Modern British and Irish Art and Irish British Modern Montpelier Street, London I 12 M

ay 2020 Modern British and Irish Art and Irish British Modern Montpelier Street, London I 12 M

Modern British and Irish Art I Montpelier Street, London I 25 March 2020 25873

Modern British and Irish Art Montpelier Street, London | Tuesday 12 May 2020, at 1pm

BONHAMS BIDS ENQUIRIES IMPORTANT INFORMATION Montpelier Street +44 (0) 20 7447 7447 Janet Hardie The United States Government Knightsbridge +44 (0) 20 7447 7401 fax Specialist has banned the import of ivory London SW7 1HH [email protected] +44 (0) 20 7393 3949 into the USA. Lots containing www.bonhams.com [email protected] ivory are indicated by the symbol To bid via the internet please Ф printed beside the lot number ILLUSTRATIONS visit www.bonhams.com Matthew Bradbury in this catalogue. Front Cover: Lot 232 Specialist Back Cover: Lot 5 Please note that bids should be +44 (0) 20 7468 8295 REGISTRATION Inside Front Cover: Lot 88 submitted no later than 4pm [email protected] IMPORTANT NOTICE Inside Back Cover: Lot 102 on the day prior to the auction. Please note that all customers, Frontispiece (Pg 3): Lot 35 New bidders must also provide PRESS ENQUIRIES irrespective of any previous proof of identity when submitting [email protected] activity with Bonhams, are bids. Failure to do this may result required to complete the Bidder SALE NUMBER in your bids not being processed. Registration Form in advance of 25873 CUSTOMER SERVICES the sale. The form can be found Bidding by telephone will only be Monday to Friday at the back of every catalogue CATALOGUE accepted on a lot with the lower 8.30am – 6pm and on our website at www. +44 (0) 20 7447 7447 £15 estimate in excess of £500. bonhams.com and should be returned by email or post to the Live online bidding is Please see page 2 for bidder specialist department or to the available for this sale information including after-sale bids department at collection and shipment Please email [email protected] [email protected] with “Live bidding” in the subject Please see back of catalogue To bid live online and / or line 48 hours before the auction for important notice to bidders to register for this service. leave internet bids please go to www.bonhams.com/auctions/25873 and click on the Register to bid link at the top left of the page.

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1 AR PETER LANYON (BRITISH, 1918-1964) Study of Brit Asleep stamped with Estate stamp ‘Lanyon’ (on sheet verso) charcoal and crayon 51.5 x 74.5cm (20 1/4 x 29 5/16in). Executed in 1960

£2,000 - 3,000 €2,400 - 3,600 1 US$2,600 - 3,900

Provenance The Estate of the Artist Their sale; Bonhams, Knightsbridge, 19 July 2011, lot 172 Private Collection, U.K.

2 AR ROBERT ADAMS (BRITISH, 1917-1984) Two Little Gold Blocks signed, titled, dated and inscribed ‘ROBERT ADAMS/“TWO LITTLE GOLD BLOCKS”/1966. MAY./To Judith + Adrian.’ (on panel verso) painted wood relief 25.5 x 25.5 x 3cm (10 1/16 x 10 1/16 x 1 3/16in) (unframed)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance The Artist, by whom gifted to the family of the present owner Private Collection, U.K.

3 AR 2 WILLIAM TURNBULL (BRITISH, 1922-2012) Walking Man signed and dated ‘Turnbull 53’ (lower right) ink 22.5 x 12cm (8 7/8 x 4 3/4in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance With James Hyman Fine Art, London, where acquired by the present owner in 2005 Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot 4 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 4

4 AR BEN NICHOLSON O.M. (BRITISH, 1894-1982) Provenance December 1957 (for Jeanne Coppel) The Artist, by whom gifted to pencil and oil wash Jeanne Coppel, Paris, and thence by descent to her son 18 x 25.5cm (7 1/16 x 10 1/16in). His sale; Christie’s, Paris, 11 December 2007, lot 192 With Stephen Ongpin Fine Art, London, 2008 Private Collection, Madrid, from whom acquired by the present owner £6,000 - 8,000

€7,200 - 9,500 The present work was gifted by Ben Nicholson to fellow artist Jeanne US$7,700 - 10,000 Coppel, a Romanian artist who worked mostly in collage. She settled in France in 1919 after studying in Berlin and Paris.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 5 5 AR MICHAEL CANNEY (BRITISH, 1923-1999) Squarefold No 2 signed, titled and dated ‘michael canney ‘85/ Squarefold No 2’ (on backboard) alkyd on board 24 x 24cm (9 7/16 x 9 7/16in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance The Estate of the Artist

6 AR MICHAEL CANNEY (BRITISH, 1923-1999) Construction 2 signed, titled and dated ‘michael canney ‘91/ CONSTRUCTION 2’ (on backboard) alkyd on board 30 x 30cm (11 13/16 x 11 13/16in).

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

Provenance The Estate of the Artist

For details of the charges payable in addition to the final Hammer Price of each Lot 6 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 7

7 AR JOHN WELLS (BRITISH, 1907-2000) reliefs, which in themselves were a development of his coloured Relief on a Seventh Module (Homage to Ben and Gorin) reliefs begun the year before. Nicholson wrote to his wife, Winifred, oil on carved wood in a perspex box frame following a visit to see her in Paris during 1933 that his aeroplane 61 x 122cm (24 x 48 1/16in). journey home had a profound effect on him. He referenced the white Please note that this work bears signature and number ‘John clouds more than once, and Jeremy Lewison comments: Wells/4.7bb’ (on a Wills Lane Gallery label verso) Conceived in 1970 ‘The ability to pass from one level to another with abruptness and precision, bypassing intermediate planes, is a quality found in Nicholson’s reliefs and was paralleled in his description of the flight. £5,000 - 7,000 The purity of the white cloud, moreover, may have had some bearing €6,000 - 8,300 on his next major advance, the making of white reliefs.’ (J. Lewison, US$6,400 - 9,000 Ben Nicholson, Phaidon Press, London, p. 16)

Provenance John Wells was acquainted with Ben Nicholson from a young age, With Wills Lane Gallery, St. Ives, where acquired by the present having met both him and Christopher Wood in St Ives in 1928 as owner a student at the age of twenty-one. He became familiar with his Private Collection, U.K. work, although Wells’s own ambition to become an artist was initially delayed for financial reasons and he became a doctor, working from The present work is from two editions of 7 with 3 artist’s proofs. It the Scilly Isles until after the war. was constructed by Graham Potter in collaboration with John Wells and Henry Gilbert, Wills Lane Gallery, St. Ives and is three times the Where Relief on a Seventh Module (Homage to Ben and Gorin) size of the original. deviates from Ben Nicholson’s white reliefs is in its introduction of the projecting shelf and upright form it supports. Here, Wells is showing As the title suggests, this carved wood relief by John Wells pays his admiration for the French neoplastic painter and sculptor, Jean respect to both the artists Ben Nicholson (1894-1982) and Jean Gorin, a disciple of Piet Mondrian, who developed his idiosyncratic Gorin (1899-1981). Nicholson famously altered the visual language of wall reliefs in the late 1920s; although these were polychrome, unlike modern British art in 1934 with his first painted, pure white, carved the purity of Nicholson’s work and the present lot.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 7 8 AR SIR EDUARDO PAOLOZZI (1924-2005) Maquette for Parthenope and Egeria stamped with Paolozzi Foundation stamp (on underside) plaster, wood, aluminium and paint 34.5cm (13 9/16in) high, excluding base

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

The present lot is a maquette for the sculptures Parthenope and Egeria, which were commissioned by the University of Edinburgh and installed at the Michael Swann Building, Institute of Cell and Molecular Biology, in 1997.

9 AR JOHN HOYLAND R.A. (BRITISH, 1934-2011) The Visit signed and dated ‘John Hoyland 93.’ (lower right) acrylic 69 x 49cm (27 3/16 x 19 5/16in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance With Wiseman Originals, London, where acquired by the present owner in 1997 Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot 8 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 10

10 AR TP ALBERT IRVIN R.A. (BRITISH, 1922-2015) Provenance Red Anchor With Carine Campo Gallery, Antwerp signed and dated ‘Irvin ‘81’ (on canvas overlap) acrylic on canvas Exhibited 214 x 305cm (84 1/4 x 120 1/16in). Antwerp, Carine Campo Gallery, Albert Irvin, 19 November-24 (unframed) December 1987 Antwerp, Carine Campo Gallery, Albert Irvin, 1989 £7,000 - 10,000 €8,300 - 12,000 US$9,000 - 13,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 9 11 LINDA WEIR (BRITISH, BORN 1951) Mousehole Spring signed twice with initials, dated and titled ‘LW/19/LW18 Mousehole Spring’ (lower right) oil on canvas 45.5 x 60.5cm (17 15/16 x 23 13/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

12 LINDA WEIR (BRITISH, BORN 1951) Joy St Ives Epiphany with Art Books & Roses signed with initials and dated ‘LW 2019’ (lower right); titled and dated ‘Joy St Ives epiphany./with art books/& Roses 2019’ (on backboard) oil on canvasboard 40 x 50cm (15 3/4 x 19 11/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

13 AR DIANA MAXWELL ARMFIELD R.A. (BRITISH, BORN 1920) The Shore, Rottnest Island signed with initials ‘DMA’ (lower left); titled ‘THE SHORE, ROTTNEST ISLAND-/NR PERTH-/AUSTRALIA’ (on backboard) oil on panel 14 x 23cm (5 1/2 x 9 1/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

For details of the charges payable in addition to the final Hammer Price of each Lot 10 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 14 AR JOAN GILLCHREST (BRITISH, 1918-2008) Harbour View signed with initials ‘JG’ (lower left) oil on paper laid on card 22.5 x 17.5cm (8 7/8 x 6 7/8in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

15 AR JOAN GILLCHREST (BRITISH, 1918-2008) Poppy signed with initials ‘JG’ (lower left); variously inscribed (on card verso) oil on card 24.5 x 12.5cm (9 5/8 x 4 15/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance With Wren Gallery, Burford Private Collection, U.K.

16 AR JOAN GILLCHREST (BRITISH, 1918-2008) Fishing Off Land’s End signed with initials ‘JG’ (lower right); titled and inscribed ‘Fishing at/ Lands End./Peter./Happy/Christmas &/New Year’ (on card verso) oil on paper laid on card 17 x 12cm (6 11/16 x 4 3/4in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance With Wren Gallery, Burford Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 11 17 AR SIMEON STAFFORD (BRITISH, BORN 1956) St Michael’s Mount signed ‘SIMEON’ (lower right); further signed and titled ‘St Michaels Mount/SIMEON’ and inscribed with cartoon (on canvas verso) oil on canvas 89.5 x 89.5cm (35 1/4 x 35 1/4in). (unframed)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

18 AR SIMEON STAFFORD (BRITISH, BORN 1956) Piccadilly, London signed ‘SIMO’ (lower left); further signed and titled ‘Simeon “Piccadilly” London’ (on stretcher bar) and inscribed with cartoon (on canvas verso) oil on canvas 81 x 81cm (31 7/8 x 31 7/8in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

19 AR SIMEON STAFFORD (BRITISH, BORN 1956) Day Out on the Sands signed ‘SIMEON’ (lower right); further signed ‘SIMEON’ (on stretcher bar) and inscribed with cartoon (on canvas verso) oil on canvas 100 x 100cm (39 3/8 x 39 3/8in). (unframed)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

For details of the charges payable in addition to the final Hammer Price of each Lot 12 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 20 ROBERT HARDY (BRITISH, BORN 1952) Under the Arches signed ‘HARDY’ (lower left); further signed, titled and dated ‘HARDY/MAY 2018/“UNDER THE ARCHES”’ and stamped with Artist’s stamp (on canvas verso) oil on canvas 100 x 80cm (39 3/8 x 31 1/2in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

21 ROBERT HARDY (BRITISH, BORN 1952) Journeys signed ‘HARDY’ (lower right), titled and dated ‘JOURNEYS/11/19’ (lower left); further signed, titled and dated ‘HARDY JOURNEYS II 27/11/19’ (on stretcher bar) and stamped with Artist’s stamp (on canvas verso) oil and pencil on canvas 80 x 100cm (31 1/2 x 39 3/8in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 13 22 RICHARD ADAMS (BRITISH, BORN 1960) Middlemoor signed and dated ‘Richard Adams 2019’ (at right edge) varnished pastel and gouache 39.5 x 59.5cm (15 9/16 x 23 7/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

23 RICHARD ADAMS (BRITISH, BORN 1960) Labour of Love signed and dated ‘Richard Adams 2020’ (at right edge) varnished pastel and gouache 39.5 x 59.5cm (15 9/16 x 23 7/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

24 RICHARD ADAMS (BRITISH, BORN 1960) White Chapel signed and dated ‘Richard Adams 2019’ (at right edge) varnished pastel and gouache 40 x 59.5cm (15 3/4 x 23 7/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

For details of the charges payable in addition to the final Hammer Price of each Lot 14 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 25 AR JOHN BRATBY R.A. (BRITISH, 1928-1992) Patti and Shells signed ‘BRATBY’ (upper left), further signed and dated ‘JOHN BRATBY/NOVEMBER/1974’ (upper left), also signed and dated ‘NOV.74 JOHN BRATBY’ (lower right) oil on board 112 x 81cm (44 1/8 x 31 7/8in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

26 AR JOHN BRATBY R.A. (BRITISH, 1928-1992) Venice Canal signed and dated ‘John/BRATBY Dec 24 87 88’ (lower left) oil on canvas 122 x 76cm (48 1/16 x 29 15/16in). (unframed)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance With Southgate Gallery, Moreton-in-Marsh, where acquired by the present owner Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 15 27 † AR DONALD MCINTYRE (BRITISH, 1923- 2009) Coast in a Storm, Iona signed ‘D. MCINTYRE-’ (lower left) acrylic on card 51.5 x 61.5cm (20 1/4 x 24 3/16in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

28 AR DONALD MCINTYRE (BRITISH, 1923- 2009) Landing the Boat signed with initials ‘DMC’ (lower right); further signed, titled and inscribed ‘“LANDING THE/ BOAT”/BY DONALD MCINTYRE/483’ (on Artist’s label attached to backboard) acrylic, watercolour and pencil 29 x 39cm (11 7/16 x 15 3/8in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance With Thackeray Gallery, London, where acquired by the family of the present owner, 12 November 1985, and thence by descent Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot 16 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 29 † AR DONALD MCINTYRE (BRITISH, 1923- 2009) Cuil Phail, Iona signed ‘DMCINTYRE-’ (lower right) acrylic on card 56 x 81cm (22 1/16 x 31 7/8in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

30 † AR DONALD MCINTYRE (BRITISH, 1923- 2009) Two Figures on the Beach, Iona signed ‘DMCINTYRE-’ (lower left) acrylic on card 51.5 x 62cm (20 1/4 x 24 7/16in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Cecil Beaton and his sisters Nancy and Barbara circa 1927. Photograph by Fox Photos © Getty Images.

Cecil Beaton (1904-1980) was one of the most important and reflecting the increasing independence women were starting to revered photographers of the 20th century, his images conjuring up enjoy: ‘in the old days it was enough that a beautiful woman should an era of unparalleled glamour. He acquired his first camera age 11, be gracious and charming; the beauties were seen rather than held his first exhibition in 1927, and rose to prominence as the most heard. The Grecian goddess, however dumb, justified herself; but to- fashionable young photographer of the day, becoming the unrivalled day it is more essential for a woman to be bright and attractive, and star of Vogue, with whom he had an association for over 50 years. good looks do not signify unless backed up by intelligence’ (ibid., p. Across his career he photographed a huge array of notable figures, 5). The following collection of drawings includes women who were moving from the ‘Bright Young Things’ of the 1920s and 30s – such known as much for their talents as their beauty; Kathleen, Countess as Stephen Tennant, the Jungman sisters, and debutantes dressed of Drogheda (lot 49) was an avid sportswoman and one of the first as Soapsuds – who are the subject of the forthcoming National female aviators, known as the ‘Flying Countess’, Daisy Fellowes Portrait Gallery exhibition, Cecil Beaton’s Bright Young Things, which (lot 35) was an influential magazine editor and Lina Cavalieri was a opens on 12 March 2020. Later, Beaton went on to capture portraits talented opera singer (lots 37 and 38). of icons such as Queen Elizabeth II, Pablo Picasso and David Hockney. He was also an accomplished illustrator and designer for Beaton’s observations of the women in The Book of Beauty are not stage and film, and won three Oscars for costume and art direction. only very much of their time, but also display an exquisitely English character. He has a clear penchant for tradition, and his descriptions The Book of Beauty is a paean to the beautiful women of the are littered with metaphors which transport the reader straight to the day. Having worshipped those women he had seen in popular afternoon tea-table, complete with lavishly buttered toast and pots of magazines from a young age – ‘I could hardly wait for Tuesday jam. We are introduced to Lady Howe (later Viscountess Curzon, lot when the new weekly magazines arrived’ (C. Beaton, The Book of 43), whose ‘potent personality’ carries with it, among other things, Beauty, Duckworth, London, 1930, p. 1) – the book is a grown-up, an air of ‘silver tea-kettles, little squares of hot buttered toast’, and professional realisation of boyhood scrapbooks. The illustrations for who has a complexion ‘like icing-sugar on a birthday cake’ (ibid., the book, a selection of twenty-two of which are offered here, are p. 27). He goes on to add that she is just as charming ‘either at the accompanied in print by his own photographs and superbly witty opera or taking the Pekinese for an airing in the Park, or at home, and neat descriptions of their distinguishing features. The pages are at tea time, blowing out the silver spirit-lamp and eating toast and brimming with effusive delight: Gaby Deslys is ‘a marvellous creature, honey’ (ibid., p. 28). Meanwhile Miss Tallulah Bankhead’s ‘rosebud of of brilliantine and brilliance, and Christmas-tree tinsel’ (ibid., p. 22); a mouth is painted the brightest scarlet and is as shiny as Tiptree’s Miss Essex French possesses ‘star-like periwinkle eyes’ (ibid., p. strawberry jam’ (ibid., p. 41). 42), while Lady Diana Cooper is ‘all the beauties in one’, with ‘snow- white skin, rose-petal cheeks, flaxen hair, and the sky-blue eyes with The Book of Beauty is an intriguing celebration of the culture of the the wistful look of enquiry’ (ibid., pp. 65-6). 1920s and 30s, sprinkled with charming illustrations and captivating photographs, Beaton’s witty observations capturing both the spirit Beaton’s book captures the zeitgeist of its time: published in 1930, of the time and the reader’s imagination. The following collection of it is a look at the glamour, fun and freedom of the Roaring Twenties. twenty-two illustrations provide a unique opportunity to acquire a Beaton comments on the changing beauty ideals of the time, part of this wonderful era.

18 | BONHAMS ‘“Sugar and spice and all that’s nice” - that’s what the French sisters are made of’. - C. Beaton, The Book of Beauty, Duckworth, London, 1930, p. 42.

31 AR CECIL BEATON (BRITISH, 1904-1980) The French Sisters titled ‘The French Sisters.’ (lower right) pen and ink and pencil 33 x 25cm (13 x 9 13/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 42

The present lot depicts socialite sisters Mrs Essex Drury (1907-1996) and Miss Valerie French (1909-1997).

32 AR CECIL BEATON (BRITISH, 1904-1980) Lady D’Abernon, After Sargent titled ‘Lady d’Abernon.’ (lower right), inscribed ‘Viscountess/ d’Abernon’ (upper right) pen and ink and pencil 28 x 21cm (11 x 8 1/4in). (unframed)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 4

Viscountess D’Abernon (1866-1954) was immortalised in a captivating portrait by John Singer Sargent during a visit to Venice in 1904, which the present lot takes inspiration from (Lady Helen Vincent, Viscountess d’Abernon, collection of Birmingham Museum of Art, Alabama). She was associated with the aristocratic intellectual group known as The Souls, and trained during World War I as a nurse anaesthetist. 32

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 19 33 AR CECIL BEATON (BRITISH, 1904-1980) Lady Abdy as Hamlet titled ‘Lady Abdy.’ (lower centre) ink and pen and ink 50.5 x 35.5cm (19 7/8 x 14in) sheet; 18.5 x 18.5cm (7 5/16 x 7 5/16in) image (unframed)

£1,200 - 1,800 €1,400 - 2,100 US$1,500 - 2,300

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 32

Iya, Lady Abdy (1897-1993) was born in St Petersburg and escaped from the Revolution to Finland with her family, before later moving to Paris, where she socialised with Coco Chanel and Jean Cocteau. An accomplished actress, she also flourished as a model for Man Ray, Beaton and George Hoyningen-Huene for Vogue.

34 AR CECIL BEATON (BRITISH, 1904-1980) Mademoiselle Lantelme titled and inscribed ‘Mlle/Lantelme/‘Paris’ most/beautiful actress’ (lower right), further variously inscribed (upper left) pen and ink 25.5 x 21cm (10 1/16 x 8 1/4in). (unframed)

£600 - 800 €720 - 950 US$770 - 1,000

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 1

Geneviève ‘Ginette’ Lantelme (1883-1911) was a French actress and socialite, known to Beaton as “Paris’s most beautiful actress” (ibid., p. 1). She was celebrated for her fashion sense and known for her extravagant hats, such as the one she is depicted wearing in the present lot.

For details of the charges payable in addition to the final Hammer Price of each Lot 20 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. ‘If the door is opened and the willowy Mrs Fellowes swishes in, all eyes are upon her and she completely vanquishes any other beauty who may be unfortunate enough to be present’. - C. Beaton, The Book of Beauty, Duckworth, London, 1930, p. 52.

35 AR CECIL BEATON (BRITISH, 1904-1980) Daisy Fellowes pen and ink, wash and pencil 39 x 33cm (15 3/8 x 13in). (unframed)

£1,200 - 1,800 €1,400 - 2,100 US$1,500 - 2,300

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 52

Daisy Fellowes (1980-1962) was heiress to the Singer sewing machine fortune and a notable beauty and trendsetter in the 1920s and 30s, said to have inspired designers such as Coco Chanel and Elsa Schiaparelli. She was also an editor for American Harper’s Bazaar, as well as a novelist and poet.

36 AR CECIL BEATON (BRITISH, 1904-1980) Miss Deirdre Hart-Davis titled ‘Deidre Hart Davis’ (lower centre) pen and ink and pencil 35.5 x 17cm (14 x 6 11/16in) sheet; 14 x 9cm (5 1/2 x 3 9/16in) image (unframed)

£400 - 600 €480 - 720 US$520 - 770

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 34

Deirdre Hart-Davis (1909-1998) was an English socialite and model, who as a child was drawn by Augustus John and painted by William Nicholson, along with her brother Rupert. She started and ran the Southover Gallery at her home in Sussex from 1973 to 1987, showing works by artists including Duncan Grant, Mary Fedden and 36 Julian Trevelyan.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 21 37 AR CECIL BEATON (BRITISH, 1904-1980) “The Perfect Roman Face” titled and inscribed ‘Lina Cavalieri/The Perfect Roman/Face’ (lower right), further titled ‘The Perfect Roman Face’ (upper right) pen and ink, wash and pencil 27 x 17.5cm (10 5/8 x 6 7/8in) sheet; 12 x 8cm (4 3/4 x 3 1/8in) image (unframed)

£400 - 600 €480 - 720 US$520 - 770

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 8

38 AR CECIL BEATON (BRITISH, 1904-1980) Lina Cavalieri titled, dated and inscribed ‘Lina Cavalieri/sketch April 2 1913’ (lower right) pen and ink and pencil 28 x 21cm (11 x 8 1/4in) sheet; 15 x 6.5cm (5 7/8 x 2 9/16in) image (unframed)

£400 - 600 €480 - 720 US$520 - 770

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 6

Lina Cavalieri (1874-1944) was an Italian opera singer, famed for her captivating looks and known at the time as ‘the most beautiful woman in the world’. She has been immortalized in the artwork of Piero Fornasetti, including a set of plates Tema e Variazioni (Theme and Variations), who saw in her features the ideals of classical beauty.

For details of the charges payable in addition to the final Hammer Price of each Lot 22 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 39 AR CECIL BEATON (BRITISH, 1904-1980) Lady Oxford inscribed ‘The Countess of/Oxford & Asquith’ (lower left) pen and ink 51 x 35.5cm (20 1/16 x 14in). (unframed)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 9

Margot Asquith (1864-1945) was a British socialite and author, and alongside her sister Laura she was one of the key female members of the aristocratic intellectual circle known as The Souls. She married H. H. Asquith, who served as Prime Minister 1908-1916. Beaton remarks that ‘Lady Oxford... is aesthetically one of the most striking and decorative objects of her time...She is like a live wire with her popinjay movements and vital alertness’ (ibid., p. 8).

40 AR CECIL BEATON (BRITISH, 1904-1980) Eleonora Duse titled and inscribed ‘Eleonora Duse/plastic face’ (lower right), further inscribed ‘Duse’ (lower centre) pen and ink, wash and pencil 28 x 21cm (11 x 8 1/4in) sheet; 15 x 11cm (5 7/8 x 4 5/16in) image (unframed)

£400 - 600 €480 - 720 US$520 - 770

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 7

Eleonora Duse (1858-1924) was an Italian actress, often known simply as ‘Duse’. She was praised for her roles in the works of Gabriele D’Annunzio and Henrik Ibsen, as well as touring South America, Europe and the United States.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 23 41 AR CECIL BEATON (BRITISH, 1904-1980) Lillie Langtry indistinctly signed ‘BEATON’ (lower right); titled ‘Lillie/Langtry’ (on sheet verso) pen and ink, wash and pencil 24 x 19cm (9 7/16 x 7 1/2in). (unframed)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 13

Beaton dedicates a whole chapter to Lillie Langtry (1853-1929) who he describes as the most famous of the Professional Beauties of the day. According to Beaton, she caused a commotion wherever she went, Oscar Wilde wrote Lady Windermere’s Fan for her, and she was painted by all the most famous artists of the time, including Whistler, Lavery, Burne-Jones, Leighton and Millais.

‘Towns were named after her, her name was written in letters of fire upon the sky. Fashions were swayed by her’. - Cecil Beaton describing Lillie Langtry, C. Beaton, The Book of Beauty, Duckworth, London, 1930, p. 12.

42 AR CECIL BEATON (BRITISH, 1904-1980) Miss Marion Davies titled ‘Marion Davies/In the gay 90’s-/film’ (lower right) pen and ink and pencil 28 x 21cm (11 x 8 1/4in) sheet; 15.5 x 14cm (6 1/8 x 5 1/2in) image (unframed)

£600 - 800 €720 - 950 US$770 - 1,000

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 44

Marion Davies (1897-1961) was an American actor and philanthropist. Beaton writes: ‘But, in spite of being a treasure of delicacy, Miss Davies is an all-weather beauty of steel-like hardiness; she is even more refreshingly dewy after a three days’ railway journey than when she is prepared to look her best on the screen’ (ibid., p. 44).

For details of the charges payable in addition to the final Hammer Price of each Lot 24 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 43 AR CECIL BEATON (BRITISH, 1904-1980) Viscountess Curzon signed ‘BEATON’ (lower right), titled ‘Viscountess Curzon’ (lower centre) pen and ink 43 x 30.5cm (16 15/16 x 12in). (unframed)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 28

Lady Howe, later Viscountess Curzon (1887-1962) was hailed by the newspapers of the time as the ‘Queen of Beauty’. Beaton describes her as ‘gracefully statuesque, her height is superb, her neck swan- like, and her poreless complexion is like icing-sugar on a birthday cake’ (ibid., p. 27).

44 AR CECIL BEATON (BRITISH, 1904-1980) The Ruthven Twins inscribed ‘Please reverse &/repeat’ (lower right) pen and ink and pencil 51 x 35.5cm (20 1/16 x 14in) sheet; 20 x 19cm (7 7/8 x 7 1/2in) image (unframed)

£600 - 800 €720 - 950 US$770 - 1,000

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 56

‘They are Byzantine goddesses, dressed like fairies in a circus designed by Picasso, with their dark locks tied with little tinsel bows, their spangled ballet-skirts, and low-heeled shoes’ (ibid., p. 56).

Margaret Hore-Ruthven (1902-1970) and Alison Hore-Ruthven (1902-1974), were part of the unofficial group of socialites the ‘Bright Young Things’. The twins performed under their stage name the ‘Ralli Twins’, as well as modelling for a dressmaking establishment. They were reportedly among the first to wear ‘low-heeled dancing slippers’, which soon became ‘the vogue among young people’ (Pensacola News Journal, Florida, 7 December 1928, p. 3). 44

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 25 45 AR CECIL BEATON (BRITISH, 1904-1980) Georgina, Lady Dudley titled ‘Georgina, Lady Dudley’ (lower centre) pen and ink and gouache 44 x 30cm (17 5/16 x 11 13/16in). (unframed)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 12

46 AR CECIL BEATON (BRITISH, 1904-1980) Vicomtesse de Janzé titled ‘Vicomtesse de Janzé’ (lower centre) pen and ink and pencil 28 x 21cm (11 x 8 1/4in) sheet; 12.5 x 10cm (4 15/16 x 3 15/16in) image (unframed)

£500 - 700 €600 - 840 US$640 - 900

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 54

Beaton wrote of Madame de Janzé as having ‘huge, glass-green, catlike eyes... she has the strange and tragic beauty of a tamed wild animal’ (ibid., p. 54).

For details of the charges payable in addition to the final Hammer Price of each Lot 26 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 47 AR CECIL BEATON (BRITISH, 1904-1980) To My Mother pen and ink and pencil 24 x 18.5cm (9 7/16 x 7 5/16in). (unframed)

£600 - 800 €720 - 950 US$770 - 1,000

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on frontispiece

48 AR CECIL BEATON (BRITISH, 1904-1980) Miss Audrey James titled ‘Mrs Marshall/Field/then Miss/Audrey James’ (lower centre), further variously inscribed (centre right) pen and ink, wash and pencil 28 x 21cm (11 x 8 1/4in) sheet; 12 x 12cm (4 3/4 x 4 3/4in) image (unframed)

£600 - 800 €720 - 950 US$770 - 1,000

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 2

Miss Audrey James (1902-1968) was an English socialite who starred on the cover of The Tatler in January 1925. She was the illegitimate granddaughter of Edward VII.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 27 49 AR CECIL BEATON (BRITISH, 1904-1980) Kathleen Countess of Drogheda titled ‘Kathleen Countess of/Drogheda’ (lower right) pen and ink, wash and pencil 28 x 21cm (11 x 8 1/4in). (unframed)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 20

Kathleen Countess of Drogheda (1887-1966) was a noted sportswoman, playing tennis in the ladies’ singles at Wimbledon. She was also one of the first female aviators and earned the nickname the ‘Flying Countess’ after she organised the first Aeronautical exhibition in Britain in 1917, which raised money for the war effort.

50 AR CECIL BEATON (BRITISH, 1904-1980) Shells pen and ink and wash 28 x 21cm (11 x 8 1/4in) sheet; 8 x 11cm (3 1/8 x 4 5/16in) image (unframed)

£300 - 500 €360 - 600 US$390 - 640

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 48

For details of the charges payable in addition to the final Hammer Price of each Lot 28 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 51 AR CECIL BEATON (BRITISH, 1904-1980) The Duchess of Portland titled ‘The Duchess of Portland’ (lower right), further variously inscribed (upper right) pen and ink and pencil 28 x 21cm (11 x 8 1/4in). (unframed)

£700 - 1,000 €840 - 1,200 US$900 - 1,300

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 2

Ivy Cavendish-Bentick, Duchess of Portland D.B.E. (1887-1982), founded the arts charity the Harley Foundation in 1978, and was appointed Maid of Honour to HM Queen Alexandra in 1912.

52 AR CECIL BEATON (BRITISH, 1904-1980) Frances Countess of Warwick titled ‘Frances Countess of/Warwick’ (lower right), dated and inscribed ‘sketch/1909/May 26.’ (upper right) pen and ink and pencil 28 x 21cm (11 x 8 1/4in) sheet; 13 x 9cm (5 1/8 x 3 9/16in) image (unframed)

£300 - 500 €360 - 600 US$390 - 640

Provenance Sale; Christie’s, London, Cecil Beaton, 21 June 1988, lot 116 (part lot), where acquired by the present owner Private Collection, U.K.

Literature C. Beaton, The Book of Beauty, Duckworth, London, 1930, illustrated on p. 2

Frances Evelyn ‘Daisy’ Greville, Countess of Warwick (1861-1938), was a socialist, philanthropist and supporter of women’s rights, founding the Studley Agricultural College for Women. She was also a keen cyclist and is said to be the inspiration behind the popular music-hall song, Daisy Bell (Bicycle Built for Two) (1892). She was a long-time confidant and reportedly mistress to Albert Edward, The Prince of Wales, later King Edward VII.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 29 53 AR MICHAEL AYRTON (BRITISH, 1921-1975) Summer Demeter signed and dated ‘29.1.1965./michael ayrton’ (lower right) pencil 40 x 47cm (15 3/4 x 18 1/2in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance With Bruton Gallery, Somerset, where acquired by the family of the present owner, 22 April 1981, and thence by descent Private Collection, U.K.

Exhibited Somerset, Bruton Gallery, Michael Ayrton: Recurring Themes and Images, 28 March-2 May 1981, no. 166, illustrated on p. 46: this exhibition travelled to Penarth, National Museum of Wales and Bristol, Pelter Sands Gallery

54 AR STEPHEN GILBERT (BRITISH, 1910-2007) Untitled signed and dated ‘Stephen Gilbert 1948’ (lower right) ink 31 x 23.5cm (12 3/16 x 9 1/4in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

The present lot is very similar to Untitled (1948), another work by the Artist in the collection of Tate, London (reference T04933).

55 AR KEITH VAUGHAN (BRITISH, 1912-1977) Standing Man stamped with studio stamp ‘K.V.’ (on sheet verso) pencil 18.5 x 10cm (7 5/16 x 3 15/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

The present lot is thought to have probably been made in the studio while Vaughan was teaching drawing in the life room at the Slade School of Fine Art. During the 1950s, drawing had become an essential ingredient in his creative life; whenever painting proved difficult, he turned to pencil and paper, and the figure drawings of this period are among some of his finest.

We are grateful to Gerard Hastings for compiling this catalogue entry. 55

For details of the charges payable in addition to the final Hammer Price of each Lot 30 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 56 AR STEPHEN GILBERT (BRITISH, 1910-2007) Untitled indistinctly signed and dated ‘Stephen Gilbert 51’ (lower right) oil on canvas 45.5 x 33cm (17 15/16 x 13in). with a further oil painting to the reverse, by the same hand

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

57 AR EUAN UGLOW (BRITISH, 1932-2000) Girl Tripping stamped and numbered ‘AB 3/8’ (on side) bronze with a black patina 26cm (10 1/4in) long Conceived in 1991

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance Dr Bruce Laughton, 1993 and thence by descent Private Collection, U.K.

Exhibited New York, Salander-O’Reilly in association with Browse & Darby, London, Euan Uglow, 2-31 December 1993, no. 15, illustrated 57 (another cast)

Literature C. Lampert, Euan Uglow, The Complete Paintings, Yale University Press, New Haven and London, 2007, no. 362, illustrated on p. 178 (another cast)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

We are grateful to Frances Spalding for her assistance in cataloguing this lot.

59 AR SIR KYFFIN WILLIAMS R.A. (BRITISH, 1918-2006) Coastal Landscape signed with initials ‘KW.’ (lower right) watercolour and ink 53.5 x 74cm (21 1/16 x 29 1/8in). with a further unfinished study in pencil, to the reverse of the sheet, by the same hand

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance Private Collection, U.K., acquired prior to the mid-1990s, and thence by descent to the present owner

For details of the charges payable in addition to the final Hammer Price of each Lot 32 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 60 AR JOHN MINTON (BRITISH, 1917-1957) Cranes at Bankside signed, inscribed and dated ‘John Minton 1947/Thames Side.’ (on backboard) pen and ink and wash 36 x 27cm (14 3/16 x 10 5/8in).

£4,000 - 6,000 €4,800 - 7,200 US$5,100 - 7,700

Provenance The Artist, by whom gifted to Private Collection, U.K. and thence by family descent Their sale; Bonhams, London, 1 July 2009, lot 6 Private Collection, U.K. Their sale; Bonhams, Knightsbridge, 10 March 2015, lot 79, where acquired by the present owner Private Collection, U.K.

From December 1946 to January 1947 John Minton exhibited at the Lefevre Gallery alongside Keith Vaughan and Julian Trevelyan. Minton showed nine oils and ten gouaches, which were based on the quays and wharves around Southwark and Bankside and earnt him the title of ‘urban romantic’. The exhibition was well-received by the critics with Michael Middleton commenting in The Spectator that the Artist had ‘translated an essentially elegiac vision into a closely knit architecture of great firmness and richness without the loss of poetic intensity’ (F. Spalding, John Minton, Dance Till The Stars Come Down, Lund Humphries, London, 2005, p. 102). A series of commissions followed this success and in May 1947 he drew London Docks for an issue of Our Time. Following this, Minton was asked to complete three pictures of the river Thames for publication in the July 1947 issue of Lilliput Magazine. The present lot is one of the three 60 black and white wash drawings that the Artist first produced before being asked by Kaye Webb, the magazine’s art editor, to rethink his designs in colour. Along with the present lot, Minton’s wash drawings included St Paul’s from the River and Blackfriars Bridge. Minton’s close relationship with the river Thames would continue throughout his career and in 1949 he executed illustrations for John Herbert’s essay ‘London’s Port and River’ in the book Flower of Cities before completing one of London Transport’s most famous posters titled 61 AR London’s River: Pool of London in 1951 (three thousand posters CECIL COLLINS (BRITISH, 1908-1989) were created for the underground from this gouache). Figure and Landscape, Dawn signed and dated ‘Cecil Collins/1970’ (lower right) oil on board 18 x 23cm (7 1/16 x 9 1/16in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance Acquired by Robin and Sylvia Skelton in 1970, and thence by descent to the present owner Private Collection, Canada

Robin and Sylvia Skelton were prominent figures in both the literary and art scenes of Victoria, Canada, emigrating there in 1963. As Professor of English at the University of Victoria, and later Founder Chairman of the Department of Creative Writing, Robin Skelton was predominantly known as a poet, critic and editor. The couple were both active in the The Limner Art Group in Victoria, for which Sylvia was the society’s secretary and archivist. Together they amassed an impressive art collection, including works by Irish artists such as Jack Butler Yeats and contemporary Canadian artists. 61

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 33 62 AR DAME ELISABETH FRINK R.A. (BRITISH, 1930-1993) The Wife of Bath’s Tale signed and dated ‘Frink 71’ (lower right), inscribed ‘‘The Wife of Bath’s Tale’./Great was the anguish churning in his head/When he and she were piloted to bed/He wallowed back and forth in desperate style/his ancient wife lay smiling all the while;’ (lower centre) watercolour and pencil 49.5 x 46.5cm (19 1/2 x 18 5/16in).

£2,500 - 3,500 €3,000 - 4,200 62 US$3,200 - 4,500

The present lot is a drawing for the etching and aquatint of the same title, one of 19 etchings from Frink’s second extended series of prints of The Canterbury Tales, published in 1972.

63 CHRISTOPHER WOOD (BRITISH, 1901-1930) Breton Woman chalk and pencil 63 x 48.5cm (24 13/16 x 19 1/8in). (unframed)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance Private Collection, U.S.A.

64 AR DUNCAN GRANT (BRITISH, 1885-1978) Sketch for Don Giovanni signed with initials and titled ‘D.G./Don Giovanni.’ (lower right) pen and ink and wash 25 x 20cm (9 13/16 x 7 7/8in). 63

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance Moran Caplat Collection His sale; Christie’s, London, 10 May 1988, lot 17 (part lot) With Abbott & Holder, London, where acquired by the present owner Private Collection, U.K.

The present lot is the original design for the programme cover of the 1951 Glyndebourne production of Don Giovanni. Moran Caplat was the general administrator at Glyndebourne for over thirty years, and amassed a considerable collection of original programme designs.

For details of the charges payable in addition to the final Hammer Price of each Lot 34 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 65

65 CHRISTOPHER WOOD (BRITISH, 1901-1930) Provenance Woman in Black Private Collection, U.S.A. oil on canvas 61 x 50cm (24 x 19 11/16in). Literature Painted in 1924 E. Newton, Christopher Wood 1901-1930, The Redfern Gallery, London, 1938, no. 28. £6,000 - 8,000 €7,200 - 9,500 US$7,700 - 10,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 35 66 CHRISTOPHER WOOD (BRITISH, 1901-1930) Portrait of Jean Bourgoint signed, inscribed and dated ‘a mon ami/Jean Bourgoint/de Kit Wood/Noel. 1925’ chalk and pencil 50 x 32.5cm (19 11/16 x 12 13/16in). (unframed)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance The Artist, by whom gifted to Jean Bourgoint, 1925 H. S. (Jim) Ede Private Collection, U.S.A.

Literature Possibly E. Newton, Christopher Wood 1901-1930, The Redfern Gallery, London, 1938, no. 654.

67 CHRISTOPHER WOOD (BRITISH, 1901-1930) Street Scene with Figure Being Carried pencil 35.5 x 51.5cm (14 x 20 1/4in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance Private Collection, U.S.A.

68 CHRISTOPHER WOOD (BRITISH, 1901-1930) Quay at St Ives watercolour 24 x 36.5cm (9 7/16 x 14 3/8in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance Probably with The Redfern Gallery, London, where acquired by the present owner Private Collection, U.S.A.

For details of the charges payable in addition to the final Hammer Price of each Lot 36 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 69 CHRISTOPHER WOOD (BRITISH, 1901-1930) Portrait of Georges Auric gouache, chalk and pencil 85.5 x 61cm (33 11/16 x 24in). (unframed)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance Private Collection, U.S.A.

70 CHRISTOPHER WOOD (BRITISH, 1901-1930) Portrait of a Young Man Seated pencil 62 x 47cm (24 7/16 x 18 1/2in).

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

Provenance With Mercury Gallery, London, where acquired by C. Kern Esq., 8 June 1972 Sale; Sotheby’s, London, 5 March 1997, lot 138 (as Seated Man) Private Collection, U.S.A.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 37 71 MARK LANCELOT SYMONS (BRITISH, 1887-1935) The Holy Mountain watercolour, gouache and pencil 53 x 35.5cm (20 7/8 x 14in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance The Artist, and thence by family descent Private Collection, U.K.

72 CHARLES SARGEANT JAGGER (BRITISH, 1885-1934) Cathal and the Woodfolk pencil, chalk and gouache, squared for transfer 18.5 x 30.5cm (7 5/16 x 12in).

£1,200 - 1,800 €1,400 - 2,100 US$1,500 - 2,300

Provenance 71 The Artist’s son, Cedric Jagger With The Fine Art Society, London, May 1988 Private Collection, U.K., from whom acquired by the present owner

Exhibited London, Imperial War Museum, Charles Sargeant Jagger, War and Peace Sculpture, Centenary Exhibition, 1 May - 29 September 1985, no. 13

Literature M. R. Figueiredo, European Sculpture, Vol.II, Calouste Gulbenkian Museum, Lisbon, 1999, p.116, under no. 24 A. Compton, The Sculpture of Charles Sargeant Jagger, Much Hadham and Aldershot, 2004, p. 109, under no. 15

Please see catalogue note at bonhams.com

73 MARK LANCELOT SYMONS (BRITISH, 1887-1935) 72 Mountain with Waterfall pen and ink, watercolour and pencil 54 x 37cm (21 1/4 x 14 9/16in). with a further drawing in chalk and watercolour to the reverse of the sheet, dated 11 November 1934, by the same hand

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance The Artist, and thence by family descent Private Collection, U.K.

74 AR UNITY SPENCER (BRITISH, 1930-2017) Caryatids and Workmen, St Pancras Church, Euston signed and dated ‘Unity Spencer mid 1950’ (lower left) oil on canvas 59.5 x 49cm (23 7/16 x 19 5/16in). Painted in 1956

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

For details of the charges payable in addition to the final Hammer Price of each Lot 38 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. Provenance With The Fine Art Society, London, where acquired by the present owner, 2015 Private Collection, U.K.

Exhibited London, The Fine Art Society, Unity Spencer: Lucky to be an Artist, 24 March - 17 April 2015

Literature U. Spencer, Unity Spencer: Lucky to be an Artist, Unicorn Press Ltd, London, 2015, illustrated on p. 96

Please note that this lot is offered with a copy of Unity Spencer: Lucky to be an Artist, signed by the Artist.

Unity Spencer, daughter of artist Stanley Spencer, contributed to numerous exhibitions with the London Group and at the Royal Academy, as well as having several solo shows. The present lot depicts two of the four caryatids at St Pancras Church in Euston, modelled in terracotta by John Charles Felix Rossi. Taking inspiration from the Erechtheum on the Acropolis in Athens, the building is an early example of Greek Revival architecture.

75 AR PERCY WYNDHAM LEWIS (BRITISH, 1882-1957) Two Figures in a Restaurant pen and ink and watercolour 11 x 18cm (4 5/16 x 7 1/16in). with a further sketch in pen and ink and chalk to the reverse, by the same hand Executed circa 1909

£1,000 - 1,500 74 €1,200 - 1,800 US$1,300 - 1,900

Provenance Agnes Bedford, and thence by family descent Private Collection, U.K.

The concert pianist Agnes Bedford (1892-1969) was a friend and collaborator of Ezra Pound, and also a very close friend of Wyndham Lewis, especially in the years after he went blind (1951-7). Bedford would read to him, and also assisted him by transcribing some of his writing. She owned a number of works by the Artist, and loaned five of these to the Tate’s 1956 exhibition Wyndham Lewis and Vorticism.

The style of the present lot is closely related to two drawings in the collection of the Victoria and Albert Museum, London; The Theatre Manager and, to a lesser extent, Anthony, both executed in 1909. In the present lot, the sitters in both sketches are unknown, and indeed given their similarity to each other Paul Edwards has suggested that they may be intended as ‘doubles’. At the time, Lewis was working 75 (recto) on the first draft of his novel Tarr, which illustrates his interest in the concept of the double during this period: his main reference-point was Dostoyevsky’s novella The Double (1846).

The Theatre Manager has been characterised by Walter Michel as possibly ‘the earliest work outside Paris to show a knowledge of Picasso’s Demoiselles d’Avignon’ (W. Michel, Wyndham Lewis: Paintings and Drawings, Thames and Hudson, London, 1971, p. 48), though Lewis can only have known of the painting through Augustus John’s reports.

The present lot shows the Artist experimenting with a variety of ‘primitivism’ that was proto-cubist. Despite the ephemeral support used - the sketches are executed on both sides of a throwaway receipt - the present lot is an intriguing and important piece showing the influence and development of Cubism in British art.

We are grateful to Paul Edwards for his assistance in cataloguing this lot. 75 (verso)

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 39 76 AR MARY NEWCOMB (BRITISH, 1922-2008) Redwing with Disturbed Feather incised with date ‘77’ (lower right); signed, titled and dated ‘Redwing with disturbed/feather/Mary Newcomb/77’ (on board verso) oil on board 29 x 30cm (11 7/16 x 11 13/16in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

77 AR NICOLA HICKS (BRITISH, BORN 1960) Rabbit 76 stamped with initials, numbered and inscribed ‘NH/A/C/2/2’ (on left hind leg) bronze with a light brown patina 73.5cm (28 15/16in) long Conceived in 1997-9

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance With Flowers East, London, where acquired by the present owner, 5 June 1999 Private Collection, U.K.

78 AR WILLIAM BROOKER (BRITISH, 1918-1983) On the Beach signed, inscribed and dated ‘William Brooker./1955/To Immanuel Bierer/Christmas 1963.’ (on board verso) oil on board 37 x 51cm (14 9/16 x 20 1/16in). 77 £2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance Sale; Bonhams, London, 19 May 2009, lot 10, where acquired by the present owner Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot 40 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 79

79 AR MARY NEWCOMB (BRITISH, 1922-2008) The Charcoal Burners signed and dated ‘Mary Newcomb 78’ (lower right); further signed, titled and dated ‘The charcoal burners/Mary Newcomb/78’ (on board verso) oil on board 58 x 90cm (22 13/16 x 35 7/16in).

£8,000 - 12,000 €9,500 - 14,000 US$10,000 - 15,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 41 80 AR COLIN HAYES R.A., R.B.A. (BRITISH, 1919-2003) Serignac signed ‘Hayes’ (lower right) oil on canvas 63.5 x 76.5cm (25 x 30 1/8in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

81 AR 80 ETHELBERT WHITE (BRITISH, 1891-1972) At the Pump oil on canvas 54 x 65cm (21 1/4 x 25 9/16in).

£1,200 - 1,800 €1,400 - 2,100 US$1,500 - 2,300

Provenance Sale; Sotheby’s, London, 1 March 1989, lot 20, where acquired by the present owner Private Collection, U.K.

82 AR COLIN HAYES R.A., R.B.A. (BRITISH, 1919-2003) Landscape with Purple Skies signed ‘Hayes’ (lower right) oil on canvas 63.5 x 76cm (25 x 29 15/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900 81 Provenance Sale; Bonhams, Knightsbridge, 12 July 2005, lot 6, where acquired by the present owner Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot 42 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 83 AR GEOFFREY KEY (BRITISH, BORN 1941) Red Rider signed and dated ‘G.KEY.68’ (lower right) oil on canvas 46 x 36cm (18 1/8 x 14 3/16in).

£1,800 - 2,500 €2,100 - 3,000 US$2,300 - 3,200

84 AR GEOFFREY KEY (BRITISH, BORN 1941) Four Horsemen signed and dated ‘G KEY 69’ (lower right); further signed and titled ‘FOUR/ HORSEMEN/G Key’ (on Artist’s label attached to reverse of frame) oil on canvas 63.5 x 76cm (25 x 29 15/16in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 43 85 AR STANLEY ROY BADMIN R.W.S. (BRITISH, 1906-1989) Mixed Conifers, April signed ‘S.R.Badmin’ (lower left), titled, dated and inscribed ‘Mixed Conifers (nr. Dodsworth)/April. 1970-71’ (lower right, under mount) watercolour and gouache 30 x 18cm (11 13/16 x 7 1/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance With Chris Beetles Gallery, London Private Collection, U.K.

Exhibited London, Royal Society of Painters in Water-Colours, Summer 1971, no. 119 London, Chris Beetles Gallery, Chris Beetles Summer Show, 20 June-20 September 2012, no. 53

86 AR JAMES LLOYD (BRITISH, 1905-1974) Squirrels signed ‘J.LLOYD.’ (lower left) gouache and pen and ink 35 x 50cm (13 3/4 x 19 11/16in). Painted in 1964

85 £1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance With Portal Gallery, London Sale; Christie’s, South Kensington, 12 July 2012, lot 488, where acquired by the present owner Private Collection, U.K.

87 AR JAMES LLOYD (BRITISH, 1905-1974) Museum Gardens York signed ‘J.LLOYD’ (lower right) gouache and pen and ink 24.5 x 38cm (9 5/8 x 14 15/16in). Painted circa 1968

£800 - 1,200 €950 - 1,400 86 US$1,000 - 1,500

For details of the charges payable in addition to the final Hammer Price of each Lot 44 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 88 AR STANLEY ROY BADMIN R.W.S. (BRITISH, 1906-1989) St. Ives, Cornwall signed and titled ‘St. Ives./S.R. Badmin’ (lower right) watercolour, pen and ink and gouache 27.5 x 34cm (10 13/16 x 13 3/8in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance With W. Frank Gadsby, Ltd., Leicester

89 AR SIMON PALMER (BRITISH, BORN 1956) The Estate Plantation signed ‘Simon Palmer’ (lower right) watercolour, pen and ink and gouache 63.5 x 47.5cm (25 x 18 11/16in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance With James Huntington-Whiteley Fine Art, London, where acquired by the family of the present owner Private Collection, U.K.

90 AR 91 AR GUY TAPLIN (BRITISH, BORN 1939) GUY TAPLIN (BRITISH, BORN 1939) White Whale Blue Fish, Small Blue Fish and Pink Fish signed and titled ‘WHITE WHALE/GUY TAPLIN’ (on lower edge) each signed ‘GUY TAPLIN’ and variously titled (on lower edges) painted wood, with plastic eye painted wood, with plastic eyes 116cm (45 11/16in) long 90.5cm (35 5/8in) long, and smaller (3) £2,500 - 3,500 €3,000 - 4,200 £2,000 - 3,000 US$3,200 - 4,500 €2,400 - 3,600 US$2,600 - 3,900 Provenance The Artist, from whom acquired directly by the present owner in the Provenance early 2000s The Artist, from whom acquired directly by the present owner in the Private Collection, U.K. early 2000s Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot 46 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 92 AR JOHN BELLANY C.B.E., R.A., H.R.S.A., L.L.D.(LON) (BRITISH, 1942-2013) Albatross and the Musician signed, titled, inscribed and dated ‘j.Bellany/1983/“ALBATROSS/AND THE MUSICIAN”/FOR DENNIS/BOWEN’ (on canvas verso) oil on canvas 88.5 x 81.5cm (34 13/16 x 32 1/16in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance The Artist, by whom gifted to Denis Bowen The Estate of Denis Bowen, from whom acquired by the present owner in 2012

93 AR GRAHAM KNUTTEL (IRISH, BORN 1954) Two Fish signed ‘Knuttel’ (on base) bronze with a brown patina 79cm (31 1/8in) long

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

94 AR MARK RUDOLF CORETH (BRITISH, BORN 1958) Snow Leopard signed and numbered ‘M. Coreth 1/6’ (to top of base) bronze with a brown patina 35.5cm (14in) long

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

95 AR MARK RUDOLF CORETH (BRITISH, BORN 1958) Baboon signed and numbered ‘M. Coreth 2/6’ (on base) bronze with a brown patina 52cm (20 1/2in) long

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

For details of the charges payable in addition to the final Hammer Price of each Lot 48 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 96 AR BERYL COOK (BRITISH, 1926-2008) The Jaguar signed ‘B. Cook’ (lower right) oil on board 45 x 57cm (17 11/16 x 22 7/16in). Painted in 1987

£4,000 - 6,000 €4,800 - 7,200 US$5,100 - 7,700

Provenance With Portal Gallery, London, where acquired by the present owner, 5 July 1988 Private Collection, U.K.

Literature B. Cook, Beryl Cook’s London, John Murray Ltd. and Gallery Five Ltd, London, 1988, illustrated B. Cook and J. Whitlock Blundell (ed.), Beryl Cook: The Bumper Edition, Victor Gollancz, London, 2000, illustrated on p. 254

‘As his fur was so especially lustrous, I decided to paint the jaguar, and set him against a suitably wintry sky.’ Beryl Cook, 96 quoted in B. Cook and J. Whitlock Blundell (ed.), Beryl Cook: The Bumper Edition, Victor Gollancz, London, 2000, p. 254.

97 AR STEVE BURGESS (BRITISH, BORN 1960) Tiger in the Snow signed and dated ‘Steve Burgess 2018’ (lower right) oil on board 61 x 91.5cm (24 x 36in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 49 98 AR DAVID SHEPHERD C.B.E. (BRITISH, 1931-2017) African Elephants in the Savanna signed ‘-David Shepherd-’ (lower right) oil on canvas 51 x 76cm (20 1/16 x 29 15/16in).

£15,000 - 25,000 €18,000 - 30,000 US$19,000 - 32,000

For details of the charges payable in addition to the final Hammer Price of each Lot 50 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 51 99 AR EDWIN PENNY (BRITISH, BORN 1930) Goshawk signed ‘Edwin Penny-’ (lower left) watercolour and gouache 50.5 x 36.5cm (19 7/8 x 14 3/8in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance With Frost & Reed Ltd, London, where acquired by the present owner, June 1974 Private Collection, Ireland

100 AR EDWIN PENNY (BRITISH, BORN 1930) Kestrel signed ‘Edwin Penny-’ (lower right) watercolour and gouache 50.5 x 36.5cm (19 7/8 x 14 3/8in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance With Frost & Reed Ltd, London, where acquired by the present owner, June 1974 Private Collection, Ireland

100

101 AR ALAN M. HUNT (BRITISH, BORN 1947) Falcon signed, dated and inscribed ‘© ALAN M.HUNT 2018.’ (lower left) acrylic on canvas 61 x 46cm (24 x 18 1/8in). (unframed)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

101

For details of the charges payable in addition to the final Hammer Price of each Lot 52 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 102

102 AR CHARLES FREDERICK TUNNICLIFFE O.B.E., R.A. (BRITISH, Provenance 1901-1979) Commissioned directly from the Artist by the family of the present African Dusk owner, December 1976, and thence by descent signed ‘C. F. Tunnicliffe’ (lower right) Private Collection, U.K. watercolour, gouache and pencil 65.5 x 37cm (25 13/16 x 14 9/16in). Please note that the present lot is offered together with copies of the Painted in 1977 original letters relating to the commission of the painting.

£4,000 - 6,000 €4,800 - 7,200 US$5,100 - 7,700

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 53 103* AR TP SIR PETER SCOTT (BRITISH, 1909-1989) Mallard and Teal in Flight signed and dated ‘Peter Scott 1967’ (lower left) oil on canvas 152.5 x 335cm (60 1/16 x 131 7/8in).

£25,000 - 35,000 €30,000 - 42,000 US$32,000 - 45,000

Provenance Sale; Christie’s, South Kensington, 11 March 2010, lot 51 Private Collection

For details of the charges payable in addition to the final Hammer Price of each Lot 54 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 55 104 AR CAMPBELL ARCHIBALD MELLON (BRITISH, 1876-1955) Symonds Yat signed ‘C.A.Mellon.’ (lower left) oil on board 23.5 x 30.5cm (9 1/4 x 12in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance The Artist, from whom acquired directly by the family of the present owner, and thence by descent Private Collection, U.K.

104

105 AR CAMPBELL ARCHIBALD MELLON (BRITISH, 1876-1955) Near Lound Run signed with initials ‘CAM’ (lower right) oil on board 23 x 30.5cm (9 1/16 x 12in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance The Artist, from whom acquired directly by the family of the present owner, and thence by descent Private Collection, U.K.

105

For details of the charges payable in addition to the final Hammer Price of each Lot 56 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 106 AR CAMPBELL ARCHIBALD MELLON (BRITISH, 1876-1955) Gorleston Beach signed with initials ‘C.A.M.’ (lower right) oil on board 23.5 x 30.5cm (9 1/4 x 12in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance The Artist, from whom acquired directly by the family of the present owner, and thence by descent Private Collection, U.K.

106

107 AR CAMPBELL ARCHIBALD MELLON (BRITISH, 1876-1955) Hopton Cliffs signed with initials ‘C.A.M.’ (lower right) oil on board 23 x 30.5cm (9 1/16 x 12in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance The Artist, from whom acquired directly by the family of the present owner, and thence by descent Private Collection, U.K.

107

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 57 108 AR JOHN ARTHUR MALCOLM ALDRIDGE (BRITISH, 1905-1983) Grand Canal, Early Morning signed with initials and dated ‘J A 63’ (lower right) oil on board 27 x 35.5cm (10 5/8 x 14in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

108

109 AR KEN HOWARD R.A. (BRITISH, BORN 1932) Calle Larga, Morning Light Effect signed ‘Ken Howard.’ (lower right); titled ‘CALLE LARGA/MORNING LIGHT EFFECT’ (on Artist’s label attached to stretcher bar) oil on canvas 61 x 20.5cm (24 x 8 1/16in). (unframed)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

109

110 AR KEN HOWARD R.A. (BRITISH, BORN 1932) Morning Light Campese signed ‘Ken Howard’ (lower right) oil on canvasboard 20.5 x 25.5cm (8 1/16 x 10 1/16in). Painted in 2008

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

110

For details of the charges payable in addition to the final Hammer Price of each Lot 58 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 111 AR KEN HOWARD R.A. (BRITISH, BORN 1932) Autumn Light, San Marco signed ‘Ken Howard.’ (lower right) oil on canvasboard 28.5 x 38.5cm (11 1/4 x 15 1/8in).

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

Provenance With Richard Green, London Private Collection, U.K.

111

112 AR KEN HOWARD R.A. (BRITISH, BORN 1932) Stormy Morning, Quai St Michel, Paris signed ‘Ken Howard’ (lower right); titled and dated ‘Stormy Morning Quai St Michel Paris 2014’ (on stretcher bar) oil on canvas 30 x 61cm (11 13/16 x 24in). (unframed)

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

112

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 59 113 AR DIANA MAXWELL ARMFIELD R.A. (BRITISH, BORN 1920) Sunday Morning, La Place, Vaison-la- Romaine signed with initials ‘DMA’ (lower left), titled ‘SUNDAY MORNING, la place, Vaison-la- Romaine’ (on frame verso) oil on board 16 x 22cm (6 5/16 x 8 11/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

113 114 AR KEN HOWARD R.A. (BRITISH, BORN 1932) Mousehole signed ‘Ken Howard.’ (lower right) oil on canvas 41 x 51cm (16 1/8 x 20 1/16in). together with a further watercolour, Mousehole, by the same hand (2)

£1,200 - 1,800 €1,400 - 2,100 US$1,500 - 2,300

Provenance With Bankside Gallery, London, where acquired by the present owner, 1998-9 Private Collection, U.K.

115 AR DIANA MAXWELL ARMFIELD R.A. (BRITISH, BORN 1920) 114 (one of two) Golden Spring Day, Richmond Green signed with initials ‘DMA’ (lower left); titled ‘GOLDEN SPRING DAY, RICHMOND GREEN’ (on frame verso) oil on canvasboard 19.5 x 22cm (7 11/16 x 8 11/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

115

For details of the charges payable in addition to the final Hammer Price of each Lot 60 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 116 AR KEN HOWARD R.A. (BRITISH, BORN 1932) Thames Scene signed ‘Ken Howard’ (lower right) oil on canvas 30 x 40.5cm (11 13/16 x 15 15/16in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

117 AR CHARLES CUNDALL R.A., R.W.S., R.P. (BRITISH, 1890-1971) Battersea Reach signed ‘Charles Cundall’ (lower left) oil on canvas 116 30.5 x 61cm (12 x 24in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

118 AR KEN HOWARD R.A. (BRITISH, BORN 1932) Richmond Bridge signed ‘Ken Howard.’ (lower right); titled ‘Richmond Bridge’ (on canvasboard verso) oil on canvasboard 20 x 25.5cm (7 7/8 x 10 1/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900 117

118

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 61 119 † AR FREDERICK CUMING R.A., N.E.A.C. (BRITISH, BORN 1930) The Beach signed ‘Cuming’ (lower left) oil on board 23.5 x 61cm (9 1/4 x 24in).

£1,200 - 1,800 €1,400 - 2,100 US$1,500 - 2,300

119

120 AR FREDERICK CUMING R.A., N.E.A.C. (BRITISH, BORN 1930) Clouds, Camber signed ‘Cuming’ (lower left); titled ‘Clouds/ Camber’ (on board verso) oil on board 10 x 20cm (3 15/16 x 7 7/8in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance Sale; Bonhams, Knightsbridge, 27 March 2018, lot 69, where acquired by the present owner Private Collection, U.K. 120

121 AR FREDERICK CUMING R.A., N.E.A.C. (BRITISH, BORN 1930) Figure and Horse, Camber signed ‘Cuming’ (lower left); titled ‘Figure + Horse/Camber’ (on board verso) oil on board 8.5 x 20.5cm (3 3/8 x 8 1/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance Sale; Bonhams, Knightsbridge, 27 March 121 2018, lot 71, where acquired by the present owner Private Collection, U.K.

For details of the charges payable in addition to the final Hammer Price of each Lot 62 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 122

122 AR Provenance Private Collection, U.S.A RICHARD EURICH R.A. (BRITISH, 1903-1992) With Modern British Artists, London, where acquired by the present Beach Carnival owner in 2007 signed and dated ‘R. Eurich ‘81’ (lower right); further signed, titled Private Collection, U.K. and dated ‘BEACH CARNIVAL/RICHARD EURICH. R.A/1981’ (on board verso) Exhibited oil on board London, Royal Academy of Arts, Summer Exhibition, 15 May-15 59 x 89cm (23 1/4 x 35 1/16in). August 1982, no. 14

£6,000 - 8,000 In Beach Carnival we see a scene painted from the Artist’s €7,200 - 9,500 imagination, depicted from a typically impossible viewpoint in the US$7,700 - 10,000 sky over the water. This was a favoured technique as it allowed him to depict the groups of people from above, separating them into individuals, and here we see figures fishing, paddling, sunbathing, sailing and picnicking. The scene glows with a soft summer light and the beach huts, sails, bell tent and house gables form a pattern which is enlivened by the diminutive figures scattered around.

We are grateful to Philippa Bambach for her assistance in cataloguing this lot.

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 63 123 AR CAREL WEIGHT R.A. (BRITISH, 1908-1997) Clay Pits, Cornwall oil on canvas 51 x 45cm (20 1/16 x 17 11/16in). Painted circa 1945

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance Sale; Bonhams, Knowle, 24 February 2004, lot 122 Private Collection, U.K. Sale; Bonhams, Knightsbridge, 17 July 2007, lot 208 Private Collection, U.K.

124 AR 123 CAREL WEIGHT R.A. (BRITISH, 1908-1997) Country Lane signed ‘Carel Weight’ (lower left) oil on canvasboard 34 x 44cm (13 3/8 x 17 5/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance The Artist, from whom acquired directly by the family of the present owner, circa 1980, and thence by descent Private Collection, U.K.

125 AR LEONARD MCCOMB R.A. (BRITISH, 1930-2018) Cat in Landscape signed and dated ‘L. McComb RA./1996’ (lower left) oil on canvasboard 25 x 30cm (9 13/16 x 11 13/16in).

124 £2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance The Artist, and thence by family descent Private Collection, U.K.

The present lot depicts the Anglesey coast, and is an evocation of family holidays there in the Artist’s youth.

125

For details of the charges payable in addition to the final Hammer Price of each Lot 64 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 126 AR CAREL WEIGHT R.A. (BRITISH, 1908- 1997) The Running Child signed ‘Carel Weight’ (lower left) oil on canvas 102 x 81cm (40 3/16 x 31 7/8in). Painted in 1973

£6,000 - 8,000 €7,200 - 9,500 US$7,700 - 10,000

Provenance With New Grafton Gallery, London, where acquired by Luke Gertler With Fieldborne Galleries, London Sternfield Collection With Brandler Galleries, Essex Private Collection, U.S.A., from whom acquired by the present owner

126

127 AR CAREL WEIGHT R.A. (BRITISH, 1908- 1997) A Winter Walk signed ‘Carel Weight’ (lower left) oil and pastel on board 122 x 122cm (48 1/16 x 48 1/16in).

£5,000 - 7,000 €6,000 - 8,300 US$6,400 - 9,000

Provenance Sale; Sotheby’s, London, 4 November 1992, lot 121, where acquired by the family of the present owner and thence by descent Private Collection, U.K.

127

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 65 128 AR CECIL MAGUIRE R.U.A. (IRISH, BORN 1930) Winter, Salt Lake, Clifden signed and dated ‘Maguire 81’ (lower right); further signed, titled and inscribed with Artist’s address ‘WINTER,/SALT LAKE, CLIFDEN./CECIL MAGUIRE R.U.A.,/9 SHARMAN DR.,/BELFAST 9.’ (on board verso) oil on board 60.5 x 91.5cm (23 13/16 x 36in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance With The Bell Gallery, Belfast Sale; Bonhams, Knightsbridge, 4 June 2013, lot 126, where acquired by the previous owner, by whom gifted to the present owner Private Collection, U.K. 128

129 AR JOHN PIPER C.H. (BRITISH, 1903-1992) Landscape signed ‘John Piper’ (lower left) watercolour, pen and ink and gouache 39.5 x 51cm (15 9/16 x 20 1/16in). Painted in 1946

£4,000 - 6,000 €4,800 - 7,200 US$5,100 - 7,700

Provenance With Mercury Gallery, London, where acquired by the family of the present owner, 16 October 1965, and thence by descent Private Collection, U.K.

129

For details of the charges payable in addition to the final Hammer Price of each Lot 66 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 130 AR JOHN PIPER C.H. (BRITISH, 1903-1992) Colston Bassett signed ‘John Piper’ (lower left); titled ‘Colston Bassett (Notts.)’ (on sheet verso) pen and ink, gouache, watercolour and pastel 56.5 x 76cm (22 1/4 x 29 15/16in).

£5,000 - 7,000 €6,000 - 8,300 US$6,400 - 9,000

130

131 AR JOHN PIPER C.H. (BRITISH, 1903-1992) Wiggenhall St. Peter I signed ‘John Piper’ (lower right); titled ‘Wiggenhall St. Peter’ (on sheet verso) watercolour, pen and ink, pastel, chalk and gouache 48 x 66cm (18 7/8 x 26in). Painted in 1983

£4,000 - 6,000 €4,800 - 7,200 US$5,100 - 7,700

Provenance With Marlborough Fine Art, London Private Collection, U.K.

131

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 67 132 † AR WILLIAM BOWYER R.A., R.W.S., R.P., N.E.A.C. (BRITISH, 1926- 2015) Walpole House signed ‘William Bowyer’ (lower right) oil on canvas 91 x 91cm (35 13/16 x 35 13/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

133 AR 132 RUSKIN SPEAR R.A. (BRITISH, 1911-1990) The Almond Tree oil on board 47 x 38cm (18 1/2 x 14 15/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance Miss M. Knight Sale; Christie’s, London, 19 March 1971, lot 6 Private Collection, U.K.

Exhibited London, The Leicester Galleries, New Year Exhibition, 1-24 January 1952, no. 126

134 † AR WILLIAM BOWYER R.A., R.W.S., R.P., N.E.A.C. (BRITISH, 1926- 2015) Chiswick Mall signed ‘William Bowyer’ (lower right) oil on canvas 91 x 91cm (35 13/16 x 35 13/16in).

£800 - 1,200 €950 - 1,400 133 US$1,000 - 1,500

134

For details of the charges payable in addition to the final Hammer Price of each Lot 68 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 135 AR PETER BROOK (BRITISH, 1927-2009) Walking The Dog, 4pm signed and titled ‘PETER BROOK WALKING THE DOG’ (lower left), inscribed ‘4PM’ (lower right) oil on board 49.5 x 70cm (19 1/2 x 27 9/16in).

£4,000 - 6,000 €4,800 - 7,200 US$5,100 - 7,700

Provenance With Anna-Mei Chadwick Gallery, London, where acquired by the present owner circa 1993

135

136 * AR PETER BROOK (BRITISH, 1927-2009) Snow Mist Last January signed ‘PETER BROOK’ (lower right), titled ‘SNOW MIST LAST JANUARY’ (lower left) oil on canvas 50.5 x 76.5cm (19 7/8 x 30 1/8in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance With Thomas Agnew & Sons, London, where acquired by the family of the present owner, and thence by descent Private Collection, U.S.A.

136

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 69 137 AR ARTHUR DELANEY (BRITISH, 1927-1987) The Flat Iron Market, Manchester signed ‘Arthur/ Delaney.’ (lower right) oil on board 32.5 x 42cm (12 13/16 x 16 9/16in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance With County Galleries, Altrincham, where acquired by the family of the present owner, 15 October 1979, and thence by descent Private Collection, U.K.

Please note that this lot is offered with the original receipt from County Galleries, 1979.

138 AR BRIAN SHIELDS (BRAAQ) (BRITISH, 1951-1997) Industrial Landscape signed ‘braaq ‘ANN’’ (lower left) pastel 14.5 x 24cm (5 11/16 x 9 7/16in).

137 £1,200 - 1,800 €1,400 - 2,100 US$1,500 - 2,300

Provenance The Artist, from whom acquired by the family of the present owner, and thence by descent Private Collection, U.K.

139 AR HAROLD RILEY (BRITISH, BORN 1934), AND LAURENCE STEPHEN LOWRY R.A. (BRITISH, 1887-1976) St Mary’s Church, ‘The Hidden Gem’ signed ‘LSL’ (lower left); signed and dated ‘Riley 79’ (lower right) charcoal, chalk, pencil and wash 28 x 18.5cm (11 x 7 5/16in).

£4,000 - 6,000 €4,800 - 7,200 US$5,100 - 7,700

Provenance Harold Riley, by whom gifted to Jack Crompton, 1979, from whom acquired by the present owner Private Collection, U.K.

Please note that this lot is offered with a copy of a letter from Harold Riley dated 9 July 2008, relating to the present lot, confirming 138 its authenticity and detailing how Lowry suggested adding some figures.

For details of the charges payable in addition to the final Hammer Price of each Lot 70 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 140 AR HAROLD RILEY (BRITISH, BORN 1934) Old Trafford at Dusk in Winter, After a Light Snowfall signed ‘Riley’ (lower right) oil over printed photograph on linen, laid on board 24 x 49cm (9 7/16 x 19 5/16in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance The Artist, from whom acquired directly by the present owner, circa 1967, and thence by descent Private Collection, U.K.

Harold Riley dates this painting to circa 1967 and states this is one of a small number of similar works he painted at this time.

After his studies at The Slade and The Courtauld Institute in London, Riley returned to his native Salford with a determination to record its people, life, workplaces, streets, houses and entertainments. He did this in drawings, paintings, photography and prints, and created a record of the city. Riley was a very talented football player, and has a long standing association with Manchester United Football Club, as well as painting many other professional sports.

In conversation Harold Riley described the method he used in this painting. At his home he had a darkroom, where he developed and printed his black and white photographs. In this artwork he printed a composite of two photographs onto the linen, which he had previously coated with photographic chemicals. The images were quite lightly printed. He then extensively painted and re- worked the photographic image using thinned oil paint, arranging the composition as work on the painting progressed.

We are grateful to Harold Riley for his assistance in cataloguing this lot. 139

140

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 71 141 AR JOSEF HERMAN R.A. (BRITISH, 1911-2000) Peasant Sitting, Back View oil and ink on paper, laid on board 17 x 22cm (6 11/16 x 8 11/16in).

£1,200 - 1,800 €1,400 - 2,100 US$1,500 - 2,300

Provenance 141 With Roland, Browse and Delbanco, London, where acquired by the family of the present owner, 6 February 1962, and thence by descent Private Collection, U.K.

142 AR GEOFFREY DASHWOOD (BRITISH, BORN 1947) Sunbathing Blackbird signed and numbered ‘Dashwood 8/12’ (on underside) bronze with a black patina 33cm (13in) wide

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance With Sladmore Contemporary, London, where acquired by the present owner Private Collection, the Netherlands

143 AR SIR KYFFIN WILLIAMS R.A. (BRITISH, 1918-2006) 142 Two Horses and Jockeys signed with initials ‘KW.’ (lower right) watercolour and pencil 38 x 30cm (14 15/16 x 11 13/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance With The Albany Gallery, Cardiff Private Collection, U.K.

143

For details of the charges payable in addition to the final Hammer Price of each Lot 72 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 144

144 AR JOSEF HERMAN R.A. (BRITISH, 1911-2000) Provenance Village Street in Wales With Roland, Browse and Delbanco, London, where acquired by oil on canvas R.D.S. May Esq, by 1952 71 x 91cm (27 15/16 x 35 13/16in). With Leicester Galleries, London, where acquired by Painted in 1949 Peter Pears, May 1953 Dr and Mrs H. M. Roland, by 1955 With Ffin y Parc Gallery, Conwy, where acquired by the present owner £8,000 - 12,000 Private Collection, U.K. €9,500 - 14,000 US$10,000 - 15,000 Please see full exhibition details at bonhams.com

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 73 145 AR JOHN VIRTUE (BRITISH, BORN 1947) 126 Studies of the Fever Hospital at Night pen and ink and gouache on paper, laid on board 108 x 114.5cm (42 1/2 x 45 1/16in) overall Executed in 1980-81

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

Provenance The Artist, from whom acquired directly by the previous owner in the 1970s Acquired from the above by the present owner

145

146 AR JOHN VIRTUE (BRITISH, BORN 1947) Street Scene signed and dated ‘J.A.VIRTUE 1976’ (lower right) pen and ink, watercolour and gouache 48 x 74cm (18 7/8 x 29 1/8in). with a further unfinished study in pen and ink, to the reverse of the sheet, by the same hand

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance The Artist, from whom acquired directly by the previous owner in the 1970s Acquired from the above by the present owner

146

For details of the charges payable in addition to the final Hammer Price of each Lot 74 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 147 AR PATRICK HAYMAN (BRITISH, 1915-1988) Riverside with Tall Buildings signed ‘HAYMAN-’ (lower left); further signed, titled and dated ‘“RIVERSIDE WITH/TALL BUILDINGS”/(oil 1983)/Patrick Hayman’ (on backboard) oil on paper laid on board 46 x 29cm (18 1/8 x 11 7/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

148 AR BRYAN KNEALE R.A. (BRITISH, BORN 1930) Child of the Universe signed and dated ‘BRYAN KNEALE/1959’ (lower right) 147 oil on board 98.5 x 152.5cm (38 3/4 x 60 1/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

149 AR PATRICK HAYMAN (BRITISH, 1915-1988) Cornish Landscape & Church signed ‘Hayman’ (upper right); further signed, titled, inscribed and dated ‘PATRICK HAYMAN/1962 OIL/CORNISH LANDSCAPE &/CHURCH) (on backboard) oil on board 35.5 x 45.5cm (14 x 17 15/16in).

£800 - 1,200 148 €950 - 1,400 US$1,000 - 1,500

149

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 75 150 AR JOHN KIRBY (BRITISH, BORN 1949) Man and Boy signed with initials, titled and dated ‘MAN + BOY/1987/J.K’ (on canvas verso) oil on canvas 182.5 x 152cm (71 7/8 x 59 13/16in).

£4,000 - 6,000 €4,800 - 7,200 US$5,100 - 7,700

Provenance With Flowers Gallery, London Private Collection, U.K.

Exhibited Ostend, Provinciaal Museum voor Moderne Kunst, René Magritte en de Hedendaagse Kunst, 4 April-28 June 1998

Literature W. Van den Bussche, René Magritte en de Hedendaagse Kunst, produced on the occasion of the exhibition at Provinciaal Museum voor Moderne Kunst, Stichting Kunstboek bvba, Bruges, 1998, illustrated on p. 145

151 AR 150 PETER EDWARDS (BRITISH, BORN 1955) Sir Kazuo Ishiguro signed with initials and dated ‘PE/95’ (lower right); further signed, titled and dated ‘Peter Edwards Head of Kazuo Ishiguro 1995’ (on stretcher bar) oil on canvas 46 x 36cm (18 1/8 x 14 3/16in). (unframed)

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance The Artist, from whom acquired directly by the present owner, circa the late 1990s Private Collection, U.K.

Peter Edwards was awarded first prize in the 1994 BP Portrait Awards and the National Portrait Gallery subsequently commissioned a portrait of Sir Kazuo Ishiguro as part of this prize. The present work is a study for this portrait, currently in the collection of the National Portrait Gallery, London.

Sir Kazuo Ishiguro is a Japanese-born British novelist, whose acclaimed novels include The Remains of the Day (1989) and Never Let Me Go (2005). In 2017 he was awarded the Nobel Prize for Literature.

151

For details of the charges payable in addition to the final Hammer Price of each Lot 76 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 152

152 AR PETER EDWARDS (BRITISH, BORN 1955) Provenance Seamus Heaney The Artist, from whom acquired directly by the present owner, circa signed with initials ‘PE’ (lower right); further signed, titled and dated the early 1990s ‘Head of S.H. Peter Edwards/JULY 1987’ (on canvas overlap) Private Collection, U.K. oil on canvas 60 x 49.5cm (23 5/8 x 19 1/2in). The present lot is one of a number of portrait studies the Artist (unframed) completed of Seamus Heaney in preparation for his portrait of the poet, painted between 1987-88, in the collection of the National Portrait Gallery, London. £6,000 - 8,000 €7,200 - 9,500 US$7,700 - 10,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 77 153 AR TERENCE CUNEO (BRITISH, 1907-1996) B.C. Electric, Vancouver signed and dated ‘Cuneo/May 1960’ (lower left) oil on canvas 63 x 75.5cm (24 13/16 x 29 3/4in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance Commissioned from the Artist by John Laing & Son Limited Private Collection, U.K.

154 AR TERENCE CUNEO (BRITISH, 1907-1996) At the Heavy Plant Repair Shop of John Laing & Son Limited at Elstree signed ‘Cuneo’ (lower right) oil on canvas 153 63.5 x 76.5cm (25 x 30 1/8in).

£1,800 - 2,500 €2,100 - 3,000 US$2,300 - 3,200

Provenance Commissioned from the Artist by John Laing & Son Limited Private Collection, U.K.

154

For details of the charges payable in addition to the final Hammer Price of each Lot 78 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 155 AR TERENCE CUNEO (BRITISH, 1907-1996) Temple Dancers, Bangkok signed ‘Cuneo’ (lower right) oil on canvas 51 x 61cm (20 1/16 x 24in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance Sale; Sotheby’s, Olympia, 1 March 2007, lot 126 Private Collection, U.K.

156 AR TERENCE CUNEO (BRITISH, 1907-1996) Annacis Industrial Estate, British Columbia signed and dated ‘Cuneo/May ‘60’ (lower left) oil on canvas 81 x 81cm (31 7/8 x 31 7/8in). 155 £1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance Commissioned from the Artist by John Laing & Son Limited Private Collection, U.K.

156

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 79 157 AR DAVID JAGGER R.O.I. (BRITISH, 1891-1958) Study of Kitty signed ‘Jagger.’ (lower left) oil on canvas 54 x 43cm (21 1/4 x 16 15/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance The Artist, from whom acquired directly by the present owner Private Collection, U.K.

Exhibited Leeds, Leeds City Art Gallery, Yorkshire Artists’ Exhibition, 24 September-6 November, 1949 (as Study of Girl’s Head)

A portrait of the Artist’s wife, Katherine Jagger (1900-1982), known affectionately as ‘Kitty’.

157

158 AR AUGUSTUS EDWIN JOHN O.M., R.A. (BRITISH, 1878-1961) Portrait of a Lady signed ‘A E John’ (lower left); also inscribed ‘For Mrs Manning/ 28 Buckingham Gd. Manning’ (lower right, underneath the mount) pencil 17 x 14.5cm (6 11/16 x 5 11/16in). Executed circa 1900

£1,200 - 1,800 €1,400 - 2,100 US$1,500 - 2,300

Provenance With Thomas Agnew & Sons, London

We are grateful to Rebecca John for her assistance in cataloguing this lot.

158

159 AMBROSE MCEVOY (BRITISH, 1877-1927) Matador ink and pencil 49.5 x 35cm (19 1/2 x 13 3/4in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance Sale; Christie’s, South Kensington, 25 August 2005, lot 5, where acquired by the present owner Private Collection

159

For details of the charges payable in addition to the final Hammer Price of each Lot 80 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 160

160 * HARRINGTON MANN (BRITISH, 1864-1937) Born and trained in Glasgow and originally part of the Glasgow Nude Boys movement during the 1880s, Harrington Mann moved to signed and dated ‘HARRINGTON MANN 1933’ (lower right) London and attended The Slade School of Art under the French oil on canvas artist Alphonse Legros (1837-1911). At the turn of the century he 50.5 x 63.5cm (19 7/8 x 25in). moved to south London and found success with painting society portraits, whilst maintaining a studio in New York. His strong sense of colour and design (Mann also worked on stained glass windows), £5,000 - 7,000 honed in the late nineteenth century, is evident in the present canvas; €6,000 - 8,300 the exaggerated erotic pose of the model is partly covered by the US$6,400 - 9,000 patterned throw which contrasts with the rich orange plainness of the sofa. Dated 1933, Nude displays Mann’s more modernist technique Provenance of broader and bolder brushstrokes, heavily influenced by John Private Collection, Canada Singer Sargent (1856-1925).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance With The Piccadilly Gallery, London, where acquired by the family of the present owner, 1991, and thence by descent Private Collection, U.K.

Please note that this lot is offered with a photograph of the present work, inscribed by Caspar John.

We are grateful to Rebecca John for her assistance in cataloguing this lot.

161

162 * AR AUGUSTUS EDWIN JOHN O.M., R.A. (BRITISH, 1878-1961) Portrait of a Lady signed and dated ‘John/1941’ (lower right) chalk 43.5 x 31cm (17 1/8 x 12 3/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

We are grateful to Rebecca John for her assistance in cataloguing this lot.

162

For details of the charges payable in addition to the final Hammer Price of each Lot 82 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 163 AR AUGUSTUS EDWIN JOHN O.M., R.A. (BRITISH, 1878-1961) Portrait of Carmen Gandarillas signed and dated ‘John/1943’ (lower left) chalk 37 x 23cm (14 9/16 x 9 1/16in).

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

Provenance T.S. Ison Esq. Acquired by the family of the present owner prior to the 1970s, and thence by descent Private Collection, U.K.

Literature J. Rothenstein, Augustus John, The Phaidon Press, London and New York, 1944, illustrated p. 16

Carmen Gandarillas met Augustus John through her brother Tony, whose house at Cheyne Walk the Artist was a frequent visitor to. Tony and Carmen Gandarillas were part of a wealthy and well- connected bohemian European set who were linked to many artists of the time; indeed it was through Tony that Christopher Wood was introduced both to fashionable Parisian society, and to opium. Their 163 aunt, Madame Errazuriz of Biarritz, was friends with both Picasso and Stravinksy. Carmen was also painted by John wearing Spanish dress around 1916, in the painting Señora Gandarillas (Collection Sheffield Art Gallery, Sheffield).

We are grateful to Rebecca John for her assistance in cataloguing this lot.

164 AR AUGUSTUS EDWIN JOHN O.M., R.A. (BRITISH, 1878-1961) Female Nude signed ‘John’ (lower left), inscribed and dated ‘to Gerald/Xmas 1935’ (lower right) pencil 44.5 x 27cm (17 1/2 x 10 5/8in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance The Artist, by whom gifted to Gerald Coverson and Bumble Dawson, Christmas 1935 Acquired from the above by the family of the present owner in 1941, and thence by descent Private Collection, U.K.

We are grateful to Rebecca John for her assistance in cataloguing this lot.

164

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 83 165 WALTER RICHARD SICKERT A.R.A. (BRITISH, 1860-1942) Venetian Nude signed, inscribed and dated ‘Sickert. Venezia. 1903.’ (lower right) pencil on buff paper 22 x 31cm (8 11/16 x 12 3/16in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance André Gide With Leicester Galleries, London, where acquired by Hugh Beaumont Esq, January 1952 His sale; Sotheby’s, London, 19 June 1974, lot 11, where acquired by the family of the present owner and thence by descent 165 Private Collection, U.K.

Exhibited London, Leicester Galleries, New Year Exhibition, 1-24 January 1952, no. 11 (as Girl on a Bed, Venice)

Literature L. Browse, Sickert, Hart-Davis, London, 1960, pl. 44a W. Baron, Sickert, Phaidon Press, London, 1973, p. 333, under no. 176, no. 2 W. Baron, Sickert: Paintings and Drawings, Yale University Press, London and New Haven, 2006, p. 297, no. 219.3 (third related drawing to Putana Veneziana)

166 WALTER RICHARD SICKERT A.R.A. (BRITISH, 1860-1942) Standing Nude, Wellington House Academy signed ‘Rd.St.ARA.’ (lower right), inscribed ‘Wellington/House/ Academy’ (lower centre) pencil 36 x 23cm (14 3/16 x 9 1/16in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance Sale; Christie’s, London, 17 November 1978, lot 16 166 Gore Andrews Sale; Christie’s, London, 6 November 1981, lot 47 With Browse & Darby, London, 1985 Sale; Sotheby’s, London, 11 October 1989, lot 143 Private Collection, U.K.

Exhibited London, Browse & Darby, British & French, Paintings, Drawings & Sculpture, 1870-1950, 25 June-27 July 1985, no. 47

Literature W. Baron, Sickert: Paintings and Drawings, Yale University Press, London and New Haven, 2006, p. 376, no. 359.2 (as Standing Nude)

167

For details of the charges payable in addition to the final Hammer Price of each Lot 84 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 167 WALTER RICHARD SICKERT A.R.A. (BRITISH, 1860-1942) Study for L’Affaire de Camden Town chalk and pen and ink 30 x 23cm (11 13/16 x 9 1/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

The present lot is a related drawing to the painting L’Affaire de Camden Town (1909), please see W. Baron, Sickert: Paintings and Drawings, Yale University Press, London and New Haven, 2006, p. 372, no. 354.

We are grateful to Dr. Wendy Baron for her assistance in cataloguing this lot.

168 WALTER RICHARD SICKERT A.R.A. (BRITISH, 1860-1942) Camden Town Interior (Blackmail) signed ‘Sickert’ (lower right), titled ‘Blackmail’ (lower left) chalk 37.5 x 28cm (14 3/4 x 11in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance Sir Hugh Walpole With Leicester Galleries, London, 1945 With Thomas Agnew & Sons, London, where acquired by the family 168 of the present owner, and thence by descent Private Collection, U.K.

Exhibited London, Leicester Galleries, The Art Collection of the late Sir Hugh Walpole, C.B.E.: Paintings, Drawings and Sculpture: Part Two, 16 May-9 June 1945, no. 41 (as Hubby at Home)

Literature W. Baron, Sickert: Paintings and Drawings, Yale University Press, London and New Haven, 2006, no. 383.1, illustrated on p. 388

169 WALTER RICHARD SICKERT A.R.A. (BRITISH, 1860-1942) La Romana indistinctly signed and inscribed ‘Sickert Venezia’ (lower left), titled ‘La Romana’ (lower right) pen and ink and chalk 25.5 x 20cm (10 1/16 x 7 7/8in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance Sale; Christie’s, London, 9 March 1956, lot 100 With Thomas Agnew & Sons Ltd, London Lord Reigate, by whom bequeathed to the family of the present owner, and thence by descent Private Collection, U.K.

Literature W. Baron, Sickert: Paintings and Drawings, Yale University Press, London and New Haven, 2006, p. 299, no. 224 (another version)

169

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 85 170 WALTER RICHARD SICKERT A.R.A. (BRITISH, 1860-1942) Figures on Stage at the Old Bedford signed and titled ‘Sickert Old Bedford’ (lower right) pencil and pen and ink 22.5 x 32.5cm (8 7/8 x 12 13/16in). Executed circa 1890

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

170 Provenance With Spink, London, 1990 Sale; Christie’s, London, 2 March 1995, lot 142 Private Collection, U.K.

Literature O. Sitwell, ‘A Short Character of Walter Richard Sickert’, Orion, 2, Autumn 1945, illustrated on p. 140 W. Baron, Sickert: Paintings and Drawings, Yale University Press, London and New Haven, 2006, no. 52.10, illustrated on p. 183

The present lot depicts the coloured glass footlights frieze at the Old Bedford. Among the several sketches of artistes, the girl on the right may represent one of the Sisters Lloyd. The striped awning in the drawing is found in one of the paintings of The Sisters Lloyd (see ibid., p. 183, no. 52.1).

We are grateful to Dr. Wendy Baron for her assistance in cataloguing this lot.

171 WALTER RICHARD SICKERT A.R.A. (BRITISH, 1860-1942) Study of the Seat of a Merry-go-Round 171 signed ‘Sickert’ (lower right), variously inscribed pen and ink and chalk on blue paper 30 x 23cm (11 13/16 x 9 1/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance Sir Rex Nan Kivell With Thomas Agnew and Sons, London, 1971 With Parkin Gallery, London, 1973 Private Collection, U.K.

Literature W. Baron, Sickert: Paintings and Drawings, Yale University Press, London and New Haven, 2006, p. 255, no. 150.4

172

For details of the charges payable in addition to the final Hammer Price of each Lot 86 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 172 HENRI GAUDIER-BRZESKA (FRENCH, 1891-1915) Seated Male Nude with Arms Raised pen and ink 37 x 22cm (14 9/16 x 8 11/16in). Executed in 1913

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance Sale; Christie’s, London, 14 May 1992, lot 191 Private Collection, U.K.

The present lot is one of a number of drawings, all done in 1913, when the Artist felt most confident in his use of line and was pushing the boundaries of conventional representation.

We are grateful to Dr Roger Cole for his assistance in cataloguing this lot.

173 AR SYLVIA GOSSE (BRITISH, 1881-1968) L’eglise at Eu, Normandy signed ‘Gosse’ (lower right) oil on canvas 60.5 x 51cm (23 13/16 x 20 1/16in). 173

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance The Artist, and thence by family descent to the previous owner Acquired from the above by the present owner

174 AR SYLVIA GOSSE (BRITISH, 1881-1968) Canary in a Bell Jar signed ‘Gosse’ (lower left) oil on canvas 46 x 36cm (18 1/8 x 14 3/16in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance The Artist, and thence by family descent to the previous owner Acquired from the above by the present owner

174

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 87 175 AR ZDZISLAW RUSZKOWSKI (POLISH, 1907-1991) Flowers signed and dated ‘Z. RUSZKOWSKI/ 37’ (lower left) oil on canvas 61 x 46cm (24 x 18 1/8in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Literature M. Simonow, Ruszkowski: A Catalogue Raisonné of his Paintings, Mechanick Exercises, London, 1987, no. 31, illustrated on p. 46 (as 1936)

175

176 AR BERNARD DUNSTAN R.A., R.W.A., N.E.A.C., H.P.S. (BRITISH, 1920-2017) The Ironing Board signed with initials ‘BD’ (lower left); titled and dated ‘THE IRONING/ BOARD/73’ (on board verso) oil on board 31.5 x 27cm (12 3/8 x 10 5/8in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance The Artist, from whom acquired directly by the family of the present owner, circa the 1980s-90s, and thence by descent Private Collection, U.K.

176

177 AR FREDERICK CUMING R.A., N.E.A.C. (BRITISH, BORN 1930) Flowers in a Vase signed ‘Cuming’ (lower left) oil on canvas 30.5 x 25.5cm (12 x 10 1/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

177

For details of the charges payable in addition to the final Hammer Price of each Lot 88 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 178 AR KEN HOWARD R.A. (BRITISH, BORN 1932) Louise at Oriel signed ‘Ken Howard.’ (lower right) oil on canvasboard 40 x 30cm (15 3/4 x 11 13/16in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance With Fosse Gallery, Stow-on-the-Wold Private Collection, U.K.

178

179 AR DERRICK GREAVES (BRITISH, BORN 1927) Amaryllis II signed, titled and dated ‘derrick Greaves/AMARYLLIS II/1988/92’ (on canvas verso) acrylic on paper laid on canvas 111 x 111cm (43 11/16 x 43 11/16in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

179

180 AR KEN HOWARD R.A. (BRITISH, BORN 1932) Dora on a Day Bed signed ‘Ken Howard’ (lower right) oil on canvas 40 x 30.5cm (15 3/4 x 12in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

180

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 89 181 AR FRED YATES (BRITISH, 1922-2008) The Street signed ‘FRED/YATES’ (lower right) oil on board 31 x 26cm (12 3/16 x 10 1/4in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500 181 Provenance With Circa Fine Art, Plymouth, where acquired by the family of the present owner, 13 August 1983, and thence by descent Private Collection, U.K.

Please note that this lot is offered with the original receipt from Circa Fine Art.

182 AR SHERREE VALENTINE-DAINES (BRITISH, BORN 1956) The Fruit Market signed with initials ‘SEVD’ (lower right) oil on board 32.5 x 32.5cm (12 13/16 x 12 13/16in).

£1,200 - 1,800 €1,400 - 2,100 US$1,500 - 2,300

183 AR 182 FRED YATES (BRITISH, 1922-2008) Macclesfield oil on canvasboard 25.5 x 20cm (10 1/16 x 7 7/8in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

183

For details of the charges payable in addition to the final Hammer Price of each Lot 90 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 184 AR OLIVER HILARY SAMBOURNE MESSEL (BRITISH, 1904-1978) Portrait of Mrs Pat Packard signed ‘Messel’ (lower left) oil on canvas 61 x 50.5cm (24 x 19 7/8in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance The Artist, from whom acquired directly by Pat Packard, and thence by family descent Gifted by the above to Roger Chubb Private Collection, U.K.

Pat Packard and her husband Bill were clients and friends of Oliver Messel, who redesigned their home Queen’s Fort in Barbados. The portrait is likely to have been painted in the 1960s or 70s, when Messel was living on the island, where he designed a number of properties which are still extremely sought-after.

184

185 AR EDWARD LE BAS (BRITISH, 1904-1966) Portrait of Derrick Peel signed and dated ‘Edward Le Bas./1957’ (upper left) oil and pencil 42 x 49cm (16 9/16 x 19 5/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

The subject of the present lot is Derrick Peel, long-term partner of the New Zealand author Hector Bolitho.

185

186 AR ADRIAN PAUL ALLINSON (BRITISH, 1890-1959) Figures in a Café oil, pastel and pencil 34 x 52cm (13 3/8 x 20 1/2in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance The Estate of the Artist The Mollie Mitchell-Smith Will Trust With Hawkers Gallery, Ruislip, 1986

Exhibited Ruislip, Hawkers Gallery, Autumn Exhibition, 1986 186

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 91 187 AR EDWARD WOLFE (SOUTH AFRICAN/BRITISH, 1897-1982) Talsarnau, North Wales signed ‘Wolfe’ (lower right) oil and pencil on canvas 50.5 x 61cm (19 7/8 x 24in). Painted in 1964

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance The Artist, from whom acquired by Lord George Wigg, 1965 Private Collection, U.K. 187 The present view is thought to have been painted from a beach near the house in Talsarnau of the writer Richard Hughes (1900-1976), author of A High Wind in Jamaica (1929).

188 AR SIR SIDNEY NOLAN (AUSTRALIAN, 1917-1992) Australian Landscape signed and inscribed ‘S.NOLAN/LONDON/No12.’ (on board verso) oil on board 33.5 x 25.5cm (13 3/16 x 10 1/16in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance The Artist, by whom gifted to Minna Dyson, 1951, by whom gifted to Barbara Toy, and thence by descent to the present owners Private Collection, U.K.

189 AR SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I. (BRITISH, 1916-1992) The Circus signed and dated ‘Robin Philipson/1986.’ (on card verso) watercolour and pen and ink on paper, laid on card 188 66.5 x 99.5cm (26 3/16 x 39 3/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

189

For details of the charges payable in addition to the final Hammer Price of each Lot 92 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 190 AR SIR CLAUDE FRANCIS BARRY R.B.A. (1883-1970) Old Roman Bridge, St Remo signed ‘F Barry’ (lower left); titled and dated ‘Old Roman Bridge/St Remo 19/50’ (on board verso) oil and pastel on board 56 x 91.5cm (22 1/16 x 36in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance The Artist, by whom gifted to the family of the present owner, and thence by descent Private Collection, U.K.

The present work is related to the etching The Old Roman Bridge, Bordighera, reproduced in K. Campbell, Moon Behind Clouds: An Introduction to the life and work of Sir Claude Francis Barry, Fine Art Promotions Ltd, Jersey, no. 329, illustrated on p.235.

190

191 AR JOAN GILLESPIE (SCOTTISH, BORN 1954) Nude signed ‘Gillespie’ (lower right) oil on board 45 x 32cm (17 11/16 x 12 5/8in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance With Duncan Campbell Fine Art, London, where acquired by the present owner, July 1998 Private Collection, U.K.

191

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 93 192 AR ANN ORAM R.S.W. (BRITISH, BORN 1956) Still Life of Fruit signed and dated ‘Ann Oram ‘93’ (lower right) watercolour, ink and pastel 51 x 55.5cm (20 1/16 x 21 7/8in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

193 AR LEONARD MCCOMB R.A. (BRITISH, 1930-2018) Tomatoes signed with initials and dated ‘LM/RA 1996’ (lower right) oil on canvasboard 25 x 30cm (9 13/16 x 11 13/16in). 192 £1,200 - 1,800 €1,400 - 2,100 US$1,500 - 2,300

Provenance The Artist, and thence by family descent Private Collection, U.K.

194 AR MAXWELL ASHBY ARMFIELD (BRITISH, 1881-1972) Three Feathers signed with monogram and numbered ‘OP/253’ (upper right) tempera on board 25 x 30.5cm (9 13/16 x 12in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance With Kensington Art Gallery, London, where acquired by Mrs. Carrow, London, 1949 193 Gladys Lilian Grant, and thence by descent Sale; Christie’s, South Kensington, 4 October 2006, lot 1051

Exhibited London, Kensington Art Gallery, Recent Works by Maxwell Armfield R.W.S., September 1949, no. 43

194

For details of the charges payable in addition to the final Hammer Price of each Lot 94 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 195 AR SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I. (BRITISH, 1916-1992) Iconostasis signed ‘Robin Philipson’ (on canvas overlap) oil on canvas 77 x 96cm (30 5/16 x 37 13/16in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

195

196 AR SIR ROBIN PHILIPSON R.A., P.R.S.A., R.S.W., R.G.I. (BRITISH, 1916-1992) Daydream signed and dated ‘Robin Philipson./1989/90.’ (on canvas verso) oil on canvas 91.5 x 91.5cm (36 x 36in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

196

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 95 197 * AR SYDNEY HARPLEY R.A. (BRITISH, 1927- 1992) Girl Reading in a Deckchair signed and numbered ‘Harpley 3/12’ (to back of chair) bronze with a black patina 16.5cm (6 1/2in) long

£1,200 - 1,600 €1,400 - 1,900 US$1,500 - 2,100

197

198 AR SHERREE VALENTINE-DAINES (BRITISH, BORN 1956) Fishing at Henley signed with initials ‘SEVD’ (lower right) oil on board 30.5 x 35.5cm (12 x 14in). Painted in 1997

£2,500 - 3,500 €3,000 - 4,200 US$3,200 - 4,500

198

199 * AR SYDNEY HARPLEY R.A. (BRITISH, 1927- 1992) After a Swim signed and numbered ‘Harpley/12/12’ (to left leg) bronze with a black patina 13cm (5 1/8in) high (excluding base)

£700 - 1,000 €840 - 1,200 US$900 - 1,300

199

For details of the charges payable in addition to the final Hammer Price of each Lot 96 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 200 * AR SYDNEY HARPLEY R.A. (BRITISH, 1927-1992) Girl on a Swing signed and numbered ‘9/9/Harpley’ (on left edge of skirt) bronze with a brown patina 86cm (33 7/8in) high

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

200

201 AR GRAHAM KNUTTEL (IRISH, BORN 1954) Portrait of a Woman signed ‘Knuttel’ (lower left) acrylic on canvas 136.5 x 91.5cm (53 3/4 x 36in). (unframed)

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

201

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 97 202 AR DONALD MCINTYRE (BRITISH, 1923-2009) Straw Hat and Striped Towel signed with initials ‘DMC’ (lower left); further signed and titled ‘“STRAW HAT AND STRIPED TOWEL”/D MCINTYRE’ (on backboard) oil on canvas, laid on board 61 x 20cm (24 x 7 7/8in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

202 Provenance With Thackeray Gallery, London, where acquired by the family of the present owner, 26 July 1972, and thence by descent Private Collection, U.K.

203 AR DONALD MCINTYRE (BRITISH, 1923-2009) Figure and Beach Huts signed with initials ‘DMC’ (lower right); further signed and titled ‘“FIGURE AND BEACH HUTS”/DONALD MCINTYRE’ (on backboard) oil on canvas 50 x 35.5cm (19 11/16 x 14in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

204 AR DONALD MCINTYRE (BRITISH, 1923-2009) Girl and Beach Huts signed with initials ‘DMC’ (lower right); further signed and titled ‘“GIRL AND BEACH HUTS” D MCINTYRE’ (on backboard) oil on canvas, laid on board 36 x 25cm (14 3/16 x 9 13/16in). 203 £800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance With Thackeray Gallery, London, where acquired by the family of the present owner, September 1972, and thence by descent Private Collection, U.K.

204

For details of the charges payable in addition to the final Hammer Price of each Lot 98 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 205 AR WILLIAM CROZIER H.R.H.A. (IRISH, 1930-2011) Garden Storm signed ‘Crozier’ (lower centre) oil on canvas 40.5 x 51cm (15 15/16 x 20 1/16in). Painted in 2005

£5,000 - 7,000 €6,000 - 8,300 US$6,400 - 9,000

Provenance With Fenton Gallery, Cork, 2005, where acquired by the present owner Private Collection, U.K.

Exhibited Cork, Fenton Gallery, William Crozier, 2005

Literature K. Crouan, William Crozier, Lund Humphries, Aldershot, 2007, p. 205 188, illustrated pl.172

‘Garden Storm (2005) has a similar kind of nourishing formal simplification, though it employs a more robustly sculptural approach in transforming an imagery of palm trees, swimming pool, brown ground and black sky into living emblems of some deeper psychic reality. The exhilaratingly charged yet threatening atmosphere is as much emotional as it is physically palpable. The contrast between the bright swimming-pool blue and pitch-black sky may seem to indicate some kind of symbolic counterpoint being made between living waters of life and what may appear to be a terrible, potentially even a deathly storm. Yet the reality here is that once the storm is over, the pool of life will have been replenished.’ (Philip Vann in K. Crouan, William Crozier, Lund Humphries, Aldershot, 2007, p. 43)

206 AR WILLIAM CROZIER H.R.H.A. (IRISH, 1930-2011) Summer Storm signed ‘Crozier’ (lower left) oil on canvas 40.5 x 51cm (15 15/16 x 20 1/16in). Painted in 2005

£5,000 - 7,000 €6,000 - 8,300 US$6,400 - 9,000

Provenance With Fenton Gallery, Cork, 2005, where acquired by the present owner Private Collection, U.K.

Exhibited Cork, Fenton Gallery, William Crozier, 2005

Literature K. Crouan, William Crozier, Lund Humphries, Aldershot, 2007, p. 206 187, illustrated pl.171

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 99 207 AR FREDERICK GORE C.B.E., R.A. (BRITISH, 1913-2009) Still Life with Sunflowers signed and dated ‘F Gore ‘88’ (lower right) oil on canvas 51 x 61cm (20 1/16 x 24in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance Sale; Sotheby’s, Olympia, 8 June 2005, lot 118 With Louise Kosman, Edinburgh, where acquired by the present owner, circa 2008 Private Collection, U.K.

207

208 AR FREDERICK GORE C.B.E., R.A. (BRITISH, 1913-2009) Oranges, Fornalutx, Majorca signed ‘F Gore’ (lower right); signed, titled and inscribed ‘ORANGES, FORNALUTX, MAJORCA/FREDERICK GORE/1962 (on stretcher bar) oil on canvas 65.5 x 81.5cm (25 13/16 x 32 1/16in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance Acquired directly from the Artist by the present owner, circa the late 1980s Private Collection, U.K.

Exhibited New York, Juste Gallery, 1963

208

For details of the charges payable in addition to the final Hammer Price of each Lot 100 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 209 AR PETER KINLEY (BRITISH, 1926-1988) Trees in an Orange Field II oil on canvas 86 x 126.5cm (33 7/8 x 49 13/16in). Painted in 1970

£4,000 - 6,000 €4,800 - 7,200 US$5,100 - 7,700

Provenance With Arthur Tooth & Sons Ltd, London The Estate of the Artist, from whom acquired by the present owner

Exhibited London, The Mall Galleries, Contemporary Art Society Art Fair, 15-23 January 1975, no. 80

Literature C. Kinley and M. Livingstone, Peter Kinley, Lund Humphries, Farnham, 2010, no. 48, illustrated on p. 47 209

210 AR BRYAN PEARCE (BRITISH, 1929-2007) Still Life with Striped Tablecloth signed ‘Bryan/Pearce’ (lower left) oil and pencil on board 61 x 50.5cm (24 x 19 7/8in).

£4,000 - 6,000 €4,800 - 7,200 US$5,100 - 7,700

Provenance The Artist, by whom gifted to Elena Gaputyte, and thence by descent to the present owner Private Collection, U.K.

Elena Gaputyte started and ran the Sail Loft Gallery in St Ives from around 1960 until the mid-1960s.

210

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 101 211 * AR SIR TERRY FROST R.A. (BRITISH, 1915-2003) Untitled signed ‘Terry Frost’ (lower right) oil and canvas collage on card 40.5 x 40.5cm (15 15/16 x 15 15/16in).

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance 211 Sale; Christie’s, South Kensington, 14 October 2004, lot 414 With Studio 18, Jersey, where acquired by the family of the present owner, and thence by descent Private Collection, U.K.

212 AR JOHN WELLS (BRITISH 1907-2000) Bird Flight signed and dated ‘John Wells. 1960.’ (lower right) monotype and pastel 21.5 x 16.5cm (8 7/16 x 6 1/2in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance With The Waddington Galleries, London, where acquired by the family of the present owner, and thence by descent Private Collection, U.K.

213 AR PAUL HUXLEY R.A. (BRITISH, BORN 1938) Untitled no.129 signed, titled and dated ‘Paul Huxley Untitled no.129 1972-1973’ (on canvas overlap) 212 acrylic on canvas 196 x 196cm (77 3/16 x 77 3/16in). (unframed)

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Provenance The Artist, from whom acquired directly by the present owner Private Collection, Portugal

Exhibited Liverpool, Walker Art Gallery, Magic & Strong Medicine, 27 July-28 October 1973, no. 5

213

For details of the charges payable in addition to the final Hammer Price of each Lot 102 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 214 AR RICHARD SMITH (BRITISH, 1931-2016) Net signed and dated ‘R Smith 94’ (on canvas verso) oil on canvas 145 x 190.5cm (57 1/16 x 75in). (unframed)

£5,000 - 7,000 €6,000 - 8,300 US$6,400 - 9,000

Provenance With Tony Shafrazi Gallery, New York

Exhibited New York, Tony Shafrazi Gallery, Richard Smith, 18 February-18 March 1995

214

215 AR RICHARD SMITH (BRITISH, 1931-2016) Evening Post signed and dated ‘R Smith 82’ (on canvas overlap), titled ‘EVENING POST’ (on stretcher bar) acrylic and charcoal on canvas 168.5 x 132.5cm (66 5/16 x 52 3/16in). (unframed)

£4,000 - 6,000 €4,800 - 7,200 US$5,100 - 7,700

Provenance With Rosenberg Fine Arts Ltd, Toronto

215

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 103 216 AR TREVOR BELL (BRITISH, 1930-2017) Crabber signed, titled and dated ‘CRABBER/TREVOR BELL/1959’ (on board verso) oil on board 44 x 30.5cm (17 5/16 x 12in). (unframed)

£1,500 - 2,500 €1,800 - 3,000 US$1,900 - 3,200

Provenance The Artist, from whom acquired directly by the present owner, 10 March 2008 Private Collection, U.K.

217 AR SIR EDUARDO PAOLOZZI (1924-2005) Untitled Drawing ink, crayon and pencil 18 x 25.5cm (7 1/16 x 10 1/16in) 216 together with a further ink, crayon and pencil drawing, by the same hand (unframed) (2)

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance The Artist, by whom gifted to the present owner

218 AR DONALD HAMILTON FRASER R.A. (BRITISH, 1929-2009) Horizonal Landscape: Red, Black and Green No. 15 signed ‘Donald Hamilton Fraser’ (on mount) oil on paper 18.5 x 27cm (7 5/16 x 10 5/8in). Painted in 1953

217 (one of two) £1,200 - 1,800 €1,400 - 2,100 US$1,500 - 2,300

Provenance Howard Bliss Private Collection, U.K.

218

For details of the charges payable in addition to the final Hammer Price of each Lot 104 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 219 AR SIR EDUARDO PAOLOZZI (1924-2005) Mondrian Head plaster 28.5cm (11 1/4in) high Conceived circa 1989

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance The Artist, by whom gifted to the previous owner circa 1989 Gifted from the above to the present owner circa 1999 Private Collection, U.K.

There is another cast of this sculpture in the collection of Tate, London.

219

220 AR WILLIAM GEAR R.A. (BRITISH, 1915-1997) Landscape Element signed and dated ‘Gear ‘59’ (lower right); further signed, titled and dated ‘Gear/SEPT ‘59’/“LANDSCAPE ELEMENT”’(on canvas verso) oil on canvas 60 x 50cm (23 5/8 x 19 11/16in).

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance The Estate of Denis Bowen Acquired from the above by the present owner in 2012

220

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 105 221 AR CLIVE BARKER (BRITISH, BORN 1940) Van Gogh’s Ear chrome-plated bronze and chrome-plated copper 8cm (3 1/8in) long Conceived in 1967 From the edition of 10

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Exhibited London, Robert Fraser Gallery, Clive Barker: Recent Works, 17 January-14 February 1968, no. 8 (another cast) London, Birch & Conran Fine Art, British Pop Art, 1987, no. 4 (another 221 cast)

Literature A. J. Fermon, M. Livingstone, Clive Barker Sculpture, Catalogue Raisonné 1958-2000, Skira Editore S.p.A., Italy, 2002, no. 54, pp. 22- 3, 189, illustrated on p. 90

222 AR GEOFFREY CLARKE R.A. (BRITISH, 1924-2014) Landscape Project I ‘Terrace’ twice stamped with monogram, numbered, dated and thrice inscribed ‘1/10/69/91’ (on top of central motif and at right side of sculpture) aluminium 57.5cm (22 5/8in) long Conceived in 1969 Number 1 from the edition of 10, of which only two are thought to have been completed

£1,800 - 2,500 €2,100 - 3,000 US$2,300 - 3,200

Exhibited London, The Redfern Gallery, Summer Exhibition: Paintings, Drawings, Sculpture, Graphics, June-September 1970, no. 69 London, The Redfern Gallery, Summer Exhibition, June-September 222 1971, no. 79 London, The Redfern Gallery, 1972, no. 81

Literature J. LeGrove, Geoffrey Clarke Sculptor, Pangolin & Lund Humphries, London, 2017, no. S393, illustrated on p. 137

223 AR CLIVE BARKER (BRITISH, BORN 1940) Tom Bruen’s Teeth chrome-plated brass in glass tumblers 17.8cm (7in) long Conceived in 1967 Unique

£1,500 - 2,000 €1,800 - 2,400 US$1,900 - 2,600

Exhibited London, Robert Fraser Gallery, Clive Barker: Recent Works, 17 January-14 February 1968, no. 11, illustrated (as edition of 5, the edition was never completed) Sheffield, Mappin Art Gallery, Clive Barker: Sculpture, Drawings and Prints, 28 November 1981-3 January 1982, no. 6 (dated 1966): this exhibition travelled to Stoke-on-Trent, City Museum and Art Gallery; Eastbourne, Towner Art Gallery and Cheltenham, Art Gallery and Museum 223 Literature A. J. Fermon, M. Livingstone, Clive Barker Sculpture, Catalogue Raisonné 1958-2000, Skira Editore S.p.A., Italy, 2002, no. 55, p. 22, illustrated on p. 90

For details of the charges payable in addition to the final Hammer Price of each Lot 106 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 224

224 AR SIR EDUARDO PAOLOZZI (1924-2005) Paolozzi had his first solo show in early 1947 at The Mayor Gallery. Gagner ou Perdre With a number of successful sales and appreciative reviews, signed and dated ‘Eduardo Paolozzi. 47.’ (lower right), titled ‘Gagner Paolozzi set off for Paris. He rented a room for £1 per month on ou Perdre’ (upper centre) the Île Saint-Louis, and found there much to inspire him, not only watercolour and gouache in the contemporary art scene but also in the wonderful museum 46.5 x 50.5cm (18 5/16 x 19 7/8in). collections that the city had to offer. He absorbed such diverse influences as Dada and Surrealism, viewed Dubuffet’s collection of art brut, and also became acquainted with important contemporaries £5,000 - 7,000 such as Giacometti. The present lot is typical of the early gouaches €6,000 - 8,300 and collages he produced while staying there, taking inspiration from US$6,400 - 9,000 popular entertainment in the form of newspaper stalls, lottery and shooting booths - ‘gagner ou perdre’ translates as ‘win or lose’ - Provenance and transforms this simple decoration into a new and sophisticated With The Mayor Gallery, London, where acquired by Mr and Mrs abstract language. Milnes-Smith, 20th July 1961 Sale; Sotheby’s, London, 13 July 2007, lot 77, where acquired by the present owner Private Collection

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 107 225 AR JOHN HOYLAND R.A. (BRITISH, 1934- 2011) Just Once 16.8.83 signed, titled and dated ‘JUST ONCE/16.8.83/John Hoyland’ (on canvas verso) acrylic on canvas 86 x 71cm (33 7/8 x 27 15/16in). (unframed)

£5,000 - 7,000 €6,000 - 8,300 US$6,400 - 9,000

Provenance Private Collection With Waterhouse & Dodd, London, where acquired by the present owner, 29 July 2015 Private Collection, U.K.

225

226 AR KENNETH ARMITAGE (BRITISH, 1916- 2002) Studies for Sculpture signed with initials and dated ‘KA ‘61’ (lower right) charcoal 41 x 49cm (16 1/8 x 19 5/16in).

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance Sale; Christie’s London, 9 May 2007, lot 139 (as Sculpture Design) Private Collection, U.K.

226

For details of the charges payable in addition to the final Hammer Price of each Lot 108 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 227 AR KENNETH ARMITAGE (BRITISH, 1916- 2002) Pandarus Woman charcoal and gouache 76 x 56cm (29 15/16 x 22 1/16in). Executed in 1964

£3,000 - 5,000 €3,600 - 6,000 US$3,900 - 6,400

Provenance The Estate of the Artist With Jonathan Clark Fine Art, London, where acquired by the present owner, January 2008 Private Collection

227

228 AR JOHN MCLEAN (BRITISH, 1939-2019) Atacama signed, titled and dated ‘“ATACAMA”/John/ McLean/1999’ (on canvas verso) acrylic on canvas 117 x 168cm (46 1/16 x 66 1/8in).

£2,000 - 3,000 €2,400 - 3,600 US$2,600 - 3,900

Provenance With Flowers Gallery, London Private Collection, U.K.

228

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 109 229 AR SANDRA BLOW R.A. (BRITISH, 1925-2006) Sea Inlet signed and dated ‘Blow 95’ (lower right); further signed, titled, inscribed and dated ‘“Sea Inlet” Blow 95’ (on stretcher bar) acrylic and paper collage on card, laid on board 50.5 x 50.5cm (19 7/8 x 19 7/8in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900 229 Provenance The Artist, from whom acquired by the present owner in 2000

230 AR SIR EDUARDO PAOLOZZI (1924-2005) Wooden Sculpture wood and found metal object 25cm (9 13/16) high

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance The Artist, by whom gifted to the present owner

231 AR SANDRA BLOW R.A. (BRITISH, 1925-2006) Untitled signed ‘Blow’ (on sheet verso) collage, acrylic, canvas, hessian and pencil on card 25.5 x 25.5cm (10 1/16 x 10 1/16in).

£800 - 1,200 230 €950 - 1,400 US$1,000 - 1,500

Provenance The Artist, from whom acquired directly by the family of the present owner, and thence by descent Private Collection, U.K.

231

For details of the charges payable in addition to the final Hammer Price of each Lot 110 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 232

232 AR ALBERT IRVIN R.A. (BRITISH, 1922-2015) Provenance Jackson With Carine Campo Gallery, Antwerp signed and dated ‘Irvin 85’ (on canvas overlap) acrylic on canvas Exhibited 152.5 x 183cm (60 1/16 x 72 1/16in). Antwerp, Carine Campo Gallery, Albert Irvin, 19 November-24 (unframed) December 1987

£8,000 - 12,000 €9,500 - 14,000 US$10,000 - 15,000

For details of the charges payable in addition to the final Hammer Price of each Lot please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. MODERN BRITISH AND IRISH ART | 111 233 AR MICHAEL KENNY R.A. (BRITISH, 1941- 1999) Construction signed and dated ‘Michael Kenny ‘76’ (on underside of base) plaster, aluminium, bronze and paint 53.5cm (21 1/16in) long

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

233 234 AR GILLIAN AYRES C.B.E., R.A. (BRITISH, 1930-2018) Untitled signed and dated ‘Gillian Ayres 65’ (lower left) pastel, felt-tip pen, pencil and acrylic 47 x 62cm (18 1/2 x 24 7/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance The Estate of Jessye Norman

235 AR CLIVE BARKER (BRITISH, BORN 1940) Erotic Still Life stamped with signature, titled and dated ‘EROTIC STILL LIFE/CLIVE BARKER 1972’ (on underside of base) bronze with a brown patina and synthetic fur 18cm (7 1/16in) high Unique

£1,000 - 1,500 234 €1,200 - 1,800 US$1,300 - 1,900

Exhibited London, Angela Flowers Gallery, Small is Beautiful. Part 3, 1983

Literature A. J. Fermon, M. Livingstone, Clive Barker Sculpture, Catalogue Raisonné 1958-2000, Skira Editore S.p.A., Italy, 2002, no. 140, illustrated on p. 110

235

For details of the charges payable in addition to the final Hammer Price of each Lot 112 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 236 AR PETER RANDALL-PAGE R.A. (BRITISH, BORN 1954) Euclidean Egg II signed and dated ‘06’ (lower right) burnt sienna 101 x 69cm (39 3/4 x 27 3/16in).

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance The Artist, from whom acquired by the present owner in 2006

Exhibited Brigstock, Fermynwoods Contemporary Art, New Works on Paper, 2006

237 AR HUBERT DALWOOD (BRITISH, 1924-1976) Temple nickel bronze on painted resin and wood base 24cm (9 7/16in) high Conceived in 1966 236 From the edition of 6

£800 - 1,200 €950 - 1,400 US$1,000 - 1,500

Provenance The Charles R. Penney Collection, New York

Exhibited London, Gimpel Fils, Hubert Dalwood, Recent Sculpture, June-July 1967, no. 12 (another cast)

Literature C. Stephens, The Sculpture of Hubert Dalwood, The Henry Moore Foundation in association with Lund Humphries, London, 1999, no. 179, illustrated on p. 128, fig.139 (another cast)

The present lot is opus no. 99 in the Artist’s workbooks.

238 AR PETER RANDALL-PAGE R.A. (BRITISH, BORN 1954) Memory of Water ochre paint 69 x 101cm (27 3/16 x 39 3/4in). 237 Painted in 2006

£1,000 - 1,500 €1,200 - 1,800 US$1,300 - 1,900

Provenance The Artist, from whom acquired by the present owner in 2006

Exhibited Brigstock, Fermynwoods Contemporary Art, New Works on Paper, 2006

238

239 AR MICHAEL KIDNER R.A. (BRITISH, 1917-2009) Provenance Orange, Green and Violet Private Collection, U.K., acquired prior to the mid-1990s, and thence signed and dated ‘Michael Kidner 1962’ (on canvas verso); further by descent to the present owner signed, titled, inscribed and dated ‘MICHAEL KIDNER/“ORANGE, GREEN AND VIOLET” 1962 (on stretcher bar) oil on canvas 121.5 x 152.5cm (47 13/16 x 60 1/16in). (unframed)

£7,000 - 10,000 €8,300 - 12,000 US$9,000 - 13,000

For details of the charges payable in addition to the final Hammer Price of each Lot 114 | BONHAMS please refer to paragraphs 7 & 8 of the Notice to Bidders at the back of the catalogue. 240

240 AR PRUNELLA CLOUGH (BRITISH, 1919-1999) Provenance Out and About With Annely Juda Fine Art, London signed ‘Clough’ (on canvas verso) Sale; Sotheby’s, London, 17 November 2004, lot 123, where oil on canvas acquired by the present owner 144.5 x 165cm (56 7/8 x 64 15/16in). Painted in 1993

£7,000 - 10,000 €8,300 - 12,000 US$9,000 - 13,000

Adams, Richard 22, 23, 24 Gear, William 220 106, 107 Adams, Robert 2 Gilbert, Stephen 54, 56 Messel, Oliver Hilary Sambourne 184 Aldridge, John Arthur Malcolm 108 Gillchrest, Joan 14, 15, 16 Minton, John 58, 60 Allinson, Adrian Paul 186 Gillespie, Joan 191 Newcomb, Mary 76, 79 Armfield, Diana Maxwell 13, 113, 115 Gore, Frederick 207, 208 Nicholson, Ben 4 Armfield, Maxwell Ashby 194 Gosse, Sylvia 173, 174 Nolan, Sidney 188 Armitage, Kenneth 226, 227 Grant, Duncan 64 Oram, Ann 192 Ayres, Gillian 234 Greaves, Derrick 179 Palmer, Simon 89 Ayrton, Michael 53 Hardy, Robert 20, 21 Paolozzi, Eduardo 8, 217, 219, 224, 230 Badmin, Stanley Roy 85, 88 Harpley, Sydney 197, 199, 200 Pearce, Bryan 210 Barker, Clive 221, 223, 235 Hayes, Colin 80, 82 Penny, Edwin 99, 100 Barry, Sir Claude Francis 190 Hayman, Patrick 147, 149 Philipson, Robin 189, 195, 196 Beaton, Cecil 31, 32, 33, 34, 35, 36, 37, Herman, Josef 141, 144 Piper, John 129, 130, 131 38, 39, 40, 41, 42, 43, 44, 45, Hicks, Nicola 77 Randall-Page, Peter 236, 238 46, 47, 48, 49, 50, 51, 52 Howard, Ken 109, 110, 111, 112, 114, Riley, Harold 139, 140 Bell, Trevor 216 116, 118, 178, 180 Ruszkowski, Zdzislaw 175 Bellany, John 92 Hoyland, John 9, 225 Scott, Peter 103 Blow, Sandra 229, 231 Hunt, Alan M. 101 Shepherd, David 98 Bowyer, William 132, 134 Huxley, Paul 213 Shields (Braaq), Brian 138 Bratby, John 25, 26 Irvin, Albert 10, 232 Sickert, Walter Richard 165, 166, 167, Brook, Peter 135, 136 Jagger, Charles Sargeant 72 168, 169, 170, 171 Brooker, William 78 Jagger, David 157 Smith, Richard 214, 215 Burgess, Steve 97 John, Augustus Edwin 158, 161, 162, Spear, Ruskin 133 Canney, Michael 5, 6 163, 164 Spencer, Unity 74 Clarke, Geoffrey 222 Kenny, Michael 233 Stafford, Simeon 17, 18, 19 Clough, Prunella 240 Key, Geoffrey 83, 84 Symons, Mark Lancelot 71, 73 Collins, Cecil 61 Kidner, Michael 239 Taplin, Guy 90, 91 Cook, Beryl 96 Kinley, Peter 209 Tunnicliffe, Charles Frederick 102 Coreth, Mark Rudolf 94, 95 Kirby, John 150 Turnbull, William 3 Crozier, William 205, 206 Kneale, Bryan 148 Uglow, Euan 57 Cuming, Frederick 119, 120, 121, 177 Knuttel, Graham 93, 201 Valentine-Daines, Sherree 182, 198 Cundall, Charles 117 Lanyon, Peter 1 Vaughan, Keith 55 Cuneo, Terence 153, 154, 155, 156 Le Bas, Edward 185 Virtue, John 145, 146 Dalwood, Hubert 237 Lewis, Percy Wyndham 75 Weight, Carel 123, 124, 126, 127 Dashwood, Geoffrey 142 Lloyd, James 86, 87 Weir, Linda 11, 12 Delaney, Arthur 137 Maguire, Cecil 128 Wells, John 7, 212 Dunstan, Bernard 176 Mann, Harrington 160 White, Ethelbert 81 Edwards, Peter 151, 152 McComb, Leonard 125, 193 Williams, Kyffin 59, 143 Eurich, Richard 122 McEvoy, Ambrose 159 Wolfe, Edward 187 Fraser, Donald Hamilton 218 McIntyre, Donald 27, 28, 29, 30, 202, Wood, Christopher 63, 65, 66, 67, Frink, Elisabeth 62 203, 204 68, 69, 70 Frost, Terry 211 McLean, John 228 Yates, Fred 181, 183 Gaudier-Brzeska, Henri 172 Mellon, Campbell Archibald 104, 105,

116 | BONHAMS

Modern British and Irish Art I Montpelier Street, London I 25 March 2020

Bonhams Montpelier Street Knightsbridge, London SW7 1HH 25873

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