Linkin Park Hybrid Theory Album Download Hybrid Theory (Hi-Res Version) Purchase and Download This Album in a Wide Variety of Formats Depending on Your Needs

Total Page:16

File Type:pdf, Size:1020Kb

Linkin Park Hybrid Theory Album Download Hybrid Theory (Hi-Res Version) Purchase and Download This Album in a Wide Variety of Formats Depending on Your Needs linkin park hybrid theory album download Hybrid Theory (Hi-Res Version) Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $10.99. Hybrid Theory (Hi-Res Version) Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. 1 month free, then $14.99/ month. Jeff Blue, Executive Producer - Don Gilmore, Producer, Recording Engineer - Brian "Big Bass" Gardner, Masterer, Digital Editor - BRAD DELSON, Guitar, Background Vocals, Bass - CHESTER BENNINGTON, Lead Vocals - JOSEPH HAHN, DJ, Writer, Background Vocals, Samples - LINKIN PARK, MainArtist - MIKE SHINODA, Beats, Additional Vocals, Ragga MC, Pro Tools - ROB BOURDON, Drums, Background Vocals - ANDY WALLACE, Mixer - John Ewing Jr., Additional Engineer, Pro Tools - Matt Griffin, Assistant Engineer - Steve Sisco, Mixing Engineer - Ian Hornbeck, Guitar, Bass - Chester Charles Bennington, Writer - David Michael Farrell, Writer - Michael Kenji Shinoda, Writer - Bradford Philip Delson, Writer - Robert Gregory Bourdon, Writer. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. Jeff Blue, Executive Producer - Don Gilmore, Producer, Recording Engineer - Brian "Big Bass" Gardner, Masterer, Digital Editor - BRAD DELSON, Guitar, Background Vocals, Bass - CHESTER BENNINGTON, Lead Vocals - JOSEPH HAHN, DJ, Writer, Background Vocals, Samples - LINKIN PARK, MainArtist - MIKE SHINODA, Beats, Additional Vocals, Ragga MC, Pro Tools - ROB BOURDON, Drums, Background Vocals - ANDY WALLACE, Mixer - John Ewing Jr., Additional Engineer, Pro Tools - Matt Griffin, Assistant Engineer - Steve Sisco, Mixing Engineer - Scott Koziol, Bass - Chester Charles Bennington, Writer - Michael Kenji Shinoda, Writer - Bradford Philip Delson, Writer - Robert Gregory Bourdon, Writer. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. Jeff Blue, Executive Producer - Don Gilmore, Producer, Recording Engineer - Brian "Big Bass" Gardner, Masterer, Digital Editor - BRAD DELSON, Guitar, Background Vocals, Bass - CHESTER BENNINGTON, Lead Vocals - JOSEPH HAHN, DJ, Writer, Background Vocals, Samples - LINKIN PARK, MainArtist - MIKE SHINODA, Beats, Additional Vocals, Ragga MC, Pro Tools - ROB BOURDON, Drums, Background Vocals - ANDY WALLACE, Mixer - John Ewing Jr., Additional Engineer, Pro Tools - Matt Griffin, Assistant Engineer - Steve Sisco, Mixing Engineer - The Dust Brothers, Additional Beats - Chester Charles Bennington, Writer - Michael Kenji Shinoda, Writer - Bradford Philip Delson, Writer - Robert Gregory Bourdon, Writer. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. Jeff Blue, Executive Producer - Don Gilmore, Producer, Recording Engineer - Brian "Big Bass" Gardner, Masterer, Digital Editor - BRAD DELSON, Guitar, Background Vocals, Bass - CHESTER BENNINGTON, Lead Vocals - JOSEPH HAHN, DJ, Writer, Background Vocals, Samples - LINKIN PARK, MainArtist - MIKE SHINODA, Beats, Additional Vocals, Ragga MC, Pro Tools - ROB BOURDON, Drums, Background Vocals - ANDY WALLACE, Mixer - John Ewing Jr., Additional Engineer, Pro Tools - Matt Griffin, Assistant Engineer - Steve Sisco, Mixing Engineer - Chester Charles Bennington, Writer - Michael Kenji Shinoda, Writer - Bradford Philip Delson, Writer - Robert Gregory Bourdon, Writer. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. Jeff Blue, Executive Producer - Don Gilmore, Producer, Engineer, Recording Engineer - Brian "Big Bass" Gardner, Engineer, Masterer, Digital Editor - BRAD DELSON, Guitar, Background Vocals, Bass - CHESTER BENNINGTON, Lead Vocals - JOSEPH HAHN, DJ, Writer, Background Vocals, Samples - LINKIN PARK, MainArtist - MIKE SHINODA, Beats, Additional Vocals, Ragga MC, Pro Tools - ROB BOURDON, Drums, Background Vocals - ANDY WALLACE, Mixer, Engineer - John Ewing Jr., Engineer, Additional Engineer, Pro Tools - Matt Griffin, Engineer, Assistant Engineer - Steve Sisco, Engineer, Mixing Engineer - Chester Charles Bennington, Writer - David Michael Farrell, Writer - Michael Kenji Shinoda, Writer - Bradford Philip Delson, Writer - Robert Gregory Bourdon, Writer - Bradford "Brad" Delson, Guitar, Vocals - Joseph "Mr. Hahn" Hahn, DJ - Michael "Mike" Shinoda, DJ, Engineer, Vocals, Samples - Robert "Rob" Bourdon, Drums, Vocals. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. Jeff Blue, Executive Producer - Don Gilmore, Producer, Recording Engineer - Brian "Big Bass" Gardner, Masterer, Digital Editor - BRAD DELSON, Guitar, Background Vocals, Bass - CHESTER BENNINGTON, Lead Vocals - JOSEPH HAHN, DJ, Background Vocals, Samples - LINKIN PARK, MainArtist - MIKE SHINODA, Beats, Additional Vocals, Ragga MC, Pro Tools - ROB BOURDON, Drums, Background Vocals - ANDY WALLACE, Mixer - MARK WAKEFIELD, Writer - John Ewing Jr., Additional Engineer, Pro Tools - Matt Griffin, Assistant Engineer - Steve Sisco, Mixing Engineer. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. Jeff Blue, Executive Producer - Don Gilmore, Producer, Engineer - Brian "Big Bass" Gardner, Engineer, Mastering Engineer - CHESTER BENNINGTON, Lead Vocals - JOSEPH HAHN, Writer - LINKIN PARK, MainArtist - ANDY WALLACE, Engineer, Mixing Engineer - John Ewing Jr., Engineer, Additional Engineer - Matt Griffin, Engineer, Assistant Engineer - Steve Sisco, Engineer - Chester Charles Bennington, Writer - David Michael Farrell, Writer - Michael Kenji Shinoda, Writer - Bradford Philip Delson, Writer - Robert Gregory Bourdon, Writer - Bradford "Brad" Delson, Bass Guitar, Backing Vocals, Lead Guitar - Joseph "Mr. Hahn" Hahn, DJ - Michael "Mike" Shinoda, DJ, Engineer, Vocals, Samples - Robert "Rob" Bourdon, Drums, Backing Vocals. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. Jeff Blue, Executive Producer - Don Gilmore, Producer, Recording Engineer - Brian "Big Bass" Gardner, Masterer, Digital Editor - BRAD DELSON, Guitar, Background Vocals, Bass - CHESTER BENNINGTON, Lead Vocals - JOSEPH HAHN, DJ, Writer, Background Vocals, Samples - LINKIN PARK, MainArtist - MIKE SHINODA, Beats, Additional Vocals, Ragga MC, Pro Tools - ROB BOURDON, Drums, Background Vocals - ANDY WALLACE, Mixer - John Ewing Jr., Additional Engineer, Pro Tools - Matt Griffin, Assistant Engineer - Steve Sisco, Mixing Engineer - Chester Charles Bennington, Writer - Michael Kenji Shinoda, Writer - Bradford Philip Delson, Writer - Robert Gregory Bourdon, Writer. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. Jeff Blue, Executive Producer - Don Gilmore, Producer, Engineer - Brian "Big Bass" Gardner, Engineer, Mastering Engineer - CHESTER BENNINGTON, Lead Vocals - LINKIN PARK, MainArtist - ANDY WALLACE, Engineer, Mixing Engineer - MARK WAKEFIELD, Writer - John Ewing Jr., Engineer, Additional Engineer - Matt Griffin, Engineer, Assistant Engineer - Steve Sisco, Engineer - Ian Hornbeck, Bass Guitar - Bradford "Brad" Delson, Bass Guitar, Backing Vocals, Lead Guitar - Joseph "Mr. Hahn" Hahn, DJ - Michael "Mike" Shinoda, DJ, Engineer, Vocals, Samples - Robert "Rob" Bourdon, Drums, Backing Vocals. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. Jeff Blue, Executive Producer - Don Gilmore, Producer, Recording Engineer - Brian "Big Bass" Gardner, Masterer, Digital Editor - BRAD DELSON, Guitar, Background Vocals, Bass - CHESTER BENNINGTON, Lead Vocals - JOSEPH HAHN, DJ, Background Vocals, Samples - LINKIN PARK, MainArtist - MIKE SHINODA, Beats, Additional Vocals, Ragga MC, Pro Tools - ROB BOURDON, Drums, Background Vocals - ANDY WALLACE, Mixer - MARK WAKEFIELD, Writer - John Ewing Jr., Additional Engineer, Pro Tools - Matt Griffin, Assistant Engineer - Steve Sisco, Mixing Engineer - Ian Hornbeck, Bass Guitar, Bass. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. Jeff Blue, Executive Producer - Don Gilmore, Producer, Recording Engineer - Brian "Big Bass" Gardner, Masterer, Digital Editor - BRAD DELSON, Guitar, Background Vocals, Bass - CHESTER BENNINGTON, Lead Vocals - JOSEPH HAHN, DJ, Writer, Background Vocals, Samples - LINKIN PARK, MainArtist - MIKE SHINODA, Beats, Additional Vocals, Ragga MC, Pro Tools - ROB BOURDON, Drums, Background Vocals - ANDY WALLACE, Mixer - John Ewing Jr., Additional Engineer, Pro Tools - Matt Griffin, Assistant Engineer - Steve Sisco, Mixing Engineer - Chester Charles Bennington, Writer - Michael Kenji Shinoda, Writer - Bradford Philip Delson, Writer - Robert Gregory Bourdon, Writer. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. Jeff Blue, Executive Producer - Don Gilmore, Producer, Recording Engineer - Brian "Big Bass" Gardner, Masterer, Digital Editor - BRAD DELSON, Guitar, Background Vocals, Bass - CHESTER BENNINGTON, Lead Vocals - JOSEPH HAHN, DJ, Writer, Background Vocals, Samples - LINKIN PARK, MainArtist - MIKE SHINODA, Beats, Additional Vocals, Ragga MC, Pro Tools - ROB BOURDON, Drums, Background Vocals - ANDY WALLACE, Mixer - John Ewing Jr., Additional Engineer, Pro Tools - Matt Griffin, Assistant Engineer - Steve Sisco, Mixing Engineer - Chester Charles Bennington, Writer - Michael Kenji Shinoda, Writer - Bradford Philip Delson, Writer - Robert Gregory Bourdon, Writer. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. About the album. 1 disc(s) - 12 track(s) Total length: 00:37:45. © 2000 Warner Records Inc. ℗ 2000 Warner Records Inc. Why buy on Qobuz. Stream or download your music. Buy an album or an individual track. Or listen to our entire catalogue with our high-quality unlimited streaming subscriptions. Zero DRM. The downloaded files belong to you,
Recommended publications
  • Epsiode 20: Happy Birthday, Hybrid Theory!
    Epsiode 20: Happy Birthday, Hybrid Theory! So, we’ve hit another milestone. I’ve rated for 15+ before like 6am, when it made 20 episodes of this podcast – which becomes a Top 50 countdown. When I was is frankly very silly – and I was trying younger, it was the quickest way to find to think about what I could write about new music, and potentially accidentally to reflect such a momentous occasion. see something that would really scar I was trying to think of something that you, music-video wise. Like that time I was released in the year 2000 and accidentally saw Aphex Twin’s Come to was, as such, experiencing a similarly Daddy music video. momentous 20th anniversary. The answer is, unsurprisingly, a lot of things But because I was tiny and my brain – Gladiator, Bring It On and American was a sponge, it turns out a lot of what Psycho all came out in the year 2000. But I consumed has actually just oozed into I wasn’t allowed to watch any of those every recess of my being, to the point things until I was in high school, and they where One Step Closer came on and I didn’t really spur me to action. immediately sang all the words like I was in some sort of trance. And I haven’t done And then I sent a rambling voice memo a musical episode for a while. So, today, to Wes, who you may remember from we’re talking Nu Metal, baby! Hell yeah! such hits as “making this podcast sound any good” and “writing the theme tune I’m Alex.
    [Show full text]
  • Hybrid Dynamic Density Functional Theory for Polymer Melts and Blends
    Hybrid Dynamic Density Functional Theory for Polymer Melts and Blends Takashi Honda ∗ Japan Chemical Innovation Institute, and Department of Organic and Polymeric Materials, Tokyo Institute of Technology, Ookayama, Meguro-ku, Tokyo 152-8552, Japan Toshihiro Kawakatsu Department of Physics, Tohoku University, Aoba, Aramaki, Aoba-ku, Sendai 980-8578, Japan Abstract We propose a high-speed and accurate hybrid dynamic density functional theory for the computer simulations of the phase separation processes of polymer melts and blends. The proposed theory is a combination of the dynamic self-consistent field (SCF) theory and a time-dependent Ginzburg-Landau type theory with the random phase approximation (GRPA). The SCF theory is known to be accurate in evaluating the free energy of the poly- mer systems in both weak and strong segregation regions although it has a disadvantage of the requirement of a considerable amount of computational cost. On the other hand, the GRPA theory has an advantage of much smaller amount of required computational cost than the SCF theory while its applicability is limited to the weak segregation region. To make the accuracy of the SCF theory and the high-performance of the GRPA theory compati- ble, we adjust the chemical potential of the GRPA theory by using the SCF theory every constant time steps in the dynamic simulations. The performance of the GRPA and the arXiv:cond-mat/0609081v1 [cond-mat.soft] 5 Sep 2006 hybrid theories is tested by using several systems composed of an A/B homopolymer, an AB diblock copolymer, or an ABC triblock copolymer. Using the hybrid theory, we succeeded in reproducing the metastable complex phase-separated domain structures of an ABC triblock copolymer observed by experiments.
    [Show full text]
  • A Hybrid Theory of Metaphor
    A Hybrid Theory of Metaphor Relevance Theory and Cognitive Linguistics Markus Tendahl A Hybrid Theory of Metaphor Copyright material from www.palgraveconnect.com - licensed to Taiwan eBook Consortium - PalgraveConnect - 2011-03-02 eBook Consortium - PalgraveConnect Taiwan - licensed to www.palgraveconnect.com material from Copyright 10.1057/9780230244313 - A Hybrid Theory of Metaphor, Markus Tendahl This page intentionally left blank Copyright material from www.palgraveconnect.com - licensed to Taiwan eBook Consortium - PalgraveConnect - 2011-03-02 eBook Consortium - PalgraveConnect Taiwan - licensed to www.palgraveconnect.com material from Copyright 10.1057/9780230244313 - A Hybrid Theory of Metaphor, Markus Tendahl A Hybrid Theory of Metaphor Relevance Theory and Cognitive Linguistics Markus Tendahl University of Dortmund, Germany Copyright material from www.palgraveconnect.com - licensed to Taiwan eBook Consortium - PalgraveConnect - 2011-03-02 eBook Consortium - PalgraveConnect Taiwan - licensed to www.palgraveconnect.com material from Copyright 10.1057/9780230244313 - A Hybrid Theory of Metaphor, Markus Tendahl © Markus Tendahl 2009 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6-10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988.
    [Show full text]
  • A Hybrid Theory of Environmentalism Steve Matthews Charles Sturt University
    Essays in Philosophy Volume 3 Article 10 Issue 1 Environmental Aesthetics 1-2002 A Hybrid Theory of Environmentalism Steve Matthews Charles Sturt University Follow this and additional works at: http://commons.pacificu.edu/eip Part of the Philosophy Commons Recommended Citation Matthews, Steve (2002) "A Hybrid Theory of Environmentalism," Essays in Philosophy: Vol. 3: Iss. 1, Article 10. Essays in Philosophy is a biannual journal published by Pacific nivU ersity Library | ISSN 1526-0569 | http://commons.pacificu.edu/eip/ Matthews -- Essays in Philosophy Essays in Philosophy A Biannual Journal Vol. 3 No. 1 A Hybrid Theory of Environmentalism Abstract The destruction and pollution of the natural environment poses two problems for philosophers. The first is political and pragmatic: which theory of the environment is best equipped to impact policymakers heading as we are toward a series of potential eco- catastrophes? The second is more central: On the environment philosophers tend to fall either side of an irreconcilable divide. Either our moral concerns are grounded directly in nature, or the appeal is made via an anthropocentric set of interests. The lack of a common ground is disturbing. In this paper I attempt to diagnose the reason for this lack. I shall agree that wild nature lacks features of intrinsic moral worth, and that leaves a puzzle: Why is it once we subtract the fact that there is such a lack, we are left with strong intuitions against the destruction and/or pollution of wild nature? Such intuitions can be grounded only in a strong sense of aesthetic concern combined with a common-sense regard for the interests of sentient life as it is indirectly affected by the quality of the environment.
    [Show full text]
  • Travel Tracker
    Travel Tracker Consumer Behavior Patterns Around the World October 2020 COVID-19: June 1 – Sept 30, 2020 Travel Tracker As the COVID-19 pandemic reaches its eighth month, global sentiment towards the virus has shifted depending on a variety of factors. The weather, rises/falls in cases, and regional policies have all impacted the ways people have responded to the pandemic and their behavior as consumers. This past summer, when people around the world typically take their vacations, was a time of reckoning for many. How would people make their escapes while balancing safety and practicality? Hybrid Theory is here to help travel marketers better understand previous consumer trends and where the industry is going. We are constantly analyzing data from online behavior across 18M websites to determine key travel consumption habits. With these insights, we can help travel marketers convert challenges into opportunities. Key Takeaways 1 2 3 4 Americans and Australians Searches for “hotels” in 58% of travelers around Vacation house rentals appear more interested Great Britain saw a the globe plan to take a worldwide are down only than their counterparts significant peak in late domestic trip (either by 6% year-to-date. around the world to travel summer, while interest plane or car) in the by car instead of plane. from other regions remainder of 2020. remained constrained. Hybrid Theory Research Highlights Road Trip Australians and Americans 350 searched for “Road Trip” this past summer at much higher 300 rates than their counterparts around the world. 250 A possible explanation is that 200 people in countries with large landmasses (like AU and US) 150 might be more interested in traveling by road.
    [Show full text]
  • Nu-Metal As Reflexive Art Niccolo Porcello Vassar College, [email protected]
    Vassar College Digital Window @ Vassar Senior Capstone Projects 2016 Affective masculinities and suburban identities: Nu-metal as reflexive art Niccolo Porcello Vassar College, [email protected] Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Porcello, Niccolo, "Affective masculinities and suburban identities: Nu-metal as reflexive art" (2016). Senior Capstone Projects. Paper 580. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. ! ! ! ! ! ! ! ! ! ! ! AFFECTIVE!MASCULINITES!AND!SUBURBAN!IDENTITIES:!! NU2METAL!AS!REFLEXIVE!ART! ! ! ! ! ! Niccolo&Dante&Porcello& April&25,&2016& & & & & & & Senior&Thesis& & Submitted&in&partial&fulfillment&of&the&requirements& for&the&Bachelor&of&Arts&in&Urban&Studies&& & & & & & & & _________________________________________ &&&&&&&&&Adviser,&Leonard&Nevarez& & & & & & & _________________________________________& Adviser,&Justin&Patch& Porcello 1 This thesis is dedicated to my brother, who gave me everything, and also his CD case when he left for college. Porcello 2 Table of Contents Acknowledgements .......................................................................................................... 3 Chapter 1: Click Click Boom .............................................................................................
    [Show full text]
  • Feminist Theory, Autobiography, Edith Wharton, and Me Susan L
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1994 The solace of separation: feminist theory, autobiography, Edith Wharton, and me Susan L. Woods Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the English Language and Literature Commons Recommended Citation Woods, Susan L., "The os lace of separation: feminist theory, autobiography, Edith Wharton, and me" (1994). Retrospective Theses and Dissertations. 16093. https://lib.dr.iastate.edu/rtd/16093 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The solace of separation: Feminist theory, autobiography, Edith Wharton, and me. by Susan L. Woods A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: English Major: English Approved: Signatures have been redacted for privacy Iowa State University Ames, Iowa 1994 i i Angie, Olivia, Lance, Jason, and Jerry-- encouragement, patience, and understanding. Kathy Hickok, Dorothy Schwieder, Connie Post, and Katharine Joslin-­ instruction, comments, and insights. Brenda Daly-- It would come on her all of a sudden, a sense of dizzying growth, as if she had been given a special kind of eyesight so that things looked different to her than they did to other people .... She wanted to see how everything was. Joyce Carol Oates A Garden of Earthly oelights To all those who weren't there-- Your absence made this writing possible.
    [Show full text]
  • 'Lost Boys' Find SJSU A.S
    SPARTAN DAILY VOLUME 126 NUMBER 17 Serving Sari Jia,a: StaIL I r .1 \ ,1114..t.: 1934 lilt RS1).%). HAW( AI(1' 23, 2006 \\ 111. ..i11.1111.1iIV .1,111 Opposing Views: Reasons to go online Friday: DAY NIGHT all ' !be Ibrilla From Manila' Should the Danish media have Fourlof (4alifornia.iovera e Ail 4 - v. Nlen's basketball vs. Fresno published the controversial cartoons? l'hoto sit deshow and in med i presentation 'Garage' restaurant review Opinion Page 2 Drink of the Week 68F 44 F Clark Hall 'Lost boys' find SJSU A.S. scheduled to approves open in Fall funds for Faculty and staff to move in March legal fees By April Maramag DAILY STAFF WRITER New director The finishing touches are being introduced to board placed on Clark !fall this week so that faculty and staff can move in by By Erin Keilah Chin March. (lark !tall, formerly ( 'lark DAILY STAFF WRITER abrary, will be the nos home of the Academic Success ( 'enter open- In a meeting on Vk ednesday. ing this Fall. The 1.19 million the .5ssociated Students Board of state- funded renovation of Clark i 1111:001s i.ic,1 on and :wpm ed the Hall 55111 HOW house new labs and "ii 5,1111(1 lot .5 s Legal classrooms along is it ti I ic iilt and ,ei%I.es lion% the .5 s ( gyrating administrative of Many 01 the (:xsei) faculty and staff going inio the new s had set a 521).0(10 budget lot offices ii If be mos ing Indio modu- "Pcilscs 110%cel) the months lar trailers, according to I .kiniel No, .4 July and I )evembei, S S used be architect and construction manager "'en $18.111111 anti $211.11011 01 thy for the Facilities Development and I ...gal se is ices I Mid, Operations department C Mt' t 011)1,1.1I11,11.
    [Show full text]
  • Personal Denial and Social Rejection Reflected in Linkin Park’S Album “Meteora” a Final Project
    PERSONAL DENIAL AND SOCIAL REJECTION REFLECTED IN LINKIN PARK’S ALBUM “METEORA” A FINAL PROJECT Submitted in Partial Fulfillment of the Requirements for the Degree of Sarjana Sastra in English By Adi Indra Kurniawan 2250402014 ENGLISH DEPARTMENT FACULTY OF LANGUAGES AND ARTS SEMARANG STATE UNIVERSITY 2007 PERNYATAAN Nama : ADI INDRA KURNIAWAN NIM : 2250402014 Prodi/ jurusan : Sastra Inggris S1/ Bahasa Inggris Fakultas : Fakultas Bahasa dan Seni Menyatakan dengan sesungguhnya bahwa skripsi/ tugas akhir/ final project yang berjudul: PERSONAL DENIAL AND SOCIAL REJECTION REFLECTED IN LINKIN PARK’S ALBUM “METEORA” Yang saya tulis dalam rangka memenuhi salah satu syarat untuk memperoleh gelar sarjana ini benar – benar hasil karya saya sendiri, yang saya hasilkan setelah melalui penelitian, pembinbingan, diskusi dan pemaparan/ ujian. Semua kutipan, baik langsung maupun tidak langsung, baik yang diperoleh dari sumber kepustakaan, wahana elektronik maupun sumber lainnya telah disertai keterangan mengenai sumbernya dengan cara sebagaimana yang lazim dalam penulisan karya ilmiah; dengan demikian walaupun tim penguji dan pembimbing penulisan skripsi/ tugas akhir/ final project ini membubuhkan tanda tangan sebagai tanda keabsahanny, seluruh isi karya ilmiah ini tetap menjadi tanggung jawab saya sendiri. Jika di kemudian hari ditemukan ketidakberesan saya bersedia untuk menerima akibatnya. Demikian, untuk dapat dipergunakan sebagaimana mestinya. Semarang, November 2006 Yang membuat pernyataan Adi Indra Kurnaiawan ii PAGE OF APPROVAL This Final Project was approved by the Board of examiners of The Faculty of Language and Arts of Semarang State University on ………………………… The Board of Examiners 1. Chairperson of the Examination Prof. Dr. Rustono, M. Hum NIP. 131281222 2. Secretary of the Examination Drs. Suprapto, M. Hum NIP.
    [Show full text]
  • 2 Days in NEW York PRESENTED by ENTERTAINMENT WEEKLY
    The Premieres program showcases some of the most highly anticipated dramatic films of the coming year. Catch world premieres and the latest work from established directors at the Sundance Film Festival before they create a splash at local theatres. 2 DAYS IN New York DIRECTOR: Julie Delpy France, 2011, 91 min., color English and French with English subtitles Marion and Mingus live cozily—perhaps too cozily—with their cat and two young children from previous relationships. However, when Marion’s jolly father (played by director Delpy’s real-life dad), her oversexed sister, and her sister’s outrageous boyfriend unceremoniously descend upon them for a visit, it initiates two unforgettable days that will test Marion and Mingus’s relationship. With their unwitting racism and sexual frankness, the French triumvirate hilariously has no boundaries or filters . and no person is left unscathed in its wake. Directed and cowritten by Julie Delpy, 2 Days in New York is a deliciously PRESENTED by Entertainment Weekly witty romp. One of the pleasures of this follow-up film to 2 Days in Paris is the addition of Chris Rock, who—amid the Gallic mayhem—convincingly plays the straight man as Marion’s hipster American boyfriend. With great skill and energy, Delpy heightens cultural differences to comedic extremes but also manages to show that sometimes change is the best solution to a relationship that’s been pushed to its limit.—K.Y. Pr: Christophe Mazodier Ci: Lubomir Bakchev Ed: Isabelle Devinck PrD: Judy Rhee Wr: Julie Delpy, Alexia Landeau Principal Cast: Julie Delpy, Chris Rock, Albert Delpy, Alexia Landeau, Alex Nahon Monday, January 23, 6:30 p.m.
    [Show full text]
  • Butlletí De Novetats Discogràfiques Abril-Juny
    BUTLLETÍ DE NOVETATS DISCOGRÀFIQUES ABRIL-JUNY 2008 CJCMJPUFDB QÞCMJDBBMJDBOUF ÍNDICE 1. MÚSICA DE TRADICIONES NACIONALES. CANTAUTORES 3-8 2. JAZZ 9-12 3. ROCK, POP, MÚSICA LIGERA 13-21 4. MÚSICA CLÁSICA 22-26 5. MÚSICA NEW AGE 27-28 6. MÚSICA FUNCIONAL. BANDAS SONORAS VARIAS 29-32 ÍNDICES 33-37 1 MÚSICA DE TRADICIONES NACIONALES. CANTAUTORES 1 BRANCO, Cristina Abril [Grabación sonora] / Cristina Branco ; [canciones de José Alfonso]. -- [S.l.] : Universal Music, p 2007. -- 1 disco compacto (65 min., 04 seg.) : digital ; 12 cm + 1 folleto Letras de las canciones en el folleto Contiene : 1. Menino Doiro ; 2. Senhor Arcanjo ; 3. Maio maduro Maio ; 4. Canto Moço ; 5. Avenida de Angola ; 6. No comboio descendente ; 7. Ronda das Mafarricas ; 8. Cancao de Embalar ; 9. Era um Redondo Vocabulo ; 10. A morte saiu à Rua ; 11. Cantigas do Maio ; 12. Venham mais cinco ; 13. Carta a Miguel Djeje ; 14. Os Indios da Meia-Praia ; 15. Coro da Primavera ; 16. Chamaram-me cigano 1. Música popular portuguesa I. Alfonso, José (1929-1987) II. Título 071.4 BRA 1038258 ALI R.C.D. 5723 2 BUSTAMANTE, Julio (1951-) Lluvia cascabel [Grabación sonora] / Julio Bustamante. -- Valencia : Comboi Records, p 2008. -- 1 disco compacto (ca. 38 min.) : digital ; 12 cm + 1 folleto Letras de las canciones en el folleto Contiene: 01. Rosa de los vientos ; 02. John Huston ; 03. La selva ; 04. Lluvia cascabel ; 05. La especie de Tom Sawyer ; 06. El secundario ; 07. Albert y la mar ; 08. Gatitos pequeños ; 09. Llena de gracia ; 10. Estiu estrany D.L. V 5054-2007 1.
    [Show full text]
  • Round 15.Pdf
    TRASHionals 12 Round 15 Toss-Ups 1. Though at first it sold poorly, it did get favorable reviews, appearing on Car and Driver's 10 Best lists in 1996 and 1997. The replacement model for the Spirit, it represented a move away from extended K-car platform in the mid '90s as it aspired to compete for sales with the Lumina, Taurus, and Accord, though it would be replaced by the Avenger after the 2007 model year, as the market moved towards larger and more powerful sedans such as the Intrepid and Charger. The last of the so-called "cloud cars" to be produced, it became a running joke as a symbol of phony middle-class luxury and white-collar middle managers. This is for ten points, what Chrysler-made vehicle, immortalized by angry father on Saturday Night Live played by Will Ferrell demanding deference from his wife and surly daughter, noting that "he is a division manager" and that "people are scared of him" in part because he drives one of these. Answer: Dodge Stratus 2. Their final album, M6, was released in only in Europe, and their leader pronounced them defunct as of 2007. Many fans consider 1995's Beggar On A Beach Of Gold to be their best album, though they scored bigger hits with their first two albums. They recorded a version of the Beatles' "Revolution" for the film Rude Awakening and their first single was featured in the film Choke Canyon, which overseas was retitled On Dangerous Ground. Featuring twin vocalists Paul Young and Paul Carrack, the man for whom the band was named wrote most songs and played guitar.
    [Show full text]