will also be among this year’s graduation speakers. sounds corny, you really can achieve whatever you want to achieve as long as you are willing Syzmanski recognized her dream and hard work followed. At the end of her junior year to make some sacrifices and not allow distractions, especially in the age of texting and she had a weighted GPA of 103. Facebook, to lead you astray.” “I have always aimed to do well in school, but I think it was some time in middle school Gostic didn’t have to make many sacrifices throughout her high school career. She that I seriously decided to be valedictorian,”said Szymanski .Gostic, however,“was ex- managed to fit sports, music and academics into her schedule. “I probably sacrificed a little tremely shocked” when she heard the news despite her weighted GPA of 101.98. She of my sanity,” she admitted. genuinely didn’t believe that she would be named salutatorian. Gostic’s Legacy: “I’d really like it if I wasn’t remembered as a nerd. I guess it would be Szymanski is going to Amherst College on a scholarship. “I love the school’s high level nice to be remembered as someone who was well-rounded and friendly.” academics and the incredible opportunities provided by a very open curriculum,” she said. Szymanski’s Legacy: “I hope that I am not just remembered as the girl who always had “It also has a beautiful campus and town, and since it is a small school, the students receive her hand raised in class, but as a friend people could count on.” very individual attention from the teachers and faculty.” Szymanski is undecided on her Academic probation limits participation MICHELLE GOSTIC cause playing a sport doesn’t have to do with school.” However, other students, like senior Greg Turano were STAFF WRITER Despite the anger displayed by students, the school’s unaffected by the policy. “I still did the minimum amount of According to the official code of conduct, “participa- policy is designed to help the students, not hurt them. As work I could.” tion in extracurricular activities is a privilege borne of favor- stated in the Board of Education’s official policy, “The Mr. Vann spoke of the success of the policy: “When able academic standing and good school citizenship.” Shoreham-Wading River Central School District considers looking at the [academic standings of] kids that have been This statement, which provides the foundation of the the well being and success of its students as its highest put on probation or become ineligible, and then look at their school’s official extracurricular eligibility policy, has pre- priority. The primary goal of any educational institution is to subsequent report cards or progress reports, we noticed that vented numerous athletes, thespians and club members facilitate the growth many more times from participating in extracurricular activities this year. of students into ma- than not kids do Though it is preached that extra curricular activities are ture, responsible make adjustments a privilege, not a right, only recently have students felt strict adults.” and changes so enforcement of this idea. Though stu- that they do be- Assistant Principal Kevin Vann said, “mid-last year we dents affected by come eligible…and really took a good look at the policy in conjunction with Mr. academic probation that is ultimately Marlborough, the athletic director, and made the agreement disagree with the the goal, to get as a building and as a district to enforce the policy more policy, many stu- kids to be able to consistently than it had been in the past.” dents admit it has participate.” Many students are displeased with stricter enforce- yielded positive re- A common ment. sults. misconception “I think [academic probation] is unfair because you Delia said, “It about academic shouldn’t suffer because you aren’t good at a subject, and gave me a wakeup call. I was more focused on school than probation is that it only affects athletes, but the policy you should be able to do something you like. When you take sports.” applies to members of all extracurricular activities, such as that away, it makes things worse,” said senior Chelsea Delia. Piotrowski said, “I had to go to a lot of extra help, so it clubs and school productions. Freshman Adam Piotrowski agreed. “It’s not fair be- actually got me a better grade.” continued on pg. 2 NEWS FEATURE OPINION ARTS & ENTERTAINMENT SPORTS Teacher takes A Day in the Life of... Fat isn’t funny Rebecca Black gets Is it all on the wrist? a daring trip down on Friday A look inside the lives of Whose to blame for Just how powerful are power Mrs. Swersey travels across SWR seniors. Americans putting on the Which seat will she take? balance bracelets? the world and experiences an pounds? earthquake. PAGE 2 PAGE 6 & 7 PAGE 8 PAGE 11 PAGE 11 News Page 2/May 2011/Wildcat Pause Yikes! Swersey shaken but never stirred BREANNA BAICHAN STAFF WRITER “Jishin!” That’s the word that ran through everyone’s mind as the 8.9 earthquake struck Japan. Translated, it means earthquake, but Mrs. Jane Swersey didn’t know that. In fact, at first she had no idea what was going on. Mrs. Swersey, who teaches Global I and AP World, traveled to Japan with Yale Univer- sity on March 6 to visit the Nissan, Toyota, Panasonic and Sony factories to evaluate their industrial processes.
Recommended publications
  • Hip-Hop's Diversity and Misperceptions
    The University of Maine DigitalCommons@UMaine Honors College Summer 8-2020 Hip-Hop's Diversity and Misperceptions Andrew Cashman Follow this and additional works at: https://digitalcommons.library.umaine.edu/honors Part of the Music Commons, and the Social and Cultural Anthropology Commons This Honors Thesis is brought to you for free and open access by DigitalCommons@UMaine. It has been accepted for inclusion in Honors College by an authorized administrator of DigitalCommons@UMaine. For more information, please contact [email protected]. HIP-HOP’S DIVERSITY AND MISPERCEPTIONS by Andrew Cashman A Thesis Submitted in Partial Fulfillment of the Requirements for a Degree with Honors (Anthropology) The Honors College University of Maine August 2020 Advisory Committee: Joline Blais, Associate Professor of New Media, Advisor Kreg Ettenger, Associate Professor of Anthropology Christine Beitl, Associate Professor of Anthropology Sharon Tisher, Lecturer, School of Economics and Honors Stuart Marrs, Professor of Music 2020 Andrew Cashman All Rights Reserved ABSTRACT The misperception that hip-hop is a single entity that glorifies wealth and the selling of drugs, and promotes misogynistic attitudes towards women, as well as advocating gang violence is one that supports a mainstream perspective towards the marginalized.1 The prevalence of drug dealing and drug use is not a picture of inherent actions of members in the hip-hop community, but a reflection of economic opportunities that those in poverty see as a means towards living well. Some artists may glorify that, but other artists either decry it or offer it as a tragic reality. In hip-hop trends build off of music and music builds off of trends in a cyclical manner.
    [Show full text]
  • Quickies: Fast Fun for Everyone Millei Ishikawa Iowa State University
    April 2011 Article 3 April 2011 Quickies: Fast Fun for Everyone Millei Ishikawa Iowa State University Katelyn McCollough Iowa State University Follow this and additional works at: http://lib.dr.iastate.edu/ethos Part of the Higher Education Commons, and the Journalism Studies Commons Recommended Citation Ishikawa, Millei and McCollough, Katelyn (2011) "Quickies: Fast Fun for Everyone," Ethos: Vol. 2011 , Article 3. Available at: http://lib.dr.iastate.edu/ethos/vol2011/iss3/3 This Article is brought to you for free and open access by the Student Publications at Iowa State University Digital Repository. It has been accepted for inclusion in Ethos by an authorized editor of Iowa State University Digital Repository. For more information, please contact [email protected]. fast fun for eveyone Whoa, what happened? “The first week of living in the dorms was a pretty Some of the Craziest Dorm Stories We Could Find great time. I was finally away from home and able to do what I wanted, so naturally, I partied Design MILLEI ISHIKAWA By KATELYN MCCOLLOUGH all week. Classes hadn’t started yet, so it wasn’t a big deal. During the middle of that first week I More than 8500 ISU students choose to live in residence halls and student realized the dorms would take some getting used apartments across campus each year. Moving into the dorm means joining fourty to, especially after a few drinks. I got back to my to sixty other strangers on your floor alone. Add in the excitement of the weekend dorm in Larch Hall from a party that night and after a long week of classes and some pretty interesting things can happen.
    [Show full text]
  • Automotive List Price No
    Automotive List Price No. PL21.1WL Effective: September 1, 2021 Void: December 14, 2021 Order Anytime Day or Night by E-mail: [email protected] Many products listed in this price list meet or exceed AMECA, SAE and California Title XIII requirements. For details contact your regional sales office. Every effort will be made to hold prices through the end date. We reserve the right to increase prices on certain and/or all products. Whelen Engineering Company, Inc. is not responsible for typographical errors. ISO 9001 Registered QMS Follow us on WE'RE A GROUP OF PIONEERS WHO THRIVE ON CREATIVE INNOVATIONS Trusted to Perform means superior design, meticulous production, rigorous testing and total reliability in the field—where lives are on the line. 51 Winthrop Road, Chester, Connecticut 06412-0684 • (860) 526-9504 • www.whelen.com © 2021 Whelen Engineering Company, Inc “Made-To-Order Products” are defined as either models listed in this price sheet with a “††” symbol in front of the model field of each “made-to-order” model; or any model not listed in this price sheet. TABLE OF All such “††” noted models or those not listed in this price sheet are NCNR (special order, non-cancelable, non-returnable). Please allow sufficient time for production, as these models may require multiple CONTENTS machines for the processing of these special parts. Dash/ Deck/ Visor ............................................................1 Lightbars, Mini ..............................................................40 Dash/ Deck/ Visor, Directional .......................................................1
    [Show full text]
  • Henry Jenkins Convergence Culture Where Old and New Media
    Henry Jenkins Convergence Culture Where Old and New Media Collide n New York University Press • NewYork and London Skenovano pro studijni ucely NEW YORK UNIVERSITY PRESS New York and London www.nyupress. org © 2006 by New York University All rights reserved Library of Congress Cataloging-in-Publication Data Jenkins, Henry, 1958- Convergence culture : where old and new media collide / Henry Jenkins, p. cm. Includes bibliographical references and index. ISBN-13: 978-0-8147-4281-5 (cloth : alk. paper) ISBN-10: 0-8147-4281-5 (cloth : alk. paper) 1. Mass media and culture—United States. 2. Popular culture—United States. I. Title. P94.65.U6J46 2006 302.230973—dc22 2006007358 New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. Manufactured in the United States of America c 15 14 13 12 11 p 10 987654321 Skenovano pro studijni ucely Contents Acknowledgments vii Introduction: "Worship at the Altar of Convergence": A New Paradigm for Understanding Media Change 1 1 Spoiling Survivor: The Anatomy of a Knowledge Community 25 2 Buying into American Idol: How We are Being Sold on Reality TV 59 3 Searching for the Origami Unicorn: The Matrix and Transmedia Storytelling 93 4 Quentin Tarantino's Star Wars? Grassroots Creativity Meets the Media Industry 131 5 Why Heather Can Write: Media Literacy and the Harry Potter Wars 169 6 Photoshop for Democracy: The New Relationship between Politics and Popular Culture 206 Conclusion: Democratizing Television? The Politics of Participation 240 Notes 261 Glossary 279 Index 295 About the Author 308 V Skenovano pro studijni ucely Acknowledgments Writing this book has been an epic journey, helped along by many hands.
    [Show full text]
  • Planning Board 1-17-2017
    PB 1/17/17 - Page 1 CHILI PLANNING BOARD January 17, 2017 A meeting of the Chili Planning Board was held on January 17, 2017 at the Chili Town Hall, 3333 Chili Avenue, Rochester, New York 14624 at 7:00 p.m. The meeting was called to order by Vice Chairperson John Hellaby. PRESENT: David Cross, Matt Emens, John Nowicki, Ron Richmond and Vice Chairperson John Hellaby. Chairperson Michael Nyhan and Paul Bloser were excused. ALSO PRESENT: Michael Hanscom, Town Engineering Representative; David Lindsay, Commissioner of Public Works/Superintendent of Highways; Eric Stowe, Assistant Counsel for the Town; Paul Wanzenried, Building Department Manger; Larry Lazenby, Conservation Board Representative. Vice Chairperson John Hellaby declared this to be a legally constituted meeting of the Chili Planning Board. He explained the meeting's procedures and introduced the Board and front table. He announced the fire safety exits. PUBLIC HEARINGS: 1. Application of American Packaging, c/o Lee Foerster, 100 APC Way, Columbus, Wisconsin 53925 for resubdivision approval of Lot ARB1 of the 100 Beaver Road Resubdivision into two lots at property located at 100 Beaver Road in L.I. zone. 2. Application of American Packaging, c/o Lee Foerster, 100 APC Way, Columbus, Wisconsin 53925 for preliminary site plan approval to erect a 400,000 sq. ft. Light Manufacturing warehouse at property located at 100 Beaver Road in L.I. zone. JOHN HELLABY:I would remind everyone this application was presented at a December 13th Public Hearing where it was tabled at that time to allow for coordinate review of SEQR by other approving agencies, and I would also like to note this is an allowed use in the LI zone.
    [Show full text]
  • Karmin 6 Foot 7 Foot
    6 Foot 7 Foot Karmin Hey mr. tally man, tally me banana. Daylight come and we wan' go home. Day me say day me say day me say day-o. Daylight come and we wan' go home. Six-foot, seven-foot, eight-foot bunch Six-foot, seven-foot, eight-foot bunch Excuse my charisma, vodka with a spritzer Swagger down pat, call me Al Patricia Young Money militia, and I am the commissioner You don't want start Weezy, 'cause the F is for Finisher So misunderstood, but what's a World without enigma? Two chicas at the same time, synchronized swimmers Got the man twisted 'cause he open when you twist him Never met the guy, but I treat him like I missed him Life is the witch, and death is her sister Sleep is the cousin, what an awkward family picture You know father time, we all know mother nature It's all in the family, but I am of no relation No matter who's buying, I'm a celebration Black and white diamonds, forget segregation Screw that foo', my money up, you jiggas just Honey Nut Young Money running this and you jiggas just runner-ups I don't feel I done enough, so I'm a keep on doing this stuff Lil Tunechi or Young Tunafish Six-foot, seven-foot, eight-foot bunch Six-foot, seven-foot, eight-foot bunch Okay, I'm goin' back in Okay, yo stop playin, I do it like a king do If these jiggas animals, then I'm a have a mink soon.
    [Show full text]
  • 8123 Songs, 21 Days, 63.83 GB
    Page 1 of 247 Music 8123 songs, 21 days, 63.83 GB Name Artist The A Team Ed Sheeran A-List (Radio Edit) XMIXR Sisqo feat. Waka Flocka Flame A.D.I.D.A.S. (Clean Edit) Killer Mike ft Big Boi Aaroma (Bonus Version) Pru About A Girl The Academy Is... About The Money (Radio Edit) XMIXR T.I. feat. Young Thug About The Money (Remix) (Radio Edit) XMIXR T.I. feat. Young Thug, Lil Wayne & Jeezy About Us [Pop Edit] Brooke Hogan ft. Paul Wall Absolute Zero (Radio Edit) XMIXR Stone Sour Absolutely (Story Of A Girl) Ninedays Absolution Calling (Radio Edit) XMIXR Incubus Acapella Karmin Acapella Kelis Acapella (Radio Edit) XMIXR Karmin Accidentally in Love Counting Crows According To You (Top 40 Edit) Orianthi Act Right (Promo Only Clean Edit) Yo Gotti Feat. Young Jeezy & YG Act Right (Radio Edit) XMIXR Yo Gotti ft Jeezy & YG Actin Crazy (Radio Edit) XMIXR Action Bronson Actin' Up (Clean) Wale & Meek Mill f./French Montana Actin' Up (Radio Edit) XMIXR Wale & Meek Mill ft French Montana Action Man Hafdís Huld Addicted Ace Young Addicted Enrique Iglsias Addicted Saving abel Addicted Simple Plan Addicted To Bass Puretone Addicted To Pain (Radio Edit) XMIXR Alter Bridge Addicted To You (Radio Edit) XMIXR Avicii Addiction Ryan Leslie Feat. Cassie & Fabolous Music Page 2 of 247 Name Artist Addresses (Radio Edit) XMIXR T.I. Adore You (Radio Edit) XMIXR Miley Cyrus Adorn Miguel Adorn Miguel Adorn (Radio Edit) XMIXR Miguel Adorn (Remix) Miguel f./Wiz Khalifa Adorn (Remix) (Radio Edit) XMIXR Miguel ft Wiz Khalifa Adrenaline (Radio Edit) XMIXR Shinedown Adrienne Calling, The Adult Swim (Radio Edit) XMIXR DJ Spinking feat.
    [Show full text]
  • Youtube Report Draft V4
    MONDAY, JULY 16 YouTube & News A new kind of visual journalism FOR FUTHER INFORMATION: Tom Rosenstiel, Director, Pew Research Center’s Project for Excellence in Journalism Amy Mitchell, Deputy Director, Pew Research Center’s Project for Excellence in Journalism (202) 419-3650 1515 L St, N.W., Suite 700 Washington, D.C. 20036 www.journalism.org YouTube & News: A New Kind of Visual Journalism Introduction On March 11, 2011, an earthquake registering 9.0 on the Richter scale struck the coast of northeastern Japan, triggering a tsunami that would kill more than 18,000 people and leave an estimated $180 billion in damage. The news media worldwide provided extensive coverage of the disaster and its aftermath, but millions of people also turned to the web to learn about the event on the video sharing website YouTube. 1 In the seven days following the disaster (March 11-18), the 20 most viewed news-related videos on YouTube all focused on the tragedy—and were viewed more than 96 million times. What people saw in these videos also represented a new kind of visual journalism. Most of that footage was recorded by citizen eyewitnesses who found themselves caught in the tragedy. Some of that video was posted by the citizens themselves. Most of this citizen-footage, however, was posted by news organizations incorporating user-generated content into their news offerings. The most watched video of all was shot by what appeared to be fixed closed-circuit surveillance camera at the Sendai airport. Link: http://www.youtube.com/watch?v=-DSSssHxm4Y The disaster in Japan was hardly a unique case.
    [Show full text]
  • Parody and Pastiche
    Evaluating the Impact of Parody on the Exploitation of Copyright Works: An Empirical Study of Music Video Content on YouTube Parody and Pastiche. Study I. January 2013 Kris Erickson This is an independent report commissioned by the Intellectual Property Office (IPO) Intellectual Property Office is an operating name of the Patent Office © Crown copyright 2013 2013/22 Dr. Kris Erickson is Senior Lecturer in Media Regulation at the Centre ISBN: 978-1-908908-63-6 for Excellence in Media Practice, Bournemouth University Evaluating the impact of parody on the exploitation of copyright works: An empirical study of music (www.cemp.ac.uk). E-mail: [email protected] video content on YouTube Published by The Intellectual Property Office This is the first in a sequence of three reports on Parody & Pastiche, 8th January 2013 commissioned to evaluate policy options in the implementation of the Hargreaves Review of Intellectual Property & Growth (2011). This study 1 2 3 4 5 6 7 8 9 10 presents new empirical data about music video parodies on the online © Crown Copyright 2013 platform YouTube; Study II offers a comparative legal review of the law of parody in seven jurisdictions; Study III provides a summary of the You may re-use this information (excluding logos) free of charge in any format or medium, under the findings of Studies I & II, and analyses their relevance for copyright terms of the Open Government Licence. To view policy. this licence, visit http://www.nationalarchives.gov. uk/doc/open-government-licence/ or email: [email protected] The author is grateful for input from Dr.
    [Show full text]
  • "Authenticity" in Rap Music by Consumers."
    University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 5-2010 "Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers." James L. Wright UTK, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Critical and Cultural Studies Commons, Ethnomusicology Commons, Social Psychology and Interaction Commons, and the Sociology of Culture Commons Recommended Citation Wright, James L., ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers.". " PhD diss., University of Tennessee, 2010. https://trace.tennessee.edu/utk_graddiss/760 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by James L. Wright entitled ""Rapping About Authenticity": Exploring the Differences in Perceptions of "Authenticity" in Rap Music by Consumers."." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Sociology. Suzaanne B. Kurth, Major Professor We have read this dissertation and recommend its acceptance: Robert Emmet Jones; Hoan Bui; Debora Baldwin Accepted for the Council: Carolyn R. Hodges Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) To the Graduate Council: I am submitting herewith a dissertation written by James L.
    [Show full text]
  • Songs by Title
    16,341 (11-2020) (Title-Artist) Songs by Title 16,341 (11-2020) (Title-Artist) Title Artist Title Artist (I Wanna Be) Your Adams, Bryan (Medley) Little Ole Cuddy, Shawn Underwear Wine Drinker Me & (Medley) 70's Estefan, Gloria Welcome Home & 'Moment' (Part 3) Walk Right Back (Medley) Abba 2017 De Toppers, The (Medley) Maggie May Stewart, Rod (Medley) Are You Jackson, Alan & Hot Legs & Da Ya Washed In The Blood Think I'm Sexy & I'll Fly Away (Medley) Pure Love De Toppers, The (Medley) Beatles Darin, Bobby (Medley) Queen (Part De Toppers, The (Live Remix) 2) (Medley) Bohemian Queen (Medley) Rhythm Is Estefan, Gloria & Rhapsody & Killer Gonna Get You & 1- Miami Sound Queen & The March 2-3 Machine Of The Black Queen (Medley) Rick Astley De Toppers, The (Live) (Medley) Secrets Mud (Medley) Burning Survivor That You Keep & Cat Heart & Eye Of The Crept In & Tiger Feet Tiger (Down 3 (Medley) Stand By Wynette, Tammy Semitones) Your Man & D-I-V-O- (Medley) Charley English, Michael R-C-E Pride (Medley) Stars Stars On 45 (Medley) Elton John De Toppers, The Sisters (Andrews (Medley) Full Monty (Duets) Williams, Sisters) Robbie & Tom Jones (Medley) Tainted Pussycat Dolls (Medley) Generation Dalida Love + Where Did 78 (French) Our Love Go (Medley) George De Toppers, The (Medley) Teddy Bear Richard, Cliff Michael, Wham (Live) & Too Much (Medley) Give Me Benson, George (Medley) Trini Lopez De Toppers, The The Night & Never (Live) Give Up On A Good (Medley) We Love De Toppers, The Thing The 90 S (Medley) Gold & Only Spandau Ballet (Medley) Y.M.C.A.
    [Show full text]
  • Selling Or Selling Out?: an Exploration of Popular Music in Advertising
    Selling or Selling Out?: An Exploration of Popular Music in Advertising Kimberly Kim Submitted to the Department of Music of Amherst College in partial fulfillment of the requirements for the degree of Bachelor of Arts with honors. Faculty Advisor: Professor Jason Robinson Faculty Readers: Professor Jenny Kallick Professor Jeffers Engelhardt Professor Klara Moricz 05 May 2011 Table of Contents Acknowledgments............................................................................................................... ii Chapter 1 – Towards an Understanding of Popular Music and Advertising .......................1 Chapter 2 – “I’d Like to Buy the World a Coke”: The Integration of Popular Music and Advertising.........................................................................................................................14 Chapter 3 – Maybe Not So Genuine Draft: Licensing as Authentication..........................33 Chapter 4 – Selling Out: Repercussions of Product Endorsements...................................46 Chapter 5 – “Hold It Against Me”: The Evolution of the Music Videos ..........................56 Chapter 6 – Cultivating a New Cultural Product: Thoughts on the Future of Popular Music and Advertising.......................................................................................................66 Works Cited .......................................................................................................................70 i Acknowledgments There are numerous people that have provided me with invaluable
    [Show full text]