Ultimate Funk Grooves for Bb Instruments by Ben Tompsett
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Radio 2 Paradeplaat Last Change Artiest: Titel: 1977 1 Elvis Presley
Radio 2 Paradeplaat last change artiest: titel: 1977 1 Elvis Presley Moody Blue 10 2 David Dundas Jeans On 15 3 Chicago Wishing You Were Here 13 4 Julie Covington Don't Cry For Me Argentina 1 5 Abba Knowing Me Knowing You 2 6 Gerard Lenorman Voici Les Cles 51 7 Mary MacGregor Torn Between Two Lovers 11 8 Rockaway Boulevard Boogie Man 10 9 Gary Glitter It Takes All Night Long 19 10 Paul Nicholas If You Were The Only Girl In The World 51 11 Racing Cars They Shoot Horses Don't they 21 12 Mr. Big Romeo 24 13 Dream Express A Million In 1,2,3, 51 14 Stevie Wonder Sir Duke 19 15 Champagne Oh Me Oh My Goodbye 2 16 10CC Good Morning Judge 12 17 Glen Campbell Southern Nights 15 18 Andrew Gold Lonely Boy 28 43 Carly Simon Nobody Does It Better 51 44 Patsy Gallant From New York to L.A. 15 45 Frankie Miller Be Good To Yourself 51 46 Mistral Jamie 7 47 Steve Miller Band Swingtown 51 48 Sheila & Black Devotion Singin' In the Rain 4 49 Jonathan Richman & The Modern Lovers Egyptian Reggae 2 1978 11 Chaplin Band Let's Have A Party 19 1979 47 Paul McCartney Wonderful Christmas time 16 1984 24 Fox the Fox Precious little diamond 11 52 Stevie Wonder Don't drive drunk 20 1993 24 Stef Bos & Johannes Kerkorrel Awuwa 51 25 Michael Jackson Will you be there 3 26 The Jungle Book Groove The Jungle Book Groove 51 27 Juan Luis Guerra Frio, frio 51 28 Bis Angeline 51 31 Gloria Estefan Mi tierra 27 32 Mariah Carey Dreamlover 9 33 Willeke Alberti Het wijnfeest 24 34 Gordon t Is zo weer voorbij 15 35 Oleta Adams Window of hope 13 36 BZN Desanya 15 37 Aretha Franklin Like -
Mose Davis Public Relations Information
Mose Davis Public Relations Information “My name is Mose…and you can call me Mose” – Mose Davis That quote from Mose Davis can be heard on Hamilton Bohannon’s hit record “Let’s Start the Dance”. The tune is a smoking-hot club classic. And the quote cuts through the clutter and camouflage of funk wannabes, to reveal a pure fact – Mose is Mose. Before Stevie Wonder, before Bernie Worrell, there was Mose Davis pushing the frontiers of funk with his use of the organ as the source of the bass line, during the late 1960’s. And if imitation is the highest form of flattery, then Mose Davis has been flattered by the best. And some of the biggest names in hip-hop have sampled a sip of Mose’s musical brew, including Snoop, Mary J. Blige and Queen Latifah. Classically trained at the Detroit Conservatory of Music, Mose Davis is an exceptional jazz artist and prominent fixture on the Atlanta music scene. Davis identifies jazz greats, Jimmy Smith and Ahmad Jamal among his musical influences. Davis performs with top acts across the country and internationally. Mose Davis has performed with Candi Staton, The Isley Brothers, Marlena Shaw, David Ruffin, Ray Parker, Jr., The Counts, Funkadelics and Carl Anderson. His festival appearances include The Atlanta Jazz Festival (with the Atlanta Symphony Orchestra), The Macon Jazz Festival and the internationally renowned Spoleto Festival. And now comes the new CD, “Sunshine”. “It’s a mix of jazz – the rough and the smooth – blended with some Latin and rock influences,” Davis says. -
Hype Funk Score Avg. Hype Funk Score Funk Score Avg Funk Score Combined Funk 1 Flashlight
Barely Somewhat Extra Hella Response Hype Funk Avg. Hype Avg Funk Combined # answer options No Funky Funky Funky Funky Funky Da Bomb Count Score Funk Score Funk Score Score Funk 1 Flashlight - Parliament 0 0 0 2 0 5 14 21 108.00 5.14 136.00 6.48 11.62 Give Up The Funk (Tear the Roof Off the 2 Sucker) - Parliament 0 0 0 0 2 6 12 20 102.00 5.10 130.00 6.50 11.60 3 One Nation Under A Groove - Funcakelic 0 1 0 0 2 2 13 18 92.00 5.11 115.00 6.39 11.50 4 Atomic Dog - George Clinton 0 0 0 1 4 5 15 25 124.00 4.96 159.00 6.36 11.32 More Bounce To The Ounce - Zapp & 5 Roger 0 0 0 2 0 5 9 16 78.00 4.88 101.00 6.31 11.19 6 (Not Just) Knee Deep - Funkadelic 0 0 0 0 5 6 12 23 111.00 4.83 145.00 6.30 11.13 7 Mothership Connection - Parliament 0 0 0 0 3 6 8 17 81.00 4.76 107.00 6.29 11.06 8 Payback - James Brown 0 0 1 1 4 0 10 16 75.00 4.69 97.00 6.06 10.75 Get the Funk Out Ma Face - The Brothers 9 Johnson 0 0 0 1 4 4 8 17 78.00 4.59 104.00 6.12 10.71 10 Slide - Slave 0 0 0 1 1 6 5 13 59.00 4.54 80.00 6.15 10.69 11 Super Freak - Rick James 0 0 1 3 1 3 8 16 70.00 4.38 94.00 5.88 10.25 12 Pass the Peas - Fred Wesley and the JBs 0 0 1 1 2 2 5 11 47.00 4.27 64.00 5.82 10.09 13 The Jam - Graham Central Station 0 0 1 2 0 3 5 11 47.00 4.27 64.00 5.82 10.09 14 Jamaica Funk - Tom Browne 0 0 1 2 2 4 6 15 63.00 4.20 87.00 5.80 10.00 15 Fire - Ohio Players 0 0 0 2 7 3 7 19 79.00 4.16 110.00 5.79 9.95 16 Maggot Brain - Funkadelic 0 0 1 1 3 3 5 13 54.00 4.15 75.00 5.77 9.92 17 Dr. -
Negrocity: an Interview with Greg Tate
City University of New York (CUNY) CUNY Academic Works Publications and Research New York City College of Technology 2012 Negrocity: An Interview with Greg Tate Camille Goodison CUNY New York City College of Technology How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/ny_pubs/731 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] NEGROCITY An Interview with Greg Tate* by Camille Goodison As a cultural critic and founder of Burnt Sugar The Arkestra Chamber, Greg Tate has published his writings on art and culture in the New York Times, Village Voice, Rolling Stone, and Jazz Times. All Ya Needs That Negrocity is Burnt Sugar's twelfth album since their debut in 1999. Tate shared his thoughts on jazz, afro-futurism, and James Brown. GOODISON: Tell me about your life before you came to New York. TATE: I was born in Dayton, Ohio, and we moved to DC when I was about twelve, so that would have been about 1971, 1972, and that was about the same time I really got interested in music, collecting music, really interested in collecting jazz and rock, and reading music criticism too. It kinda all happened at the same time. I had a subscription to Rolling Stone. I was really into Miles Davis. He was like my god in the 1970s. Miles, George Clinton, Sun Ra, and locally we had a serious kind of band scene going on. -
Defunkt Cum Funky Mp3, Flac, Wma
Defunkt Cum Funky mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Cum Funky Country: Germany Released: 1994 Style: Soul, Funk MP3 version RAR size: 1747 mb FLAC version RAR size: 1769 mb WMA version RAR size: 1586 mb Rating: 4.3 Votes: 813 Other Formats: MOD MP4 RA ADX AUD WAV AAC Tracklist Hide Credits See Through 1 4:15 Written-By – J. Bowie*, K. Smith* It's On My Mind 2 4:11 Written-By – K. Bents* Knuckle Sandwich 3 4:06 Written-By – J. Bowie*, K. Smith* Without Justice 4 4:50 Written-By – Defunkt, K. Smith* Happy 5 3:32 Written-By – O. G. Warner* Cum Funky 6 3:43 Written-By – Defunkt, K. Smith* Dogon A.D. 7 4:23 Written-By – J. Bowie* When You Were Mine 8 4:59 Written-By – O. G. Warner* Sneakin' 9 3:46 Written-By – R. Lampese* Runaway 10 5:00 Written-By – J. Bowie*, K. Smith* Bonus Tracks Knuckle Sandwich (Dub Remix) 11 3:52 Engineer [Remix at Unique] – Kevin Thomas See Through (Dub Remix) 12 3:49 Engineer [Remix at Unique] – Kevin Thomas Strangling Me With Your Love (Live) 13 6:51 Recorded By [Live at Hengelo] – Barney Broomer, Reinier Rietwveld* Knuckle Sandwich (Live Trance) 14 20:23 Recorded By [Live at Hengelo] – Barney Broomer, Reinier Rietwveld* Companies, etc. Phonographic Copyright (p) – ENEMY Productions Inc. Copyright (c) – ENEMY Productions Inc. Manufactured By – Sonopress – I-1938 Recorded At – Skyline Studios Recorded At – East Hill Studios Mixed At – East Hill Studios Mixed At – Snakedown Studios Mastered At – Absolute Audio, N.Y.C. -
Of Music. •,..,....SPECIAUSTS • RECORDED MUSIC • PAGE 10 the PENNY PITCH
BULK ,RATE U.S. POSTAGE PAID Permit N•. 24l9 K.C.,M •• and hoI loodl ,hoI fun! hoI mU9;cl PAGE 3 ,set. Warren tells us he's "letting it blow over, absorbing a lot" and trying to ma triculate. Warren also told PITCH sources that he is overwhelmed by the life of William Allan White, a journalist who never graduated from KU' and hobnobbed with Presidents. THE PENNY PITCH ENCOURAGES READERS TO CON Dear Charles, TR IBUTE--LETTERSJ ARTICLES J POETRY AND ART, . I must congratulate you on your intelli 4128 BROADWAY YOUR ENTR I ES MAY BE PR I NTED. OR I G I NALS gence and foresight in adding OUB' s Old KANSAS CITY, MISSDURI64111 WI LL NOT BE RETURNED. SEND TO: Fashioned Jazz. Corner to PENNY PITCH. (816) 561·1580 CHARLES CHANCL SR. Since I'm neither dead or in the ad busi ness (not 'too sure about the looney' bin) EDITOR .•...•. Charles Chance, Sr. PENNY PITCH BROADWAY and he is my real Ole Unkel Bob I would ASSISTING •.• Rev. Dwight Frizzell 4128 appreciate being placed on your mailing K.C. J MO 64111 ••. Jay Mandeville I ist in order to keep tabs on the old reprobate. CONTRIBUTORS: Dear Mr. Chance, Thank you, --his real niece all the way Chris Kim A, LeRoi, Joanie Harrell, Donna from New Jersey, Trussell, Ole Uncle Bob Mossman, Rosie Well, TIME sure flies, LIFE is strange, and NEWSWEEK just keeps on getting strang Beryl Sortino Scrivo, Youseff Yancey, Rev. Dwight Pluc1cemin, NJ Frizzell, Claude Santiago, Gerard and er. And speaking of getting stranger, l've Armell Bonnett, Michael Grier, Scott been closely following the rapid develop ~ Dear Beryl: . -
Jorge Sylvester ACE (Afro Caribbean Experimental)
FOR IMMEDIATE RELEASE Contact: Glenn Siegel, 413-320-1089 [email protected] Pioneer Valley Jazz Shares presents: Jorge Sylvester ACE (Afro Caribbean Experimental) Collective Pioneer Valley Jazz Shares continues its 4th season with a performance by Jorge Sylvester ACE (Afro Caribbean Experimental) Collective featuring Sylvester , saxophone ; Nora McCarthy , vocals; Gene Torres , electric bass; Kenny Grohowski , drums, on Friday, December 11, 7:30pm, Parlor Room, 32 Masonic St., Northampton, MA. Single tickets ($15) available at www.jazzshares.org and at the door. Born in Colon, Panama, alto-saxophonist, composer, arranger and teacher Jorge Sylvester began his professional career at age 14, and was soon writing arrangements and compositions for his own Caribbean dance band. He studied privately with renowned Panamanian jazz saxophonist, Euclides Hall, before attending the Panama Conservatory of Music and the University of Panama. Sylvester arrived in New York City in 1980, where his blend of African-Caribbean rhythms with new music gave him a distinguished voice. Sylvester has performed with: Stefon Harris, the David Murray Big Band, poet Sekou Sundiata, the Black Rock Coalition Orchestra, the Oliver Lake Big Band, Kuumba Frank Lacy‘s Vibe Tribe, Joe Bowie‘s Defunkt Big Band and the World Saxophone Quartet. His latest ACE Collective release is Spirit Driven . A poet, songwriter and a highly original singer and improviser, Nora McCarthy has been an important force in the New York jazz vocal scene since 1996 when she recorded her first of eight CD’s, red&blue . She currently leads: The Nora McCarthy Trio, The HeartStrings Project, Nora McCarthy Qu’ART’et and its feminine counterpart, Nora McCarthy ♀u’ART’et, The Modern Voice Ensemble, and Jay Clayton’s cappella group, “Different Voices”. -
Lt's No Longer `In a Box'
46 Disco Business `Come To Grips' Forum 8 Underway In N.Y. Continued from page 1 effects of current changes in the in- He reminds that record labels are ported by Frankie Crocker, the Fo- Warehouse; Dick Carter, Salsoul They will also be seeking reas- dustry can only be positive. still producing disco music, and rum's keynote speaker, and program Records, Nick de Krechewo, Down- surance that the changing styles of Underscoring this positive atti- claims that "it still remains a big part and music director of Innercity stairs Records; Eddie Gilreath, the music to which people are danc- tude for the future of the industry in of their volume." Broadcasting Co., and WBLS -FM in Warner Bros. Records; Dee Joseph, ing in no way implies that the busi- this country, and indeed wherever Wardlow states that "far from New York. Prism Records; Miller London, Mo- ness is being jeopardized. else in the world discotheques are decrying this infusion of other styles Many of the sessions at the Forum town Records; and Michele Claren- popular, will be Forum director Bill into traditional disco sounds, the in- will be structured to emphasize the Among the people that will be hit- beek from Sweden. Wardlow's opening remarks. dustry should welcome it." importance of the fusion ting the panelists with questions are sound in Panelists for the session on pro- In his speech he points out that the the continued viability light and sound system manufac- "It is this combination of r &b, pop of the disco moting the new fusion music in- dance music sounds of the 1980s industry. -
A Kirby Family Record Some Descendants of John Terrell Kirby and Some Ancestry of Associated Families-Bohannon, Haynie, Lipscomb, Posey, Terrell, and Wilkins
A Kirby Family Record Some descendants of John Terrell Kirby and some ancestry of associated families-Bohannon, Haynie, Lipscomb, Posey, Terrell, and Wilkins Compiled by Terrell Marshall Sr. 2/26/2015 A Kirby Family Record – 2 Compiler’s Note The within Kirby Family Record was prepared by Terrell Marshall Sr. through correspondence with members of the family, and completed in 1953. It begins with the grandparents of John Terrell Kirby and Lavana Bohannon and continues through the fifth generation. Only descendants in a direct line from John Terrell Kirby are shown and the arrangement shows all descendants of each of his children. The second section contains ancestral data as to the Bohannon, Haynie, Lipscomb, Posey, Terrell, and Wilkins families as provided by my grandmother, May Kirby Thomas. A Kirby Family Record – 3 Editor’s Note My grandfather (Terrell Marshall Sr.) spent many hours gathering data, corresponding with relatives, and compiling the genealogical information that his grandmother (hereinafter referred to as MKT) had accumulated over the years. My grandfather, a lawyer, was a very methodical person and my belief is that the information he has gathered about current generations (i.e. current in the 1920s to 1950s) is quite accurate. Some of the ancestry information is suspect (and I have tried to comment on that so as not to have the reader take away any false impressions as to its accuracy). This information may provide no new information to the reader, but I felt I owed it to my grandfather to put this information in the public domain. I have tried to add some dates to persons who may have died since he originally “completed” this information, but was not able to find the information (or the time) to do it for everyone. -
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M. -
Scanned Image
Disco Top 50 1 1 6 YOU'RE THE ONE FOR ME 25 25 4 QUEEN OF THE RAPPING SCENE D. TRAIN EPIC EPC A(13)2016 CBS (NOTHING EVER GOES THE WAY YOU PLAN) 'da''3 5 NEVER GIVE UP ON A MODERN ROMANCE WEA K18928(T) WEA GOOD THING GEORGE BENSON WARNER BROS 26 20 6 NIGHTCRUISING K17902(1) WEA BAR-KAYS MERCURY MER(X) 89 POLYGRAM 5 4 I CAN'T GO FOR THAT 27 18 9 BODYSHAKE (NO CAN DO) T.C. CURTIS GROOVE PRODS GP 112(T) DARYL HALL &JOHN OATES RCA RCA(T) 172 RCA PINNACLE 2823 10 DON'T WALK AWAY 4n? 8 3 NIGHTS OVER EGYPT FOUR TOPS CASABLANCA CAN(X) 1006 JONES GIRLS PHIL INT PIR A(13)2031 CBS POLYGRAM =c 5 4 4 WATCH OUT 29 27 3 HOLDIN' OUT FOR LOVE BRANDI WELLS VIRGIN VS 479(12) CBS ANGELA BOFILL ARISTA ARIST 433 POLYGRAM 6 714 EASIER SAID THAN DONE a 30 28 3 GARDEN OF EVE SHAKATAK POLYDOR POSP(X) 375 YVONNE GAGE ATLANTIC K11708(T) VVEA r POLYGRAM 3129 10 JUST A LITTLE BIT 47i 3 I'VE HAD ENOUGH -a-9 CARROLLTHOMPSON RED BUS RBUS(L) EARTH WIND & FIRE CBS CBS A(13)1959 65 PRT CBS a 32 19 5 DON'T DEPEND ON ME/ 8 6 9 I JUST WANNA TIME MACHINE (SPEND SOME TIME WITH YOU) DIRECT DRIVE OVAL DRIVE 20 ALTON EDWARDS STREETWAVE STR GREYHOUND/PINNACLE z A(13)1897 CBS 41149 2 IT'S A PLEASURE SHEREE BROWN CAPITOL CL 232 EMI 9 2 8 GET DOWN ON IT KOOL &THE GANG DE-LITE DE(X) 5 c7) POLYGRAM 41"EW TIME STONE (WEST END WES 22139) IMPORT LL 10 11 17 LET'S START II DANCE AGAIN HAMILTON BOHANNON LONDON HL(X) 35 35 3 FEEL ALRIGHT w 10582 POLYGRAM KIMIKO (US SAM S-12344) IMPORT 11 10 5 FUNGI MAMA (BEBOPAFUNK 36 40 2 DON'T STOP ADISCOLYPSO) MOOD RCA RCA(T) 171 RCA TOM BROWNE ARISTA ARIST (12)450 POLYGRAM 37 33 4 WAIT FOR ME SLAVE COTILLION K17702 WEA .41131 2 IN THE RAW WHISPERS SOLAR K12597(T) WEA Q43 3 WINTER LOVE/FUNK ME z DOWN TO RIO (REMIX) 34 12WE'LL MAKE IT RAH BAND TMT RAH 1 INDIES MIKE & BRENDA SUTTON VIRGIN VS 480(12) CBS 39 433 TOO MUCH TOO SOON T.S. -
Song Title Artist Genre
Song Title Artist Genre - General The A Team Ed Sheeran Pop A-Punk Vampire Weekend Rock A-Team TV Theme Songs Oldies A-YO Lady Gaga Pop A.D.I./Horror of it All Anthrax Hard Rock & Metal A** Back Home (feat. Neon Hitch) (Clean)Gym Class Heroes Rock Abba Megamix Abba Pop ABC Jackson 5 Oldies ABC (Extended Club Mix) Jackson 5 Pop Abigail King Diamond Hard Rock & Metal Abilene Bobby Bare Slow Country Abilene George Hamilton Iv Oldies About A Girl The Academy Is... Punk Rock About A Girl Nirvana Classic Rock About the Romance Inner Circle Reggae About Us Brooke Hogan & Paul Wall Hip Hop/Rap About You Zoe Girl Christian Above All Michael W. Smith Christian Above the Clouds Amber Techno Above the Clouds Lifescapes Classical Abracadabra Steve Miller Band Classic Rock Abracadabra Sugar Ray Rock Abraham, Martin, And John Dion Oldies Abrazame Luis Miguel Latin Abriendo Puertas Gloria Estefan Latin Absolutely ( Story Of A Girl ) Nine Days Rock AC-DC Hokey Pokey Jim Bruer Clip Academy Flight Song The Transplants Rock Acapulco Nights G.B. Leighton Rock Accident's Will Happen Elvis Costello Classic Rock Accidentally In Love Counting Crows Rock Accidents Will Happen Elvis Costello Classic Rock Accordian Man Waltz Frankie Yankovic Polka Accordian Polka Lawrence Welk Polka According To You Orianthi Rock Ace of spades Motorhead Classic Rock Aces High Iron Maiden Classic Rock Achy Breaky Heart Billy Ray Cyrus Country Acid Bill Hicks Clip Acid trip Rob Zombie Hard Rock & Metal Across The Nation Union Underground Hard Rock & Metal Across The Universe Beatles