It Was All Started by a Mouse: Walt, Trains, and Mickey & Minnie Through the Years
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The Theme Park As "De Sprookjessprokkelaar," the Gatherer and Teller of Stories
University of Central Florida STARS Electronic Theses and Dissertations, 2004-2019 2018 Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories Carissa Baker University of Central Florida, [email protected] Part of the Rhetoric Commons, and the Tourism and Travel Commons Find similar works at: https://stars.library.ucf.edu/etd University of Central Florida Libraries http://library.ucf.edu This Doctoral Dissertation (Open Access) is brought to you for free and open access by STARS. It has been accepted for inclusion in Electronic Theses and Dissertations, 2004-2019 by an authorized administrator of STARS. For more information, please contact [email protected]. STARS Citation Baker, Carissa, "Exploring a Three-Dimensional Narrative Medium: The Theme Park as "De Sprookjessprokkelaar," The Gatherer and Teller of Stories" (2018). Electronic Theses and Dissertations, 2004-2019. 5795. https://stars.library.ucf.edu/etd/5795 EXPLORING A THREE-DIMENSIONAL NARRATIVE MEDIUM: THE THEME PARK AS “DE SPROOKJESSPROKKELAAR,” THE GATHERER AND TELLER OF STORIES by CARISSA ANN BAKER B.A. Chapman University, 2006 M.A. University of Central Florida, 2008 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the College of Arts and Humanities at the University of Central Florida Orlando, FL Spring Term 2018 Major Professor: Rudy McDaniel © 2018 Carissa Ann Baker ii ABSTRACT This dissertation examines the pervasiveness of storytelling in theme parks and establishes the theme park as a distinct narrative medium. It traces the characteristics of theme park storytelling, how it has changed over time, and what makes the medium unique. -
Pilot Season
Portland State University PDXScholar University Honors Theses University Honors College Spring 2014 Pilot Season Kelly Cousineau Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/honorstheses Let us know how access to this document benefits ou.y Recommended Citation Cousineau, Kelly, "Pilot Season" (2014). University Honors Theses. Paper 43. https://doi.org/10.15760/honors.77 This Thesis is brought to you for free and open access. It has been accepted for inclusion in University Honors Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. Pilot Season by Kelly Cousineau An undergraduate honorsrequirements thesis submitted for the degree in partial of fulfillment of the Bachelor of Arts in University Honors and Film Thesis Adviser William Tate Portland State University 2014 Abstract In the 1930s, two historical figures pioneered the cinematic movement into color technology and theory: Technicolor CEO Herbert Kalmus and Color Director Natalie Kalmus. Through strict licensing policies and creative branding, the husband-and-wife duo led Technicolor in the aesthetic revolution of colorizing Hollywood. However, Technicolor's enormous success, beginning in 1938 with The Wizard of Oz, followed decades of duress on the company. Studios had been reluctant to adopt color due to its high costs and Natalie's commanding presence on set represented a threat to those within the industry who demanded creative license. The discrimination that Natalie faced, while undoubtedly linked to her gender, was more systemically linked to her symbolic representation of Technicolor itself and its transformation of the industry from one based on black-and-white photography to a highly sanctioned world of color photography. -
Ebook Download Mickey Mouse Clubhouse Mickey and Donald Have a Farm Ebook Free Download
MICKEY MOUSE CLUBHOUSE MICKEY AND DONALD HAVE A FARM PDF, EPUB, EBOOK William Scollon,Bill Scollon,Disney Book Group,Disney Storybook Art Team | 32 pages | 05 Jun 2012 | Hyperion | 9781423149460 | English | New York, United States Mickey Mouse Clubhouse Mickey and Donald Have a Farm PDF Book Crazy Credits. Ludwig Von Drake Jim Cummings Disney Princess Aurora Keys. The one thing I wish the book did though was not reveal which mouseketool to use until you turned the page. Essential We use cookies to provide our services , for example, to keep track of items stored in your shopping basket, prevent fraudulent activity, improve the security of our services, keep track of your specific preferences e. This book had stanzas for a song that went along to the Old McDonald song. My dvd collection. And part of the fun of the book is. Farm time Mickey always make for an excellent bedtime story and this little take doesn't disappoint my five year old loves all things Mickey and you can't forget his wonderful crew of friends. There was a mighty wind on the farm. Pull the red lever 4. They're de-lish! Longer than the real books This book has a different feel than the toddler hardbacks that we have. Mickey Mouse Super Adventure. All you need to tell us is which item you wish to return and the reason why. These cookies are necessary to provide our site and services and therefore cannot be disabled. Added to Watchlist. Be the first to ask a question about Mickey and Donald Have a Farm. -
The University of Chicago Looking at Cartoons
THE UNIVERSITY OF CHICAGO LOOKING AT CARTOONS: THE ART, LABOR, AND TECHNOLOGY OF AMERICAN CEL ANIMATION A DISSERTATION SUBMITTED TO THE FACULTY OF THE DIVISION OF THE HUMANITIES IN CANDIDACY FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF CINEMA AND MEDIA STUDIES BY HANNAH MAITLAND FRANK CHICAGO, ILLINOIS AUGUST 2016 FOR MY FAMILY IN MEMORY OF MY FATHER Apparently he had examined them patiently picture by picture and imagined that they would be screened in the same way, failing at that time to grasp the principle of the cinematograph. —Flann O’Brien CONTENTS LIST OF FIGURES...............................................................................................................................v ABSTRACT.......................................................................................................................................vii ACKNOWLEDGMENTS....................................................................................................................viii INTRODUCTION LOOKING AT LABOR......................................................................................1 CHAPTER 1 ANIMATION AND MONTAGE; or, Photographic Records of Documents...................................................22 CHAPTER 2 A VIEW OF THE WORLD Toward a Photographic Theory of Cel Animation ...................................72 CHAPTER 3 PARS PRO TOTO Character Animation and the Work of the Anonymous Artist................121 CHAPTER 4 THE MULTIPLICATION OF TRACES Xerographic Reproduction and One Hundred and One Dalmatians.......174 -
Journal of Religion & Society
Journal of Religion & Society Volume 6 (2004) ISSN 1522-5658 David, Mickey Mouse, and the Evolution of an Icon1 Lowell K. Handy, American Theological Library Association Abstract The transformation of an entertaining roguish figure to an institutional icon is investigated with respect to the figures of Mickey Mouse and the biblical King David. Using the three-stage evolution proposed by R. Brockway, the figures of Mickey and David are shown to pass through an initial entertaining phase, a period of model behavior, and a stage as icon. The biblical context for these shifts is basically irretrievable so the extensive materials available for changes in the Mouse provide sufficient information on personnel and social forces to both illuminate our lack of understanding for changes in David while providing some comparative material for similar development. Introduction [1] One can perceive a progression in the development of the figure of David from the rather unsavory character one encounters in the Samuel narratives, through the religious, righteous king of Chronicles, to the messianic abstraction of the Jewish and Christian traditions.2 The movement is a shift from “trickster,” to “Bourgeoisie do-gooder,” to “corporate image” proposed for the evolution of Mickey Mouse by Robert Brockway.3 There are, in fact, several interesting parallels between the portrayals of Mickey Mouse and David, but simply a look at the context that produced the changes in each character may help to understand the visions of David in three surviving biblical textual traditions in light of the adaptability of the Mouse for which there is a great deal more contextual data to investigate. -
The Bbc and the 'Radio Cartoon'
Jackson, V. (2019). ‘What do we get from a Disney film if we cannot see it?’: The BBC and the “Radio Cartoon” 1934-1941. Historical Journal of Film, Radio and Television, 39(2), 290-308. https://doi.org/10.1080/01439685.2018.1522789 Publisher's PDF, also known as Version of record License (if available): CC BY-NC-ND Link to published version (if available): 10.1080/01439685.2018.1522789 Link to publication record in Explore Bristol Research PDF-document This is the final published version of the article (version of record). It first appeared online via Taylor & Francis at https://doi.org/10.1080/01439685.2018.1522789 . Please refer to any applicable terms of use of the publisher. University of Bristol - Explore Bristol Research General rights This document is made available in accordance with publisher policies. Please cite only the published version using the reference above. Full terms of use are available: http://www.bristol.ac.uk/red/research-policy/pure/user-guides/ebr-terms/ Historical Journal of Film, Radio and Television ISSN: 0143-9685 (Print) 1465-3451 (Online) Journal homepage: https://www.tandfonline.com/loi/chjf20 ‘What Do We Get from a Disney Film if We Cannot See It?’: The BBC and the ‘Radio Cartoon’ 1934–1941 Victoria Jackson To cite this article: Victoria Jackson (2019): ‘What Do We Get from a Disney Film if We Cannot See It?’: The BBC and the ‘Radio Cartoon’ 1934–1941, Historical Journal of Film, Radio and Television, DOI: 10.1080/01439685.2018.1522789 To link to this article: https://doi.org/10.1080/01439685.2018.1522789 © 2018 The Author(s). -
Tots Camp Schedule 2019
Time Monday Tuesday Wednesday Thursday Friday 9:00- Parents Drop-Off Campers Parents Drop-Off Campers Parents Drop-Off Campers Parents Drop-Off Campers Parents Drop-Off Campers 9:10 9:10- Mickey Mouse- Music Mickey Mouse - Art Minnie & Mickey Mouse- Mickey & Minnie Mouse– Mickey Mouse- Water Fun 9:40 Minnie Mouse- Water Fun Minnie Mouse- Music Zumbatomic Gym on Wheels Minnie Mouse – Playground Donald Duck- Art Donald Duck - Playground Donald Duck- Art Donald Duck - Sports Donald Duck - Sports Goofy- Sports Goofy – Water Fun Goofy- Sports Goofy - Music Goofy - Art Pluto- Playground Pluto - Sports Pluto - Music Pluto - Art Pluto - Music 9:45- Mickey Mouse - Sports Mickey Mouse - Music Mickey Mouse – Music Mickey Mouse- Playground Mickey Mouse – Playground 10:15 Minnie Mouse- Art Minnie Mouse – Sports Minnie Mouse - Playground Minnie Mouse - Music Minnie Mouse- Art Donald Duck- Music Donald Duck – Water Fun Donald Duck- Zumbatomic Donald Duck- Gym on Donald Duck- Music Goofy- Playground Goofy – Playground Goofy – Art Wheels Goofy - Sports Pluto – Water Fun Pluto - Art Pluto - Sports Goofy - Water Fun Pluto – Water Fun Pluto - Sports 10:20 - Snack- All Snack- All Snack- All Snack- All Snack- All 10:40 10:45- Mickey Mouse- Playground Mickey Mouse – Sports Mickey Mouse- Water Fun Mickey Mouse - Sports Mickey Mouse – Art 11:15 Minnie Mouse - Sports Minnie Mouse – Art Minnie Mouse- Music Minnie Mouse- Art Minnie Mouse – Sports Donald Duck - Water Fun Donald Duck – Playground Donald Duck - Sports Donald Duck - Music Donald Duck – Water Goofy - -
Steamboat Willie
Steamboat Willie By Dave Smith, Chief Archivist Emeritus, The Walt Disney Company Walt Disney, who would become the best-known producer in animation history, had very humble beginnings. Starting his fledgling company in Hollywood in 1923, he began by making two uninspired animated series, the “Alice Come- dies,” and “Oswald the Lucky Rabbit.” But it was with his third series, featuring an enduring character, Mickey Mouse, that Walt rose to fame. That series began with the release of "Steamboat Willie" at the Colony Theater in New York on November 18, 1928. Early in 1928, Walt Disney was disheartened. He had gone to New York to negotiate with his distributor, only to discover that the distributor had taken over the rights to his Oswald cartoons. Walt began thinking of a possible successor to Oswald while riding on the train on his way back to California. There have been many stories of the inception of Mickey Mouse, but on that train ride, Walt may have been recalling a playful little mouse that had made itself at home in Walt’s Kansas City Studio, where he had first started to experiment with animation. On re- turning to California, Walt met with several of his staff members, and they came up with Mickey Mouse. Ub Iwerks, Walt’s chief animator, was tasked with actually designing the character, with input from Walt. Two Mickey Mouse cartoons were made starting that This illustration, titled “Mickey Mouse inbetweener drawing no. 469 spring, “Plane Crazy” and “The Gallopin’ Gaucho.” Walt or 479 from Steamboat Willie” appears courtesy Library of Congress tried desperately to sell a distributor on a series based on Prints & Photographs Online Catalog. -
The Walt Disney Silly Symphony Cartoons and American Animation in the 1930S
Exploration in Imagination: The Walt Disney Silly Symphony Cartoons and American Animation in the 1930s By Kendall Wagner In the 1930s, Americans experienced major changes in their lifestyles when the Great Depression took hold. A feeling of malaise gripped the country, as unemployment rose, and money became scarce. However, despite the economic situation, movie attendance remained strong during the decade.1 Americans attended films to escape from their everyday lives. While many notable live-action feature-length films like The Public Enemy (1931) and It Happened One Night (1934) delighted Depression-era audiences, animated cartoon shorts also grew in popularity. The most important contributor to the evolution of animated cartoons in this era was Walt Disney, who innovated and perfected ideas that drastically changed cartoon production.2 Disney expanded on the simple gag-based cartoon by implementing film technologies like synchronized sound and music, full-spectrum color, and the multiplane camera. With his contributions, cartoons sharply advanced in maturity and professionalism. The ultimate proof came with the release of 1937’s Snow White and the Seven Dwarfs, the culmination of the technical and talent development that had taken place at the studio. The massive success of Snow White showed that animation could not only hold feature-length attention but tell a captivating story backed by impressive imagery that could rival any live-action film. However, it would take nearly a decade of experimentation at the Disney Studios before a project of this size and scope could be feasibly produced. While Mickey Mouse is often solely associated with 1930s-era Disney animation, many are unaware that alongside Mickey, ran another popular series of shorts, the Silly Symphony cartoons. -
Disneyland® Park
There’s magic to be found everywhere at The Happiest Place on Earth! Featuring two amazing Theme Parks—Disneyland® Park and Disney California Adventure® Park—plus three Disneyland® Resort Hotels and the Downtown Disney® District, the world-famous Disneyland® Resort is where Guests of all ages can discover wonder, joy and excitement around every turn. Plan enough days to experience attractions and entertainment in 1 both Parks. 5 INTERSTATE 4 5 2 3 6 Go back and forth between both Theme Parks with a Disneyland® Resort Park Hopper® 1 Disneyland® Hotel 4 Downtown Disney® District Ticket. Plus, when you buy a 3+ day ticket before you arrive, you get one Magic Morning* 2 Disney’s Paradise Pier® Hotel Disneyland® Park early admission to select experiences 5 at Disneyland® Park one hour before the Park opens to the general public on select days. 3 Disney’s Grand Californian Hotel® & Spa 6 Disney California Adventure® Park *Magic Morning allows one early admission (during the duration of the Theme Park ticket or Southern California CityPASS®) to select attractions, stores, entertainment and dining locations at Disneyland® Park one hour before the Park opens to the public on Tuesday, Thursday or Saturday. Each member of your travel party must have 3-day or longer Disneyland® Resort tickets. To enhance the Magic Morning experience, it is strongly recommended that Guests arrive at least one hour and 15 minutes prior to regular Park opening. Magic Morning admission is based on availability and does not operate daily. Applicable days and times of operation and all other elements including, but not limited to, operation of attractions, entertainment, stores and restaurants and appearances of Characters may vary and are subject to change without notice. -
VM Checklist
Checklist (Updated 10/15/2013) Park Series #1 - 3” (12/19/08) Wet Paint Donald Future World Mickey (Combo Topper) Bad Apple Space Mountain Paris Contemporary Set (LE 1200) Creepy Wallpaper Monorail Orange Park Series 9 - 3” (2012) Native American Girl ELP Mickey Sonny Eclipse Camp Minnie Mickey Bear Five Legged Goat Figment DCL Lifeboat Animal Kingdom Fruit Bat Orange Owl Jr. Fireworks Adventureland Tiki Castaway Cay Mickey Blue Rabbit Jr. Kermit Primeval Whirl Flick’s Flyers Magical Stars Monstro Fantasyland Dumboi Park Series 13 3” (2013) Monorail Red Norway Troll Disneyland Skyway Three Headed Troll SMRT-1 Wet Paint - Orange (Variant) Lilly Belle Catastrophe Canyon Teacups Wet Paint - Purple (Variant) Dapper Dans Box O’ Bot Yeti WDW Road Sign - Animal Kingdom Frozen Pineapple Drink Injun Joe’s Cave Balloon (Chaser) (Variant) Typhoon Lagoon Gator Claire De Room WDW Road Sign - All Other Guest Phantom Manor Trader Sam/Chief Namee Park Series #2 - 3” (5/22/09) Areas (Variant) Tower of Terror Bellhop (Chaser) Devil Aquaramouse Abraham Lincoln (Chaser) Brave Little Tailor Mickey (Combo Topper) TBA (Chaser) Festival of the Lion King Runaway Brain Mickey (Combo Dapper Dans Yellow (Variant) Mickey (Combo Topper) Little Green Men Topper) Dapper Dans Blue (Variant) The Little Mermaid Dapper Dans Purple (Variant) Haunted Mansion Stretching Room Set Mike Mouse Park Series #7 - 3” Sally Slater Monkey Donald Philharmagic Park Series #9 -Sets Alexander Nitrokoff Panda America on Parade Tomorrowland Spacesuit Man and Woman Hobbs Penny Machine Muppet -
Pd Films List 0824
PD FILMS LIST 2012/8/23 現在 FILM Title 日本映画名 制作年度 キャラクター NO 1 Sabouteur 逃走迷路 1942 2 Shadow of a Doubt 疑惑の影 1943 3 The Lady Vanishe バルカン超特急 1938 4 From Here Etanity 地上より永遠に 1953 5 Flying Leather Necks 太平洋航空作戦 1951 6 Shane シェーン 1953 7 The Thief Of Bagdad 1・2 (1924) バクダッドの盗賊 1・2 (1924) 1924 8 I Confess 私は告白する 1953 9 The 39 Steps 39夜 1935 10 Strangers On A Train 見知らぬ乗客 1951 11 Foreign Correspon 海外特派員 1940 12 The Big Lift 大空輸 1950 13 The Grapes of Wirath 怒りの葡萄 上下有 1940 14 A Star Is Born スター誕生 1937 15 Tarzan, the Ape Man 類猿人ターザン 1932 16 Little Princess 小公女 1939 17 Mclintock! マクリントック 1963APD 18 Beneath the 12Mile Reef 12哩の暗礁の下に 1953 19 PePe Le Moko 望郷 1937 20 The Bicycle Thief 自転車泥棒 1948 21 Under The Roof of Paris 巴里の屋根の根 下 1930 22 Ossenssione (R1.2) 郵便配達は2度ベルを鳴らす 1943 23 To Kill A Mockingbird (R1.2) アラバマ物語 1962 APD 24 All About Eve イヴの総て 1950 25 The Wizard of Oz オズの魔法使い 1939 26 Outpost in Morocco モロッコの城塞 1949 27 Thief of Bagdad (1940) バクダッドの盗賊 1940 28 The Picture of Dorian Grey ドリアングレイの肖像 1949 29 Gone with the Wind 1.2 風と共に去りぬ 1.2 1939 30 Charade シャレード(2種有り) 1963 APD 31 One Eyed Jacks 片目のジャック 1961 APD 32 Hangmen ハングマン 1987 APD 33 Tulsa タルサ 1949 34 Deadly Companions 荒野のガンマン 1961 APD 35 Death Sentence 午後10時の殺意 1974 APD 36 Carrie 黄昏 1952 37 It Happened One Night 或る夜の出来事 1934 38 Cityzen Ken 市民ケーン 1945 39 Made for Each Other 貴方なしでは 1939 40 Stagecoach 駅馬車 1952 41 Jeux Interdits 禁じられた遊び 1941 42 The Maltese Falcon マルタの鷹 1952 43 High Noon 真昼の決闘 1943 44 For Whom the Bell tolls 誰が為に鐘は鳴る 1947 45 The Paradine Case パラダイン夫人の恋 1942 46 I Married a Witch 奥様は魔女