ANCHOR BAY BAND BOOSTER EXECUTIVE BOARD The Anchor Bay High School Instrumental Music Department Tom Stanton, President Chris Worton, Vice President - Fundraising proudly presents the Kathy Simpson, Vice President - Bingo

Holly Bennett, Treasurer Dean Larson, Student Accounts CONCERT BAND Lynnette O’Brien, Secretary CONCERT BAND Michael R. Sauer, Instrumental Music Director P. David Visnaw II, Instrumental Music Director and the

ANCHOR BAY HIGH SCHOOL ADMINISTRATION SYMPHONIC BAND

Ms. Judy Stefanac, Principal ininin a a Mr. Hank Anderson, Assistant Principal

Mr. Vic Balaj, Assistant Principal Mrs. Sherry Kenwood, Assistant Principal WINWINWINTERWIN TER CONCERT

UPCOMING INSTRUMENTAL MUSIC EVENTS

1/11/05 — Band Booster Meeting (7:00PM, ABHS Band Room)

1/25/05 — Jazz Ensemble Concert (7:30PM, ABHS)

2/17/05 - 2/18/05 — CMU Jazz Festival (Mt. Pleasant, MI) 2/22/05 — AB Pre-Festival Concert (TBA, ABHS) 3/4/05 or 3/5/05 — MSBOA District 16 Band Festival (TBA) Wednesday, December 8, 2004 4/13/05 — Band Booster Meeting (7:00PM, ABHS) 7:30 P.M. 5/12/05 — Band Booster Meeting (7:00PM. ABHS) Anchor Bay High School Auditorium 5/4/05 — Spring Instrumental Music Concert (7:30PM, ABHS) 5/5/05 — Spring Instrumental Music Concert (7:30PM, ABHS) 5/18/05 - 5/22/05 — Florida Trip! Michael R. Sauer, InstruInstrumentalmental Music Director 5/31/05 — Instrumental Music Banquet P. David Visnaw II, Instrumental Music Director PROGRAM SYMPHONIC BAND

CONCERT BAND PICCOLO BASS Jenna Hill Heather Green * Kristina Croes Allied Honor March...... …………...…………………....K. King Lauren Russell Amanda Davidson Amanda Shirey Elise Holderbaum FLUTE Jennifer Wilssens * Jeff Payne * Amanda April Karen Rosenbusch Nicole Becker Tim Steffens Jessica Briarton * Kristen Vennettilli The Lion of Lucerne...... …..………..….……...... J. Curnow Lindsay Hornibrook Laura Chirio Paul Williams * Jessica Krol Elizabeth Litchfield Carolyn Murray ALTO SAXOPHONE Apryl O'Leary Amy Bowron Paul Barnett Christmas Finale………………….…...……………..P. Jennings Nicole Saghy *+ Erica DeForest * Deanna Hines Amanda Schwager Jackie Heide Sandra Hromek + Amanda Trembley Jackie Piper Meghan Root * Nicole Vanderhoff Sarah Rudnick * Jessica Sims Stephanie White Lauren Saad Jarett Smith * Matt Wagner +

CLARINET TENOR SAXOPHONE SYMPHONIC BAND Vida Austin Amanda Borden Shaina Barry Rachel Olivares * Jonathon Holderbaum * The Gallant Seventh...... ….....J. P. Souse / arr. J. BoBoururgeoisgeois Emily Bergmann Maxwell Price * Jessica Keller Jacqueline Calvin Lisa Roland * Amy Demick Joey Spezia Krystyna Dzierzanowski BARITONE SAXOPHONE Michael Johnson II Ashana McPherson Paige Laemmerman Kevin Keck * Legends and Heroes………….…...………..……....P. LaPlante Catherine Mavis Dennis Simpson Jonathan Bryson Emma Orczykowski Josh Stros * Candice Forrest * I. Patrick on the Railway Sarah Plebanski * Sterling Hamilton Aaron Qualls Scott Kociemba * II. Sweet Betsy Jessica White TRUMPET III.III.III. Little DaviDavid,d, Play On! Lauren White * Mike Abele Elizabeth Wirick Brian Colbert PERCUSSION Ken Debus * Shawn Crowl Casey Fraley Sean Demers * Sleep………………………………………………..…..E. Whitacre ALTO CLARINET Andrew Karasinski Brian Duncan Gabrielle Duda Thaddeus Kulczycki * Scott Larson * Alaena Parsons Chris Roehr Mark Nagel Anthony Sabella Darcy O’Hearn Tyler Slasinski Nick Semaan Celtic Carol………………………………………..…...R. W. Smith Jeff Williams Kevin Therrian Mariel VanOverbeke

* Denotes Section Leader + Denotes East Shore Honors Band

Immediately following tonight’s concert, please joi n us in the cafeteria for an afterglow and a performance by the ABHS Jazz EnsEnsemble.emble. of of onductor, onductor, in and 1930 t only for his only his for t ing, Pennsylvania, ing, Pennsylvania, omposers of concert ofomposers The Stars and Stripes Theand Stars Stripes ng the holiday season as ng season as holiday the

resented one day before before resented one day Robert W. the 3", Volume Smith Robert he Seventh Regiment Band at RegimentSeventh Band at he s sfirstIts perform- section. nsembles throughout the United throughout United the nsembles innovative approachan s,new to nd in 1917 Mr. Sousain nd 1917 Mr. asked was en. en. long association with Warner long with association Bros. In addition, he has been awarded he awarded addition, hasIn been orking upcomingthe of on release ecade and developed a genuine and developed aecade genuine

, he ,re-established hishe famous band Naval Training Center to train young Naval trainTraining young Center to career, entered and hishe U.S. the room following a rehearsal which a roomrehearsal following which ion this setting throughout, particular of his life, he continued he hiscompose life, of to and to serve as serve of and to administratorthe has over 500 has over print publications in ne dollar perdollarne month. ith has performed throughout the ith throughout has the performed Curriculum. This comprehensive This Pre-Curriculum. great patriotism and loyalty to the togreat patriotism and loyalty the ed by hisby baton,ed ng as aasconductor ng popularguest or best-known concertworks band. forbest-known In he carol and and ends exciting carola with he very tion. The Celebration Begins with a mys- a with Begins tion. Celebration The continues to be ranked among Sousa’s finest continues Sousa’s among ranked finest be to George Washington George Bicentennial CELTIC CAROL was composed in 1922. It was written was 1922.forcomposed inwas It bandthe , ROGRAM NOTES ROGRAM ROGRAM NOTES ROGRAM NOTES ROGRAM SEVENTH THE GALLANT

PROGRAMP NOTES PP and its National theGuard, York c Infantry of New th The GallantThe Seventh in 1931. 1932,in In athe78, age of inthe was Read , “The March King,” born inknown no , King,” 1854, March born “The well was (b. 1958) is one most1958)the c is (b. of popular and prolific ” is a setting of the traditional melody known duri isa traditionalmelodythe setting known of ” birthday. The GallantThe Seventh th Celtic Carol ance presented was combined the by Band and t Sousa New York’s p performance The was famous hippodrome. Forever. who hadwho of a Sousapreviouslythe member Band’ been Sousa’s68 ever had, work conduct last the with appropriately, marches. marches. Sousa tocontinuedd marches write next the through servinghotelguestas died a he when conductor, in interest in school bands and in interestschoolin bandsmusic, servi school and in adjudicator America. He throughout wrote The Northern Pines the formedbattalion newly atbandLakes Great the the Regiment,Seventh 107 United States. United States. WorldWar UnitedThe became 1, involved in States a into commission a asnavy accept the alieutenant bandsmen. ageofthethehis fame at of62, At peak Navy, awith had insisted salary bethat he o would Uponinend at war the 1919 leaving of the Navy the marches, the ever them among writt of some greatest His march, greatmarches, and his alsobutgreat his band for and tothis began end time again the touring. From John Sousa Philip “ “What percussiontheIs sect Featuring ChildThis?” draws theIrishinto celebra a listenertraditional terioussolobased statement the lineon t on first conclusion. Robert W. Smith band andorchestralHe America today. in literature thewith composed and througharrangedmajority his Sm Publications.andclinician,conductor Mr. a As United EuropeJapan, andCanada, States, Australia. numerousandfromschool professionalcommissions e States,iscurrently and Canada,Korea. w He Europe "Symphony #2 SymphonicThe Odyssey): of(The Music thirdcompactinhis series of recordings of disc a addition, isco-creatorExpressions the he of Music K through music includes 12 Band Expression program teaching musicband. the through

to to ay on on ay appeared appeared Drums suggest suggest Drums e, Switzerland by e,by Switzerland n, both physically n,

served in the famous sculpture famous the sculpture served in

ater, conductor for many years of ater,of conductor years many for esty - The SculptureThe esty - 1 (measures , is a tone poem inmove- poem, ais three tone rds was organized to protect King to organized was rds King protect s civilthelater during war. rk hard; middlewas section of the all themes are used arethe through all themes

palace in Parispalace in from an attack by ections. The composerThe op- had the ections. ould only ouldfindmenial only jobs com- as mes Marching Home,” composed by mes Marchingcomposed by Home,” Guard or Switzers) was picked to picked was Switzers) or Guard to e Revolution, French of most the g the way. The setting is a brief g settingThe way. isathe brief ago. g, never ending job of laying g, the ending job of never 1986. He was sowas mag- Hetaken 1986. this with oyhood dream that most men only mostoyhooddream men only that tions published at the age of 17. He age ofthe published at He tions 17. o join the circus! obecame join hea the There Legends and Heroes. ture of some of some episodes. I these of ture re- the inscription, “to the Fidelity and inscription, Fidelity the “to the confident. ieldbattle-cautious, of yet In h a single stone from his trusty sling, stone from single hish sling, trusty a s. It told of Sweet Betsys.Sweet andherof It hus- told sures51); to Leben 36 and 3) Unser n. n. of American bands, a human being bands,being humanAmerican of a (1858). It was popular with It the popular with (1858).was who “49ers” Pierre LaPlante ALLIED HONOR ALLIED . Then song originated in thein originated refers Then songand 1840s, it . . The African American spiritual, Pl . American David African The “Little THE LION OF THE LUCERNE OF LION

ROGRAM NOTES ROGRAM NOTES ROGRAM HEROES LEGENDS AND PROGRAMP NOTES PP . “Sweet Betsy fromcomposedsong. ais “Sweet that Pike,”

, by composer composer by , Pat’s Golden Songster Pat’s ,” which was carved in the face of a rock in Lucern carved inofwas ,” in which faceathe rock Little David, Play On David,Little Play Sweet Betsy was a quiet, warm and gracious man….a giant ofma quiet, aman….a and a graciouswarm was giant Patrick on Railway the Patrick Lion Lucerne Of IngroupSwiss 1400’s, the soldiersof a 250 (Swiss guardpope.1616, Swissgroup In another Gua of the Louis of 1792, 10, thXIII On France. August during Swisskilled Guards defending royal while the were angry mob. therememory The Swiss of Guardspre was “ discriminationthe faced Immigrants who and c Irish elsemon laborers, would wo do. orThe one no work thesuggestto setting intendedis back-breakin the track.to similar “When tune The Johnnyvery is Co year thetwenty Gilmore, famous bandmaster, Patrick Movement II. incollection calleda Karl L. King Legends Heroes and ments: Movement I. hadset Californiagoldthe for during rushout day bandandand all their troubles adventures Ike alon group paintmusicalof to a variations intendedpic call school years song many learning grade in this andspiritually; in great a evolution man the truly him.loved knew lived all by L.who Karl b King the experienced t literally fantasy.as Heaway did run virtuoso composibaritone player, and had his first onwent circus bandmastera toand, l famous become the Municipal Fort Iowa renowned Band. Dodge, the sculptor, bearsDanish BertelIt Thorvaldsen. Courage of Helvetians.” the There usedaremain throughout: Maj themes three 1) Swissto Guardof 9,2)25); (mea the to Spirit19, (Life’sJourney) 81-100).Fragments(measures from piece s and modulation, development in transitions, portunityseeingsculpture ofsummer inof the the behindnificentcreatiostory andthesculpture its Movement III. theLittleas impending struggleDavid f the enters short order,days Goliath’sDavid ends fighting wit andandsing. all rejoice Your Harp,” Your final basis isthefor movement of the

are appropriate are appropriate formance. The The formance. d with some type of dtype some of with d traffic. If you do do traffic.If youd

etc. bouncinglegs, your rformances. If your rformances.If your stracting to the performer, but performer,but tostracting the about are audienceabout during ap- aud after all movements are aud after all movements are Many come a with soft Many wax- nce as they perform nce they as and attend ound you is talking, ask them them istalking, oundask you es set hourbeepshouldthe ones to r their performance, the students performance, students the r their other members of the audience. audience. the ofother members ted by little things that may seem thingsthat may little by ted seem ons will help audience members ons will help members audience istracting to the performers and to performersthe istracting and ion, performers and the audience audience and theion, performers it until the performance on stage has itperformance untilhas stage the on distracting. Pictures should distracting. be to flow from one movement to the from one movement flow to to the a performance, it may be best that mayperformance, best it be athat

in the concert setting.in concert the rude to talk (even whispering can be whisperingto can be talk rude (even e (not just a movement) movement) isfinished,just ae then (not

- Never enter or exit the auditorium during a the a enterauditorium during or exit - Never

ONCERT ETIQUITTE ETIQUITTE ONCERT ONCERT

CONCERT ETIQUITTE CONCERT C CC - Performers butapplause, appreciatealways there - Refrain from taking any a- photographs Refrainduring per from - Avoid rustling your program, rustling foot, - Avoid tapping your - Leave early and allow enough and allow time-early parking Leave an for It is hard to Itaavoidcough. is hard spontaneousto prepare Be

- Talking shouldnotTalking onlytolerated. is not be di It

- Children need exposure to good musicandliveexposure good - pe needto Children - taken after the performance. taken performance. after the Children middleyoungofinget begins child tothe restless theyou calmerexit prevail. auditorium until times Byandconsideratof following respect basic edicts willpleasurable a and meaningful morehave experie live hard so fohave concerts.Because worked they withonbedeserve respect. stageto treated A performer'sintense interrupcanconcentration be momentsapplaud.a appl work, to Inmulti-movement theclickare flashofcameraandespecially very a trivial suggestiaudience to followingThe members. showstage on well as performers as the respect to Thisdohelp their performers the best. to will When Applaud To completed. continuitythe allows of This piece the heard)duringperformance.musical Ifaar someone nicelystop. to please Other Noises WatchPagersshould and becell off. phones turned cough orcellophane dropsAvoid candies. wrappers. paper noisy. less much that will be wrapping Taking Pictures next. “Hootingnext. appropriateis not and hollering” plause set changes. or Talking to inperson isjustevery plainaudience. Itthe alsobeeps be high-pitched off. d These are turned audience members. Coughing Time Arrival arrive late,doors the by wait piec until first the discreetlyavailable. take nearest seat the Entering Auditorium Exiting the and performance.or mustplease wa Ifexit, enter you beencompleted.appropriate move mostThe to times

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TUBA en the classi- the en David Cuff David Cuff Sam Fisher Sam Fisher Sam Munro Allie Dettloff Allie Dettloff Nova Jumer Nova Jumer Leon Calvert Leon Calvert Katie Snyder Katie Snyder TROMBONE April Mackay EUPHONIUM Kevin Harless Chris Valliere Heather Eliasz Justin Gazdick Wagner Chris PERCUSSION Stephen WilberStephen Brandon Kasper Max Nestorowich Max Kevin Gawronski is one of the bright is bright the one of

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his first instrumental his firstwork

low Internationallow Composition issioned and published, Whitarce issioned andpublished, th a magnificent original poem by thmagnificentpoem aby original tial criticalandtial popularacclaim. Eric Whitacre throughout the world. Eric received throughout world. the Eric received by the United Band Marine the by States overdifferent 20 recordings. Eric ion, the Americanion, the Fo- Composers Dan Clark Dan Clark Jon Poole it has received thousandsofit perform- has received TRUMPET Paul WhitePaul e composer, ein- is frequently and he Melissa Koyl Music, where he studied composition composition Music,studied he where and warm harmonies seemed to call harmonies call seemedand warm to TENOR SAX TENOR mmy nomination. Ghost Ghost Train, d I thought it might make a gorgeous itthoughtdmake gorgeous mightI a Jennifer Londo JenniferLondo Jessica WilsonJessica Lauren Reintjes Lauren Reintjes Michelle WortonMichelle Joseph Behrens FRENCH HORN FRENCH BARITONE SAX BARITONE Elizabeth Fraley

Brandon Schlacht can be performed as a work for band, or aas for or work canperformed band, be Carrianne Curnutt Stephanie Johnston

Sleep *

SLEEP *

ROGRAM NOTES ROGRAM ROGRAM NOTES ROGRAM NOTES ROGRAM BAND BAND CONCERT CONCERT CONCERT BAND BAND CONCERT CONCERT PROGRAMP NOTES PP Liz Wilkins Liz Jacqui Self ALTO SAX ALTO CLARINET Chad Mazei Chad Mazei Edward Pohl Edward Lauren Hawk Kristen Puzio Courtney April Courtney April Jackie Drugan Jackie Drugan Jennifer Heide Michelle Heike Gregory Brohl Ryan Ryan Matthews Jessica Rustoni Jessica Rustoni a wild piecetheatricalwild symphony, wind a for has tak Vanessa Gibson Vanessa Gibson Krysta Buzynski Gina Mastronardi Gina Mastronardi

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FLUTE began its life as an a cappella its alife began setting,an choral as wi Amy Shima Amy Shima Gillian Allan Blair Lacelle Marjorie WaltMarjorie Dayna Keuhn Marie BucknerMarie Katherine Rick Crystal Barker Jennifer Hoover Jennifer Hoover Stefanie Rowley Rebecca Schehr Margaret Margaret Gnesda Crystal Belemonti BASS CLARINET BASS odzilla EatsLas Vegas, starsmusic.contemporary in concert comm Regularly has composition awards received from BarASCAP, the Competition, Americanthe Choral Directors Associat rum,honored spring hisand this with firstwas Gra WhitacreBorn 1970,already in achievedsubstan has G calstorm most and was performed by world recently on Presidents(The of stepsthe Own) Capitol. the written atisa23, age genuineofthe phenomenon; ances and hasovercountries in been50 onfeatured residesinhefull Los works tim Angeles awhere as vitedbandsby conductorbe guest to and choruses a inhis composition from Julliardthe of School M.M. John with Corigliano. bandand mixed chorus. An accomplished and clinician,composer, conductor Sleep Charles chorale-like Silverstri.Anthony nature The outsound simplewinds,the of and for plaintive an addition repertoire.to symphony wind the