DOCSLIB.ORG

Star Trek Into Darkness [Music from the Motion Picture]

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Star Trek Into Darkness [Music from the Motion Picture] MUSIC FROM THE MOTION PICTURE MUSIC BY MICHAEL GIACCHINO A NOTE FROM THE DIRECTOR I have had the honor of writing about Michael Giacchino before. And, while it is always a pleasure and privilege, I have never been more grateful. Because, as you will discover, Mr. Giacchino has outdone himself this time. Not only has he expanded and deepened various themes from his work on our first Star Trek film, but he has written remarkable new cues, most notably the theme for our villain, played by the incomparable Benedict Cumberbatch. When Michael first played Harrison’s theme for me, I was floored. It spoke to me in a way I couldn’t have anticipated. It helped me define a character that was central to a film I was still editing. The suite had brilliance, fear, pride, mania, hubris, darkness, and still, somehow, sympathy. It was yet another stroke of genius flowing from the pen of Michael Giacchino. I’m not even sure why I was surprised. And that isn’t nearly the only gem in this new score (just to mention one other favorite: his cues for the se- quence on Kronos have a grit, power, and raw energy of which I could have only dreamed). Needless to say, yet again, his score elevates every minute of the film. I have never been more proud of, or grateful for, a collaboration. Michael? You are a dear friend and an absolute wizard. And I cannot wait until my next lucky opportunity to be amazed by, and to write about, you. J.J. Abrams Los Angeles, California Soundtrack Album Produced by ProTools Engineer: 0 302 067 198 2 6 1. LOGOS/PRANKING THE NATIVES (3:01) Michael Giacchino Vincent Cirilli 2. SPOCK DROPS, KIRK JUMPS (1:43) Executive Soundtrack Album Producers: Scoring Engineer: 3. SUB PRIME DIRECTIVE* (2:23) J.J. Abrams and Bryan Burk Denis St. Amand Executive in Charge of Music for Paramount Pictures: Scoring Stage Managers: 4. LONDON CALLING (2:09) Randy Spendlove Tom Steel, Christine Sirois 5. MELD-MERIZED (2:40) Executive in Charge of Music for Varèse Sarabande: Additional Score Prep: Robert Townson Jeff Kryka 6. THE KRONOS WARTET (5:25) Soundtrack Album Coordinator: Music Recorded and Mixed at 7. BRIGADOOM (3:41) Jason Richmond Newman Scoring Stage, 20th Century Fox Music Editor: Scoring Stage Manager: 8. SHIP TO SHIP (2:5o) Alex Levy Stacey Robinson 9. EARTHBOUND AND DOWN (2:37) Score Coordinator: Music Consultant: 10. WARP CORE VALUES (2:56) Andrea Datzman George Drakoulias Assistant Music Editor: Assistant to Mr. Giacchino: 11. BUYING THE SPACE FARM (3:17) Paul Apelgren Dave Martina 12. THE SAN FRAN HUSTLE (5:00) Music Orchestrated and Conducted by Music Published by * Tim Simonec Paramount Allegra Music (ASCAP) 13. KIRK ENTERPRISES (3:00) Additional orchestrations by: Mastered by 14. STAR TREK MAIN THEME* (3:25) Brad Dechter, Norman Ludwin, Andrea Datzman, Patricia Sullivan at Bernie Grundman Mastering * CONTAINS THEME FROM “STAR TREK” TV SERIES, Cameron Patrick, Larry Kenton, Marshall Bowen, WRITTEN BY ALEXANDER COURAGE & GENE RODDENBERRY Susie Benchasil Seiter Thank you to Mary Jo Braun, Dan Butler, Eric Caldwell, Sheryl Carlin, Performed by Denise Carver, Adam Ehrlich, Robert Gasper, David Gueringer, MUSIC BY MICHAEL GIACCHINO The Hollywood Studio Symphony Steven Lundy, Elise Mann, Liz McNicoll, Aron Pinsky, Ben Rosenblatt, Music Preparation: Jennifer Schiller, Kim Seiniger, Susan Siering, Linda Springer, Booker White Hallie Volman, Eric Ybanez 15. THE GROWL [Bonus Track) (2:56) Written by J.J. Abrams, Charles Scott, orchestra Contractor: Reggie Wilson “A very special thanks to my own enterprising crew. It takes a ship Anne Preven and Kassia Conway full of dedicated and talented people to pull off a mission like this – Produced by Charles Scott Vocal Contractor: Bobbi Page I owe all of you a great deal of respect and gratitude. Here’s to our next Performed by Conway five-year mission together. To my kids and family – I thank you for the Published by Bad Robot Music and Video LLC/Pulse Recording Songs (ASCAP)/ Music Recorded and Mixed by everlasting support and enthusiasm you provide for the work that I do. Pulse Nation (BMI) Joel Iwataki Conway appears courtesy of Pulse Recordings And to my longtime collaborator and (far more importantly) friend, I say P 2013 Bad Robot Music and Video LLC Recordist: ‘thank you’ J.J. for another thrilling ride. A better Captain there never was.” Tim Lauber – Michael Giacchino HOLLYWOOD STUDIO SYMPHONY Violins Viola Bass Trumpet Clayton Haslop Darrin McCann David Stone Malcolm McNab (concertmaster) (principal) (principal) (principal) Ken Yerke Andrew Duckles Karl Vincent Rick Baptist (principal 2nd) Karie Prescott Norm Ludwin Jeff Bunnell Jim Sitterly Marda Todd Charles Nenneker Paul Salvo Rebecca Bunnell Harry Shirinian Peter Doubrovsky Jon Lewis Joel Derouin Jorge Moraga Nico Abondolo John Wittenberg Caroline Buckman Don Ferrone Trombone Peter Kent Karen Elaine Oscar Hidalgo Alex Iles Mark Robertson Pam Goldsmith Tim Emmons (principal) Charles Bisharat Alan Busteen Alan Kaplan Sungil Lee Evan Wilson Flute Steven Holtman Shalini Vijayan Alma Fernandez Bobby Shulgold Bill Reichenbach Tiffany Hu Victoria Miskolczy (principal) Barbra Porter Maria Newman Richard Mitchell Tuba Terry Glenny Cameron Patrick Steve Kujala John Van Houten Darius Campo Michael Nowak Sal Lozano (principal) Norm Hughes Robert Brophy Douglas Tornquist Alyssa Park Scott Hosfeld Oboe Laurence Greenfield Luke Maurer John Yoakum Harp Carolyn Osborn Jerome Gordon (principal) Gayle Levant Tereza Stanislav Briana Bandy Joseph Stone Alexander Shlifer Jessica Van Velzen-Freer Piano Ron Clark Clarinet Mark Gasbarro Razdan Kuyumjian Celli Michael Vaccaro Rafael Rishik Steve Richards (principal) Keyboards Aimee Kreston (principal) Don Markese, Mark Le Vang Galina Golovin Suzie Katayama (principal) Belinda Broughton Victor Lawrence Gene Cipriano Guitar Vladimir Polimatidi Stefanie Fife John Mitchell George Doering Charles Everett John Acosta Olivia Tsui Kevan Torfeh Bassoon Er-Hu Gina Kronstadt Vahe Hayrikyan Rose Corrigan Karen Han Josefina Vergara Armen Ksajikian (principal) Maia Jasper Kim Scholes Andy Radford Percussion Shari Zippert David Low Allen Savedoff Dan Greco Sid Page Dermot Mulroney (principal) Anatoly Rosinsky Rudolph Stein French Horn Emil Radocchia Jackie Brand Dane Little Rick Todd Bernie Dresel Marina Manukian Erika Duke-Kirkpatrick (principal) Ales Neciosup-Acuña Chang (Tina) Qu Brian o’Connor Walter Rodriguez Robert Matsuda (principal) Michael Englander Haim Shtrum John Reynolds Don Williams Miwako Watanabe Joe Meyer Nina Evtuhov Steve Becknell Miran Kojian Brad Warnaar Roberto Cani Phillip Yao Dave Everson Tawnee Pumphrey PAGE LA STUDIO VOICES Soprano Tenor Beth Andersen Steve Amerson Renee Burkett Joanna Bushnell Amick Byram Elin Carlson Craig Copeland Nancy Gassner Clayton Walt Harrah Sandie Hall Scott Oatley Ayana Haviv Fletcher Sheridan Kimberly Lingo Hinze Richard Wells Elissa Johnston Gerald White Teri Koide Culbreath Greg Whipple Susie Stevens Logan Andrea Miller Bari/Bass Bobbi Page, Eric Bradley Contractor Reid Bruton Karen Whipple Schnurr Michael Geiger Sally Stevens Greg Jasperse Alto Bob Joyce Leanna Brand Larry Kenton Andrea Datzman Rick Logan Adair Gilliam Guy Maeda Debbie Hall Gleason Ed Zajac Karen Harper Mary Hylan Clydene Jackson Monica Lee Edie Lehmann Boddicker Donna Medine Julie Minasian Kathryn Reid Heidi Schnauppauff Baraka May Williams 1. LOGOS/PRANKING THE NATIVES (3:01) 2. SPOCK DROPS, KIRK JUMPS (1:43) 3. SUB PRIME DIRECTIVE* (2:23) 4. LONDON CALLING (2:09) 5. MELD-MERIZED (2:40) 6. THE KRONOS WARTET (5:25) 7. BRIGADOOM (3:41) 8. SHIP TO SHIP (2:50) 9. EARTHBOUND AND DOWN (2:37) 10. WARP CORE VALUES (2:56) 11. BUYING THE SPACE FARM (3:17) 12. THE SAN FRAN HUSTLE (5:00) 13. KIRK ENTERPRISES* (3:00) 14. STAR TREK MAIN THEME* (3:25) MUSIC BY MICHAEL GIACCHINO *CONTAINS THEME FROM “STAR TREK” TV SERIES, WRITTEN BY ALEXANDER COURAGE & GENE RODDENBERRY SOUNDTRACK ALBUM PRODUCED BY MICHAEL GIACCHINO ExECUTIVE SoUNdTRACK ALBUM PRodUCERS: J.J. ABRAMS ANd BRYAN BURK ExECUTIVE IN CHARGE oF MUSIC FoR PARAMoUNT PICTURES: RANdY SPENdLoVE ExECUTIVE IN CHARGE oF MUSIC FoR VARèSE SARABANdE: RoBERT ToWNSoN ℗ 2013 PARAMOUNT PICTURES. All Rights Reserved. Motion Picture Artwork & Photos, Copyright © 2013 PARAMOUNT PICTURES. All Rights Reserved. STAR TREK and related marks and logos are trademarks of CBS Studios Inc. Manufactured by Varèse Sarabande Records, LLC, 11846 Ventura Blvd., Suite 130, Studio City, CA 91604. Unauthorized duplication is a violation of applicable laws. 25% CONTRACT .
Load more

Recommended publications
  • Timeline: Music Evolved the Universe in 500 Songs
    Timeline: Music Evolved the universe in 500 songs Year Name Artist Composer Album Genre 13.8 bya The Big Bang The Universe feat. John The Sound of the Big Unclassifiable Gleason Cramer Bang (WMAP) ~40,000 Nyangumarta Singing Male Nyangumarta Songs of Aboriginal World BC Singers Australia and Torres Strait ~40,000 Spontaneous Combustion Mark Atkins Dreamtime - Masters of World BC` the Didgeridoo ~5000 Thunder Drum Improvisation Drums of the World Traditional World Drums: African, World BC Samba, Taiko, Chinese and Middle Eastern Music ~5000 Pearls Dropping Onto The Jade Plate Anna Guo Chinese Traditional World BC Yang-Qin Music ~2800 HAt-a m rw nw tA sxmxt-ib aAt Peter Pringle World BC ~1400 Hurrian Hymn to Nikkal Tim Rayborn Qadim World BC ~128 BC First Delphic Hymn to Apollo Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Epitaph of Seikilos Petros Tabouris The Hellenic Art of Music: World Music of Greek Antiquity ~0 AD Magna Mater Synaulia Music from Ancient Classical Rome - Vol. 1 Wind Instruments ~ 30 AD Chahargan: Daramad-e Avval Arshad Tahmasbi Radif of Mirza Abdollah World ~??? Music for the Buma Dance Baka Pygmies Cameroon: Baka Pygmy World Music 100 The Overseer Solomon Siboni Ballads, Wedding Songs, World and Piyyutim of the Sephardic Jews of Tetuan and Tangier, Morocco Timeline: Music Evolved 2 500 AD Deep Singing Monk With Singing Bowl, Buddhist Monks of Maitri Spiritual Music of Tibet World Cymbals and Ganta Vihar Monastery ~500 AD Marilli (Yeji) Ghanian Traditional Ghana Ancient World Singers
    [Show full text]
  • We Have Liftoff! the Rocket City in Space SATURDAY, FEBRUARY 29, 2020 • 7:30 P.M
    POPS FOUR We Have Liftoff! The Rocket City in Space SATURDAY, FEBRUARY 29, 2020 • 7:30 p.m. • MARK C. SMITH CONCERT HALL, VON BRAUN CENTER Huntsville Symphony Orchestra • C. DAVID RAGSDALE, Guest Conductor • GREGORY VAJDA, Music Director One of the nation’s major aerospace hubs, Huntsville—the “Rocket City”—has been heavily invested in the industry since Operation Paperclip brought more than 1,600 German scientists to the United States between 1945 and 1959. The Army Ballistic Missile Agency arrived at Redstone Arsenal in 1956, and Eisenhower opened NASA’s Marshall Space Flight Center in 1960 with Dr. Wernher von Braun as Director. The Redstone and Saturn rockets, the “Moon Buggy” (Lunar Roving Vehicle), Skylab, the Space Shuttle Program, and the Hubble Space Telescope are just a few of the many projects led or assisted by Huntsville. Tonight’s concert celebrates our community’s vital contributions to rocketry and space exploration, at the most opportune of celestial conjunctions: July 2019 marked the 50th anniversary of the Apollo 11 moon-landing mission, and 2020 brings the 50th anniversary of the U.S. Space and Rocket Center, America’s leading aerospace museum and Alabama’s largest tourist attraction. S3, Inc. Pops Series Concert Sponsors: HOMECHOICE WINDOWS AND DOORS REGIONS BANK Guest Conductor Sponsor: LORETTA SPENCER 56 • HSO SEASON 65 • SPRING musical selections from 2001: A Space Odyssey Richard Strauss Fanfare from Thus Spake Zarathustra, op. 30 Johann Strauss, Jr. On the Beautiful Blue Danube, op. 314 Gustav Holst from The Planets, op. 32 Mars, the Bringer of War Venus, the Bringer of Peace Mercury, the Winged Messenger Jupiter, the Bringer of Jollity INTERMISSION Mason Bates Mothership (2010, commissioned by the YouTube Symphony) John Williams Excerpts from Close Encounters of the Third Kind Alexander Courage Star Trek Through the Years Dennis McCarthy Jay Chattaway Jerry Goldsmith arr.
    [Show full text]
  • Star Trek, Nyota Uhura, and the Female Role
    Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Theses, Dissertations, and Other Capstone Graduate Theses, Dissertations, and Other Projects Capstone Projects 2020 Expectation Versus Reality: Star Trek, Nyota Uhura, and the Female Role Cecelia Otto-Griffiths Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Gender, Race, Sexuality, and Ethnicity in Communication Commons, and the Mass Communication Commons Recommended Citation Otto-Griffiths, C. (2020). Expectation versus reality: Star Trek, Nyota Uhura, and the female role [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/1016/ This Thesis is brought to you for free and open access by the Graduate Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. Expectation Versus Reality: Star Trek, Nyota Uhura, and the Female Role By Cecelia Otto-Griffiths [email protected] Advisor Dr. Laura Jacobi A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts In Communication Studies Minnesota State University, Mankato Mankato, Minnesota May 2020 i April 13, 2020 Expectation Versus Reality: Star Trek, Nyota Uhura, and the Female Role Cecelia Otto-Griffiths This thesis has been examined and approved by the following members of the student’s committee.
    [Show full text]
  • Open Tunney.Thesis.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF FILM-VIDEO AND MEDIA STUDIES THE EVOLUTION OF UHURA: REPRESENTATIONS OF WOMEN IN TREK KRISTEN TUNNEY Fall 2010 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Film-Video with honors in Media Studies Reviewed and approved* by the following: Jeanne Lynn Hall Associate Professor of Communications Thesis Supervisor Barbara Bird Associate Professor of Communications Honors Adviser Paula Droege Lecturer in Philosophy Third Reader * Signatures are on file in the Schreyer Honors College. i Abstract: The Evolution of Uhura: Representations of Women in Trek will be a primarily textual character analysis* of the ways in which the character of Uhura has evolved and transformed over the past forty years. In the paper, I claim that Trek films have always had both positive and negative representations of women, and that ―NuTrek‖ fails and succeeds in ways that are different from but comparable to those of ―classic‖ Trek. I will devote the first half of my paper to Uhura‘s portrayal in Star Treks I through VI. The second half of my research will focus on the newest film, Star Trek (2009). I will attempt to explain the character‘s evolution as well as to critique the ways in which NuTrek featuring the Original Series characters manages to simultaneously triumph and fail at representing the true diversity of women. * my interpretation of how different characters can be ―read‖ as either positive or negative representations of gender; my own interpretation will be compared and contrasted with that of other Trek scholars, and I will be citing sources both in feminist literature and media studies literature (and some combinations) to back up my own conclusions about the films.
    [Show full text]
  • The History of Star Trek
    The History of Star Trek The original Star Trek was the brainchild of Gene Roddenberry (1921-1991), a US TV producer and scriptwriter. His idea was to make a TV series that combined the futuristic possibilities of science fiction with the drama and excitement of TV westerns (his original title for the series was ‘Wagon Train to the Stars’). Star Trek was first aired on American TV in 1966, and ran for three series. Each episode was a self-contained adventure/mystery, but they were all linked together by the premise of a gigantic spaceship, crewed by a diverse range of people, travelling about the galaxy on a five-year mission ‘to explore new life and new civilisations, to boldly go where no man has gone before’. Although not especially successful it attracted a loyal fan-base, partly male fans that liked the technological and special effects elements of the show. But the show also attracted a large number of female fans, many of whom were drawn to the complex interaction and dynamic between the three main characters, the charismatic but impetuous Captain Kirk (William Shatner), the crotchety old doctor McCoy (DeForest Kelley) and the coldly logical Vulcan science officer Spock (Leonard Nimoy). After the show was cancelled in 1969 the fans conducted a lengthy and ultimately successful campaign to resurrect the franchise. Roddenberry enjoyed success with several motion pictures, including Star Trek: The Motion Picture (1979); action-thriller Star Trek II: The Wrath of Khan (1982); Star Trek III: The Search for Spock (1984) and the more comic Star Trek IV: The Voyage Home (1986).
    [Show full text]
  • Click to Download
    Volume 8, Number 8 Original Music Soundtracks for Movies & Television Rock On! pg. 10 LOVE thEBOOB TUBE Cool new music for Alias, Boomtown, Monk, Carnivàle, Penn & Teller’s B.S. FSM picks 100+ great great TTV themes plus Indiana Jones JO JOhN WIllIAMs’’ FOR FORtuNE an and GlORY Dragonslayer on DVD WORKING WORKING WIth A AlEX NORth CD Reviews A ALL THE L LAtEST $4.95 U.S. • $5.95 Canada CONTENTS SEPTEMBER 2003 DEPARTMENTS COVER STORY 2 Editorial 20 We Love the Boob Tube The Man From F.S.M. Video store geeks shouldn’t have all the fun; that’s why we decided to gather the staff picks for our by-no- 4 News means-complete list of favorite TV themes. Music Swappers, the By the FSM staff Emmys and more. 5 Record Label 24 Still Kicking Round-up Think there’s no more good music being written for tele- What’s on the way. vision? Think again. We talk to five composers who are 5 Now Playing taking on tough deadlines and tight budgets, and still The Man in the hat. Movies and CDs in coming up with interesting scores. 12 release. By Jeff Bond 7 Upcoming Film Assignments 24 Alias Who’s writing what 25 Penn & Teller’s Bullshit! for whom. 8 The Shopping List 27 Malcolm in the Middle Recent releases worth a second look. 28 Carnivale & Monk 8 Pukas 29 Boomtown The Appleseed Saga, Part 1. FEATURES 9 Mail Bag The Last Bond 12 Fortune and Glory Letter Ever. The man in the hat is back—the Indiana Jones trilogy has been issued on DVD! To commemorate this event, we’re 24 The girl in the blue dress.
    [Show full text]
  • An Examination of Jerry Goldsmith's
    THE FORBIDDEN ZONE, ESCAPING EARTH AND TONALITY: AN EXAMINATION OF JERRY GOLDSMITH’S TWELVE-TONE SCORE FOR PLANET OF THE APES VINCENT GASSI A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2019 © VINCENT GASSI, 2019 ii ABSTRACT Jerry GoldsMith’s twelve-tone score for Planet of the Apes (1968) stands apart in Hollywood’s long history of tonal scores. His extensive use of tone rows and permutations throughout the entire score helped to create the diegetic world so integral to the success of the filM. GoldsMith’s formative years prior to 1967–his training and day to day experience of writing Music for draMatic situations—were critical factors in preparing hiM to meet this challenge. A review of the research on music and eMotion, together with an analysis of GoldsMith’s methods, shows how, in 1967, he was able to create an expressive twelve-tone score which supported the narrative of the filM. The score for Planet of the Apes Marks a pivotal moment in an industry with a long-standing bias toward modernist music. iii For Mary and Bruno Gassi. The gift of music you passed on was a game-changer. iv ACKNOWLEDGEMENTS Heartfelt thanks and much love go to my aMazing wife Alison and our awesome children, Daniela, Vince Jr., and Shira, without whose unending patience and encourageMent I could do nothing. I aM ever grateful to my brother Carmen Gassi, not only for introducing me to the music of Jerry GoldsMith, but also for our ongoing conversations over the years about filM music, composers, and composition in general; I’ve learned so much.
    [Show full text]
  • Adventures in Film Music Redux Composer Profiles
    Adventures in Film Music Redux - Composer Profiles ADVENTURES IN FILM MUSIC REDUX COMPOSER PROFILES A. R. RAHMAN Elizabeth: The Golden Age A.R. Rahman, in full Allah Rakha Rahman, original name A.S. Dileep Kumar, (born January 6, 1966, Madras [now Chennai], India), Indian composer whose extensive body of work for film and stage earned him the nickname “the Mozart of Madras.” Rahman continued his work for the screen, scoring films for Bollywood and, increasingly, Hollywood. He contributed a song to the soundtrack of Spike Lee’s Inside Man (2006) and co- wrote the score for Elizabeth: The Golden Age (2007). However, his true breakthrough to Western audiences came with Danny Boyle’s rags-to-riches saga Slumdog Millionaire (2008). Rahman’s score, which captured the frenzied pace of life in Mumbai’s underclass, dominated the awards circuit in 2009. He collected a British Academy of Film and Television Arts (BAFTA) Award for best music as well as a Golden Globe and an Academy Award for best score. He also won the Academy Award for best song for “Jai Ho,” a Latin-infused dance track that accompanied the film’s closing Bollywood-style dance number. Rahman’s streak continued at the Grammy Awards in 2010, where he collected the prize for best soundtrack and “Jai Ho” was again honoured as best song appearing on a soundtrack. Rahman’s later notable scores included those for the films 127 Hours (2010)—for which he received another Academy Award nomination—and the Hindi-language movies Rockstar (2011), Raanjhanaa (2013), Highway (2014), and Beyond the Clouds (2017).
    [Show full text]
  • Elmer Bernstein Elmer Bernstein
    v7n2cov 3/13/02 3:03 PM Page c1 ORIGINAL MUSIC SOUNDTRACKS FOR MOTION PICTURES AND TV V OLUME 7, NUMBER 2 OSCARmania page 4 THE FILM SCORE HISTORY ISSUE RICHARD RODNEY BENNETT Composing with a touch of elegance MIKLMIKLÓSÓS RRÓZSAÓZSA Lust for Life in his own words DOWNBEAT DOUBLE John Q & Frailty PLUS The latest DVD and CD reviews HAPPY BIRTHDAY ELMER BERNSTEIN 50 years of film scores, 80 years of exuberance! 02> 7225274 93704 $4.95 U.S. • $5.95 Canada v7n2cov 3/13/02 3:03 PM Page c2 composers musicians record labels music publishers equipment manufacturers software manufacturers music editors music supervisors music clear- Score with ance arrangers soundtrack our readers. labels contractors scoring stages orchestrators copyists recording studios dubbing prep dubbing rescoring music prep scoring mixers Film & TV Music Series 2002 If you contribute in any way to the film music process, our four Film & TV Music Special Issues provide a unique marketing opportunity for your talent, product or service throughout the year. Film & TV Music Spring Edition: April 23, 2002 Film & TV Music Summer Edition: August 20, 2002 Space Deadline: April 5 | Materials Deadline: April 11 Space Deadline: August 1 | Materials Deadline: August 7 Film & TV Music Fall Edition: November 5, 2002 Space Deadline: October 18 | Materials Deadline: October 24 LA Judi Pulver (323) 525-2026, NY John Troyan (646) 654-5624, UK John Kania +(44-208) 694-0104 www.hollywoodreporter.com v7n02 issue 3/13/02 5:16 PM Page 1 CONTENTS FEBRUARY 2002 departments 2 Editorial The Caviar Goes to Elmer. 4News Williams Conducts Oscar, More Awards.
    [Show full text]
  • Star Trek Beyond Is a Knockout” –Peter Travers, Rolling Stone
    “Star Trek Beyond is a knockout” –Peter Travers, Rolling Stone “A total blast!” –Scott Mantz, “Access Hollywood” FROM DIRECTOR JUSTIN LIN AND PRODUCER J.J. ABRAMS COMES ONE OF THE BEST-REVIEWED ACTION MOVIES OF THE YEAR The All-New Star Trek Adventure Takes Off on 4K Ultra HD™, Blu-ray™ and Blu-ray 3D™ Combo Packs November 1, 2016 Get it on Digital HD Four Weeks Early on October 4! HOLLYWOOD, Calif. – The intrepid crew of the USS Enterprise returns in “the best action movie of the year” (Scott Mantz, “Access Hollywood”). The “highly entertaining” (David Rooney, Hollywood Reporter) new installment in the iconic franchise, STAR TREK BEYOND sets a course on 4K Ultra HD, Blu-ray 3D and Blu-ray Combo Packs, DVD and On Demand November 1, 2016 from Paramount Home Media Distribution. The sci- fi adventure will also be available as part of the STAR TREK TRILOGY Blu-ray Collection. The film warp speeds to Digital HD four weeks early on October 4, 2016. Director Justin Lin (Fast & Furious) delivers “a fun and thrilling adventure” (Eric Eisenberg, Cinemablend) with an incredible all-star cast including Chris Pine and Zachary Quinto, as well as newcomers to the STAR TREK universe Sofia Boutella (Kingsman: The Secret Service) and Idris Elba (Pacific Rim). In STAR TREK BEYOND, the Enterprise crew explores the furthest reaches of uncharted space, where they encounter a mysterious new enemy who puts them and everything the Federation stands for to the test. The STAR TREK BEYOND 4K Ultra HD, Blu-ray 3D and Blu-ray Combo Packs are loaded with over an hour of action-packed bonus content, with featurettes from filmmakers Page 1 of 4 and cast, including J.J.
    [Show full text]
  • "I'm an American" — George Takei on a Lifetime of Defying Stereotypes by Kalama Kelkar, PBS Newshour on 05.18.17 Word Count 1,414 Level MAX
    "I'm an American" — George Takei on a lifetime of defying stereotypes By Kalama Kelkar, PBS Newshour on 05.18.17 Word Count 1,414 Level MAX George Takei arrives at the 2014 Human Rights Campaign Gala in Los Angeles, California. AP Photo George Takei, the famed actor and activist perhaps best-known for his role of Sulu in "Star Trek" or for his posts on civil rights to his millions of social media followers, has lived many lives. Among them: he was one of roughly 120,000 Japanese-Americans who lived through internment after Japan attacked Pearl Harbor, an experience that he says he feels more obliged than ever to discuss. He recently recounted in the The New York Times, “I was 7 years old when we were transferred to another camp for ‘disloyals.’ My mother and father’s only crime was refusing, out of principle, to sign a loyalty pledge promulgated by the government. The authorities had already taken my parents’ home on Garnet Street in Los Angeles, their once thriving dry cleaning business, and finally their liberty.” After they were released, he and his family had to readjust. Takei ran for school government in junior high and high school, studied architecture at the University of California, Berkeley, and earned a degree in drama from the University of California, Los Angeles. A turning point for his This article is available at 5 reading levels at https://newsela.com. career came in 1966 when he began playing the role of Hikaru Sulu in the Star Trek television series. From the beginning, Takei fought stereotypes and tropes imposed on his character — in one instance, for the "Star Trek" episode “The Naked Time,” Takei convinced writer John D.F.
    [Show full text]
  • 5. Chord Changes
    How Film & TV Music Communicate – Vol.2 Text © Brian Morrell 2013 Chapter 5 I N S P A C E E V E R Y O N E C A N H E A R T H E C H O R D C H A N G E S ( p a r t 1 ) This chapter will examine the music for some of the most eminent and successful ‘Space movies’ in cinema history. The chapter will examine numerous memorable, famous and iconic science fiction films, most of them with a unifying theme of either being set in Space and/or involving Aliens. It will also ask whether there are inherently ‘sci-fi’ methods of composing music and if there are chord changes, orchestration techniques or melodic devices which are commonly used. Films and music discussed are: Alien (Jerry Goldsmith / Howard Hanson) Aliens (James Horner) Apollo 13 (James Horner) Independence Day, (David Arnold) Star Trek (Alexander Courage, Jerry Goldsmith, James Horner and Michael Giacchano) Mission to Mars (Ennio Morricone) Batman Forever (Elliot Goldenthal) ALIEN Jerry Goldsmith Alien is a 1979 science fiction film directed by Ridley Scott. The lead character is a creature that stalks and kills nearly the entire crew of a spaceship. The common mantra that Alien was to Star Wars what the Rolling Stones were to the Beatles goes some way to articulating how the film Alien is perceived by cinema-goers. Alien offers a subtle, cold, desolate environment; it lacks the usual Hollywood sheen – the razzmatazz, the glitz and the spectacle. It is a slow, plodding, brooding, dark film but one which completely captured the imagination of people who watched it.
    [Show full text]