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Le Corbusier Charles-Édouard Jeanneret-Gris
Le Corbusier Charles-Édouard Jeanneret-Gris Portrait on Swiss ten francs banknote Personal information Name: Charles-Édouard Jeanneret-Gris Nationality: Swiss / French Birth date: October 6, 1887 Birth place: La Chaux-de-Fonds, Switzerland Date of death: August 27, 1965 (aged 77) Place of death: Roquebrune-Cap-Martin, France 1 Created with novaPDF Printer (www.novaPDF.com). Please register to remove this message. Major buildings and projects The Open Hand Monument is one of numerous projects in Chandigarh, India designed by Le Corbusier 1905 - Villa Fallet, La Chaux-de-Fonds, Switzerland 1912 - Villa Jeanneret-Perret, La Chaux-de-Fonds [1] 1916 - Villa Schwob, La Chaux-de-Fonds 1923 - Villa LaRoche/Villa Jeanneret, Paris 1924 - Pavillon de L'Esprit Nouveau, Paris (destroyed) 1924 - Quartiers Modernes Frugès, Pessac, France 1925 - Villa Jeanneret, Paris 1926 - Villa Cook, Boulogne-sur-Seine, France 1927 - Villas at Weissenhof Estate, Stuttgart, Germany 1928 - Villa Savoye, Poissy-sur-Seine, France 1929 - Armée du Salut, Cité de Refuge, Paris 1930 - Pavillon Suisse, Cité Universitaire, Paris 1930 - Maison Errazuriz, Chile 1931 - Palace of the Soviets, Moscow, USSR (project) 1931 - Immeuble Clarté, Geneva, Switzerland 1933 - Tsentrosoyuz, Moscow, USSR 1936 - Palace of Ministry of National Education and Public Health, Rio de Janeiro 1938 - The "Cartesian" sky-scraper (project) 1945 - Usine Claude et Duval, Saint-Dié-des-Vosges, France 1947-1952 - Unité d'Habitation, Marseille, France 1948 - Curutchet House, La Plata, Argentina 1949-1952 - United Nations headquarters, New York City (project) 1950-1954 - Chapelle Notre Dame du Haut, Ronchamp, France 1951 - Cabanon Le Corbusier, Roquebrune-Cap-Martin 2 Created with novaPDF Printer (www.novaPDF.com). -
Finding Faces Inhabiting the Doodle
ENGLISH ABSTRACTS 127 INHABITING THE DOODLE FINDING FACES Juan Coll-Barreu Daniel Naegele A kid, faster than the camera’s shutter, looks at the photographer while waling home Picasso’s 1924 “Mandoline and Guitar” [fig. 1] depicts a wall-papered room with an with his mother, followed by his pet. The photographer was Julius Shulman, the pic- open window. In front of the window is a table. On the table is a bowl of fruit and two ture was always dated in 1950 and the house was Model 301 of L.A.’s Mutual Housing musical instruments. The painting is the last in a series of paintings that Picasso Association built by A. Quincy Jones, Whitney R. Smith and Edgardo Contini between began in 1919 with the gouache “Still-Life in Front of a Window at St. Raphaël”. [fig. 1948 and 1950. 2] Each painting in the series depicts the same room, and each is a modification of the painting done before it. That is to say, in this series, Picasso does not paint from The photograph has been widely published thanks to the popularity of the photogra- ‘real life’; he paints a painting of a painting. He re-presents representation. pher and the beauty of the scene. He filled with permanence an architectural shot as he had done with Richard J. Neutra’s Kaufmann house and would later do with Pierre The painting’s title, “Mandoline and Guitar”, identifies the two instruments as its sub- Koenig’s Case Study House #22. ject. The title tells us what to see. -
Charles-Édouard Jeanneret
L E COR- BUS- CHARLES-ÉDOUARDIER JEANNERET Charles-Édouard Jeanneret, known as Le Corbusier (October 6, 1887 – August 27, 1965), was a Swiss-French architect, designer, painter, urban planner, writer, and one of the pio- neers of what is now called modern architecture. He was born in Switzerland and became a French citizen in 1930. His career spanned five decades; he constructed buildings in Eu- rope, Japan, India, and North and South America. Dedicated to providing better living conditions for the residents of crowded cities, Le Corbusier was influential in urban planning, and was a founding member of the Congrès International d’Architecture Moderne (CIAM). Le Corbusier prepared the master plan for the city of Chandigarh in India, and contributed specific designs for several buildings there. On July 17, 2016, seventeen projects by Le Corbusier in seven countries were inscribed in the list of UNESCO World Heritage sites as “an Outstanding Contribution to the Modern Movement”. Charles-Édouard Jeanneret was born on October 6, 1887 in La Chaux-de-Fonds, a small city in the French-speaking Neuchâtel canton in north-western Switzerland, in the Jura mountains, just 5 kilometres (3.1 mi) across the border from France. It was an industrial town, devoted to the manufacture of watches. (He adopted the pseudonym Le Corbusier in 1933 of Le Corbusier in 1920). His father was an artisan who Charles-Édouard Jeanneret-Gris[1] October 6, 1887 enameled boxes and watches, while his mother gave piano La Chaux-de-Fonds, Switzerland lessons. His elder brother Albert was an amateur violinist. Died :August 27, 1965 (aged 77) Roquebrune :Cap-Martin, France [3] He attended a kindergarten that used Fröbelian Nationality :Swiss, French methods. -
Le Corbusier and His Contemporaries
1 April 2002 Art History W36456 Important announcements: Monday April 8th I cannot prepare class ahead of time, we will instead view a series of films by and about Le Corbusier and his contemporaries. To make up for the missed lecture there will be an extra concluding class of the course on Weds. May 8th at the usual time and in this room. Please mark your calendars. As we are now behind the course will conclude with 1965 and the examination will include all material through topic 25. A new course on Post War Architecture, the third part of the survey then, will be introduced in 2003-4. Le Corbusier: Architecture or Revolution (architecture and urbanism to 1930) Charles-Edouard Jeanneret (takes name Le Corbusier in the 1920s) b. 1887 La Chaux-de-Fonds, Switzerland, died Roquebrunne (Riveria) 1965; architect in Paris from 1917 on. Arts School in La Chaux de Fonds and influence of Charles L’Eplattenier 1905-06 Villa Fallet, La Chaux de Fonds 1908-9 in Paris with Perret and meets Tony Garnier 1910 with Theodore Fischer in Munich and with Behrens in Berlin/Potsdam 1908 Villa Jacquemet, La Chaux de Fonds 1914-16 Villa Schwob (Maison Turque), La Chaux-de-Fonds (first concrete frame) 1914 Domino (Dom-Ino) project with Max Dubois 1918 publishes Après le Cubisme with Amedée Ozenfant 1920 first issue of the magazine L’Esprit Nouveau 1923 Vers une Architecture (translated into English in 1927 as Towards a new Architecture) 1922 Salone d’Automne Paris, he exhibits the Citrohan House and the Ville de 3 Millions d’Habitants 1922 Ozenfant Studio, Paris -
Programme Expositions
CIVA CITÉ DE L’ARCHITECTURE VILLA SAVOYE PIACÉ LE RADIEUX PROGRAMME BRUXELLES ET DU PATRIMOINE POISSY PIACÉ Cuisines. 1950 Cité Radieuse, PARIS Folding Cosmos Joseph Savina/Le 2015 Marseille par Le Corbusier. Un bâtiment, combien de vies ? Le Corbusier et le Japon Corbusier/Norbert Bézard Exposition organisée par Présentation de la Cité de AVRIL – JUIN La Quinzaine radieuse #7 INQUANTENAIRE les Archives d’Architecture Refuge et du Centre Espoir de www.villa-savoye.monuments- 20 JUIN – 30 AOÛT LC Moderne l’Armée du Salut nationaux.fr www.piaceleradieux.com DE LA MORT DE 28 JANVIER – 19 AVRIL MARS – MAI CIAC FONDATION SUISSE LE CORBUSIER www.aam.be www.citechaillot.fr CHÂTEAU DE CARROS PARIS COLLINE NOTRE-DAME COLLINE NOTRE-DAME variations Le Corbusier Suite chromatique EXPOSITIONS DU HAUT DU HAUT MAI – SEPTEMBRE Histoire de résidents www.ciac-carros.fr PAVILLON DE RONCHAMP RONCHAMP Florence Cosnefroy L’ESPRIT NOUVEAU La chapelle Notre-Dame du Une chapelle inspirée : les CENTRE POMPIDOU JUIN – JUILLET www.fondationsuisse.fr BOLOGNE Haut, de l’ombre à la lumière sources de Le Corbusier PARIS er My house is a Le Corbusier 31 JANVIER – 1 MARS pour Ronchamp Le Corbusier : VILLA SAVOYE er Cristian Chironi www.collinenotreda 30 MARS – 1 NOVEMBRE Mesures de l’homme POISSY meduhaut.com www.collinenotreda 7 – 25 JANVIER 29 AVRIL – 3 AOÛT Susanna Fritscher : points de meduhaut.com www.museoman.it VILLA SAVOYE www.centrepompidou.fr vue sur la promenade ÉGLISE SAINT-PIERRE POISSY MAISON LA ROCHE WEISSENHOFWERKSTATT architecturale de Le Corbusier FIRMINY -
Le Corbusier Architecture Tour of Switzerland
Le Corbusier architecture tour of Switzerland http://www.travelbite.co.uk/printerfriendly.aspx?itemid=1252859 Le Corbusier architecture tour of Switzerland Friday, 05 Dec 2008 00:00 Considered by many to be the most important architect of the 20th century, Charles- Édouard Jeanneret-Gris – who chose to be known as Le Corbusier – was the driving force behind the International style. Also known as Modern architecture, the movement stressed the importance of form and the elimination of ornament - values explored by Le Corbusier over a career spanning five decades. His Five Points – first expressed in the L'Esprit Nouveau - epitomise the style, and allowed his work to spread from his native Switzerland around the world, including developments in Le Maison Blanche (credit: Eveline France, India, Russia, Chile, Germany and even Iraq. Perroud) Born in La Chaux-de-Fonds, Switzerland, Le Corbusier began his career in his home town with La Maison Blanche – a very personal project for his parents, completed in 1912. It is one of a number of Le Corbusier buildings still standing in Switzerland, and here travelbite.co.uk takes a look at what is on offer to visitors as they explore his native land. La Chaux-de-Fonds Le Maison Blanche was the first independent project completed by Le Corbusier, and draws on his experience in Paris as a student of Auguste Perret and Peter Behrens in Berlin. Situated in his home town of La Chaux-de-Fonds, guests are invited to explore one of the early works of the aspiring architect, who had not yet taken the name Le Corbusier. -
Le Corbusier's Cité De Refuge
DOI: http://dx.doi.org/10.4995/LC2015.2015.796 Le Corbusier’s Cité de Refuge: historical & technological performance of the air exacte L.M. Diaz, R. Southall School of Arts, Design and Media, University of Brighton Abstract: Despite a number of attempts by Le Corbusier to implement the combination of ‘respiration exacte’ with the ‘mur neutralisant’ he was never able to test the viability of his environmental concepts in a realised building. The Cité de Refuge, which was built with a more conventional heating system and single glazed facade, is however unique in that unlike the other potential candidates for the implementation of these systems, the building, as built, retained a key design feature, i.e. the hermetically sealed skin, which ultimately contributed to the building’s now infamous failure. It is commonly argued that Le Corbusier, however, abandoned these comprehensive technical solutions in favour of a more passive approach, but it is less well understood to what extent technical failures influenced this shift. If these failures were one of the drivers for this change, how the building may have performed with the ‘respiration exacte’ and ‘mur neutralisant’ systems becomes of interest. Indeed, how their performance may have been improved with Le Corbusier's later modification of a brise-soleil offers an alternative hypothetical narrative for his relationship to technical and passive design methodologies. Keywords: environment, technology, performance, history, Cité de Refuge. 1. Introduction There are two technical building concepts that represent, perhaps more than any others Le Corbusier’s early drive to find comprehensive and exclusively mechanical approaches to the heating and ventilation of modern buildings: a) the mur neutralisant, a double-skin glazed wall with conditioned air circulated within the cavity to moderate heat exchange between the interior and exterior, and b) the respiration exacte, a mechanical ventilation system for providing conditioned air to interior spaces at a constant temperature of 18˚C. -
Away with Apps? Interactive Web 3D Driven by Relational Databases Jelle Vermandere
Away with apps? Interactive web 3D driven by relational databases Jelle Vermandere Away with apps? Interactive web 3D driven by relational databases. Jelle Vermandere Student number: 01306207 Supervisors: Willem Bekers, Prof. ir.-arch. Ruben Verstraeten Counsellor: Nino Heirbaut Master's dissertation submitted in order to obtain the academic degree of Master of Science in de ingenieurswetenschappen: architectuur Academic year 2019-2020 The author gives permission to make this master dissertation available for consultation and to copy parts of this master dissertation for personal use. In all cases of other use, the copyright terms have to be respected, in particular with regard to the obligation to state explicitly the source when quoting results from this master dissertation. 13/01/2020 Foreword This thesis aims to make the process of adding 3D models to relational databases easier while providing more functionality. Before I explain this, I would like to thank everyone who made my life easier. First of all, my supervisors Willem Bekers and Ruben Verstraeten for their valuable guidance sessions, their inspiring ideas and their support in my journey to the completion of this thesis. I would also express my gratitude towards my favourite spelling checkers Lotte and Tessa for their extreme focus on letters and punctuation marks and Jonathan for the more rigorous language corrections. Special thanks goes to my sister Floor for being my lay-out support and showing me the wonderful world of web development. Thanks to the numerous people who created forum posts and online tutorials who helped me solve many problems. I have learned many new skills along the way, many of which I did not even know existed. -
This Electronic Thesis Or Dissertation Has Been Downloaded from Explore Bristol Research
This electronic thesis or dissertation has been downloaded from Explore Bristol Research, http://research-information.bristol.ac.uk Author: Vagopoulou, Evaggelia Title: Cultural tradition and contemporary thought in Iannis Xenakis's vocal works General rights Access to the thesis is subject to the Creative Commons Attribution - NonCommercial-No Derivatives 4.0 International Public License. A copy of this may be found at https://creativecommons.org/licenses/by-nc-nd/4.0/legalcode This license sets out your rights and the restrictions that apply to your access to the thesis so it is important you read this before proceeding. Take down policy Some pages of this thesis may have been removed for copyright restrictions prior to having it been deposited in Explore Bristol Research. However, if you have discovered material within the thesis that you consider to be unlawful e.g. breaches of copyright (either yours or that of a third party) or any other law, including but not limited to those relating to patent, trademark, confidentiality, data protection, obscenity, defamation, libel, then please contact [email protected] and include the following information in your message: •Your contact details •Bibliographic details for the item, including a URL •An outline nature of the complaint Your claim will be investigated and, where appropriate, the item in question will be removed from public view as soon as possible. Cultural Tradition and Contemporary Thought in lannis Xenakis's Vocal Works Volume I: Thesis Text Evaggelia Vagopoulou A dissertation submitted to the University of Bristol in accordancewith the degree requirements of the of Doctor of Philosophy in the Faculty of Arts, Music Department. -
Exploring Xenakis Performance, Practice, Philosophy
Exploring Xenakis Performance, Practice, Philosophy Edited by Alfia Nakipbekova University of Leeds, UK Series in Music Copyright © 2019 Vernon Press, an imprint of Vernon Art and Science Inc, on behalf of the author. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Vernon Art and Science Inc. www.vernonpress.com In the Americas: In the rest of the world: Vernon Press Vernon Press 1000 N West Street, C/Sancti Espiritu 17, Suite 1200, Wilmington, Malaga, 29006 Delaware 19801 Spain United States Series in Music Library of Congress Control Number: 2019931087 ISBN: 978-1-62273-323-1 Cover design by Vernon Press. Cover image: Photo of Iannis Xenakis courtesy of Mâkhi Xenakis. Product and company names mentioned in this work are the trademarks of their respective owners. While every care has been taken in preparing this work, neither the authors nor Vernon Art and Science Inc. may be held responsible for any loss or damage caused or alleged to be caused directly or indirectly by the information contained in it. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. Table of contents Introduction v Alfia Nakipbekova Part I - Xenakis and the avant-garde 1 Chapter 1 ‘Xenakis, not Gounod’: Xenakis, the avant garde, and May ’68 3 Alannah Marie Halay and Michael D. -
Villa Savoye, Poissy 1929-1931 the Ideal Villa
LE CORBUSIER Villa Savoye, Poissy 1929-1931 the ideal villa History of Contemporary Architecture Prof. Michela Rosso 1976 The villa is added to the French register of historical monuments. After restoration it has been opened to the public Since 2016 is part of the UNESCO World Heritage After the completion of the restoration project, the villa is now visitable See http://www.villa-savoye.fr/en/ Villa Savoye: 1929-1931 the villa in the pages of Le Corbusier & Pierre Jeanneret’s Oeuvre complète Savoye villa in the Oeuvre complète (1929) by Le Corbusier APPROACHING THE VILLA “When entering the property we can see the villa” A progressive discovery, a ceremonial experience culminating into a surprising, unexpected view. A MOCKERY of the ceremonial, quality of the approach to the villa given by the winding path leading to it, is contained in scenes of Jacques Tati’s film Mon Oncle (1958). The whole film is a humorous critique of architectural modernism made three decades after the completion of Le Corbusier’s iconic modernist work. The Villa Savoye in Poissy is situated on a smoothly sloping hilltop, in the midst of a field. The 5 points (pilotis, free plan, free façade, elongated window, roof terrace) are all accomodated within a perfect square. Pilotis (STILTS) raise the main living floor one storey above the ground so that guests can arrive and depart while protected by the building itself. The turning radius of an automobile determines the semi-circular outline of the ground floor that contains the reception hall, garages, and the servant’s quarters. -
Iannis Xenakis, Roberta Brown, John Rahn Source: Perspectives of New Music, Vol
Xenakis on Xenakis Author(s): Iannis Xenakis, Roberta Brown, John Rahn Source: Perspectives of New Music, Vol. 25, No. 1/2, 25th Anniversary Issue (Winter - Summer, 1987), pp. 16-63 Published by: Perspectives of New Music Stable URL: http://www.jstor.org/stable/833091 Accessed: 29/04/2009 05:06 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=pnm. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit organization founded in 1995 to build trusted digital archives for scholarship. We work with the scholarly community to preserve their work and the materials they rely upon, and to build a common research platform that promotes the discovery and use of these resources. For more information about JSTOR, please contact [email protected]. Perspectives of New Music is collaborating with JSTOR to digitize, preserve and extend access to Perspectives of New Music. http://www.jstor.org XENAKIS ON XENAKIS 47W/ IANNIS XENAKIS INTRODUCTION ITSTBECAUSE he wasborn in Greece?That he wentthrough the doorsof the Poly- technicUniversity before those of the Conservatory?That he thoughtas an architect beforehe heardas a musician?Iannis Xenakis occupies an extraodinaryplace in the musicof our time.