Mickey Mouse ❖ Jonathan, the ❖ New ‘Air India One’ Tortoise
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Steamboat Willie
Steamboat Willie By Dave Smith, Chief Archivist Emeritus, The Walt Disney Company Walt Disney, who would become the best-known producer in animation history, had very humble beginnings. Starting his fledgling company in Hollywood in 1923, he began by making two uninspired animated series, the “Alice Come- dies,” and “Oswald the Lucky Rabbit.” But it was with his third series, featuring an enduring character, Mickey Mouse, that Walt rose to fame. That series began with the release of "Steamboat Willie" at the Colony Theater in New York on November 18, 1928. Early in 1928, Walt Disney was disheartened. He had gone to New York to negotiate with his distributor, only to discover that the distributor had taken over the rights to his Oswald cartoons. Walt began thinking of a possible successor to Oswald while riding on the train on his way back to California. There have been many stories of the inception of Mickey Mouse, but on that train ride, Walt may have been recalling a playful little mouse that had made itself at home in Walt’s Kansas City Studio, where he had first started to experiment with animation. On re- turning to California, Walt met with several of his staff members, and they came up with Mickey Mouse. Ub Iwerks, Walt’s chief animator, was tasked with actually designing the character, with input from Walt. Two Mickey Mouse cartoons were made starting that This illustration, titled “Mickey Mouse inbetweener drawing no. 469 spring, “Plane Crazy” and “The Gallopin’ Gaucho.” Walt or 479 from Steamboat Willie” appears courtesy Library of Congress tried desperately to sell a distributor on a series based on Prints & Photographs Online Catalog. -
The Walt Disney Silly Symphony Cartoons and American Animation in the 1930S
Exploration in Imagination: The Walt Disney Silly Symphony Cartoons and American Animation in the 1930s By Kendall Wagner In the 1930s, Americans experienced major changes in their lifestyles when the Great Depression took hold. A feeling of malaise gripped the country, as unemployment rose, and money became scarce. However, despite the economic situation, movie attendance remained strong during the decade.1 Americans attended films to escape from their everyday lives. While many notable live-action feature-length films like The Public Enemy (1931) and It Happened One Night (1934) delighted Depression-era audiences, animated cartoon shorts also grew in popularity. The most important contributor to the evolution of animated cartoons in this era was Walt Disney, who innovated and perfected ideas that drastically changed cartoon production.2 Disney expanded on the simple gag-based cartoon by implementing film technologies like synchronized sound and music, full-spectrum color, and the multiplane camera. With his contributions, cartoons sharply advanced in maturity and professionalism. The ultimate proof came with the release of 1937’s Snow White and the Seven Dwarfs, the culmination of the technical and talent development that had taken place at the studio. The massive success of Snow White showed that animation could not only hold feature-length attention but tell a captivating story backed by impressive imagery that could rival any live-action film. However, it would take nearly a decade of experimentation at the Disney Studios before a project of this size and scope could be feasibly produced. While Mickey Mouse is often solely associated with 1930s-era Disney animation, many are unaware that alongside Mickey, ran another popular series of shorts, the Silly Symphony cartoons. -
Pd Films List 0824
PD FILMS LIST 2012/8/23 現在 FILM Title 日本映画名 制作年度 キャラクター NO 1 Sabouteur 逃走迷路 1942 2 Shadow of a Doubt 疑惑の影 1943 3 The Lady Vanishe バルカン超特急 1938 4 From Here Etanity 地上より永遠に 1953 5 Flying Leather Necks 太平洋航空作戦 1951 6 Shane シェーン 1953 7 The Thief Of Bagdad 1・2 (1924) バクダッドの盗賊 1・2 (1924) 1924 8 I Confess 私は告白する 1953 9 The 39 Steps 39夜 1935 10 Strangers On A Train 見知らぬ乗客 1951 11 Foreign Correspon 海外特派員 1940 12 The Big Lift 大空輸 1950 13 The Grapes of Wirath 怒りの葡萄 上下有 1940 14 A Star Is Born スター誕生 1937 15 Tarzan, the Ape Man 類猿人ターザン 1932 16 Little Princess 小公女 1939 17 Mclintock! マクリントック 1963APD 18 Beneath the 12Mile Reef 12哩の暗礁の下に 1953 19 PePe Le Moko 望郷 1937 20 The Bicycle Thief 自転車泥棒 1948 21 Under The Roof of Paris 巴里の屋根の根 下 1930 22 Ossenssione (R1.2) 郵便配達は2度ベルを鳴らす 1943 23 To Kill A Mockingbird (R1.2) アラバマ物語 1962 APD 24 All About Eve イヴの総て 1950 25 The Wizard of Oz オズの魔法使い 1939 26 Outpost in Morocco モロッコの城塞 1949 27 Thief of Bagdad (1940) バクダッドの盗賊 1940 28 The Picture of Dorian Grey ドリアングレイの肖像 1949 29 Gone with the Wind 1.2 風と共に去りぬ 1.2 1939 30 Charade シャレード(2種有り) 1963 APD 31 One Eyed Jacks 片目のジャック 1961 APD 32 Hangmen ハングマン 1987 APD 33 Tulsa タルサ 1949 34 Deadly Companions 荒野のガンマン 1961 APD 35 Death Sentence 午後10時の殺意 1974 APD 36 Carrie 黄昏 1952 37 It Happened One Night 或る夜の出来事 1934 38 Cityzen Ken 市民ケーン 1945 39 Made for Each Other 貴方なしでは 1939 40 Stagecoach 駅馬車 1952 41 Jeux Interdits 禁じられた遊び 1941 42 The Maltese Falcon マルタの鷹 1952 43 High Noon 真昼の決闘 1943 44 For Whom the Bell tolls 誰が為に鐘は鳴る 1947 45 The Paradine Case パラダイン夫人の恋 1942 46 I Married a Witch 奥様は魔女 -
Trivia Trivia Trivia
TRIVIA TRIVIA TRIVIA In what cartoon did What was the date of In the animated short Mickey make his Mickey’s lm debut? Plane Crazy, Mickey screen debut? Mouse pretends to be what famous aviator? Steamboat Willie November 18, 1928 Charles Lindbergh TRIVIA TRIVIA TRIVIA Who provided the What Disney artist is What was the rst original voice of credited with animating merchandise item to Mickey Mouse? the rst Mickey Mouse feature Mickey Mouse? cartoons? A child’s school writing tablet Walt Disney Ub Iwerks (licensed in 1929) TRIVIA TRIVIA TRIVIA Which four Disney Name the rst full-length theatrical What year did the rst theatrically-released feature presentations Mickey Mouse comic color cartoon to were the only ones to strip appear? feature Mickey Mouse. include an animated Mickey Mouse? Fantasia (1940), 1930 (January 13th) The Band Concert Fun and Fancy Free (1947), (February 23, 1935) Who Framed Roger Rabbit (1988) and Fantasia/2000 (2000) TRIVIA TRIVIA TRIVIA On the original What is Mickey’s most What was the rst Mickey Mouse Club recent theatrical short? Mickey Mouse cartoon television show, what and what feature lm in which Mickey Speaks? day of the week was was it released with? Talent Roundup Day? Get a Horse! - with Frozen The Karnival Kid (1929) Friday (November 27, 2013) TRIVIA TRIVIA TRIVIA What voice actor took Name the theme song In Italy, Mickey Mouse over the voice of from the original 1930’s is known as: Mickey Mouse in 2009? Mickey Mouse Clubs. Topolino Bret Iwan “Minnie’s Yoo Hoo” TRIVIA TRIVIA TRIVIA What Disney Junior What 2017 digital series What nighttime show show starring Mickey follows a new class of premiered on the Mouse featured a 8 Mouseketeers as they Rivers of America at “Mystery Mouseketool?” create music, Disneyland in 1992? choreography, and friendships? The Mickey Mouse Club Mickey Mouse Fantasmic! Clubhouse. -
Beginnings 1902–1928 Maturity 1928 Experimentation 1929
GET STARTED In order to solve problems and meet their BEGINNINGS MATURITY EXPERIMENTATION INNOVATION NEW DIRECTIONS LOOKING TO THE FUTURE LEGACY creative goals, Walt Disney and his animators 1902–1928 1928 1929–1937 1937 1938–1955 1955–1966 1966–PRESENT and Imagineers often had to invent new tools or improve existing ones using STEAM— GALLERY 1A, 1B & 2A GALLERY 2B GALLERIES 3 & 4 GALLERY 5 GALLERIES 6, 7, 8 & 9A GALLERY 9B GALLERY 10 science, technology, engineering, art, and Walt lived in many different places during his childhood Walt gained much success in Hollywood during the 1920s. The success of Walt’s cartoons led to a revolution in the art In the 1930s, Walt pushed the art of animation forward in many Later in Walt’s career, he began to explore new and exciting With the success of Disneyland, Walt became increasingly Walt’s death in 1966 shocked and saddened the world, math. This guide includes a timeline of Walt’s and young adulthood, but wherever he went, he brought He established the Disney Bros. Cartoon Studio and created and technology of animation. The objects in these galleries ways. One example is the development of the Multiplane forms of entertainment. He ventured into live-action films, interested in city planning and design as tools for solving but his legacy continues today. with him a curiosity about the world and a love of drawing. one of his most popular animated characters: Mickey Mouse. show the creative explosion of the 1930s. Camera, which allowed for more realistic depth in animation. documentaries, television shows, and theme park design. -
Lesson Plan # 20
Lights, Camera, MEDIA Literacy! Lesson Plan # 20 Topics: Journal Writing Ub Iwerks Claymation Computer Animation Animated Production Outcomes: Students will follow organizational procedures. Students will see, hear, and use applicable vocabulary. Students will state contributions by early animators. Students will complete a 2-D animated film. Materials: Writing journals Camcorders Tripods Mini-DV Tape or Memory card Computer with iStopMotion (or similar) software LCD projector Chart paper Post-its Individual student pocket folders Groups’ Animated film materials HANDOUTS: How Animation Got Its Start (students already have this) Creating a Three-Act Newsies Film (students already have this) DVDs: “The Hand Behind the Mouse: The Ub Iwerks Story” “Plane Crazy” “Steamboat Willie” Disc 2 DISNEY TREASURES: ADVENTURES OF OSWALD THE LUCKY RABBIT New Vocabulary: “Claymation” MCPS 2011 LCML! Lesson #20 1 Sequence of Events: I. Journal Writing (15) 1. Prompt: How do you feel about creating an animated film compared to creating a live-action film? II. Viewing a Documentary about Ub Iwerks (60) 1. Write the name UB IWERKS on the board and ask if anyone has heard of him. Tell students that Ub Iwerks has influenced movie watching experiences possibly more than any one individual, yet few know his name. 2. View the film. DVD: “The Hand Behind the Mouse: The Ub Iwerks Story On Disc 2 of WALT DISNEY TREASURES: THE ADVENTURES OF OSWALD THE LUCKY RABBIT 3. Allow time for reaction and check answers on the worksheet: “How Animation Got Started.” (Students now know the answers to #4 & 5.) HANDOUT: How Animation Got Started 4. Show the two early Iwerks/ Disney shorts: 1st Mickey Mouse cartoon: “Plane Crazy” (6:00) 1928 1st sound cartoon: “Steamboat Willie.” (7:40) 1928 DVD: “Plane Crazy” and “Steamboat Willie” Disc 2 Menu: The Work of Ub Iwerks WALT DISNEY TREASURES: THE ADVENTURES OF OSWALD THE LUCKY RABBIT III. -
Anido FILM1 30E
FILM 1/30e No.1 The Exhibition of Mr. Mukuo Takamura Mukuo at his Studio (Photo:T.Namiki) The retrospective exhibition of Mr. Takamura Mukuo, who had passed away 3 year ago, was held at the Museum in Machida. This April under the auspices of his family. He the leading person in background painters of Japanese animation field produced numerous wonderful works. Though they offered free- entrance, it was rich in content. There were more than 100 background paintings drawn by him, from his early works such as "Marco", "Gosch, the Cellist", "The Dagger of Kamui", to his posthumous works like "Sailor Moon". They gave us the full picture of his career as a background designer for 30 years. They were enough to remind almost 600 fans, who visited exhibition at his talent. Mr. Mukuo first helped ANIDO directlywith the article on "Marco" in FILM 1/24, No. 23. The background of "Gosch, the Cellist" most of which were was so great that I can never forget that drawn by him. During its production, I worked as an animator. Even after that, I took a part in advertisement. He helped us a lot, like making a guest appearance when we held screenings, joining the discussion for the animation magazine, drawing background of the pictures for badges and other goods, and so on. It's very sad to say Mr. Mukuo had already passed away. But I believe that we, people in Japanese animation field, will never forget his earnest attitude toward creation. ANIDO is now planning to publish the book of his wonderful works. -
'Steamboat' Not Actually the First Mickey Film 'Hot Dog!'
Mickey isn’t just the most famous mouse on the planet, he’s history’s most iconic cartoon character who also happens to moonlight as the most recognized corporate identity of any com- pany in the world. He’s literally the face of one of the biggest media companies ever. Those are a whole lot of roles for a rodent to fill. Even if you’re anthropomorphic. He’s also a birthday boy as Walt Disney’s most beloved creation turns 90 today. Here’s a look at a few of the things you might not know about Mickey ... HAPPY 90TH DISNEY A mouse by any other name ... Walt Disney initially named Mickey Mouse “Mortimer,” until Walt’s wife, MICKEY MOUSE Lillian, suggested “Mickey” was a better choice. ‘Steamboat’ not actually the first Mickey film “Steamboat Willie” was “Plane Crazy” released on this day in 1928 as the first short film starring Mickey Mouse, but it was actually the third created. The first two, “Plane Crazy” and “The Gallopin’ Gaucho,” initially failed to find distributors, but were picked up and released later. “The Gallopin’ Gaucho” Mouse merch The first piece of Mickey Mouse merchandise was a tablet of ‘Hot dog!’ paper that featured the mouse, designed for children. The The first Mickey short in which first Mickey Mickey spoke was “The Karnival Mouse doll was Kid,” the ninth Mickey short. His designed in first words: “Hot dog!” 1930. Walt Disney wasn’t satisfied with the first few actors chosen to provide a voice for Mickey Mouse, so he did it, and continued to do so through about 1947. -
COMD 3642 – Topics in Animation & Motion Graphics
COMD COMD Topics in Animation & Motion Graphics New York City College of Technology The City University of New York Department of Communication Design COMD 3642 – Topics in Animation & Motion Graphics Course Description This course will provide an overview and study of the history of animation and motion graphics. Each class will focus on the work of various animators within a specific time period or genre, from the early magic lantern shows of the late nineteenth century to current and emerging digital animation technologies. The course objective is to explore the lives and environments, artistic and narrative influences of these animators. This will be accomplished through a series of discussions, lectures, assignments, and viewing DVDs and videos. 3 cl hrs, 3 cr Prerequisites 3500 level courses Course Objectives INSTRUCTIONAL OBJECTIVES ASSESSMENT For the successful completion of this Evaluation methods and criteria course, students should be able to: Understand a fundamental principle of the Students will demonstrate knowledge by human eye: the persistence of vision. creating a simple flip-book. Demonstrate knowledge of the evolution Students will demonstrate knowledge by and development of early forms of re-creating Optical Toys in a series of animation and motion graphics. assignments. Understand animation's influence on Students will demonstrate knowledge of popular culture and identify the important this by researching and writing a critical animators in history. paper exploring these societal influences. 10.25.14_LC 1 COMD COMD Topics in Animation & Motion Graphics INSTRUCTIONAL OBJECTIVES ASSESSMENT Define the major innovations developed by Students will demonstrate knowledge of Disney Studios. these innovations through discussion and research. -
UC Riverside UC Riverside Electronic Theses and Dissertations
UC Riverside UC Riverside Electronic Theses and Dissertations Title From Steamboats to Snow White: How the Mickey Mouse Short Films Between 1928 and 1934 Resulted in a Shift from an Abstract to a Naturalistic Animation Style in the Disney Studios Permalink https://escholarship.org/uc/item/97x8117c Author Wolf, Melissa Ann Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA RIVERSIDE From Steamboats to Snow White: How the Mickey Mouse Short Films Between 1928 and 1934 Resulted in a Shift from an Abstract to a Naturalistic Animation Style in the Disney Studios. A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Arts in Art History by Melissa Ann Wolf December 2015 Thesis Committee: Dr. Jason Weems, Chairperson Dr. Susan Laxton Dr. Catherine Gudis Copyright by Melissa Ann Wolf 2015 The Thesis of Melissa Ann Wolf is approved: ___________________________________________________________________________________ ___________________________________________________________________________________ ___________________________________________________________________________________ Committee Chairperson University of California, Riverside TABLE OF CONTENTS LIST OF ILLUSTRATIONS…..…………………………………………………………………………...……..v INTRODUCTION…………………………………………………………………………………………………...1 Thesis…………………………………………………………………………………………………………..……...4 History of Animation Studies………………………………………………………………..………..……..5 Methodology……………………………………………………………………………………….………….……7 -
Taking a Joke Seriously: Mickey Mouse and William Kentridge Nienke Boer
Taking a Joke Seriously: Mickey Mouse and William Kentridge Nienke Boer MLN, Volume 128, Number 5, December 2013 (Comparative Literature Issue), pp. 1146-1169 (Article) Published by Johns Hopkins University Press DOI: https://doi.org/10.1353/mln.2013.0093 For additional information about this article https://muse.jhu.edu/article/535741 Access provided by National University of Singapore (4 Feb 2017 03:32 GMT) Taking a Joke Seriously: Mickey Mouse and William Kentridge1 ❦ Nienke Boer Transformation, metamorphosis is of course the bread and butter of animation in the studio. Something difficult to do… on the stage, to turn a cat into a telephone, gets called together by the cloth, the paper, the charcoal, the eraser. —William Kentridge, “Drawing Lesson 5: In Praise of Mistranslation.” The film opens in what appears to be the control room of a large organization: computers line the left wall, and, on a large clock, mov- ing hands illustrate the passage of time. The scene shifts abruptly to a man in a pinstriped business suit, standing in what seems to be a bedroom (wood flooring, a fireplace, a small rug and the end of a single bed), reading a letter, which moves slightly as he holds it. Then, the third scene: a difficult-to-identify structure next to the side of a road—gleaming tracks on the road suggest that it could be a tram station, but the position of the windows also hint at the security booth of a gated community or large business. A bird flies over from the top left corner of the screen, leaving a smudged trail behind it, and the scene changes again, to a close-up of the top of 1My sincere thanks to Mark Sanders for his comments on earlier versions of this article, which originated in the context of a graduate seminar he taught at New York University in Spring 2010: “Word, Image, Sound: William Kentridge and Literature.” MLN 128 (2013): 1146–1169 © 2014 by The Johns Hopkins University Press M L N 1147 a power line, where a bird (the same one?) appears at the top left corner and flies across the screen, still trailing black smudges. -
It Was All Started by a Mouse: Walt, Trains, and Mickey & Minnie Through the Years
It Was All Started by a Mouse: Walt, Trains, and Mickey & Minnie Through the Years From their first appearance aboard a black-and-white steamboat … to their latest adventure searching for the perfect picnic spot, Mickey Mouse and Minnie Mouse are cultural icons spanning generations and nations. In celebration of Mickey & Minnie’s Runaway Railway at Disney’s Hollywood Studios in Florida, here is a look back at some of the finest moments for these true originals, and the man who created them. It’s a good reminder that, as Walt Disney said, “It was all started by a mouse.” Iconic On-Screen Moments Walt Disney arrived in Hollywood in August 1923 and founded Disney Brothers Cartoon Studio in October of that year. Just five years later, Mickey Mouse debuted on the silver screen and went on to appear in a series of 130 animated short films from 1928 to 1953, with four additional shorts released between 1983 and 2013. Since 1955, he has been a frequent presence on television, too. Following are some notable highlights of Mickey’s onscreen career: “Steamboat Willie” (1928) – The first Mickey Mouse cartoon released (although it was the third Mickey cartoon made) was also the first animated short with synchronized sound. Mickey is a mischievous deckhand on a riverboat under the command of the tyrannical Captain Pete; Minnie is a tardy passenger who joins Mickey in music-making. “The Karnival Kid” (1929) – The first cartoon where Mickey speaks (“Hot dogs! Hot dogs!”). He also famously tips his ears to Minnie, foreshadowing the Mickey and Minnie ear headwear popular today.