JBL 122/1 (2003) 23–52 COMPOSITRY AND CREATIVITY IN 2 SAMUEL 21:1–14 SIMEON CHAVEL
[email protected] The Hebrew University, Jerusalem, Israel Despite a cluster of contrary indications, scholars have routinely inter- preted the story of the three-year famine in 2 Sam 21:1–14 as an internally con- sistent, homogeneous narrative.1 This perception of the story may derive in part from its place as a link in 2 Sam 21–24, the chain of chapters closing the book of Samuel. Since Julius Wellhausen noted the palistrophe in chs. 21–24 over a century ago, this appendix compiled from disparate elements has tended to invite several kinds of literary approaches: structural analysis concerned pri- marily with its organization; interest in the lemmatic and thematic links govern- ing its different parts; and a broader redactional view that seeks its meaning within the wider frameworks of the Succession Narrative, 2 Samuel, the com- plete book of Samuel, and the Deuteronomistic History.2 At least with regard to the Gibeonite episode, the focus on the literary shape and function of the Thanks to Isaac Chavel, Baruch Schwartz, Michael Segal, and the JBL critical readers for their helpful comments. Translations are mine except where otherwise attributed. 1 Survey the standard introductions and commentaries, for example, Carl Steuernagel, Lehrbuch der Einleitung in das Alte Testament (Tübingen: Mohr-Siebeck, 1912), 311, 326–27, 334–36. Only three attempts have been made to divide the story into sources; see below, nn. 5 and 31. 2 Julius Wellhausen, Die Composition des Hexateuchs und der historischen Bucher des Alten Testaments (3d ed.; Berlin: Georg Reimer, 1899), 260–61; Karl Budde, Die Bücher Samuel (KHAT; Tübingen/Leipzig: Mohr-Siebeck, 1902), xi, 304; Peter J.