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Colour Pigments Artist Colour Pigments and Permanence Fortheartist
Colour Pigments Rockwood Pigments Product Portfolio Artist Ferroxide® Pigments High Purity Pigments Natural Earth Pigments Transparent Iron Oxide Coloured Inorganic Solaplex® Pigments Pigments Pigments Artist Colours Cadmium Pigments Wood Coatings Products Industrial Tinters Colourants for Rigid PVC Rockwood Pigments UK Ltd Rockwood Italia SpA Rockwood Pigments Brockhues GmbH & Co. KG Liverpool Road East, Kidsgrove, Stoke-on-Trent, ST7 3AA England Via G Reiss Romoli, 44/12, 10148 Torino, Italia Muehistrasse 118, 65396 Walluf, Germany Tel: +44 (0)1782 794400 Fax: +44 (0)1782 787338 Tel: +39 011 228 0501 Fax: +39 011 226 9275 Tel: +49 (0) 6123 797-0 Fax: +49 (0) 6123 72336 Rockwood Pigments UK Ltd Rockwood Pigments NA, Inc. Rockwood Pigments NA, Inc. Milner Road, Chilton Industrial Estate, 7101 Muirkirk Road, Beltsville, Maryland 20705, USA 3700 East Olympic Boulevard Sudbury, Suffolk, CO10 2XG, England Tel: +1 301 210 3400 Fax: +1 301 210 4967 Los Angeles, California 90023, USA Tel: +44 (0)1787 242400 Fax: +44 (0)1787 311149 Tel: +1 323 269 7311 Fax: +1 323 269 1053 Rockwood Pigments Asia Pacific Rockwood Pigments China Rockwood Pigments & Trading Pty Ltd 171 Chin Swee Road, #10-08 San Centre, 1106 Shanghai Kerry Center, 1515 Najing Road West, 21 David Street, Dandenong, Victoria, Australia 3175 Singapore 169877 Shanghai 200040, PR China Tel: +61 (0) 3 9212 3300 Fax: +61 (0) 3 9794 6300 Tel: +65 6532 0676 Fax: +65 6532 0502 Tel: +86 (21) 5298 6368 Fax: +86 (21) 5298 6370 www.rockwoodpigments.com ©2007 Rockwood Pigments FM 55142 Colour Pigments These colours represent a selection from our full range. -
Cadmium and Cadmium Compounds
Locating and Estimating Air Emissions From Sources of Cadmium and Cadmium Compounds U. S. Environmental Protection Agency Office of Air and Radiation Office of Air Quality Planning and Standards Locating and Estimating Air Emissions From Sources of Cadmium and Cadmium Compounds Prepared for: Anne Pope Office of Air Quality Planning and Standards Technical Support Division U. S. Environmental Protection Agency Research Triangle Park, N.C. 27711 Prepared by: Midwest Research Institute 401 Harrison Oaks Boulevard, Suite 350 Cary, North Carolina 27513 TABLE OF CONTENTS Section Page 1 PURPOSE OF DOCUMENT ..................1-1 REFERENCES ....................1-4 2 OVERVIEW OF DOCUMENT CONTENTS .............2-1 3 BACKGROUND.......................3-1 NATURE OF POLLUTANT ................3-1 OVERVIEW OF PRODUCTION, USE, AND EMISSIONS ....3-4 Production..................3-4 Use.....................3-6 Emissions ..................3-6 REFERENCES ................... 3-13 4 EMISSIONS FROM CADMIUM PRODUCTION ...........4-1 CADMIUM REFINING AND CADMIUM OXIDE PRODUCTION ...4-1 Process Description .............4-3 Emissions and Controls ............4-6 CADMIUM PIGMENTS PRODUCTION ........... 4-11 Process Description ............ 4-14 Emissions and Controls ........... 4-19 CADMIUM STABILIZERS PRODUCTION ......... 4-20 Process Description ............ 4-22 Emission and Controls ........... 4-24 OTHER CADMIUM COMPOUND PRODUCTION ........ 4-25 Process Descriptions ............ 4-25 Emissions and Controls ........... 4-29 REFERENCES ................... 4-32 5 -
Product Catalog Product Catalog Product
KREMER /// PRODUCT CATALOG www.kremerpigments.com PRODUCT CATALOG Table of Contents Pigments 01 TABLE OF Dyes & Vegetable Color CONTENTS Paints 02 Fillers & Building Materials 03 Mediums, Binders & Glues 04 Solvents, Chemicals & Additives 05 Ready-made Colors & Gilding Materials 3 01 Pigments 06 31 02 Dyes & Vegetable Color Paints Linen, Paper 35 03 Fillers & Building Materials & Foils 41 04 Mediums, Binders & Glues 53 05 Solvents, Chemicals & Additives 07 56 06 Ready-made Colors & Gilding Brushes Materials 66 07 Linen, Paper & Foils 08 69 08 Brushes Tools, Packaging & 74 09 Tools, Packaging & Supplies Supplies 10 82 Books & Color Charts 09 85 11 General Information Books & Color Charts 10 General Information 11 For further information and prices please visit us at www.kremerpigments.com 1 Icon-Legend ICON-LEGEND The following Icons are used in the brochure: Hazardous Item Read the Material Safety Data sheet carefully – you can find all Disclaimer product sheets under www.kremerpigments.com and consult our safe handling procedures – see Chapter 11. Not for home use! To buy this product you have to be over 21 years old. Please send us a copy of your identity card . These products require a Hazardous Item Disclaimer. Please fill out the form on page 116 or at www. kremerpigments. com and submit with your order. Cautionary Products may contain hazardous substances. Label Read the ACMI cautionary label carefully and consult our safe handling procedures – see Chapter 11. For further product-specific information please visit us at www.kremerpigments.com. Approved Products bearing the AP Product Seal of ACMI are certified in a Product program of toxicological evaluation By a medical expert to con- tain no materials in suMcient quantities to be toxic or injurious to humans or cause acute or chronic health problems. -
Colors by Carl Reynolds
Colors by Carl Reynolds “Color is an immensely complex subject, one that draws on concepts and results from physics, physiology, psychology, art, and graphic design. The color of an object depends not only on the object itself, but also on the light source illuminating it, on the color of the surrounding area, and on the human vision system.” ! Computer Graphics Principles and Practice ! — Foley & van Dam1 We were all taught in school that the primary colors are red, yellow, and blue. This statement implies, all colors can be created from mixing various amounts of red, yellow, and/or blue. This is wrong. Red, yellow, and blue are not the primary colors. Neither are red, green, and blue; or cyan, magenta, and yellow. Each of these is a set of primary colors, but no finite set of colors can be used to create all the colors visible to the human eye. It might be better to call these a color space, instead of primary colors. It is possible to create all the colors within the red-yellow-blue space, by using various amounts of red, yellow, and/or blue, but there are colors outside this space that are visible to the human eye. Figure 1. Depending on what you’re doing, you might want to use one, or another color space. For example, most painters use red, yellow, and blue, along with black, and white. If you’re printing color magazines, or books you’ll probably use cyan, magenta, yellow, and black to do your designs. Many computer graphics artists design their work using red, green, and blue. -
Just Paint 4.Pmd
JUST PAINT Published by GOLDEN Artist Colors, Inc. / Issue 4 Taming the Foam Monster in Acrylic Paint! One of the most critical problems in the manufacture and use of acrylic paint is the development of foam. It can cause structural problems in the dry paint film by weakening it and can create a more perme- able paint surface capable of imbibing dirt and other discoloring pollutants. But the primary problem with foam is that it can cause a clouding or fogging in an otherwise transparent acrylic surface. Understanding how foam is created leads to an understanding of how to deal with and potentially avoid it. While it is easy to suggest not to create foam in the first place, this is sometimes difficult to achieve with waterborne acrylics. No matter how careful one is with their working tech- nique, the simple movement of a paint filled brush rising with high points on the work and slapping down into valleys is INSET: Detail of foam generated from enough to create a dried cloud of foam. inappropriate use of acrylic polymer as a topcoat. This is usually only a problem when work- ing in transparent layers or applying a transparent coat of varnish. quires different levels and types or combina- The Source of Foam tions of surfactants to make a stable paint. of heavy bodied acrylics. Thinner bodied Foam generation in waterborne While it is sometimes possible to substitute paints, like Golden Fluid Acrylics, require a acrylic paints and mediums comes from a lower foaming product, it is important much more delicate defoamer to avoid several sources. -
SAFETY DATA SHEET According to Directive 91/155/EC OIL PAINT (Cadmium Pigments)
SAFETY DATA SHEET according to Directive 91/155/EC OIL PAINT (Cadmium pigments) PRODUCT NAME: OIL PAIN (Cadmium pigments) REVISION DATE: 01/2012 SECTION 1: IDENTIFICATION OF THE SUBSTANCE/MIXTURE AND OF THE COMPANY/UNDERTAKING 1.1 Product identifier: OIL PAINT (Cadmium pigments) 1.2 Relevant identified uses of the substance or mixture and uses advised again: Trade Name: Jackson’s Artist Oil - Cadmium Yellow Pale (Gen) Jackson’s Artist Oil Cadmium Yellow ( Gen) Jackson’s Artist Oil Cadmium Yellow Deep (Gen) Jackson’s Artist Oil Cadmium Red ( Gen) Jackson’s Artist Oil Cadmium Red Deep ( Gen) 1.3 Details of the supplier of the safety data sheet: Jackson’s Art Supplies 1 Farleigh Place N16 7SX London www.jacksonsart.com Telf: +44 (0)207 254 0077 9-5:30 Mon-Fri 10-6 Saturday SECTION 2: HAZARDS IDENTIFICATION Human Health Hazards: Inhalation health risks: None expected under normal conditions of use Eye contact health risks: May cause eye irritation Skin contact health risks: Prolonged or repeated contact can cause irritation Ingestion health risks: May cause irritation or pain to the gastrointestinal system. C.I. Pigment Yellow 35 / C.I. pigment Yellow Red 108 (Cadmium pigments) Cadmium compounds are classified as probable human carcinogens. Cadmium is believed to have potential for causing kidney and lung disease. SECTION 3: COMPOSITION/INFORMATION ON INGREDIENTS A mixture of vegetable oils and inorganic pigments and fillers C.I. Pigment Yellow 35 (CADMIUM ZINC SULPHIDE YELLOW CdxZn1) Content 25%-75% Identification number EINECS Number 232-466-8 CAS 8048-07-5 C.I. Pigment Red 108 (CADMIUM SULPHOSELENIDE RED CdSexS1) Content 25%-75% Identification number EINECS Number 261-218-1 CAS 58339-34-7 SECTION 4: FIRST AID MEASURES Description of first aid measures: By inhalation: Remove subject to fresh air. -
Monet's Palette in the Twentieth Century: 'Water-Lilies' and 'Irises'
02 TB 28 pp001-096 5 low res_REV_TB 27 Prelims.qxd 11/03/2011 14:25 Page 1 NATIONAL GALLERY TECHNICAL BULLETIN VOLUME 28, 2007 National Gallery Company Limited Distributed by Yale University Press 02 TB 28 pp001-096 5 low res_REV_TB 27 Prelims.qxd 11/03/2011 14:25 Page 2 This volume of the Technical Bulletin has been funded by the American Friends of the National Gallery, London with a generous donation from Mrs Charles Wrightsman. Series editor Ashok Roy © National Gallery Company Limited 2007 All rights reserved. No part of this publication may be transmitted in any form or by any means, electronic or mechanical, including photocopy, recording, or any information storage and retrieval system, without the prior permission in writing of the publisher. First published in Great Britain in 2007 by National Gallery Company Limited St Vincent House, 30 Orange Street London wc2h 7hh www.nationalgallery.co.uk British Library Cataloguing in Publication Data A catalogue record for this journal is available from the British Library isbn 978 1 85709 357 5 issn 0140 7430 525049 Publisher Kate Bell Project manager Jan Green Editor Diana Davies Designer Tim Harvey Picture research Suzanne Bosman Production Jane Hyne and Penny Le Tissier Repro by Alta Image, London Printed in Italy by Conti Tipocolor FRONT COVER Claude-Oscar Monet, Irises (NG 6383), detail of plate 2, page 59. TITLE PAGE Bernardo Daddi, Four Musical Angels, Oxford, Christ Church, detail of plate 2, page 5. Photographic credits PARIS All photographs reproduced in this Bulletin are Durand-Ruel © The National Gallery, London, unless credited © Archives Durand-Ruel: p. -
Cadmium Pigments Listing Background Document for the Inorganic Chemical Listing Determination
CADMIUM PIGMENTS LISTING BACKGROUND DOCUMENT FOR THE INORGANIC CHEMICAL LISTING DETERMINATION This Document Contains No Confidential Business Information August, 2000 U.S. ENVIRONMENTAL PROTECTION AGENCY ARIEL RIOS BUILDING 1200 PENNSYLVANIA AVENUE, N.W. WASHINGTON, D.C. 20460 TABLE OF CONTENTS 1. SECTOR OVERVIEW ....................................................1 1.1 SECTOR DEFINITION, FACILITY NAME AND LOCATION ..............1 1.2 PRODUCTS, PRODUCT USAGE AND MARKETS ......................1 1.3 PRODUCTION ...................................................2 1.4 PRODUCTION, PRODUCT AND PROCESS TRENDS ...................2 2. DESCRIPTION OF MANUFACTURING PROCESS ...........................3 3. WASTE GENERATION AND MANAGEMENT ...............................6 3.1 DEBRIS .........................................................6 3.2 NON-WASTEWATER .............................................6 3.2.1 Miscellaneous Solid Wastes ......................................7 3.2.2 Contaminated Paper and Cloth ...................................8 3.2.3 Contaminated Gaskets .........................................9 3.2.4 Iron Press Residue ...........................................10 3.2.5 Non-Wastewater Management ..................................11 3.3 WASTEWATERS .................................................11 3.3.1 Gas Scrubber Wastewater .....................................12 3.3.2 Process Wastewater from Filtering the Greencake ...................12 3.3.3 Process Wastewaters From Wet Washing System ...................13 APPENDIX A: Summary -
Final Review of Scientific Information on Cadmium
UNITED NATIONS ENVIRONMENT PROGRAMME Chemicals Branch, DTIE Final review of scientific information on cadmium Version of December 2010 Fnal review of scientific information on cadmium –Version of December 2010 1 Table of Contents Key scientific findings for cadmium 3 Extended summary 10 1 Introduction 32 1.1 Background and mandate 32 1.2 Process for developing the review 32 1.3 Scope and coverage in this review 34 1.4 Working Group considerations 34 2 Chemistry 36 2.1 General characteristics 36 2.2 Cadmium in the atmosphere 36 2.3 Cadmium in aquatic environments 37 2.4 Cadmium in soil 37 3 Human exposure and health effects 40 3.1 Human exposure 40 3.2 Health effects in humans 44 3.3 Reference levels 49 4 Impacts on the environment 51 4.1 Environmental behaviour and toxicology 51 4.2 Environmental exposure 52 4.3 Effects on organisms and ecosystems 61 5 Sources and releases to the environment 68 5.1 Natural sources 68 5.2 Anthropogenic sources in a global perspective 70 5.3 Remobilisation of historic anthropogenic cadmium releases 81 5.4 Particulars on cadmium in agricultural soils 82 6 Production, use and trade patterns 87 6.1 Global production and raw material consumption 87 6.2 End-uses 93 Fnal review of scientific information on cadmium –Version of December 2010 2 7 Long-range transport in the environment 103 7.1 Atmospheric transport 103 7.2 Ocean transport 121 7.3 Fresh water transports 127 7.4 Transport by world rivers to the marine environment 129 8 Prevention and control technologies and practices 130 8.1 Use of low-cadmium raw -
Material Safety Data Sheet for Cadmium Red Light, Cadmium Red Medium...Um Red Deep, Cadmium Orange, Cadmium Orange Deep Artists' Oil Colors
Material Safety Data Sheet for Cadmium Red Light, Cadmium Red Medium...um Red Deep, Cadmium Orange, Cadmium Orange Deep Artists' Oil Colors MATERIAL SAFETY DATA SHEET Manufacturer's Name: GAMBLIN ARTISTS COLORS CO. PO Box 625 Portland, OR 97207 Product: Cadmium Red Light, Cadmium Red Medium, Cadmium Red Deep, Cadmium Orange, Cadmium Orange Deep Artists' Oil Colors =========================================== SECTION 1 -- PRODUCT IDENTITY =========================================== Date prepared: 8/15/99 Emergency telephone no. 503/235-1945 Preparer's Name: R. Gamblin HMIS Information Health 2 Chemical name: Vegetable oil/pigment mixture Flammability 1 Reactivity 0 Chemical formula: N/A (mixture) DOT shipping class: Compound paint, N.O.S., Not regulated by DOT as a hazardous material. =========================================== SECTION II -- HAZARDOUS INGREDIENTS =========================================== Chemical names CAS# Wt% OSHA PEL ACGIH TLV Cadmium sulfide 1306-23-6 59-97 5/mg/m3 10/2 mg/m3 (as Cd) Cadmium selenide 1306-24-7 3-55 5 mg/m3 10/2 mg/m3 (as Se) Barium Sulfate 7727-43-7 0-40 Zinc Sulfide(PNOC) 1314-98-3 0-5 15/5mg/m3 10mg/ m3 These are reportable chemicals under 40 CFR 372. SARA Title III Section 313 Hazards Identification Ingestion: Not toxic for acute exposure to animals. http://www.gamblincolors.com/msds/cadredorago.html (1 of 4)3/23/2006 5:31:32 PM Material Safety Data Sheet for Cadmium Red Light, Cadmium Red Medium...um Red Deep, Cadmium Orange, Cadmium Orange Deep Artists' Oil Colors Chronic Effects/Carcinogenicity: OSHA has chosen to regulate occupational exposure to all cadmium compounds, including pigments, as a single category. The standard states that substances containing cadmium are a cancer hazard and can cause lung and didney disease. -
Cadmium Pigments in Schmincke Artists' Colours
Product information Pigments Cadmium pigments in Schmincke artists´ colours Artists with a traditional background like them very much: If artists prefer to work without any heavy metal pigments – artists´ colours made with genuine cadmium pigments. no problem! For nearly every cadmium colour shade in our The yellow, orange and red colorants based on cadmium premium assortments we offer alternatives produced with- ® zinc sulfide (yellow) and cadmiumsulphoselenide (orange out any cadmium compound. And in our AKADEMIE range – and red) are preferred on a professional´s palette since the the fine arstists´ colours – the popular colour shades have beginning of the 20th century! been imitated at all times. We use these very special and precious raw materials ex- Unlike to the originals the imitations are mostly a little less ® clusively for our premium assortments MUSSINI , opaque and have a lower light resistance. You can recognize ® ® NORMA Professional, PRIMAcryl Finest Artists' Acrylic, them with the help of the suffix “hue” (e.g. cadmium yellow ® ® HORADAM AQUARELL, HORADAM GOUACHE and - of hue, cadmium orange hue, cadmium red hue). course - as pure artists´ pigments in our assortment series 18. You can recognize them on the basis of their Colour Index Number PY 35, PO 20 und PR 108 on the product labels and in colour charts. Good to know: the cadmium pigments we use in our pro- ducts are produced in a very special process. Therefore their amount of soluble cadmium is minimized and they are not required to be labeled as hazardous substances. 10 228 HHHHH n 10 209 HHHHH 12 236 HHHHH 12 234 HHHH Cadmium yellow Cadmium yellow hue Cadmium orange Cadmium orange hue H. -
Cadmium and Cadmium Compounds Tive Protein That Binds Heavy Metals, Including Cadmium
Report on Carcinogens, Fourteenth Edition For Table of Contents, see home page: http://ntp.niehs.nih.gov/go/roc Cadmium and Cadmium Compounds tive protein that binds heavy metals, including cadmium. Activation of the MT gene in response to cadmium exposure results in produc- CAS No. 7440-43-9 (Cadmium) tion of metallothionein, which sequesters cadmium, thus limiting its genotoxic effects. The difference between rats and mice in sensi- No separate CAS No. assigned for cadmium compounds as a class tivity to cadmium as a lung carcinogen appears to be due to differ- Known to be human carcinogens ential expression of MT in lung tissue following inhalation exposure First listed in the First Annual Report on Carcinogens (1980) to cadmium. Other tissues in which cadmium causes cancer in ro- dents also show minimal basal expression of the MT gene or limited Also known as Cd activation of MT in response to cadmium exposure (Oberdörster et Carcinogenicity al. 1994). There is no evidence to suggest that mechanisms by which cadmium causes tumors in experimental animals would not also op- Cadmium and cadmium compounds are known to be human car- erate in humans. cinogens based on sufficient evidence of carcinogenicity from stud- Cancer Studies in Experimental Animals ies in humans, including epidemiological and mechanistic studies. Cadmium and cadmium compounds were first listed as reasonably Cadmium compounds caused tumors in several species of experimen- anticipated to be human carcinogens in the First Annual Report on tal animals, at several different tissue sites, and by several different Carcinogens in 1980, based on sufficient evidence of carcinogenic- routes of exposure.