The Goco Worship Packet

Total Page:16

File Type:pdf, Size:1020Kb

The Goco Worship Packet 1 Foreword Worship is our response to God for all that He is. It’s not just singing; ultimately, it’s a lifestyle. In worship, we obey God, adore Him, confess our sins to Him, sit silently in awe of Him, and express our thanks to Him. In fact, in the Old Testament, the most common word for worship is shachah, which literally means “to lie prostrate” before God. When the people of the Bible encountered God, they were typically so filled with fear and awe that all they could do was bow before Him in worship. Our culture has made worship into singing songs of praise along with a U2-sounding rock band with great lights behind them. While I love this style of worship and there’s nothing wrong with it, there’s more to worship than just this. Missional Communities offer a fantastic opportunity to worship God in ways different from our typical Sunday worship gatherings. My goal in compiling this packet is to provide you with some simple ideas to help your community cultivate a healthy worshipping life out where you live, work, and have friends. Healthy roots lead to healthy fruits; coming into God’s presence on a regular basis helps fuel and sustain the mission to which your community is called. I realize that not every community will have a musician, so most of these ideas are geared toward coming into God’s presence without music (keep in mind that a Missional Community is a great place to allow an up-and-coming worship leader to gain experience, though!). Each idea is broken down into three sections that make up the abbreviation PMI (not the evil mortgage type!): • Purpose • Materials • Instructions This means that nearly everything you will need to pull off these ideas is listed. Also, it’s important to keep in mind that these are just ideas. They weren’t all written to be taken literally—please tweak them and adjust them to fit your context. Feel free to add to, subtract from, and branch off of these ideas. In fact, if you come up with an idea that is sparked from this packet (or create a new one entirely), please let me know so I can keep adding to the list—I’d like to increase the number of ideas here! My prayer is that many people will engage with God as a result of these ideas and that He will receive all the glory and honor. Andrew Berg Worship Director, RiverTree Christian Church [email protected] *We’ve recorded some instrumental background music for the ideas in this book. You can download them for free at: http://www.rivertreechristian.com/go-communities/resources/gocomp3s/ Or you can stream them for free at: https://soundcloud.com/andrew-david-berg 2 Table of Contents •Adoration (Reverence & Awe)…..…………………………………….………..………………………….………………….…………………….4 ›Adoration of the Lamb…..………………..….……………………………….…………………………………………………………..................5 ›Nighttime Adoration…..……………..……………………………………………………….…………….………………………………………….…7 ›The Creator of Creation…..…………………………………………………..…………………….…………………………………………………..8 •Commission (Sending Out!)…………………………………………………………..…………….…………………………….…………………..9 ›Candlelight Commissioning…..…………………………….………………………………………………………….……………………………..10 ›Names of God…………..…………………….………………………………………………………………………….......................................11 ›Prayer of Commission…..…………………………….…………………………………………………………………………………………..……12 ›Sending Spoons..…………..…..…….………….………………………………………………………………..……………………………………...14 •Consummation (Face to Face with God Including Confession)……….…….………..………..……………………....15 ›Cleansing Confession…..…………………………….………………………………………………….……………………….……………………..16 ›Connecting with God (From the Perspective of Elijah)……………………..……………….……………………………………………...17 ›Connecting with God in the Silence…………….………………………………………………….…………………………….………………..18 ›Face to Face—Broken Praise…..…………………………….………………………………………………………………………………………..19 ›Hands Up, Hands Down…..…………………………….………………………………………………………….………………………………...20 ›High/Low………………………..…………………………….………………………………………………………….…………………..................21 ›Idol Confession…..…………………………….………………………………………………………………………………………………………….22 ›Perspective…………….…..…………………………….………………………………………………………………..………………………………..24 ›Psalm 32 Confession…..…………………………….………………………………………………………………..………………………………...25 ›Trust and Obey Responsive Reading..…..……………………………………………………………………..…………………..................26 •Exaltation (Praise & Thanksgiving)………………………..…….………………………...………………………..…………………………27 ›Amazing Grace…..…………………………….………………………………………………………………………………………….……………….28 ›Balloon Praise…..………………………………….….………………………………………………………………..……………….………………..30 ›Breath Prayers as Communion…………..………………………………………………………………………..………………………………...32 ›Eight Expressions of Praise…..……………………………………………………………………………………………….…..…………………..33 ›Post-it® Praise…..…………………………….………………………………………………………………..…………………………………………..34 ›Share Your Skittles®…….…………………….………………………………………………………………..…………………….………………….35 ›Thanksgivings…..…………………………….………………………………………………………………..…………………………………………..36 •Reflection (Who God Is).…..…………………………………………………………………………………….…..……………………………….37 ›All About the Ebenezer…..………………………………………………………………………………………..…………………………………..38 ›Alphabet Attributes…..…………………………….………………………………………………………………..…………………………………..40 ›Birds of a Feather……..…………………………….………………………………………………………………..………………….……………….41 ›Communion…..…………………………………….………………………………………………………………..………………………………….…42 ›Promises of God…..…………………………….………………………………………………………………..………………………………………43 ›S.O.A.P…………..…..…………………………….………………………………………………………………..……………………………………...45 ›The Daily Examen……….…..………………………………………………………………………………………..………………………………...46 ›The Lord’s Prayer.……….…..………………………………………………………………………………………..………………………………...47 ›Turn Your Heart to God…..………………………………………………………………………………………..………………………………...48 •Holidays…..…………………………………………………….……………………………………………………………..…..………………………………..49 ›New Year’s Day: End-of-Year Examen………………………….……………………………………………..…………………………………50 ›John Newton’s New Year’s Reflection: Amazing Grace…..….….…..…………………………………………………………………….53 ›Maundy Thursday Experience……………………………………………………………………………………..………………………………..55 ›Good Friday: Carry Your Cross…..……………………………………..………………………………………..………………………………..56 ›Easter: Lint Roller Confession…..………………………………….……………………………………………..………………………………...57 ›Thanksgiving…..……………………….………………………………………………………………………………..………………………………...58 ›Christmas: The Consolation of Israel…..……………………………………..………………………………..………………………………...59 ›Christmas: One Solitary Life…..……………………………………….…………………………………………..………………………………..61 •Others…..……………………………………………..…………………………………………………………………..………..………………………………..62 ›ACTS Prayer Beads………….………………………………………………………………………………………..………………………………...63 ›Global Prayer……….………….……………………………………………………………………………………………………...…………………..65 ›Honesty Nametags..……….……………………………………………………………………………………………….………..…………………..66 ›PRESS…..……………………………………..…………………………………………………………………………..………………………………...67 ›Rembrandt’s Storm…………..………………………………………………………………………………………….…………..…………………..69 ›Snickers® Satisfies…...………………………………………………………………………………………..………………………….……………….71 ›Three-On-Three…..………………………………………………………………………………………..………………………….…………………72 ›Twister® Worship…..………………………………………………………………………………………..……………………………………..….…73 ›Write Your Own Psalm…..……….……………………………………………………………………..…………………………………………….743 *Some of these may fit into more than one category. Adoration: Reverence & Awe ›Adoration of the Lamb ›Nighttime Adoration ›The Creator of Creation 4 Adoration of the Passover Lamb Purpose: To meditate on the idea of Jesus being the lamb who was sacrificed for our sin. Materials: The teaching/scripture sheet (see next page). Instructions: Have folks silently read and meditate through the teaching/scripture page on the next page.* Then, instruct them to look at the photo of the lamb as a symbol of the pure, spotless, innocent sacrifice of Christ. Allow some space for silence. To conclude, sing “Revelation Song” together (play from an iPod or have a musically inclined individual lead the song) with an emphasis on adoring Christ as our lamb. *Or, you could have them break up into small groups and read through the passages and discuss the concepts. Sometimes a group context allows for greater learning. If you choose the small group route, consider the following questions for the small group leaders to ask: 1) What does it mean to you that God “passes over” you because of Jesus’ sacrifice for you? 2) How do you want to respond in reading the Revelation passages? Courtesy of Andrew Berg 5 Our Passover Lamb Old Testament Exodus 12 recounts the story of the Passover lamb, in which each household was to sacrifice a lamb, spreading its blood on their doorposts in order to be “passed over” by the Lord when He sent His judgment. Later, the sacrificial system of the Old Testament required an animal without any blemish or spot to be sacrificed to God as a means of forgiveness of sin or as an offering of worship or devotion. New Testament The New Testament portrays the sacrificial system as being fulfilled in one sacrifice for all – Jesus. He came as our Passover lamb. He was “a lamb without blemish or defect” (1 Peter 1:19) and is the only sacrifice necessary for a restored relationship with God: “For Christ, our Passover lamb, has been sacrificed.” (1 Corinthians 5:7) Upon seeing Jesus for the first time, John the Baptist proclaimed: “Look, the Lamb of God, who takes away the sin of the world!” (John 1:29) And finally, the picture John gives in Revelation is as follows: “Then I saw a Lamb, looking as if it had been slain, standing in the center of the throne […] In a loud voice they all sang, "Worthy is the Lamb, who was slain, to receive power and wealth and wisdom
Recommended publications
  • Turkish German Muslims and Comedy Entertainment CURRENT ISSUES in ISLAM
    Turkish German Muslims and Comedy Entertainment CURRENT ISSUES IN ISLAM Editiorial Board Baderin, Mashood, SOAS, University of London Fadil, Nadia, KU Leuven Goddeeris, Idesbald, KU Leuven Hashemi, Nader, University of Denver Leman, Johan, GCIS, emeritus, KU Leuven Nicaise, Ides, KU Leuven Pang, Ching Lin, University of Antwerp and KU Leuven Platti, Emilio, emeritus, KU Leuven Tayob, Abdulkader, University of Cape Town Stallaert, Christiane, University of Antwerp and KU Leuven Toğuşlu, Erkan, GCIS, KU Leuven Zemni, Sami, Universiteit Gent Turkish German Muslims and Comedy Entertainment Settling into Mainstream Culture in the 21st Century Benjamin Nickl Leuven University Press Published with the support of the Popular Culture Association of Australia and New Zealand University of Sydney and KU Leuven Fund for Fair Open Access Published in 2020 by Leuven University Press / Presses Universitaires de Louvain / Universitaire Pers Leuven. Minderbroedersstraat 4, B-3000 Leuven (Belgium). © Benjamin Nickl, 2020 This book is published under a Creative Commons Attribution Non-Commercial Non-Derivative 4.0 Licence. The licence allows you to share, copy, distribute and transmit the work for personal and non- commercial use providing author and publisher attribution is clearly stated. Attribution should include the following information: B. Nickl. 2019. Turkish German Muslims and Comedy Entertainment: Settling into Mainstream Culture in the 21st Century. Leuven, Leuven University Press. (CC BY-NC-ND 4.0) Further details about Creative Commons licences
    [Show full text]
  • Jo Carson's Contribution to the Swamp Gravy Recipe Debra Calhoun Jones
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 Jo Carson's Contribution to the Swamp Gravy Recipe Debra Calhoun Jones Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES JO CARSON’S CONTRIBUTION TO THE SWAMP GRAVY RECIPE By Debra Calhoun Jones A Dissertation submitted to the Department of English in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Summer Semester, 2006 The members of the Committee approve the dissertation of Debra Calhoun Jones defended on April 26, 2006. ___________________________________ Karen Laughlin Professor Directing Dissertation ____________________________________ Stuart Baker Outside Committee Member ____________________________________ Hunt Hawkins Committee Member ____________________________________ Linda Saladin-Adams Committee Member ____________________________________ Jerrilyn McGregory Committee Member Approved: ________________________________ Hunt Hawkins Chair, Department of English The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS ABSTRACT iv INTRODUCTION 1 A BASE OF CARSON’S EARLIER WORKS 15 A CUPFUL OF ORAL HISTORY 45 A HELPING OF FOLKLIFE PLAY 62 A SPRINKLE OF SOUTHERN DRAMA 83 A DASH OF LIBERAL FEMINISM 100 A TABLESPOON OF COMMUNITY PERFORMANCE 128 CONCLUSION: A RECIPE WORTH REPEATING 153 BIBLIOGRAPHY 164 BIOGRAPHICAL
    [Show full text]
  • Deuteronomy- Kings As Emerging Authoritative Books, a Conversation
    DEUTERONOMY–KinGS as EMERGING AUTHORITATIVE BOOKS A Conversation Edited by Diana V. Edelman Ancient Near East Monographs – Monografías sobre el Antiguo Cercano Oriente Society of Biblical Literature Centro de Estudios de Historia del Antiguo Oriente (UCA) DEUTERONOMY–KINGS AS EMERGING AUTHORITATIVE BOOKS Ancient Near East Monographs General Editors Ehud Ben Zvi Roxana Flammini Editorial Board Reinhard Achenbach Esther J. Hamori Steven W. Holloway René Krüger Alan Lenzi Steven L. McKenzie Martti Nissinen Graciela Gestoso Singer Juan Manuel Tebes Number 6 DEUTERONOMY–KINGS AS EMERGING AUTHORITATIVE BOOKS A CONVERSATION Edited by Diana V. Edelman Society of Biblical Literature Atlanta Copyright © 2014 by the Society of Biblical Literature All rights reserved. No part of this work may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or by means of any information storage or retrieval system, except as may be expressly permit- ted by the 1976 Copyright Act or in writing from the publisher. Requests for permission should be addressed in writing to the Rights and Permissions Offi ce, Society of Biblical Literature, 825 Houston Mill Road, Atlanta, GA 30329 USA. Library of Congress Control Number: 2014931428 Th e Ancient Near East Monographs/Monografi as Sobre El Antiguo Cercano Oriente series is published jointly by the Society of Biblical Literature and the Universidad Católica Argentina Facultad de Ciencias Sociales, Políticas y de la Comunicación, Centro de Estu- dios de Historia del Antiguo Oriente. For further information, see: http://www.sbl-site.org/publications/Books_ANEmonographs.aspx http://www.uca.edu.ar/cehao Printed on acid-free, recycled paper conforming to ANSI/NISO Z39.48-1992 (R1997) and ISO 9706:1994 standards for paper permanence.
    [Show full text]
  • Kebra Nagast
    TheQueenofShebaand HerOnlySonMenyelek (KëbraNagast) translatedby SirE.A.WallisBudge InparenthesesPublications EthiopianSeries Cambridge,Ontario2000 Preface ThisvolumecontainsacompleteEnglishtranslationofthe famousEthiopianwork,“TheKëbraNagast,”i.e.the“Gloryof theKings[ofEthiopia].”Thisworkhasbeenheldinpeculiar honourinAbyssiniaforseveralcenturies,andthroughoutthat countryithasbeen,andstillis,veneratedbythepeopleas containingthefinalproofoftheirdescentfromtheHebrew Patriarchs,andofthekinshipoftheirkingsoftheSolomonic linewithChrist,theSonofGod.Theimportanceofthebook, bothforthekingsandthepeopleofAbyssinia,isclearlyshown bytheletterthatKingJohnofEthiopiawrotetothelateLord GranvilleinAugust,1872.Thekingsays:“Thereisabook called’KiveraNegust’whichcontainstheLawofthewholeof Ethiopia,andthenamesoftheShûms[i.e.Chiefs],and Churches,andProvincesareinthisbook.IÊprayyoufindout whohasgotthisbook,andsendittome,forinmycountrymy peoplewillnotobeymyorderswithoutit.”Thefirstsummary ofthecontentsofthe KëbraNagast waspublishedbyBruceas farbackas1813,butlittleinterestwasrousedbyhissomewhat baldprécis.And,inspiteofthelaboursofPrætorius,Bezold, andHuguesleRoux,thecontentsoftheworkarestill practicallyunknowntothegeneralreaderinEngland.Itis hopedthatthetranslationgiveninthefollowingpageswillbe ii Preface ofusetothosewhohavenotthetimeoropportunityfor perusingtheEthiopicoriginal. TheKëbraNagast isagreatstorehouseoflegendsand traditions,somehistoricalandsomeofapurelyfolk-lore character,derivedfromtheOldTestamentandthelater Rabbinicwritings,andfromEgyptian(bothpaganand
    [Show full text]
  • Issue 171.Pmd
    email: [email protected] website: nightshift.oxfordmusic.net Free every month. NIGHTSHIFT Issue 171 October Oxford’s Music Magazine 2009 tristantristantristantristan &&& thethethe troubadourstroubadourstroubadourstroubadourstroubadours Oxford’s own Magnificent Seven ride out - Interview inside plus News, reviews and seven pages of local gigs photo: Marc West photo: Marc NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 NEWNEWSS Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] Online: nightshift.oxfordmusic.net THIS MONTH’S OX4 FESTIVAL will feature a special Music Unconvention alongside its other attractions. The mini-convention, featuring a panel of local music people, will discuss, amongst other musical topics, the idea of keeping things local. OX4 takes place on Saturday 10th October at venues the length of Cowley Road, including the 02 Academy, the Bullingdon, East Oxford Community Centre, Baby Simple, Trees Lounge, Café Tarifa, Café Milano, the Brickworks and the Restore Garden Café. The all-day event has SWERVEDRIVER play their first Oxford gig in over a decade next been organised by Truck and local gig promoters You! Me! Dancing! Bands month. The one-time Oxford favourites, who relocated to London in the th already confirmed include hotly-tipped electro-pop outfit The Big Pink, early-90s, play at the O2 Academy on Thursday 26 November. The improvisational hardcore collective Action Beat and experimental hip hop band, who signed to Creation Records shortly after Ride in 1990, split in outfit Dälek, plus a host of local acts. Catweazle Club and the Oxford Folk 1999 but reformed in 2008, still fronted by Adam Franklin and Jimmy Festival will also be hosting acoustic music sessions.
    [Show full text]
  • The Portrait of the Kings and the Historiographical Poetics of the Deuteronomistic Historian
    The Portrait of the Kings and the Historiographical Poetics of the Deuteronomistic Historian By Alison Lori Joseph A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Near Eastern Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Ronald Hendel, Chair Professor Robert Alter Professor Erich Gruen Professor Steven Weitzman Spring 2012 Copyright © 2012 Alison Lori Joseph, All Rights Reserved. Abstract The Portrait of the Kings and the Historiographical Poetics of the Deuteronomistic Historian By Alison Lori Joseph Doctor of Philosophy in Near Eastern Studies University of California, Berkeley Professor Ronald Hendel, Chair This dissertation explores the historiographical style and method of the Deuteronomist (Dtr) in the book of Kings, with particular attention to what I call the prototype strategy in the portrayal of the Israelite kings. It lays out a systematic analysis of Dtr’s historiographical composition and the ways he includes and reshapes his inherited sources to suit his purposes. This work offers a framework for the selectional and compositional method that Dtr employs in the construction of his history, and especially in crafting the portrait of the kings. This analysis suggests that Dtr has a specific set of historiographical priorities to which he adheres in order to interpret the history of the monarchy in light of deuteronomistic theology. This is done through crafting a comprehensive narrative that functions didactically, instructing the kings and the people of Judah how to behave through illustrating the consequences of disobedience. A key element to Dtr’s historiographical process is the use of a prototype strategy.
    [Show full text]
  • “The Greatest Gift Is the Realization That Life Does Not Consist Either In
    “The greatest gift is the realization that life does not consist either in wallowing in the past or peering anxiously into the future; and it is appalling to contemplate the great number of often painful steps by which ones arrives at a truth so old, so obvious, and so frequently expressed. It is good for one to appreciate that life is now. Whatever it offers, little or much, life is now –this day-this hour.” Charles Macomb Flandrau Ernest Hemingway drank here. Cuban revolutionaries Fidel Castro and Che Guevera drank here. A longhaired young hippie musician named Jimmy Buffett drank and performed here, too. From the 1930’s through today this rustic dive bar has seen more than its share of the famous and the infamous. It’s a little joint called Capt. Tony’s in Key West, Florida. Eighty-seven-year-old Anthony ‘Capt. Tony’ Tarracino has been the owner and proprietor of this boozy establishment since 1959. It seems Tony, as a young mobster, got himself into some serious trouble with ‘the family’ back in New Jersey and needed to lay low for a while. In those days, the mosquito invested ‘keys’ (or islands) on the southernmost end of Florida’s coastline was a fine place for wise guys on the lam to hide out. And this was well before the tee-shirt shops, restaurants, bars, art galleries, charming B&B’s and quaint hotels turned Key West into a serious year-round tourist destination. Sure, there were some ‘artsy’ types like Hemingway and Tennessee Williams living in Key West during the late 50’s when Tony bought the bar, but it was a seaside shanty town where muscular hard-working men in shrimp boats and cutters fished all day for a living.
    [Show full text]
  • Stars for Free 2008 Mit Ua
    Ausgabe : September/Oktober 2008 Mini Poster: Bushido, Sarah Connor, Thomas Godoj & Stefanie Heinzmann Lexington Bridge neue single „Dance with me“ Was macht eigentlich… Patric Scott Stars for free 2008 mit ua. Sarah Connor, Shaggy, StanFour, Thomas Godoj, Monrose… Themen *New Kids on the Block – das Comebackalbum * News // Rückblick *Newcomer: Joce'n'Reza * Lexington Bridge mit neuer Single zurück *Was macht eigentlich… Patric Scott * After Summer Party *MTV Video Music Awards * Sarah Connor kommt auf Tour *MTV Game Awards * Monrose neues Album *I AM* *Support Seite des Monats: Alexa Phazer * Bushido Tour verschoben // neue Pläne *Forum Vorstellung * US5 geben zu viert Gas * Terminkalender * The Rasmus sind wieder da * Tourguide * Goldene Henne 2008 * B16 –Rock gegen Kinderarmut *Boyzone Comeback * You Messe *ALEXA Geburtstagsparty * Jetix Awards *IFA – die Messe * Vivalicious *IFA Ferienabschlussparty * MTV European Music Awards * 4 Mini Poster: Bushido, Sarah Connor, Stefanie Heinzmann & Thomas Godoj *CD des Monats * Stars for free 2008 * Alben Veröffentlichungen * Single Veröffentlichungen * Sampler des Monats Just Celebrities MAG - Impressum - Redaktion: Just Celebrities MAG Postanschrift: Just Celebrities MAG Postfach 30 93 43 10761 Berlin E-Mail: [email protected] Inhaber: Jacqueline Quintern Steuernummer: 35/481/60001 Redaktionsleitung: Jacqueli ne Quintern ([email protected]) Nicole Kubelka ([email protected]) Bildjournalist Jacqueline Quintern, Nicole Kubelka Redakteur: Nicole Kubelka Layout: Jacqueline
    [Show full text]
  • The Cord Weekly (November 7, 2001)
    Life in Afghanistan: The American What's it really like? economy is like this Page 12_^ pyramid Page 22 CORD Wednesday November 7, 2001 THELaurier'sWEEKLY Official Student • • Issue Newspaper Volume 42 13 3News Growing pains at WLU Students demand answers from university administration Alicia McFadden Business department also Dillon Moore remarked on his personal experi- ence having more students in his Yesterday in the Paul Martin class than he was prepared to han- Centre, a large group gathered to dle. He attempted to draw a com- take part in a town-hall style forum parison between the situation at held by the Students' Union to Laurier to the one at his Alma address the problem of rapid Mater Mount Allison University, growth at Wilfrid Laurier where he felt the enrollment had University. been effectively capped. "I don't Executive Vice President: think we'll lose our identity as a University Affairs Dave Wellhauser small, unique and personal univer- chaired the forum. He welcomed sity," he said. the audience to the event, which Chair of the Board of he stated was one among a series Governors Jerry Young presented planned. Each of the six panelists the side of the administration, pro- was then allowed to make their ducing a number of documents introductory statements. examining growth at Laurier. The panel listens as Rowland Smith describes his thoughts on the sense of community at Laurier Dr. Barry Kay related his expe- "I'm trying to drive home that rience as part of the Political we aren't functioning without a uation at Laurier to that of univer- seen Laurier students receive since "clients" and should be given a Science department.
    [Show full text]
  • The Compleat Works of Nostradamus -=][ Compiled and Entered in PDF Format by Arcanaeum: 2003 ][=
    The Compleat Works of Nostradamus -=][ compiled and entered in PDF format by Arcanaeum: 2003 ][=- Table of Contents: Preface Century I Century II Century III Century IV Century V Century VI Century VII Century VIII Century IX Century X Epistle To King Henry II Pour les ans Courans en ce Siecle (roughly translated: for the years’ events in this century) Almanacs: 1555−1563 Note: Many of these are written in French with the English Translation directly beneath them. Preface by: M. Nostradamus to his Prophecies Greetings and happiness to César Nostradamus my son Your late arrival, César Nostredame, my son, has made me spend much time in constant nightly reflection so that I could communicate with you by letter and leave you this reminder, after my death, for the benefit of all men, of which the divine spirit has vouchsafed me to know by means of astronomy. And since it was the Almighty's will that you were not born here in this region [Provence] and I do not want to talk of years to come but of the months during which you will struggle to grasp and understand the work I shall be compelled to leave you after my death: assuming that it will not be possible for me to leave you such [clearer] writing as may be destroyed through the injustice of the age [1555]. The key to the hidden prediction which you will inherit will be locked inside my heart. Also bear in mind that the events here described have not yet come to pass, and that all is ruled and governed by the power of Almighty God, inspiring us not by bacchic frenzy nor by enchantments but by astronomical assurances: predictions have been made through the inspiration of divine will alone and the spirit of prophecy in particular.
    [Show full text]
  • Complete Christmas Songbook
    NEW RELEASES - ORDER FORM Outside Music, 7 Labatt Ave., Suite 210, Toronto, On, M5A 1Z1. FAX: 416-461-0973 / 1-800-392-6804. EMAIL: [email protected] CAT. NO. ARTIST TITLE LABEL GENRE UPC CONFPPD REL. DATE QTY 43563-1053-3 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105337 CD$ 12.00 2-Nov-18 NOQ059 PAISLEY, DOUG Starter Home SD / No Quarter Rock-Pop 843563105313 LP$ 16.00 2-Nov-18 JAG330CS UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233055 CS 8.00$ 26-Oct-18 56605-2330-2 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233024 CDEP$ 12.00 26-Oct-18 JAG330 UNKNOWN MORTAL O IC-01 Hanoi SD / Jagjaguwar Experimen 656605233017 12" EP $ 14.00 26-Oct-18 87828-0432-2 HOW TO DRESS WELLThe Anteroom Domino Rock-Pop 887828043224 CD$ 12.80 19-Oct-18 WIG432 HOW TO DRESS WELLThe Anteroom (180g LPx2) Domino Rock-Pop 887828043217 LPx2$ 25.60 19-Oct-18 87828-0817-2 HOLTER, JULIA Aviary Domino Rock-Pop 887828041725 CDx2$ 13.67 26-Oct-18 WIG417 HOLTER, JULIA Aviary Domino Rock-Pop 887828041718 LPx2$ 25.60 26-Oct-18 WIG417X HOLTER, JULIA Aviary (Indie Only - clear viny Domino Rock-Pop 887828041732 LPx2$ 25.60 26-Oct-18 66561-0138-2 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013820 CD$ 10.00 26-Oct-18 CST138 MOSS, JESSICA Entanglement Constellation Rock-Pop 666561013813 LP$ 14.25 26-Oct-18 28070-6355-2 SPECTRES Last Days Artoffact Records Punk 628070635528 CD$ 10.00 19-Oct-18 28070-6356-2 SPECTRES Nothing to Nowhere Artoffact Records Punk 628070635627 CD$ 10.00 19-Oct-18 28070-6357-2 SPECTRES Utopia
    [Show full text]
  • Together We Are Spiders.Pdf
    This novel is forged from the love of liberty, in pursuit of liberty to love unambivalently. - 2 - -1- Charlie and Albert Charlie Stewart woke up with the same thought he had woken up with since he turned eight, Today I don’t have to be Charlie Stewart at all. He could be Björn, he could be Karl, he could be Javier, he could be Salvatore Jørgen Vladimir Ngor Jean-Baptiste Godard. But today he decides he'll be Dean. Dean Einstein Alexander. Albert Einstein had once said about his relativity theory, "When you sit with a nice girl for two hours, it seems like two minutes. When you sit on a hot stove for two minutes, it seems like two hours. That's relativity." - 3 - This quote had been inspired by a black Trinidadian girl named Abigail Walker. And they did more than just sit. Einstein had also been known to say, "If one studies too zealously, one easily loses his pants." And this was exactly what happened. Little was known of the details of how Albert Einstein came to have sexual contact with a Trinidadian girl in 1919. But it was most likely somewhere between his divorce to Mileva Marić in February and his marriage to his cousin, Elsa Löwenthal, in July later that same year. Maybe Albert needed the Caribbean breeze. Maybe he took a little vacation to bruk out for a week or two to congratulate himself. After all, on May 19th, 1919, a total solar eclipse in Principe and Brazil was observed, and his theory of general relativity was then confirmed by one Mr.
    [Show full text]