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Livesey, G. / A. Moulis, Eds.: Le Corbusier, 4 Volume Set

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Livesey, G. / A. Moulis, Eds.: Le Corbusier, 4 Volume Set LIVESEY, G. / A. MOULIS, EDS.: LE CORBUSIER, 4 VOLUME SET Volume I. Formative Years, 1887-1916 Education, Apprenticeship and Early Travels 1. H. Allen Brooks, ‘Le Corbusier’s Formative Years at La Chaux-de-Fonds’, in H. Allen Brooks (ed.), Le Corbusier, (Princeton: Princeton University Press, 1987), pp. 27-45. 2. Giuliano Gresleri, ‘Home-Ties—Adrift Abroad: The Oriental Journey of CH. Jeanneret’, Daidalos, 15, (March 1986), pp. 102-111. 3. Christoph Schnoor, ‘Munich to Berlin: The Urban Space of German Cities’, in Jean-Louis Cohen, (ed.), Le Corbusier: An Atlas of Modern Landscapes, (London: Thames and Hudson, 2013), pp. 85-90. 4. Le Corbusier, ‘The Parthenon’, in Journey to the East, trans I. Zaknic, (Cambridge, Mass.: MIT Press, 1987), pp. 209-239, 263- 266. Early Projects and Themes 5. Jacques Grubler, ‘From Feeling to Reason: Jeanneret and Regionalism’, in Le Corbusier: Early Works by Charles-Edouard Jeanneret-Gris, (New York: St. Martin’s, 1987), pp. 112-119. 6. Geoffrey Baker, ‘The Early Villas in La Chaux-de-Fonds by Charles-Edouard Jeannneret-Gris’, in Le Corbusier: Early Works by Charles-Edouard Jeanneret-Gris, (New York: St. Martin’s, 1987), pp. 8-24. 7. Peter Serenyi, ‘Le Corbusier, Fourier, and the Monastery of Ema’, Art Bulletin, (Dec. 1967), pp. 277-286. 8. Peter Eisenman, ‘Aspects of Modernism: Maison Dom-ino and the Self-Referential Sign’, Oppositions, no. 15/16, (Winter/Spring 1979), pp. 118-128. Toward an Architecture 1917-1929. Transitional Years: Amedée Ozenfant, Purism, L’Esprit Nouveau 9. H. Allen Brooks, ‘The Transitional Years: Jeanneret’s Move to Paris 1917-1920’, in Le Corbusier’s Formative Years: Charles- Edouard Jeanneret at La Chaux-de-Fonds, (Chicago: University of Chicago Press, 1997), pp. 471-503. 10. Le Corbusier and Amédée Ozenfant, ‘Purism’, in Robert L. Herbert, (ed.), Modern Artists on Art: Ten Unabridged Essays, (Englewood Cliffs: Prentice-Hall, Inc., 1964), pp. 58-73. 11. M. Christine Boyer, ‘A Method for the Arts of Today: Purism, Après le Cubisme, and L’Esprit Nouveau’, in Le Corbusier, homme de lettres, (New York: Princeton Architectural Press, 2011), pp. 261-276, 725-727. 12. Kenneth E. Silver, ‘Ars Longa’, in Purism and the Spirit of Synthesis, (New York: Barbara Mathes Gallery, 1986). Vers une architecture, 1923 13. Le Corbusier, ‘Argument’, ‘Three Reminders To Architects: Volume’, and ‘Eyes That Do Not See: Liners’, in Toward an Architecture, trans. J. Goodman, (Los Angeles: Getty Research Institute, 2007), pp. 85-89, 99-106, 145-158, 308-310, 317- 319. 14. Frederick Etchells, ‘Introduction’, in Le Corbusier, Towards a New Architecture, trans. F. Etchells, (New York: Payson & Clark, 1927), pp. v-xvii. 15. Peter Collins, ‘The Mechanical Analogy’, in Changing Ideals in Modern Architecture, (Montreal: McGill-Queen’s University Press, 1967), pp. 164-166. Purist Villas 16. Richard A. Etlin, ‘A paradoxical avant-garde: Le Corbusier’s villas of the 1920s’, Architectural Review, Vol. CLXXXI, No. 1079, (January 1987), pp. 21-26, 31-32. 17. Kurt W. Forster, ‘Antiquity and Modernity in the La Roche-Jeanneret Houses of 1923’, Oppositions, no. 15/16, (Winter/Spring 1979), pp. 131-153. 18. Philippe Boudon, ‘Le Corbusier’s Conception at Pessac’, in Lived-in Architecture: Le Corbusier’s Pessac Revisited, trans. G. Onn, (London: Lund Humphries, 1972), pp. 29-46. 19. Colin Rowe, ‘The Mathematics of the Ideal Villa: Palladio and Le Corbusier Compared’, Architectural Review, 101, (March 1947), pp. 101-104. 20. Tim Benton, ‘Villa Savoye and the Architects’ Practice’, in H. Allen Brooks (ed.), Le Corbusier, (Princeton: Princeton University Press, 1987), pp. 83-105. 21. Richard Meier, ‘’Les Heures Claires’’, in Yukio Futagawa, (ed.), Le Corbusier: Villa Savoye, Poissy, France. 1929-31, (Tokyo: A.D.A. Edita, 1972), pp. 2-7. Themes: Five Points of a New Architecture, the Architectural Promenade 22. Le Corbusier and Pierre Jeanneret, ‘Five points towards a new architecture’, in Ulrich Conrads, (ed.), Programs and Manifestoes on 20th-Century Architecture, (Cambridge, Mass.: MIT Press, 1970), pp. 99-100. 23. Werner Oechslin, ‘Les Cinqs Points d’une Architecture Nouvelle’, Assemblage, No. 4, (October 1987), pp. 83-93. 24. Bruno Reichlin, ‘The Pros and Cons of the Horizontal Window: The Perret-Le Corbusier Controversy’, Daidalos, 13, (September 1984), pp. 65-78. 25. Flora Samuel, ‘Elements of the Architectural Promenade’, in Le Corbusier and the Architectural Promenade, (Basel: Birkhäuser, 2010), pp. 85-101. The City of Tomorrow 1920-1933. Urbanisme, 1925 26. Le Corbusier, ‘A Contemporary City’, in The City of Tomorrow, trans. F. Etchells, (New York: Payson & Clarke, 1929), pp. 164- 177. Urban Projects and CIAM 27. Norma Evenson, ‘A City for Three Million People’, and ‘The Voisin Plan’, in Le Corbusier: The Machine and the Grand Design, (New York: George Braziller, 1969), pp. 13-20, 112-114. 28. Kenneth Frampton, ‘The City of Dialectic’, Architectural Design, Vol. XXXIX, (October 1969), pp. 541-546. 29. Sigfried Giedion, ‘The International Congresses for Modern Architecture (CIAM) and the Formation of Contemporary Architecture’, in Space, Time and Architecture: The Growth of a New Tradition, (Cambridge, Mass.: Harvard University Press, 1982), pp. 696-706. Volume II. Allied Arts, 1925-1937 L'Art décoratif d'aujourd’hui (1925) 30. Le Corbusier, ‘Type-needs. Type-furniture’, in The Decorative Art of Today, trans. J. Dunnett, (Cambridge, Mass.: MIT Press, 1987), pp. 67-79. Furniture and Interiors 31. Charlotte Benton, ‘Le Corbusier: Furniture and the Interior’, Journal of Design History, 3, no. 2-3 (1990): pp. 103-124. The Role of Drawing, Painting, Sculpture and Colour 32. Christopher Green, ‘The Architect as Artist’, in Le Corbusier: Architect of the Century, (London: Arts Council of Great Britain, 1987), pp. 110-118. 33. Geoffrey Baker, ‘Le Corbusier: Sketches and Drawings’, Architectural Design, 52, 7/8, (1982), pp. 64-69. 34. Richard Joseph Ingersoll, ‘Le Corbusier: A Marriage of Contours’, in Le Corbusier: A Marriage of Contours, (New York: Princeton Architectural Press, 1990), pp. 7-16. 35. Fernand Leger, ‘Color in Architecture’, in Stamo Papadaki (ed.), Le Corbusier, Architect, Painter, Writer, (New York: Macmillan, 1948), pp. 78-80. Photography 36. Beatriz Colomina, ‘Le Corbusier and Photography’, Assemblage, 4, (October 1987), pp. 7-23. 37 Thomas L. Schumacher, ‘Deep Space/Shallow Space’, Architectural Review, Vol. CLXXXI, No. 1079, (January 1987), pp. 37-42. World Architect, 1928-1936. League of Nations and Mundaneum 38. Sigfried Giedion, ‘The League of Nations Competition, 1927: Contemporary Architecture Comes to the Front’, in Space, Time and Architecture: The Growth of a New Tradition, (Cambridge, Mass.: Harvard University Press, 1982), pp. 530-539. 39. Giuliano Gresleri, ‘The Mundaneum Plan’, in Carlo Palazzolo and Riccardo Vio (eds.), In the Footsteps of Le Corbusier, (New York: Rizzoli, 1991), pp. 93-113. International Encounters: U.S.S.R., Latin America, North Africa and America 40. Jean-Louis Cohen, ‘Le Corbusier and the Mystique of the U.S.S.R.’, Oppositions, no. 23, (Winter 1981), pp. 85-121. 41. Moses Ginzburg, ‘Letter to Le Corbusier’, in A. Kopp, (ed.), Town and Revolution, (London: Thames & Hudson, 1970), pp. 253- 254. 42. Fernando Pérez Oyarzun, ‘Le Corbusier in South America: Reinventing the South American City’, in Le Corbusier & The Architecture of Reinvention, (London: AA Publications, 2003), pp. 141-153. 43. Mary McLeod, ‘Le Corbusier and Algiers’, Oppositions, no. 19/20, (Winter/Spring 1980), pp. 54-85. 44. Mardges Bacon, ‘The "Call" to American Industrialists’, in Le Corbusier in America: Travels in the Land of the Timid, (Cambridge, Mass.: MIT Press, 2001), pp. 184-189, 365-368. 45. Le Corbusier, ‘The Skyscrapers Of New York Are Too Small’, in When the Cathedrals Were White: A Journey to the Country of Timid People, trans. F.E. Hyslop, Jr., (New York: McGraw-Hill Book Co., 1964), pp. 51-58. Housing Projects 46. Brian Brace Taylor, ‘Technology, Society, and Social Control in Le Corbusier’s Cité de Refuge, Paris, 1933’, Oppositions, no. 15/16, (Winter/Spring 1979), pp. 168-185. 47. Shadrach Woods, ‘Why Revisit ‘Le Pavillon Suisse’?’, Architectural Forum, 122, (June 1965), pp. 59-63. 48. Peter Carl, ‘Le Corbusier’s Penthouse in Paris, 24 Rue Nungesser-et-Coli’, Daidalos, 28, (June 1998), pp. 65-75. 49. Christian Sumi, ‘The Immeuble Clarté’, in Carlo Palazzolo and Riccardo Vio (eds.), In the Footsteps of Le Corbusier, (New York: Rizzoli, 1991), pp. 177-187. Regionalism and Vernacular Forms, 1929-1935 50. Peter Blake, ‘Thirteen’, in Le Corbusier: Architecture and Form, (Baltimore: Penguin Books, 1966), pp. 86-95. 51. Tim Benton, ‘Petite Maison de Weekend (Villa Félix), La Celle-St-Cloud’, in Michael Raeburn and Victoria Wilson (eds.), Le Corbusier: Architect of the Century, (London: Arts Council of Great Britain, 1987), pp. 65-66. The War Years, 1936-1946 52. Danilo Udovicki-Selb, ‘Le Corbusier and the Paris Exposition of 1937: The Temps Nouveau Pavilion’, Journal of the Society of Architectural Historians, Vol. 56, No. 1, (March 1997), pp. 42-63. 53. Antony Moulis, ‘Forms and techniques: Le Corbusier, the spiral plan and diagram architecture’, ARQ, Vol. 4, Issue 4, (December 2010), pp. 317-326. 54. Kenneth Frampton, ‘The Politics of the Unpolitical: Le Corbusier and Saint-Simonian Technocracy 1923-1947’, in Le Corbusier, (London: Thames & Hudson, 2000), pp. 116-129, 231-232. 55. Robert Fishman, ‘Vichy’, in Urban Utopias in the Twentieth Century: Ebenezer Howard, Frank Lloyd Wright, and Le Corbusier, (New York: Basic Books Inc., 1977), pp. 243-252, 301-302. Volume III. Post-War Reconstruction, 1946-1964 Ideas and Projects 56. Peter Clericuzio, 'Le Corbusier and the Reconstruction of Saint-Dié: The debate over Modernism in France, 1944-46’, Chicago Art Journal, 20 (2010), pp. 47-71. 57. Le Corbusier, ‘The Construction of Dwellings’, in Talks with Students from the Schools of Architecture, trans. P. Chase, (New York: Orion Press, 1961), pp. 24-34.
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