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WDR 3 Jazz & World, 09. März 2018 Kantable Tastenklänge Der Pianist Bobo Stenson 22:04-24:00 Stand: 05.03.2018 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de Moderation: Bert Noglik Redaktion: Bernd Hoffmann Laufplan 09.03.18 1. Contra la indecisión K: Silvio Rodríguez 4:09 BOBO STENSON TRIO ECM Records 2582; LC: 02516 CD: Contra la indecisión 2. Wedding Song From K: Béla Bartók 7:57 Poniky Wie Titel 1 BOBO STENSON TRIO 3. Hasta Siempre K: Carlos Puebla 8:10 JAN GARBAREK - BOBO Wie Titel 2 STENSON QUARTET 4. Race Face K: Ornette Coleman 4:22 DON CHERRY / ECM Records, LC: 02516 LENNARD ÅBERG / CD: Dona Nostra BOBO STENSON 5. Eyes Of Love K: Charles Lloyd 8:32 CHARLES LLOYD ECM Records; LC: 02516 QUARTET CD: Fish Out Of Water 6. The Enlightener K: Bobo Stenson 6:48 BOBO STENSON TRIO ECM Records; LC: 02516 CD: Reflections 7. Golden Rain K: Bobo Stenson 5:12 BOBO STENSON TRIO ECM Records; LC: 02516 CD: Serenity 8. Der Pflaumenbaum K: Hanns Eisler 4:31 BOBO STENSON TRIO Wie Titel 7 9. El Mayor K: Silvio Rodríguez 5:23 BOBO STENSON TRIO Wie Titel 7 Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 1 WDR 3 Jazz & World, 09. März 2018 Kantable Tastenklänge Der Pianist Bobo Stenson 22:04-24:00 Stand: 05.03.2018 E-Mail: [email protected] WDR JazzRadio: http://jazz.wdr.de 10. Goodbye K: Gordon Jenkins 6:35 BOBO STENSON / ECM Records; LC: 02516 ANDERS JORMIN / PAUL CD: Goodbye MOTIAN 11. Music For A While K: Henry Purcell 5:13 BOBO STENSON / Wie Titel 10 ANDERS JORMIN / PAUL MOTIAN 12. Race Face K: Ornette Coleman 4:39 BOBO STENSON / ECM Records; LC: 02516 ANDERS JORMIN / PAUL Wie Titel 10 MOTIAN 13. Don's Kora Song K: Don Cherry 5:07 BOBO STENSON TRIO ECM Records; LC: 02516 CD: Cantando 14. Ermutigung K: Wolf Biermann 5:02 BOBO STENSON TRIO ECM Records; LC: 02516 CD: Indicum 15. La peregrinación K: Ariel Ramirez 8:21 BOBO STENSON TRIO Wie Titel 14 16. OThree Shades Of A K.: Bobo Stenson 7:05 House Wie Titel 1 BOBO STENSON TRIO Dieses Manuskript ist ausschließlich zum persönlichen, privaten Gebrauch bestimmt. Jede weitere Vervielfältigung und Verbreitung bedarf der ausdrücklichen Genehmigung des WDR. 2 .

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Bobo Stenson Trio Cantando
ECM Bobo Stenson Trio Cantando Bobo Stenson: piano; Anders Jormin:double-bass; Jon Fält: drums ECM 2023 CD 6025 177 5462 (1) Release: August 2008 “Cantando”, from the Spanish word for “singing”, is the title of a characteristically far- ranging programme by the resourceful Bobo Stenson Trio. Alongside group improvisation and new compositions (including two tunes by bassist Anders Jormin), the Swedish trio play “Love, I’ve Found You”, a standard which Stenson has loved in both Miles Davis and Wynton Kelly versions, back to back with the 1907 “Liebesode” of Alban Berg. Unexpected juxtapositions belong to this group’s methodology: on the “Serenity” album of 1999, Stenson already performed “Die Nachtigall, also from Berg’s “Sieben frühe Lieder” cycle. The trio play, twice, “Song of Ruth” by Czech composer Petr Eben, who died just a few weeks before this session. A piece originally scored for soprano and organ, it is transformed here. Astor Piazzolla’s intensely expressive tango “Chiqulin de Bachin”, dances at a sultry slow pace. Also from the Latin American corner: the supple “Olivia”, by Cuban songwriter and folk/protest singer Silvio Rodriguez, another Stenson Trio favourite. The lilting “Don’s Kora Song” is a tune Bobo often played during his long association with the late Don Cherry: “Don had a real affinity for West African music and was strongly inspired by it. When we travelled, there would often be tapes of music from Mali playing in the bus: the sound of that has been in my ears for years.” Cherry also used to tip Stenson off to rarer Ornette Coleman tunes, but the uncommon “A Fixed Goal” reached the pianist by another route.
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Discourses of Decay and Purity in a Globalised Jazz World
1 Chapter Seven Cold Commodities: Discourses of Decay and Purity in a Globalised Jazz World Haftor Medbøe Since gaining prominence in public consciousness as a distinct genre in early 20th Century USA, jazz has become a music of global reach (Atkins, 2003). Coinciding with emerging mass dissemination technologies of the period, jazz spread throughout Europe and beyond via gramophone recordings, radio broadcasts and the Hollywood film industry. America’s involvement in the two World Wars, and the subsequent $13 billion Marshall Plan to rebuild Europe as a unified, and US friendly, trading zone further reinforced the proliferation of the new genre (McGregor, 2016; Paterson et al., 2013). The imposition of US trade and cultural products posed formidable challenges to the European identities, rooted as they were in 18th-Century national romanticism. Commercialised cultural representations of the ‘American dream’ captured the imaginations of Europe’s youth and represented a welcome antidote to post-war austerity. This chapter seeks to problematise the historiography and contemporary representations of jazz in the Nordic region, with particular focus on the production and reception of jazz from Norway. Accepted histories of jazz in Europe point to a period of adulatory imitation of American masters, leading to one of cultural awakening in which jazz was reimagined through a localised lens, and given a ‘national voice’. Evidence of this process of acculturation and reimagining is arguably nowhere more evident than in the canon of what has come to be received as the Nordic tone. In the early 1970s, a group of Norwegian musicians, including saxophonist Jan Garbarek (b.1947), guitarist Terje Rypdal (b.1947), bassist Arild Andersen (b.1945), drummer Jon Christensen (b.1943) and others, abstracted more literal jazz inflected reinterpretations of Scandinavian folk songs by Nordic forebears including pianist Jan Johansson (1931-1968), saxophonist Lars Gullin (1928-1976) bassist Georg Riedel (b.1934) (McEachrane 2014, pp.
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The Singing Guitar
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Earshot Jazz Festival in November, P 4
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Jan Garbarek Sart Mp3, Flac, Wma
Jan Garbarek Sart mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Sart Country: Germany Style: Free Jazz, Contemporary Jazz MP3 version RAR size: 1972 mb FLAC version RAR size: 1343 mb WMA version RAR size: 1695 mb Rating: 4.1 Votes: 106 Other Formats: VQF AIFF AA DMF ASF AAC MP4 Tracklist Hide Credits Sart 1 14:45 Written-By – Jan Garbarek Fountain Of Tears - Part I And II 2 6:03 Written-By – Jan Garbarek Song Of Space 3 9:39 Written-By – Jan Garbarek Close Enough For Jazz 4 1:59 Written-By – Arild Andersen Irr 5 7:15 Written-By – Jan Garbarek Lontano 6 2:12 Written-By – Terje Rypdal Companies, etc. Recorded At – Arne Bendiksen Studio Made By – EDC, Germany – 50969990 Credits Design [Cover Design] – B. & B. Wojirsch* Double Bass – Arild Andersen Engineer – Jan Erik Kongshaug Guitar – Terje Rypdal Percussion – Jon Christensen Photography By [Back Cover] – Björn A. Fossum Piano, Electric Piano – Bobo Stenson Producer – Manfred Eicher Tenor Saxophone, Saxophone [Bass], Flute – Jan Garbarek Notes This album was recorded on April 14 and 15, 1971, at the Arne Bendiksen Studio, Oslo. "ECM" typed in blue letters on disk Barcode and Other Identifiers Barcode: 0 42283 93052 0 Matrix / Runout (Variant 1): 00422 839 305-2 03 * 50969990 Matrix / Runout (Variant 2): 00422 839 305-2 02 * 50969990 Mastering SID Code: IFPO LV26 Other (Mould Text On Outer Ring): (As Logo): UNIVERSAL Other (Mould Text On Inner Ring): MADE IN GERMANY BY EDC Rights Society: GEMA SPARS Code: AAD Label Code: LC 2516 Other versions Category Artist Title (Format)
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BOBO STENSON TRIO [email protected] & HERMES ENSEMBLE T +32 (0)3 248 28 28 F +32 (0)3 248 28 00 OLV
2010-2011 architectuur theater dans muziek 2010-2011 blauwe zaal grote podia deSingel Desguinlei 25 / B-2018 Antwerpen ma vr 10 19 uur / za 16 19 uur BOBO STENSON TRIO www.desingel.be [email protected] & HERMES ENSEMBLE T +32 (0)3 248 28 28 F +32 (0)3 248 28 00 OLV. KOEN KESSELS WO 10 NOV 2010 deSingel is een kunstinstelling van de Vlaamse Gemeenschap en geniet de steun van hoofdsponsor mediasponsors 2010-2011 JAZZ @ NEW MUSIC FOLLOW THE SOUND 2010 MATT DARRIAU’S PARADOX TRIO BOURNE-KANE-DAVIS & GUESTS WO 13 OKT 2010 COURTOIS-DEFOORT-WIERBOS ERNST GLERUM ‘EX MACHINA’ DÖRNER-SCHRÖDER-THOMAS-STEIDLE DO 14 OKT 2010 JACQUES COURSIL QUARTET SIDSEL ENDRESEN & HAKON KOMSTAD HUNTSVILLE & XAVIER CHARLES VR 15 OKT 2010 TONY OXLEY B3B MEETS GUY-GUSTAFSSON-STRID GERRY HEMINGWAY ZA 16 OKT 2010 BOBO STENSON TRIO & HERMES ENSEMBLE OLV. KOEN KESSELS WO 10 NOV 2010 DAVID LIEBMAN GROUP VR 3 DEC 2010 VIJAY IYER & HERMES ENSEMBLE & E-XXI OLV. STEVEN VERHAERT WO 16 FEB 2011 inleiding Kevin Voets / 19.15 uur / blauwe foyer begin 20.00 uur pauze omstreeks 20.40 uur einde omstreeks 21.50 uur teksten programmaboekje Kevin Voets coördinatie programmaboekje deSingel & Diederik Verstraete BOBO STENSON TRIO BOBO STENSON piano ANDERS JORMIN contrabas JON FÄLT drums HERMES ENSEMBLE KOEN KESSELS muzikale leiding ANDERS JORMIN (°1957) Scores of Winterlight (2007, herwerkt in 2010) Winter Solstice Frozen Branches Bombycilla Garrulus Melting Snow pauze BOBO STENSON TRIO Jazz Set onder meer composities van Silvio Rodrigues, Carl Nielsen, Omette Coleman en Anders Jorin gelieve uw GSM uit te schakelen HANS ABRAHAMSEN (°1952) Schnee (2006) Canon 1a De inleidingen kan u achteraf beluisteren via www.desingel.be Canon 1b Selecteer hiervoor voorstelling/concert/tentoonstelling van uw keuze.
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Nyckeln Till Den Positiva Spiralen En Studie Av Musikers Syn På Sitt Övande
EXAMENSARBETE Hösterminen 2007 Lärarutbildningen i musik Johannes Nästesjö Nyckeln till den positiva Spiralen En studie av musikers syn på sitt övande Handledare: Eva Sæther The key to the positive spiral A study of musicians views of their practicing Abstract The purpose with this paper is to make clear how continuous practicing on one element affects not just the specific part but also other things. Is it possible to find a positive spiral where everything can be better if you focus your practicing on one thing? Can this element if it is done daily in a qualitative way transform to a key which will help you to unlock the door to the positive spiral? Are there more keys to find? I am going to reflect my ideas in this paper through a philosophical, psychological and the brain sciences perspective. Quality in action is going to be compared with the quality that you need to set a successful goal, and to reach the state of mind called flow you will need both these qualities. Six informants who are all musicians but from partially different culturally backgrounds and guarantied different musically backgrounds are interviewed. All the informants agreed that ideas develop from consistent practicing. Consistent practicing, concentration and purposefulness are some of the keys with which the informants find the positive spiral. It requires a balance in practicing between fixed goals that are both short-termed and long-termed. To achieve maximum qualitative effect it also requires openness in your concentration while you are practicing. This openness can lead you to spontaneous “ecological discovery’s” in the moment.
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CHARLES LLOYD Biography
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Baloji Le Nouveau Négropolitain
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Don Cherry. El hermano gemelo Javier de Cambra El Urogallo, nº103, diciembre 1994, ps. 57-60 Fue el pianista John Lewis quien otorgó a Ornette Coleman y Don Cherry el muy alto título de hermanos gemelos y ellos mismos así se reconocieron — Twins— en una recopilación de sus trabajos discográficos. Si el jazz registra una sucesión de encuentros, de entendimientos, de la hermandad de soul brothers, de dar en el momento preciso con la compañía precisa, nunca hasta la irrupción de Coleman y Cherry se pudo pensar en los gemelos. En el estadillo del jazz libertario que provocaron no importaba cuán lejos pudiera ir el uno, pues el otro estaba allí esperándolo (como cada uno a sí mismo, como el gemelo al otro lado del espejo). Desde la lejana fecha de 1957 hasta hoy mismo, Coleman y Cherry, aun habiendo desarrollado cada uno su personalísima carrera, han mantenido la unidad en la música que juntos practican. Nadie pensaría en otro trompetista para flanquear a Ornette, ni siquiera él mismo cuando empuña la trompeta, desde luego, y si Cherry ha estado en tan buenas compañías, nunca dejaremos de buscarle junto a Coleman. El trompetista que ha abrazado todos los instrumentos y todas las culturas musicales ha reconocido siempre en Ornette a su gurú y en el instante en que tocan juntos, los gemelos vuelven a nacer. Gemelos musicales, aclarémoslo ya, pues en el trato personal se parecen tanto como Henry Ford, el de los coches, y su hermano Roque, el de los quesos. Ornette es un hombre esquivo, que no disimula su absoluta desconfianza hacia quien se le acerca y que en cuatro días de convivencia en Reggio Emilia huye de los críticos (esos aficionados de tanta obstinación que a su ojos parecen sólo hombres blancos) como de su peor enemigo.
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