Made in Italy General Catalogue 20072011

Home , Arylide yellow, Cadmium pigments, Mars Black (pigment), Platinum (color)

made in italy general catalogue 20072011

“For the painter, no longer existing are colored objects but outcomes of compositions of pastes. What for you is a delightful flower (as notion or a part of sentiment) for me is a chord based on pink lake, pale blue on white and sallow yellow slightly cooled by emerald. Yet not ceasing to remain a flower”.

Gianni Maimeri, Treatise on Painting, 1933

We thank all of our employees who, with their professionalism, commitment and dedication, have contributed to the excellent reputation that Maimeri products have worldwide.

in cover, Gianni Maimeri, Self-portrait (detail), 1916, oil on canvas, cm 50x41 Fabio Pietrantonio, Guerriero di pace (detail), mixed technique on canvas “Keep Superior Oil Colours everything Oil and pure pigment, nothing else. that is not The product of a dream and of outstanding technical necessary out achievement, Maimeri Puro superior oil colours are of the painting, the most advanced and yet the most traditional of oil everything colours. that is not felt” Restoring the outstanding simplicity and quality of original oil colours to paint formulas: that was the

Gianni Maimeri, The diary dream of painter and paint manufacturer Gianni October 31 1905 Maimeri, though his dream which did not take Maimeri Puro on concrete form as paste in a tube until three generations down the line. Striving for simplicity and purity, putting years of technical experience to work, Maimeri’s company came up with the formulas for the 80 colours in this range one by one. Using the best quality safflowerpoppy seed oils that will not yellow and stable pigments which require no additives to produce a perfect impasto, Puro offers top quality, the perfect manufacturing process and the correct balance between binder and pigment. Squeeze a tube of Maimeri Puro, and you’re squeezing the very idea of oil colours. Maimeri Puro Maimeri Puro 00 = superior oil colours,complete range 80 colours in 6 price groups

All colours Whites 12 = 40 ml tube 22 = 150 ml tube Sales unit 3 pieces Sales unit 3 pieces

018 HHH gr. 1 106 HHH gr. 1 181 HHH gr. 3 278 HHH gr. 1 Titanium White Naples Yellow Reddish Garnet Lake Burnt Sienna Titanium Dioxide PW6 Zinc Oxide PW4 Quinacridone PV19 Original Natural Earth Anthraquinone PO43 Dioxazine PV23 calcinata PBr7

020 HHH gr. 1 107 HHH gr. 1 182 HHH gr. 3 296 HHH gr. 1 Zinc White Naples Yellow Deep Rose Lake Green Earth Zinc Oxide PW4 Zinc Oxide PW4 Quinacridone PV19 Natural Earth PG23 Synthetic Iron Oxide PY42

053 HHH gr. 3 109 HHH gr. 3 191 HHH gr. 1 309 HHH gr. 4 Avignon Orange Nickel Titanate Yellow Red Ochre Cadmium Green Light Quinacridone PR 206 Antimony-Nickel-Titanium Oxides PY53 Natural Earth PY43 Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7

054 HHH gr. 4 116 HHH gr. 2 224 HHH gr. 4 310 HHH gr. 4 Cadmium Orange Primary Yellow Cadmium Red Orange Cadmium Green Deep Cadmium Sulphoselenide PO20 Arylide Yellow PY97 Cadmium Sulphoselenide PR108 Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7

060 HHH gr. 1 125 HHH gr. 3 226 HHH gr. 4 316 HHH gr. 5 Mars Orange Orange Lake Cadmium Red Light Cobalt Green Light 16 Synthetic Iron Oxide PY42+PR101 Anthraquinone PO43 Cadmium Sulphoselenide PR108 Cobalt-Titanium Oxides PG50

081 HHH gr. 4 128 HHH gr. 3 228 HHH gr. 4 317 HHH gr. 5 Cadmium Yellow Light Golden Lake Cadmium Red Medium Cobalt Green Deep Cadmium Sulphide PY35 Synthetic Iron Oxide PY42 Cadmium Sulphoselenide PR108 Cobalt-Titanium Oxides PG50

082 HHH gr. 4 131 HHH gr. 1 232 HHH gr. 4 322 HHH gr. 2 Cadmium Yellow Lemon Yellow Ochre Cadmium Red Deep Cupric Green Light Cadmium Sulphide PY35 Natural Iron Oxide PY43 Cadmium Sulphoselenide PR108 Brominated Phthalocyanine PG36

083 HHH gr. 4 132 HHH gr. 1 248 HHH gr. 1 324 HHH gr. 2 Cadmium Yellow Medium Yellow Ochre Light Mars Red Cupric Green Deep Cadmium Sulphide PY35 Natural Iron Oxide PY43 Synthetic Iron Oxide PR101 Chlorinated Phthalocyanine PG7

084 HHH gr. 4 134 HHH gr. 1 250 HHH gr. 2 325 HH gr. 2 Cadmium Yellow Deep Golden Ochre Transparent Mars Red Hooker’s Green Cadmium Sulphide PY35 Natural Earth PY43 Synthetic Iron Oxide PR101 Diarylide Yellow PY83 Phthalocyanine Beta PB15:3

102 HHH gr. 1 162 HHH gr. 1 256 HHH gr. 2 333 HHH gr. 2 Mars Yellow Raw Sienna Light Primary Red - Magenta Green Gold Synthetic Iron Oxide PY42 Original Natural Earth PBr7 Quinacridone PV19 Arylide Yellow PY97 Brominated Phthalocyanine PG36

103 HHH gr. 2 163 HHH gr. 1 261 HHH gr. 3 336 HHH gr. 2 Transparent Mars Yellow Raw Sienna Deep Tiziano Red Verde Chromium Oxide Synthetic Iron Oxide PY42 Original Natural Earth PBr7 Quinacridone PR209 Chromium Oxide PG17 Calcined Original Natural Earth PBr7

105 HHH gr. 1 174 HHH gr. 3 263 HHH gr. 3 348 HHH gr. 3 Naples Yellow Light Crimson Lake Sandal Red Viridian Zinc Oxide PW4 Quinacridone PR122 Pyrrole-pyrrole PR254 Hydrated Chromíum Oxide PG18 Arylide Yellow PY97 Quinacridone PR 206 Synthetic Iron Oxide PY42 350 HHH gr. 2 392 HHH gr. 2 452 HHH gr. 6 493 HHH gr. 1 Turquoise Green Ultramarine Deep Cobalt Violet Deep Raw Umber Phthalocyanine PB16 Sodium Polysulphide-AluminosilicatePB29 Cobalt Phosphate PV14 Natural Earth PBr7

356 HHH gr. 2 400 HHH gr. 2 459 HHH gr. 1 507 HHH gr. 1 Emerald Green Primary Blue - Cyan Mars Violet Warm Grey Zinc Oxide PW4 Phthalocyanine Beta PB15:3 Synthetic Iron Oxide PR101 Titanium Dioxide PW6 Brominated Phthalocyanine PG36 Zinc Oxide PW4 Synthetic Iron Oxide PBk11 359 HHH gr. 2 405 HHH gr. 2 460 HHH gr. 3 510 HHH gr. 1 Berlin Blue King’s Blue Light Mineral Violet Cool Grey Phthalocyanine alfa PB15:1 Zinc Oxide PW4 Manganese Ammonium Titanium Dioxide PW6 Titanium Dioxide PW6 Pyrophosphate PV16 Zinc Oxide PW4 Cobalt Aluminium-Chromium Oxides PB36 Sodium Polysulphide-Aluminosilicate PB29 368 HHH gr. 6 407 HHH gr. 2 473 HHH gr. 2 513 HHH gr. 1 Cerulean Blue King’s Blue Deep Verzino Violet Neutral Grey Cobalt Aluminium-Chromium Oxides PB36 Zinc Oxide PW4 Quinacridone PR122 Titanium Dioxide PW6 Titanium Dioxide PW6 Zinc Oxide PW4 Cobalt-Aluminium Oxides PB28 Synthetic Iron Oxide PBk11 373 HHH gr. 5 409 HHH gr. 2 476 HHH gr. 1 514 HHH gr. 1 Cobalt Blue Light Green Blue Mars Brown Payne’s Grey Cobalt-Aluminium Oxides PB28 Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PR101PBk11 Sodium Polysulphide-AluminosilicatePB29 Phthalocyanine Beta PB15:3 Bone Black PBk9

374 HHH gr. 5 436 HHH gr. 2 477 HHH gr. 2 535 HHH gr. 1 Cobalt Blue Deep Violet Lake Transparent Mars Brown Ivory Black Cobalt-Aluminium Oxides PB28 Dioxazine PV23 Synthetic Iron Oxide PR101 Bone Black PBk9

377 HHH gr. 2 440 HHH gr. 2 484 HHH gr. 1 537 HHH gr. 1 Faience Blue Ultramarine Violet Vandyke Brown Carbon Black Anthraquinone PB60 Sodium Polysulphide-AluminosilicatePV15 Calcined Original Natural EarthPBr7 Carbon Black PBk7 Bone Black PBk9

391 HHH gr. 2 451 HHH gr. 6 492 HHH gr. 1 540 HHH gr. 1 Ultramarine Light Cobalt Violet Pale Burnt Umber Mars Black Sodium Polysulphide-AluminosilicatePB29 Cobalt Ammonium Phosphate PV14 Calcined Natural Earth PBr7 Synthetic Iron Oxide PBk11 17

0099101 ARTE BEECHWOOD BOX 25x35 cm Cardboard box Metal dividers Palette 12 assorted 20 ml tubes 2 white bristle brusches 1 safflower oil 75 ml bottle 2 charcoal box 1 palette knife 2 palette bowls “Keep Oil Colours everything This line of oil colours offers the tonalities that is not of the master artists of the Italian Renaissance: necessary out in paint composition, in grinding pigments of the painting, and in the use of rare semi-drying oils, everything non-yellowing and crystal clear. that is not felt” Many pigments in this range correspond to the ancient originals; others replace, Gianni Maimeri, The diary October 31 1905 in calibrated and perfect imitation, compounds of heavy metals that, being toxic, harmful Rinascimento or polluting, should no longer be used. This also provides for safe mixtures of colours, eliminating any risk of alteration. Research into ancient pigments made it possible to select the finest and most stable colours, eliminating problems with incompatible substances once hard to mix. Rinascimento Rinascimento 00 = oil colours, complete range 11 colours at a sole price

All colours 00 = 40 ml tube Sales unit 3 pieces in 3 price groups

022 HHH gr. 8 Ceruse Titanium Dioxide PW6

108 HHH gr. 9 Vasari Yellow Antimony-Nickel-Titanium Oxides PY53

169 HHH gr. 9 Kermes Lake Anthraquinone PR83

217 HHH gr. 9 Paris Red Cadmium Sulphoselenide PR108

281 HHH gr. 9 Vermillon Cadmium Sulphoselenide PR108

314 HHH gr. 10 Greek Green Cobalt-Titanium Oxides PG50

349 HHH gr. 10 Malachite Green Hydrated Chromíum Oxide PG18

379 HHH gr. 9 Murano Blue Cobalt-Aluminium Oxides PB28

401 HHH gr. 8 Michelangelo Blue Sodium Polysulphide Aluminosilicate PB29

478 HHH gr. 8 Mummy Gilsonite NAT.Bk6

538 HHH gr. 8 Bistre Carbon Black PBk7 “ There’s Extrafine oil colours a strong link Tradition and innovation. The qualities of the between components and workmanship that go into Artisti technique oils combine harmoniously to yield a product that and subject” represents the best of both tradition and innovation. Gianni Maimeri, The diary The impastos offer the average drying rate typical December 29 1905 of oil painting to permit optimum use of blending and allow the artist to take up the paints again and continue work. The line offers a vast palette of 106 colours, including a number of authentic historical Artisti pigments such as Flake White and Zinc White, Aureolin and true Sienna Earth, Prussian Blue, Manganese Violet, and Bitumen. Maimeri’s decision to continue producing valuable classic pigments which are all but impossible to find these days means that the artist must comply with the ancient basic rules of mixing. The less lightfast pigments, and especially those which are hazardous to the health, have recently been replaced with synthetic pigments guaranteeing comparable colour purity with improved stability and safety. The few colours still considered to some degree damaging to the health, obviously to be used with due precautions, are always marked with the “harmful” symbol.

Artisti 01 = Traditional Oil Colours, complete range 102 colours in 8 price groups

All colours All colours Whites Whites 02 = 20 ml tube 06 = 60 ml tube 22 = 150 ml tube 34 = 500 ml can Sales unit 6 pieces Sales unit 3 pieces Sales unit 3 pieces Sales unit 3 pieces

012 HHH gr. 1 083 HHH gr. 7 122 HH gr. 4 176 HH gr. 6 Flake White (Hue) Cadmium Yellow Medium Transparent Yellow Rose (Alizarin) Madder Zinc Oxide PW4 Cadmium Sulphide PY35 Benzidine Yellow PY17 Quinacridone PR122 Titanium Dioxide PW6 Cadmium Sulphide PY35 Benzidine Yellow PY17

018 HHH gr. 1 084 HH gr. 7 124 HH gr. 5 177 HH gr. 6 Titanium White Cadmium Yellow Deep Gamboge (Hue) Antique Rose (Alizarin) Madder Zinc Oxide PW4 Cadmium Sulphide PY35 Benzidine Yellow PY17 Quinacridone PR122 Titanium Dioxide PW6 Diarylide Yellow PY83 Diarylide Yellow PY83 Calcined Original Natural Earth PBr7

020 HHH gr. 1 091 HH gr. 4 126 HHH gr. 4 178 HH gr. 6 Zinc White Chrome Yellow Light (Hue) Raw Bergamo Permanent Madder Deep Zinc Oxide PW4 Titanium Dioxide PW6 Original Natural Earth PBr7 Anthraquinone PR83 Hansa Yellow G PY1 Natural Earth PY43 Quinacridone PV19 Bone Black PBk9 Dioxazine PV23

024 HHH gr. 1 092 HH gr. 4 131 HHH gr. 1 179 HHH gr. 5 Super White Giallo di cromo limone (Hue) Yellow Ochre Geranium Lake Titanium Dioxide PW6 Titanium Dioxide PW6 Natural Iron Oxide PY43 Quinacridone PR122 Hansa Yellow 10G PY3 Quinacridone PV19

026 HHH gr. 1 094 HH gr. 4 132 HHH gr. 1 181 HHH gr. 5 Super Rapid White Chrome Yellow Lemon (Hue) Yellow Ochre Light Garnet Lake 20 Zinc Oxide PW4 Diarylide Yellow PW83 Natural Iron Oxide PY43 Quinacridone PV19 Titanium Dioxide PW6 Titanium Dioxide PW6 Synthetic Iron OxidePY42 Dioxazine PV23 Benzimidazolone PO36

058 HHH gr. 6 098 HH gr. 4 133 HHH gr. 1 183 HHH gr. 5 Indanthrene Orange Indian Yellow Yellow Ochre Pale Magenta Lake Anthraquinone PO43 Benzidine Yellow PY17 Zinc Oxide PW4 Quinacridone PR122 Diarylide Yellow PY83 Natural Iron Oxide PY43 Dioxazine PV23 Anthraquinone PO43 Synthetic Iron OxidePY42

060 HHH gr. 4 102 HHH gr. 4 134 HHH gr. 1 184 HHH gr. 5 Mars Orange Mars Yellow Golden Ochre Solferino Lake Synthetic Iron Oxide PR101 Synthetic Iron OxidePY42 Natural Iron Oxide PY43 Quinacridone PR122 Natural Iron Oxide PY43 Dioxazine PV23

075 HHH gr. 5 105 HHH gr. 4 159 HH gr. 4 191 HHH gr. 1 Brilliant Yellow Light Naples Yellow Light Yellow Stil de Grain Red Ochre Zinc Oxide PW4 Zinc Oxide PW4 Hansa Yellow GP Y1 Synthetic Iron OxidePR101 Titanium Dioxide PW6 Arylide Yellow PY97 Sodium Polysulphide-Aluminosilicate PB29 Natural Iron Oxide PY43 Arylide Yellow PY97 Synthetic Iron OxidePY42 Carbon Black PBk7

076 HHH gr. 5 106 HHH gr. 5 162 HHH gr. 1 195 HHH gr. 4 Brilliant Yellow Deep Naples Yellow Reddish Raw Sienna Light Ultramarine Red Zinc Oxide PW4 Zinc Oxide PW4 Original Natural Earth PBr7 Sodium Polysulphide-Aluminosilicate PV15 Titanium Dioxide PW6 Titanium Dioxide PW6 Arylide Yellow PY97 Benzimidazolone PO36 080 HHH gr. 7 107 HHH gr. 5 163 HHH gr. 1 212 HHH gr. 6 Cadmium Orange Naples Yellow Deep Raw Sienna Deep Quinacridone Rose Cadmium Sulphoselenide PO20 Zinc Oxide PW4 Original Natural Earth PBr7 Quinacridone PV19 Titanium Dioxide PW6 Calcined Original Natural Earth PBr7 Arylide Yellow PY97 Chromium Oxide PG17

081 HHH gr. 7 109 HHH gr. 5 167 HH gr. 6 224 HHH gr. 8 Cadmium Yellow Light Nickel Titanate Yellow Permanent Carmine Cadmium Red Orange Cadmium Sulphide PY35 Antimony-Nickel-Titanium Oxides PY53 Anthraquinone PR83 Cadmium Sulphoselenide PR108 Cadmium Sulphide PY39

082 HHH gr. 7 112 HH gr. 4 175 HH gr. 6 226 HHH gr. 8 Cadmium Yellow LemonCadmium Permanent Yellow Lemon Madder (Alizarin) Light Cadmium Red Light Sulphide PY35 Hansa Yellow 10G PY3 Anthraquinone PR83 Cadmium Sulphoselenide PR108 Quinacridone PR122 Anthraquinone PO43 228 HHH gr. 8 296 HHH gr. 1 390 HHH gr. 4 482 HHH gr. 1 Cadmium Red Mediumo Green Earth Ultramarine Transparent Brown Cadmium Sulphoselenide PR108 Natural Earth PG23 Sodium Polysulphide-Aluminosilicate PB29 Calcined Original Natural Earth PBr7 Chlorinated Phthalocyanine PG7 Original Natural Earth PBr7 Natural Earth PG23

230 HHH gr. 8 297 HHH gr. 1 392 HHH gr. 4 484 HHH gr. 1 Cadmium Red Purple Antique Green Earth Ultramarine Deep Vandyke Brown Cadmium Sulphoselenide PR108 Natural Earth PG23 Sodium Polysulphide-Aluminosilicate PB29 Calcined Original Natural Earth PBr7 Natural Earth PBr7 Bone Black PBk9 Chlorinated Phthalocyanine PG7 Carbon Black PBk7 232 HHH gr. 8 307 HHH gr. 7 402 HHH gr. 4 488 HH gr. 4 Cadmium Red Deep Cadmium Green Prussian Blue Brown Stil de Grain Cadmium Sulphoselenide PR108 Cadmium Sulphide PY35 Ferric Ferrocyanide PB27 Anthraquinone PR83 Phthalocyanine Beta PB15:3 Diarylide Yellow PY83 Chlorinated Phthalocyanine PG7 Chlorinated Phthalocyanine PG7 244 HHH gr. 1 317 HHH gr. 7 410 HHH gr. 4 490 HHH gr. 1 English Red Cobalt Green Deep Phthalo Blue Green Cassel Earth Synthetic Iron OxidePR101 Chromium Titanium Oxide PG50 Chlorinated Phthalocyanine PG7 Natural Earth calcinata PBr7 Sodium Polysulphide-Aluminosilicate PB29 Phthalocyanine Beta PB15:3 Bone Black PBk9 Carbon Black PBk7

248 HHH gr. 4 336 HHH gr. 5 436 HH gr. 5 492 HHH gr. 1 Mars Red Chrome Oxide Green Violet Lake Burnt Umber Synthetic Iron OxidePR101 Chromium Oxide PG17 Dioxazine PV23 Calcined Natural Earth PBr7 Anthraquinone PR83

258 HHH gr. 6 339 HHH gr. 6 440 HHH gr. 4 493 HHH gr. 1 Quinacridone Red Permanent Green Light Ultramarine Violet Raw Umber Quinacridone PV19 Cadmium Sulphide PY35 Sodium Polysulphide-Aluminosilicate PV15 Natural Earth PBr7 Cadmium Sulphide PY35 Chromium Oxide PG17 Chlorinated Phthalocyanine PG7 260 HHH gr. 4 340 HHH gr. 5 451 HHH gr. 8 535 HHH gr. 1 Red Lead (Hue) Permanent Green Deep Cobalt Violet Pale Ivory Black Anthraquinone PO43 Sodium Polysulphide-Aluminosilicate PB29 Cobalt Ammonium Phosphate PV14 Bone Black PBk9 Quinacridone PV19 Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7 262 HHH gr. 1 348 HHH gr. 6 452 HHH gr. 8 540 HHH gr. 4 Venetian Red Viridian Cobalt Violet Deep Mars Black Synthetic Iron OxidePR101 Chromium Oxide idrato PG18 Cobalt Phosphate PV14 Synthetic Iron OxidePBk11 * Natural Earth calcinata PBr7 Synthetic Iron OxidePY42

276 HHH gr. 1 356 HH gr. 4 454 HHH gr. 5 555 HHH gr. 1 Pozzuoli Earth Emerald Green Indanthrene Violet Vine black Synthetic Iron OxidePR101 Zinc Oxide PW4 Quinacridone PR122 Bone Black PBk9 Natural Earth PBr7 Chlorinated Phthalocyanine PG7 Quinacridone PV19 Sodium Polysulphide-Aluminosilicate PB29 Hansa Yellow 10G PY3 Dioxazine PV23 278 HHH gr. 1 358 HH gr. 4 458 HHH gr. 6 Burnt Sienna Sap Green Manganese Violet Calcined Original Natural Earth PBr7 Chlorinated Phthalocyanine PG7 Manganese Ammonium Diarylide Yellow PY83 Pyrophosphate PV16 Anthraquinone PR83

286 HH gr. 4 368 HHH gr. 7 459 HHH gr. 4 Cinnabar Green Light Cerulean Blue Mars Violet Hansa Yellow G PY1 Ossidi di cobalto alluminio e cromo PB36 Synthetic Iron OxidePR101 Phthalocyanine Beta PB15:3

287 HH gr. 4 373 HHH gr. 7 466 HHH gr. 6 Cinnabar Green Yellowish Cobalt Blue Light Quinacridone Violet Hansa Yellow G PY1 Cobalt-Aluminium Oxides PB28 Quinacridone PR122 Sodium Polysulphide-Aluminosilicate PB29

288 HH gr. 4 374 HHH gr. 7 470 HH gr. 1 Cinnabar Green Deep Cobalt Blue Deep Bitumen Sodium Polysulphide-Aluminosilicate PB29 Cobalt-Aluminium Oxides PB28 Gilsonite NAT.Bk6 Hansa Yellow 10G PY3 Cobalt-Aluminium Oxides PB28 Hansa Yellow G PY1

290 HH gr. 5 378 HHH gr. 4 474 HH gr. 6 Green Lake Phthalo Blue Brown Madder (Alizarin) Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3 Naphthol AS PR146 Hansa Yellow G PY1 Diarylide Yellow PY83 Diarylide Yellow PY83 Chlorinated Phthalocyanine PG7 294 HHH gr. 4 380 HHH gr. 5 476 HHH gr. 4 Ultramarine Green Indanthrene Blue Mars Brown Sodium Polysulphide-Aluminosilicate PB29 Anthraquinone PB60 Synthetic Iron Oxide Chlorinated Phthalocyanine PG7 PR101PBk11 “ The painter fine oil colours must do as The Artist’s daily bread and butter. Anyone - the poet or professional or amateur – who picks up a tube of the musician Classico oil paints will find in it just what they need. does: speak; Classico fine oil colours are versatile, offering an the word that unsurpassed price to quality ratio. These colours are calls up a produced by strict principles that yield a top quality world” product. They revolutionise the criteria by which a economical (rated “fine”) range is judged. Gianni Maimeri, The diary December 29 1905 They contain no waxes or thickeners, (no manufacturing Classico shortcuts). The colour palette includes the best original natural earths and true cadmium pigments. Average pigment concentration is very high. Formulas are perfected to balance the drying times of all colours. Bright, lively colours with overall harmony in the palette, Classico colours are made with modern non-toxic, non-polluting pigments that improve lightfastness. All colours may be intermixed together in any ratio or proportion, without limits. All this thanks to Maimeri’s vast experience, summed up in an oil line that has proven to be so successful it has become the daily workhorse of a whole generation of artists.

Classico 03 = Extrafine Oil Colours, complete range 77 olours in 3 price groups

Reduced range 30 colours All colours All colours All colours marked by t 02 = 20 ml tubetto 06 = 60 ml tubetto 24 = 200 ml tubetto 34 = 500 ml can Sales unit 6 pieces Sales unit 3 pieces Sales unit 1 piece Sales unit 1 piece

018 HHH t gr. 1 106 HHH t gr. 2 178 HHH gr. 2 276 HHH gr. 1 Titanium White Naples Yellow Reddish Permanent Madder Deep Pozzuoli Earth Zinc Oxide PW4 Zinc Oxide PW4 Quinacridone PV19 Synthetic Iron Oxide PR101 Titanium Dioxide PW6 Titanium Dioxide PW6 Quinacridone PR206 Natural Earth PR101 Anthraquinone PO43 Dioxazine PV23 Calcined Natural Earth PBr7

019 HHH t gr. 2 107 HHH gr. 2 214 HHH gr. 2 278 HHH t gr. 1 Titaniumzinc White Naples Yellow Deep Quinacridone Rose Light Burnt Sienna Zinc Oxide PW4 Zinc Oxide PW4 Zinc Oxide PW4 Original Natural Earth Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Quinacridone PR122 calcinata PBr7 Arylide Yellow PY97

020 HHH t gr. 2 110 HHH t gr. 2 226 HHH gr. 3 284 HHH gr. 2 Zinc White Permanent Orange Cadmium Red Light Vermilion Light (Hue) Zinc Oxide PW4 Benzimidazolone PO62 Cadmium Sulphoselenide PR108 Benzimidazolone PO36 Titanium Dioxide PW6 Anthraquinone PO43 Pyrrole-pyrrole PR254

026 HHH t gr. 2 111 HHH gr. 2 228 HHH t gr. 3 285 HHH t gr. 2 Super Rapid White Permanent Yellow Light Cadmium Red Medium Vermilion Deep (Hue) Zinc Oxide PW4 Arylide Yellow PY97 Cadmium Sulphoselenide PR108 Pyrrole-pyrrole PR254 Titanium Dioxide PW6 Titanium Dioxide PW6 Quinacridone PV19

075 HHH gr. 2 112 HHH gr. 2 232 HHH gr. 3 286 HH gr. 1 Brilliant Yellow Light Permanent Yellow Lemon Cadmium Red Deep Cinnabar Green Light 26 Zinc Oxide PW4 Benzimidazolone PY175 Cadmium Sulphoselenide PR108 Hansa Yellow GPY1 Benzimidazolone PY175 Phthalocyanine BetaPB15:3

076 HHH gr. 2 114 HHH gr. 1 248 HHH gr. 1 287 HH gr. 1 Brilliant Yellow Deep Permanent Yellow Deep Mars Red Cinnabar Green Yellowish Zinc Oxide PW4 Arylide Yellow PY97 Synthetic Iron Oxide PR101 Hansa Yellow GPY1 Isoindoline PY139 Isoindoline PY139 Sodium Polysulphide-Aluminosilicate PB29 Arylide Yellow PY97 Titanium Dioxide PW6 080 HHH gr. 3 116 HHH t gr. 2 249 HHH gr. 2 288 HH gr. 1 Cadmium Orange Primary Yellow Permanent Red Orange Cinnabar Green Deep Cadmium Sulphide PY35 Arylide Yellow PY97 Anthraquinone PO43 Hansa Yellow GPY1 Benzimidazolone PY175 Phthalocyanine Alpha PB15:1 Benzimidazolone PO36

081 HHH gr. 3 131 HHH t gr. 1 251 HHH gr. 2 290 HHH gr. 1 Cadmium Yellow Light Yellow Ochre Permanent Red Light Green Lake Cadmium Sulphide PY35 Natural Iron OxidePY43 Benzimidazolone PO36 Arylide Yellow PY97 Synthetic Iron Oxide PY42 Pyrrole-pyrrole PR254 Chlorinated Phthalocyanine PG7 Zinc Oxide PW4 Phthalocyanine BetaPB15:3

082 HHH gr. 3 132 HHH gr. 1 253 HHH gr. 2 296 HHH t gr. 1 Cadmium Yellow Lemon Yellow Ochre Light Permanent Red Deep Green Earth Cadmium Sulphide PY35 Natural Iron OxidePY43 Quinacridone PV19 Natural Earth PG23 Titanium Dioxide PW6 Pyrrole-pyrrole PR254 Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PY42 084 HHH gr. 3 134 HHH gr. 1 256 HHH t gr. 2 307 HHH t gr. 3 Cadmium Yellow Deep Golden Ochre Primary Red - Magenta Cadmium Green Cadmium Sulphide PY35 Natural Iron OxidePY43 Quinacridone PR122 Cadmium Sulphide PY35 Synthetic Iron Oxide PY42 Chlorinated Phthalocyanine PG7 Zinc Oxide PW4 098 HHH gr. 1 161 HHH t gr. 1 258 HHH gr. 3 321 HHH t gr. 2 Indian Yellow Raw Sienna Quinacridone Red Phthalo Green Arylide Yellow PY97 Original Natural Earth PBr7 Quinacridone PR209 Chlorinated Phthalocyanine PG7 Anthraquinone PO43

105 HHH t gr. 3 167 HHH t gr. 2 262 HH gr. 1 336 HHH gr. 2 Naples Yellow Light Permanent Carmine Venetian Red Chrome Oxide Green Zinc Oxide PW4 Quinacridone PV19 Synthetic Iron Oxide PY42 Chromium Oxide PG17 Arylide Yellow PY97 Quinacridone PR206 Calcined Natural Earth PBr7 Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101 339 HHH gr. 2 392 HHH t gr. 1 463 HHH t gr. 2 535 HHH t gr. 1 Permanent Green Light Ultramarine Deep Permanent Violet Blueish Ivory Black Benzimidazolone PY175 Sodium Polysulphide-Aluminosilicate PB29 Dioxazine PV23 Bone Black PBk9 Chlorinated Phthalocyanine PG7 Carbon Black PBk7 Titanium Dioxide PW6 340 HHH gr. 1 400 HHH t gr. 2 465 HHH gr. 2 540 HHH gr. 1 Permanent Green Deep Primary Blue - Cyan Permanent Violet Reddish Mars Black Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3 Quinacridone PV19 Synthetic Iron Oxide PBk11 Phthalocyanine Alpha PB15:1 Phthalocyanine PB16 Dioxazine PV23 Benzimidazolone PY175

356 HHH gr. 3 402 HHH t gr. 1 484 HHH t gr. 1 003 HHH gr. 2 Emerald Green Prussian Blue Vandyke Brown Silver Zinc Oxide PW4 Ferric Ferrocyanide PB27 Calcined Original Natural Earth PBr7 Titanium Dioxide+Mica+ Benzimidazolone PY175 Bone Black PBk9 Synthetic Iron Oxide Phthalocyanine Beta PB15:3 Carbon Black PBk7 358 HHH t gr. 2 405 HHH gr. 3 488 HH gr. 1 137 HHH gr. 2 Sap Green King’s Blue Light Brown Stil de Grain Light Gold Synthetic Iron Oxide PR101 Zinc Oxide PW4 Naphthol AS PR146 Titanium Dioxide+Mica+ Chlorinated Phthalocyanine PG7 Cobalt Aluminium-Chromium Oxides PB36 Diarylide Yellow PY833 Synthetic Iron Oxide Chlorinated Phthalocyanine PG7 368 HHH gr. 3 408 HHH gr. 2 490 HHH gr. 1 151 HHH gr. 2 Cerulean Blue Turquoise Blue Cassel Earth Deep Gold Cobalt Aluminium-Chromium Oxides PB36 Zinc Oxide PW4 Calcined Original Natural Earth PBr7 Titanium Dioxide+Mica+ Phthalocyanine Alpha PB15:1 Phthalocyanine PB16 Bone Black PBk9 Synthetic Iron Oxide Chlorinated Phthalocyanine PG7 Calcined Natural Earth PBr7 370 HHH t gr. 1 410 HHH gr. 2 492 HHH t gr. 1 Cobalt Blue Light (Hue) Phthalo Blue Green Burnt Umber Sodium Polysulphide-Aluminosilicate PB29 Chlorinated Phthalocyanine PG7 Calcined Natural Earth PBr7 Zinc Oxide PW4 Phthalocyanine BetaPB15:3 Titanium Dioxide PW6

371 HHH gr. 2 414 HHH t gr. 2 493 HHH t gr. 1 Cobalt Blue Deep (Hue). Sky Blue Raw Umber Sodium Polysulphide-Aluminosilicate PB29 Zinc Oxide PW4 Natural Earth PBr7 Zinc Oxide PW4 Phthalocyanine BetaPB15:3 Chromium Oxide PG17 Phthalocyanine Alpha PB15:1

391 HHH gr. 1 448 HHH t gr. 2 514 HHH gr. 1 Ultramarine Light Cobalt Violet (Hue) Payne’s Grey Sodium Polysulphide-Aluminosilicate PB29 Quinacridone PV19 Sodium Polysulphide-Aluminosilicate PB29 * Dioxazine PV23 Bone Black PBk9

0398052 CARDBOARD BOX 5 x 60 ml tubes (Primary colours - White - Black)

0398051 CARDBOARD BOX 0398100 6 x 20 ml tubes PLASTIC BLISTER (Primary colours - 2 Whites - Black) 10 x 20 ml tubes assorted “Keep Coarsely Ground Oil Colours everything The chromatic assortment of Coarsely ground that is not Mediterranean. necessary out Colours is basic, because only a few essential tones of the painting, are needed to render the magic of a harmonic motion. everything Pure and, one may say, fundamental, the colours that is not felt” of this light are in any case calibrated to capture every nuance and modulation needed for sunny, Gianni Maimeri, The diary October 31 1905 luminous and natural painting. The grain size of these colours is larger than for other Mediterraneo oil paints and paste density is thicker, with brushstrokes accentuated. The colour dried on the canvas damps the ray of light and softens tones, giving the surface a rugged feel. Mixable with other oil colours. Mediterraneo Mediterraneo 03 = coarsely ground oil colours, complete range 11 colours at a sole price

All colours 03 = 60 ml tube Sales unit 3 pieces

028 HHH Santorini White Titanium Dioxide PW6

057 HHH Trinacria Orange Benzimidazolone PO62

088 HHH Vesuvius Yellow Antimony-Nickel-Titanium Oxides PY53

089 HHH Damascus Yellow Benzidine Yellow PY17

213 HHH Provence Rose Lake Quinacridone PR122

218 HHH Sevilla Red Monoazoic PO5

315 HHH Salento Green Hydrated Chromíum Oxide PG18

357 HHH Green Obsidian from Pantelleria Ferrous Nitrous Beta Naphthol PG8

396 HHH Ercolano Blue Cobalt Aluminium-Chromium Oxides PB36

397 HHH Capri Blue Sodium Polysulphide-Aluminosilicate PB29

439 HHH Grasse Violet Sodium Polysulphide-Aluminosilicate PV15 “Keep Oil Colours everything The Italian Natural Earth colours are created that is not with pigments of antique origin that have always necessary out been used to make the colours that until of the painting, a few years ago characterized the regional schools everything of painting throughout Italy. that is not felt” The colours of Roman houses, of Venetian palaces, of the Umbrian or Tuscan hill-towns. Gianni Maimeri, The diary October 31 1905 The grain size of the dispersed pigment is larger than for traditional oil paints. Terre grezze d’Italia The paste is denser, the appearance more opaque due to a different refraction of the light, the tone is more natural and the coat is thicker and more material. Italian Natural Earth colours can be mixed with other oil paints. Slight discontinuities in tone are a guarantee of the authenticity and naturalness of the product, which contains no additional colorants of organic synthesis. Terre grezze d’Italia Terre Grezze d’Italia 03 = oil colours, complete range 11 colours at a sole price

All colours 03 = 60 ml tube Sales unit 3 pieces

030 HHH Terra bianca di Carrara Calcium Carbonate PW18

031 HHH Orange Earth from Herculanum Natural Iron Oxide PY43

033 HHH Yellow Earth from Rome Natural Iron Oxide PY43

034 HHH Yellow Earth from Verona Natural Iron Oxide PY43

035 HHH Raw Sienna Original Natural Earth PBr7

036 HHH Venetian Red Earth Natural Iron Oxide PR101

037 HHH Sardinian Red Earth Calcined Original Natural Earth PBr7

038 HHH Burnt Sienna Calcined Original Natural Earth PBr 7

039 HHH Green Earth from Verona Natural Earth PG23

040 HHH Antique Green Earth from Verona Natural Earth PG23

041 HHH Brown Earth from Florence Calcined Original Natural Earth PBr7 “ The painter Oil Colours must do as In Maimeri Olio has been perfected all the expertise gained the poet or the in many years of work, free from binding precedents, aiming musician does: towards an element that changes one’s view of oil colours, speak; the word completing an assortment of the existent with what that calls up a had been lacking. world” 38 essential colours well balanced and with new pigments. Gianni Maimeri, The diary high quality at a convenient price safety and respect December 29 1905 for the environment. All toxic or harmful substances have been excluded from Maimeri Olio the formulation, modern, efficient, useful . Composed of layers of plastic material coupled with an impenetrable and impermeable barrier, the tube is therefore exceptionally practical and manageable and, above all, extremely resistant. Average drying time for the range is less than for other oil colours, decreasing work time, freeing time spans, providing some savings and allowing for the use of painting techniques and utensils more in tune with acrylic colours while enjoying the brilliance of oil paints. The range includes 4 oil painting mediumsof new formulationn in the same 200-ml tube. Maimeri Olio Maimeri Olio 05 = Oil Colours, complete range 38 colours at a sole price

All colours 24 = 200 ml tube Sales unit 3 pieces

018 HHH 191 HHH 370 HHH 535 HHH Titanium White Red Ochre Cobalt Blue Light (Hue) Ivory Black Titanium Dioxide PW6 Synthetic Iron Oxide PR101 Titanium Dioxide PW6 Carbon Black PBk7 Sodium Polysulphide- Aluminosilicate PB29 020 HHH 214 HHH 391 HHH 540 HHH Zinc White Quinacridone Rose Light Ultramarine Light Mars Black Zinc Sulphide PW7 Titanium Dioxide PW6 Sodium Polysulphide- Synthetic Iron Oxide PBk11 Quinacridone PV19 Aluminosilicate PB29 105 HHH 256 HH 400 HHH Naples Yellow Light Primary Red - Magenta Primary Blue - Cyan Synthetic Iron Oxide PY42 Naphthol AS PR 146 Phthalocyanine Beta PB15:3 Titanium Dioxide PW6

106 HH 258 HH 402 HHH Naples Yellow Reddish Quinacridone Red Titanium Dioxide PW6 Prussian Blue Monoazoic PO5 Ferric Ferrocyanide PB27 Disazoic PO13 Monoazoic Strontium Salt PR 48:3

110 HH 278 HHH 414 HHH 850 Permanent Orange Burnt Sienna Sky Blue Oil painting Hansa Yellow PY1 Calcined Original Natural Earth PBr7 Titanium Dioxide PW6 primer Disazoic PO13 Phthalocyanine Beta PB15:3 112 HH 284 HH 422 HHH Permanent Yellow Lemon Vermilion Light (Hue) Indigo Hansa Yellow PY3 Monoazoic PO5 Carbon Black PBk7 Phthalocyanine Alpha 15:1 HH HH 114 285 448 HHH 851 Permanent Yellow Deep Vermilion Deep (Hue) Cobalt Violet (Hue) Impasto oil Hansa Yellow PY1 Monoazoic Strontium Salt PR 48:3 Dioxazine PV23 medium matt Disazoic PO13

116 HH 286 HH 476 HHH Primary Yellow Cinnabar Green Light Mars Brown Hansa Yellow PY1 Hansa Yellow PY1 Synthetic Iron Oxide PR101 Phthalocyanine Beta PB15:3 Synthetic Iron Oxide PBk11 131 HHH 296 HHH 484 HHH 852 Yellow Ochre Green Earth Vandyke Brown Impasto oil Synthetic Iron Oxide PY42 Natural Earth PG23 Synthetic Iron Oxide PR101 medium gloss Synthetic Iron Oxide PBk11

132 HHH 336 HHH 492 HHH Yellow Ochre Light Chrome Oxide Green Burnt Umber Synthetic Iron Oxide PY42 Chromium Oxide PG17 Calcined Original Natural Earth PBr7 Titanium Dioxide PW6

161 HHH 356 HHH 493 HHH 853 Raw Sienna Emerald Green Raw Umber Impasto oil Original Natural Earth PBr7 Chlorinated Phthalocyanine PG7 Natural Earth PBr7 medium coarse

167 HH 358 HH 514 HHH Permanent Carmine Sap Green Payne’s Grey Monoazoic calcium salt PR57:1 Ferrous Nitrous Beta Naphthol PG8 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PBk11 “Keep Oil Colours everything New colours have entered the imagination that is not of the contemporary and younger generations, necessary out they are the hues of a colourful dreamscape. of the painting, They are the colours of video, of high-definition, everything of the liquid crystals of the virtual. Maimeri HD, that is not felt” 30 oil colours mostly based on high concentrations of organic-synthesis pigment. So the colours aren’t opaque Gianni Maimeri, The diary October 31 1905 and muted but have luminosity and vibrant transparency. Thanks to their composition and grinding, HD HD oil colours allow light to pass in a diffused fashion. They have properties the opposite of opacity. They are limpid, translucent. All the tints in the range are devoid of substances considered hazardous for humans and the environment. HD HD 06 = Oil Colours, complete range 30 colours at a sole price

All colours 16 = 75 ml tube Sales unit 3 pieces

570 HHH 582 HHH 595 HHH NO COLOUR GREEN DRAGON BLACK HACKER Titanium Dioxide PW6 Chromium Oxide PG17 Carbon Black PBk7

571 HHH 583 HH 596 HHH DOUBLE WHITE FREEDOM GREEN STURDUST PURPLE Titanium Dioxide PW6 Hansa Yellow 10G PY3 Titanium Mica Chlorinated Phtalocyanine PG7 572 HHH 584 HH 597 HHH MOON WHITE LUCKY GREEN STARDUST BLUE Titanium Mica Hansa Yellow 10G PY3 Titanium Mica Phtalocyanine Beta PB15.3

573 HH 585 HHH 557 HHH LIFE YELLOW HAZARD GREEN Hansa Yellow 10G PY3 HEAVY METAL Chlorinated Phtalocyanine PG7 Synthetic Iron Oxide PBk11

574 HHH 586 HH 598 H CAUTION YELLOW RESET GREEN FLASH MAGENTA Hansa Yellow G PY1 Ferrous Nitroso Beta Naphtol PG8 Fluorescent Dye fixed on Resin

575 HH 587 HHH 599 H TILT YELLOW NOBLESSE BLUE FLASH YELLOW Diarylide Yellow PY83 Phtalocyanine Alpha PB15:1 Fluorescent Dye fixed on Resin

576 HH 588 HHH ENERGY ORANGE AVATAR BLUE Anthraquinone PO13 Phtalocyanine Beta PB15:3 oILMeDIUM Hansa Yellow G PY1 ECO MADE IN ITALY 577 HH 589 HHH Thinner suitable for all oil colours, mixable with water, non-hazardous for human health nor for the environment. FIREWALL RED COOL BLUE Liquid like water, colourless, with a barely perceptible odour, the Oil Medium can be used indoors without causing disturbances. For very sensitive users Monoazoic PO5 Sodium Polysulphide Aluminium the workplace should be ventilated during or after use. Oil Medium is the ideal alternative to traditional solvents (turpentine, white spirit, odourless Silicate PB29 thinner), it reduces the density of oil colours, softening the paste and making the application easier and smoother. It can also be applied with a dropper to avoid waste or the product can be added to the colour in controlled quantity. Excessive use may cause dull or dry areas on the painted surface and therefore it is advisable not to exceed 30% of Oil medium with respect to the colour. It evaporates more slowly than traditional solvents, however we 578 HH 590 HHH recommend closing the container well after use in order to avoid unnecessary dispersion. If clean, the remnants of Oil Medium can be returned to the original bottle after use and reused countless times. The product does not slow down the oxidation of oil colours and can be disposed of in household REBEL RED SOUL BLUE drains. Keep out of the range of children. Naphtol AS PR112 Ferric Ferrocyanide PB27 ILCL N 579 HHH 591 HHH o ea e5 LUXURY RED DRY OCHRE MADECOE IN ITALY Quinacridone PV19 Synthetic Iron Oxide PY42 Ammonia-free cleanser mixable and dilutable with water. Non-hazardous for human health nor for the environment. It thoroughly cleans all painting tools, such as brushes, painting knives, palettes and 580 HH 593 HHH mixing bowls. Suitable for cleaning the insides of plastic tubes allowing a perfect recycling of the tubes. Slightly straw yellow, it is odourless and has excellent dispersion power, RED DEVIL FLASHBACK UMBER removing all traces of oil and pigment. Slightly foamy. Monoazoic calcium salt PR57:1 Synthetic Iron Oxide PR101 For cleaning plastic tubes cut the end of the tube just below the weld. Pour the detergent into the tube either pure or slightly diluted with water. In order to obtain maximum cleaning power shake well or use a bottlebrush to clean the low end of the tube. 581 HHH 594 HHH For cleaning painting tools use the detergent slightly diluted with water or if necessary for a stronger action directly on the support with a soft sponge in a way not to damage the GAME OVER PURPLE URBAN GREY painting instruments. Dioxazine PV23 Carbon Black PBk11 For cleaning the painting supports follow the instructions for cleaning the tools. We recommend taking action immediately to avoid permanent stains on easels, tables or other supports caused by the drying of oil colours. “ The aesthetic extrafine acrylic colours emotion is All the colours of acrylic painting. Artists looking always an for acrylic colours with guaranteed quality and act of lightfastness will find what they are looking for synthesis, in Brera Acrylics. All Maimeri’s experience with perhaps an colour has been combined in this extrafine range act of love” of 72 colours, all made with the highest degree of lightfastness. Gianni Maimeri, The diary Spring 1907. These are colours for professionals, responsive to great skill and dexterity and offering fantastic Brera Acrylic colours in return. In addition to all the pigments most commonly required by artists, the range offers a number of metallic and translucent hues, perfect for contemporary art as well as for decoration and other special uses. These special colours, produced with precious materials, may be intermixed with other more transparent colours in the range to obtain a wide range of chromatic effects. Brera Acrylic is the top of the line in acrylic painting. The binder in all colours is an ultra fine emulsion of acrylic resin with the addition of special preservatives, surfactants and UV filters which help maintain a resistant, supple film with a smooth, silky, matte finish. Brera Acrylic Brera Acrylic 08 = Extrafine Acrylic Colours, complete range 72 colours in 3 price groups

All colours Reduced range 42 colours marked by Reduced range 12 colours marked byt 06 = 60 ml tube 22 = 150 ml tube 30 = 350 ml jar Sales unit 3 pieces Sales unit 3 pieces s Sales unit 1 piece

018 HHH t s gr. 1 100 HHH gr. 1 226 HHH s gr. 2 331 HHH s gr. 1 Titanium White Lemon Yellow Cadmium Red Light Olive Green Titanium Dioxide PW6 Benzimidazolone PY175 Cadmium Sulphoselenide PR108 Isoindoline PY139 Chlorinated Phthalocyanine PG7 Benzimidazolone PO36 020 HHH s gr. 1 116 HHH t s gr. 1 228 HHH t s gr. 2 333 HHH gr. 2 Zinc White Primary Yellow Cadmium Red Medium Verde oro Zinc Oxide PW4 Arylide Yellow PY97 Cadmium Sulphoselenide PR108 Arylide Yellow PY97 Cadmium Sulphoselenide PR108 Sodium Polysulphide-Aluminosilicate PB29

052 HHH gr. 1 131 HHH s gr. 1 232 HHH gr. 2 336 HHH s gr. 1 Brilliant Orange Yellow Ochre Cadmium Red Deep Chrome Oxide Green Anthraquinone PO43 Synthetic Iron Oxide PY42 Cadmium Sulphoselenide PR108 Chromium Oxide PG17

054 HHH gr. 2 134 HHH gr. 1 234 HHH s gr. 2 339 HHH s gr. 1 Cadmium Orange Golden Ochre Naphthol Crimson Permanent Green Light Cadmium Sulphide PY35 Synthetic Iron Oxide PY42 Pyrrole-pyrrole PR254 Cadmium Sulphide PY35 Cadmium Sulphoselenide PO20 Synthetic Iron Oxide Quinacridone PV19 Chlorinated Phthalocyanine PG7 PY42+PR101 063 HHH s gr. 2 147 HHH s gr. 2 248 HHH gr. 1 340 HHH gr. 1 Quinacridone Orange Quinacridone Gold Mars Red Permanent Green Deep 36 Quinacridone PR206 Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101 Chlorinated Phthalocyanine PG7 Arylide Yellow PY97 Titanium Dioxide PW6

068 HHH s gr. 1 161 HHH t s gr. 1 256 HHH t s gr. 2 350 HHH gr. 1 Flesh Tint Raw Sienna Primary Red - Magenta Turquoise Green Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Quinacridone PV19 Titanium Dioxide PW6 Anthraquinone PO43 Isoindoline PY139 Chlorinated Phthalocyanine PG7 Anthraquinone PO43 072 HHH gr. 1 165 HHH s gr. 2 257 HHH gr. 2 356 HHH gr. 1 Orange Yellow Bordeaux Pyrrole Red Emerald Green Arylide Yellow PY97 Dioxazine PV23 Pyrrole-pyrrole PR254 Arylide Yellow PY97 Isoindoline PY139 Quinacridone PV19 Chlorinated Phthalocyanine PG7 Titanium Dioxide PW6 074 HHH s gr. 2 170 HHH gr. 3 258 HHH gr. 2 364 HHH s gr. 1 Brilliant Yellow Quinacridone Crimson Quinacridone Red Brilliant Blue Arylide Yellow PY97 Quinacridone PR122 Quinacridone PR209 Sodium Polysulphide-Aluminosilicate PB29 Titanium Dioxide PW6 Quinacridone PR206 Titanium Dioxide PW6 Isoindoline PY139 081 HHH s gr. 2 214 HHH gr. 1 278 HHH s gr. 1 367 HHH s gr. 1 Cadmium Yellow Light Quinacridone Rose Light Burnt Sienna Cerulean Blue (Hue) Cadmium Sulphide PY35 Titanium Dioxide PW6 Synthetic Iron Oxide PR101 Titanium Dioxide PW6 Quinacridone PR122 Isoindoline PY139 Phthalocyanine Beta PB15:3 Anthraquinone PO43 Synthetic Iron Oxide PR101PBk11 082 HHH s gr. 2 219 HHH gr. 2 321 HHH t s gr. 1 368 HHH gr. 3 Cadmium Yellow Lemon Brilliant Red Light Phthalo Green Cerulean Blue Cadmium Sulphide PY35 Anthraquinone PR168 Chlorinated Phthalocyanine PG7 Cobalt Aluminium-Chromium Oxides PB36

083 HHH s gr. 2 221 HHH s gr. 2 323 HHH gr. 1 372 HHH gr. 3 Cadmium Yellow Medium Brilliant Red Deep Yellowish Green Cerulean Blue Cadmium Sulphide PY35 Pyrrole-pyrrole PR254 Titanium Dioxide PW6 Cobalt Aluminium-Chromium Oxides PB28 Quinacridone PV19 Arylide Yellow PY97 Quinacridone PV19 Chlorinated Phthalocyanine PG7 084 HHH s gr. 2 224 HHH gr. 2 325 HHH s gr. 1 375 HHH gr. 1 Cadmium Yellow Deep Cadmium Red Orange Hooker’s Green Cobalt Blue (Hue) Cadmium Sulphide PY35 Cadmium Sulphoselenide PR108 Chlorinated Phthalocyanine PG7 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PY42 Phthalocyanine Beta PB15:3 Carbon Black PBK7 Titanium Dioxide PW6 378 HHH s gr. 1 493 HHH s gr. 1 Phthalo Blue Raw Umber Phthalocyanine Alpha PB15:1 Synthetic Iron Oxide PBK11 Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101 380 HHH s gr. 2 507 HHH gr. 1 Indanthrene Blue Warm Grey Anthraquinone PB60 Titanium Dioxide PW6 Synthetic Iron Oxide PBK11 Synthetic Iron Oxide PY42 390 HHH t s gr. 1 510 HHH gr. 1 Ultramarine Cool Grey Sodium Polysulphide-Aluminosilicate PB29 Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PBk11 394 HHH s gr. 1 513 HHH gr. 1 Permanent Blue Light Neutral Grey Titanium Dioxide PW6 Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 Synthetic Iron Oxide PBK11 Chlorinated Phthalocyanine PG7 400 HHH t s gr. 1 514 HHH s gr. 1 Primary Blue - Cyan Payne’s Grey Phthalocyanine Beta PB15:3 Sodium Polysulphide-Aluminosilicate PB29 37 Carbon Black PBK7

443 HHH s gr. 2 535 HHH s gr. 1 Violet Ivory Black Dioxazine PV23 Carbon Black PBK7

447 HHH gr. 1 540 HHH t s gr. 1 Brilliant Violet Mars Black Titanium Dioxide PW6 Synthetic Iron Oxide PBK11 Dioxazine PV23

466 HHH gr. 3 006 HHH t s gr. 1 Quinacridone Violet Iridescent Silver Quinacridone PR122 Titanium Dioxide+Mica Titanium Dioxide+Mica+ Synthetic Iron Oxide 468 HHH gr. 2 016 HHH s gr. 1 Violet Reddish Iridescent White Quinacridone PR122 Titanium Dioxide+Mica Titanium Dioxide PW6 Dioxazine PV23

476 HHH gr. 1 146 HHH t s gr. 1 Mars Brown Iridescent Gold Synthetic Iron Oxide Titanium Dioxide+Mica+ PR101PBk11 Synthetic Iron Oxide

484 HHH gr. 1 201 HHH s gr. 2 Vandyke Brown Iridescent Copper Calcined Original Natural Earth PBr7 Mica+Synthetic Iron Oxide Quinacridone PV19 Carbon Black PBK7

492 HH t s gr. 1 471 HHH gr. 1 Burnt Umber Iridescent Bronze Synthetic Iron Oxide PBK11 Bioss. di tit.+Mica+Synthetic Iron Oxide Synthetic Iron Oxide PR101PBk11 Mica+Synthetic Iron Oxide Diarylide Yellow PY83 Carbon Black PBK7 “Refinement fine acrylic colours in art is often The greatest versatility in acrylic colours. a sign of The Polycolor line is intended to make the most of the weakness enormous versatility of a painting technique which and has revolutionised the way the world is painting in superficiality” the past fifty years. Polycolor contains a special ultra fine acrylic emulsion binder, a high tech product Gianni Maimeri, The diary May 17 1908. which dries to produce an extremely strong, resistant, supple, opaque film which performs very well even out of doors, exposed to natural elements. Polycolor All pigments are highly concentrated to offer excellent coverage and colour impact (100 ml of paint will cover about 3 square metres). All colours are lightfast and may be intermixed freely. The range includes seven indelible metallic colours intended for a wide range of uses in billboards and decorating. Polycolor colours are ideal for covering large surfaces, for beautiful stage sets, for interior decorating and indoor and outdoor murals.

Polycolor 12 = Fine Acrylic Colours, complete range 54 colours at a sole price

Reduced range 49 TAll colours colours marked by t All colours All colours 02 = 20 ml tube 06 = 60 ml tube 20 = 140 ml jar 34 = 500 ml jar Sales unit 6 pieces Sales unit 3 pieces Sales unit 6 pieces Sales unit 1 prices

018 HHH t 131 HHH t 304 HH t 404 HHH t Titanium White Yellow Ochre Brilliant Green Light King’s Blue Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Hansa Yellow 10G PY3 Titanium Dioxide PW6 Titanium Dioxide PW6 Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 Chlorinated Phthalocyanine PG7 Chlorinated Phthalocyanine PG7 020 HHH t 161 HHH t 305 HH t 408 HHH t Zinc White Raw Sienna Brilliant Green Deep Turquoise Blu Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Chlorinated Phthalocyanine PG7 Titanium Dioxide PW6 Zinc Oxide PW4 Synthetic Iron Oxide Hansa Yellow G PY1 Chlorinated Phthalocyanine PG7 PY42+PR101 Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 021 HHH 165 HH 321 HHH t 438 HHH t Ivory White Bordeaux Phthalo Green Lilac Titanium Dioxide PW6 Naphthol AS PR12 Chlorinated Phthalocyanine PG7 Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PV15

052 HHH t 166 HH t 323 HH t 443 HHH t Brilliant Orange Carmine Yellowish Green Violet Benzimidazolone PO36 Naphthol AS PR146 Hansa Yellow 10G PY3 Dioxazine PV23 Naphthol AS PR9 Titanium Dioxide PW6 Titanium Dioxide PW6 Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7 068 HHH t 191 HHH t 336 HHH t 447 HHH t Flesh Tint Red Ochre Chrome Oxide Green Brilliant Violet 44 Titanium Dioxide PW6 Synthetic Iron Oxide PR101 Ossido di cromo PG17 Titanium Dioxide PW6 Quinacridone PV19 Dioxazine PV23 Benzimidazolone PO36 072 HHH t 208 HHH t 356 HHH t 484 HHH t Orange Yellow Rose Pale Emerald Green Vandyke Brown Benzimidazolone PO62 Titanium Dioxide PW6 Titanium Dioxide PW6 Synthetic Iron Oxide Quinacridone PV19 Chlorinated Phthalocyanine PG7 PR101PBk11 Phthalocyanine Alpha PB15:1 Synthetic Iron Oxide PBk11 074 HH t 220 HHH t 358 HH t 492 HHH t Brilliant Yellow Brilliant Red Sap Green Burnt Umber Titanium Dioxide PW6 Naphthol AS PR9 Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PR101PBk11 Hansa Yellow G PY1 Diarylide Yellow PY83 Synthetic Iron Oxide PR101 Naphthol AS PR112 Carbon Black PBK7 083 HH 256 HHH t 366 HHH t 493 HHH t Cadmium Yellow Medium Primary Red - Magenta Sky Blue Raw Umber Cadmium Sulphide PY35 Quinacridone PR122 Titanium Dioxide PW6 Synthetic Iron Oxide PY42+PR101 Hansa Yellow G PY1 Phthalocyanine Beta PB15:3 Synthetic Iron Oxide PBk11 Diarylide Yellow PY83 Synthetic Iron Oxide PR101PBk11 100 HH t 263 HHH 378 HHH t 514 HHH t Lemon Yellow Sandal Red Phthalo Blue Payne’s Grey Hansa Yellow 10G PY3 Pyrrole-Pyrrole PR254 Titanium Dioxide PW6 Sodium Polysulphide-Aluminosilicate PB29 Phthalocyanine Alpha PB15:1 Carbon Black PBK7

104 HH t 278 HHH t 388 HHH t 530 HHH t Naples Yellow Burnt Sienna Navy Blue Black Hansa Yellow 10G PY3 Synthetic Iron Oxide PR101 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PBk11 Titanium Dioxide PW6 Synthetic Iron Oxide PY42+PR101 Carbon Black PBK7 Carbon Black PBK7 Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101 116 HH t 280 HH t 390 HHH t 541 HHH t Primary Yellow Vermilion (Hue) Ultramarine Micaceous Black Hansa Yellow G PY1 Naphthol AS PR112 Sodium Polysulphide-Aluminosilicate PB29 Micaceus Iron Oxide PBk11 Titanium Dioxide PW6 Carbon Black PBK7 Hansa Yellow 10G PY3 118 HH t 298 HHH 400 HHH t 003 HHH t Deep Yellow Verdaccio Primary Blue - Cyan Silver Diarylide Yellow PY83 Synthetic Iron Oxide PY42 Titanium Dioxide PW6 Titanium Dioxide+Mica+Graphite Titanium Dioxide PW6 Titanium Dioxide PW6 Phthalocyanine Beta PB15:3 Cromium Oxide PG17 Chlorinated Phthalocyanine PG7 017 HHH t 148 HHH t 475 HHH t 497 HHH t Platinum White Rich Gold Bronze Steel Titanium Dioxide+Mica Titanium Dioxide+Mica+ Titanium Dioxide+Mica+Synth.Iron Oxide Micaceus Iron Oxide PBk11 Synthetic Iron Oxide Carbon Black PBK7 Titanium Dioxide+Mica+Grafite Mica+Synthetic Iron Oxide 144 HHH t 200 HHH t Pale Gold Copper Titanium Dioxide+Mica+ Mica+Synthetic Iron Oxide Synthetic Iron Oxide

1298173 INTRO SET CARDBOARD BOX 13 assorted 20 ml tubes

1298058 INTRO SET - CARDBOARD BOX 8 assorted 20 ml tubes 1 Gloss Medium 75 ml bottle 1 White bristle brush

1298100 PLASTIC BLISTER 10 assorted 20 ml tubes

1298051 PRIMARY CARDBOARD BOX 6 x 20 ml tubes assorted (Primary colours - 2 White - Black) “Keep fluid acrylic colours everything Resistant, fluid and glossy, extremely easy to apply. that is not Perfect adherence on every type of material, canvas, necessary out paper, plastics, textile, wood, metal, resin. of the painting, Pleasant to use, the colours have the ideal viscosity everything for being used pure or mixed with each other. that is not felt” The brush spreads the colour softly and without difficulty, it is smooth and pliable. Gianni Maimeri, The diary October 31 1905 The brushstroke is uniform and homogenous; traces are avoided. Polyfluid Versatile and precise, the colours can be combined with the polycolor range in order to enhance and define details, particular elements are highlighted by the impressive contrast between the mat finish of Polycolor and the gloss of Polyfluid. Excellent results are also obtained when Polyfluid is used with acrylic pastes and Polycolor Gesso. Polyfluid Polyfluid 11 = Fluid Acrylic Colours, complete range 30 colours at a sole price

All colours 14 = 60 ml bottle Sales unit 6 pieces

010 HHH 325 HH 537 HHH White Hooker’s Green Carbon Black Titanium Dioxide PW6 Chlorinated Phthalocyanina PG7 Carbon Black PBk7 Phthalocyanina Beta PB15:3

050 HH 346 HHH 003 HHH Orange Deep Green Silver Naphthol AS PR112 Chlorinated Phthalocyanina PG7 Titanium Dioxide+Mica PW20 Diarylide Yellow PY83 Phthalocyanina Beta PB15:3 Synthetic Iron Oxide PBk11 068 HHH 348 HH 017 HHH Flesh Tint Viridian Platinum White Synthetic Iron Oxide PY42+ PR101 Hansa Yellow 10G PY3 Titanium Dioxide+Mica PW20 Titanium Dioxide PW6 Phthalocyanina Beta PB15:3 112 HH 409 HHH 144 HHH Permanent Yellow Lemon Green Blue Pale Gold Hansa Yellow 10G PY3 Chlorinated Phthalocyanine PG7 Titanium Dioxide+Mica PW20 Phthalocyanine Beta PB15:3c Synthetic Iron Oxide

114 HH 414 HHH 148 HHH Permanent Yellow Deep Sky Blue Rich Gold Diarylide Yellow PY83 Titanium Dioxide PW6 Titanium Dioxide+Mica PW20 Phthalocyanine Beta PB15:3 Synthetic Iron Oxide 132 HHH 418 HHH 700 Yellow Ochre Light Cyan Colourless Medium Synthetic Iron Oxide PY42 Phthalocyanina Beta PB15:3

157 HH 426 HHH Raw Sienna Ultramarine Ferrous Nitrous Beta Naphthol PG8 Phthalocyanina Alfa PB15:1 Synthetic Iron Oxide PY42+PR101 Dioxazine PV23 185 HH 443 HHH Magenta Violet Naphthol AS PR146 Dioxazine PV23

220 HH 472 HHH Brilliant Red Brown Naphthol AS PR112 Synthetic Iron Oxide PR101+PBk11

264 HH 500 HHH Ruby Grey Naphthol AS PR146 Carbon Black PBk7 Dioxazine PV23 Titanium Dioxide PW6 275 HHH 508 HHH Burnt Sienna Dust Synthetic Iron Oxide PR101+PBk11 Carbon Black PBk7 Synthetic Iron Oxide PR101

311 HH 514 HHH Light Green Payne’s Grey Hansa Yellow 10G PY3 Phthalocyanine Beta PB15:3 Chlorinated Phthalocyanina PG7 Carbon Black PBk7 “Desire is more Fine Acrylic Dense Colours beautiful A new-generation colored acrylic paste with great than elasticity, enabling you to create relief effects while the thing retaining the chosen color and its brilliance. desired.” The colors can be perfectly mixed using a spatula or Gianni Maimeri, The diary brush, keeping their smoothness intact. December 2, 1907. In the impasto stage the colors blend, creating secondary tones that are clean and bright, with no need to add water. Polycolor 3D “A man is Fine Acrylic Reflect Colours an artist when Eight exceptional new tints that capture the light he succeeds in and reflect and multiply it. externalizing The primary colors plus white, black and the three metal colors what he has most in demand, formulated with latest-generation pigments. inside.” Pearlescent pigments, products to accentuate color luminosity Gianni Maimeri, The diary to the hilt. Fragments of light incorporated into paint to give Spring 1907. even more extraordinary shadings to artwork. To experiment with light directly with the paintbrush. Polycolor 3D Polycolor Reflect Polycolor 3D 11 = Fine Acrylic Dense Colors for painting to thickness, complete range 24 colours at a sole price

All colours 20 = 140 ml jar Sales unit 6 pieces

018 HHH 131 HHH 280 HH 378 HHH Titanium White Yellow Ochre Vermilion (Hue) Phthalo Blue Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Naphthol AS PR112 Titanium Dioxide PW6 Phthalocyanine Alpha PB15:1

021 HHH 161 HHH 304 HH 390 HHH Ivory White Raw Sienna Brilliant Green Light Ultramarine Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Hansa Yellow 10 G PY3 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PY42 Synthetic Iron Oxide PY42+PR101 Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7 072 HHH 165 HH 321 HHH 400 HHH Orange Yellow Bordeaux Phthalo Green Primary Blue - Cyan Benzimidazolone PO62 Naphthol AS PR12 Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3

100 HH 166 HH 356 HHH 447 HHH Lemon Yellow Carmine Emerald Green Brilliant Violet Hansa Yellow 10 G PY3 Organic Pigment PR 4 Phthalocyanine Alpha PB15:1 Titanium Dioxide PW6 Quinacridone PR122 Titanium Dioxide PW6 Dioxazine PV23 Chlorinated Phthalocyanine PG7 116 HH 256 HHH 358 HH 492 HHH Giallo primario Primary Red - Magenta Sap Green Burnt Umber 40 Hansa Yellow G PY1 Quinacridone PR122 Ferrous Nitrous Beta Naphthol PG8 Synthetic Iron Oxide PR101PBk11

118 HH 278 HHH 366 HHH 530 HHH Deep Yellow Burnt Sienna Sky Blue Black Hansa Yellow G PY1 Synthetic Iron Oxide PR101 Titanium Dioxide PW6 Carbon Black PBk7 Organic Pigment PR 4 Phthalocyanine Beta PB15:3

Polycolor Reflect 11 = Fine Acrylic Reflect Colors, complete range 8 colours at a sole price

All colours 20 = 140 ml jar Sales unit 6 pieces

561 HHH 563 HH 565 HHH 567 HHH BiancoWhite di titanio Yellow Sequin Gold Cyan Titanium Dioxide+Mica Titanium DioxideDioxide+Mica PW6 Titanium Dioxide+Mica Titanium Dioxide+Mica Hansa Yellow 10 G PY3 Phthalocyanine Beta PB15:3 Hansa Yellow G PY1 562 HHH 564 HHH 566 HHH 568 HHH Antique Silver Rich Gold Magenta Verde Black Bianco di zinco Ocra gialla bril- Blu Reale Titanium DioxideDioxide+Mica PW6 SyntheticTitanium Dioxide+MicaIron Oxide PY42 lanteTitanium chiaro Dioxide+Mica Titanium DioxideDioxide+Mica PW6 OssidoTitanium di Dioxide+Mica+Syntheticzinco PW4 Iron Oxide Titanium Dioxide PW6 Quinacridone PV19 FtalocianinaCarbon Black beta PBK7 PB15:3 Hansa Yellow 10GPY3 Chlorinated Phthalocyanine PG7 Titanium Dioxide PW6 564 HH t 566 H t “Every time Arcylic Modelling Paste the artist works Eight pastes with extremely plastic consistency. he must work Rich, doughy, dense and painterly. towards a They can be spread on canvas and any other support masterpiece.” like three-dimensional modeling materials. Gianni Maimeri, The diary The pearly white of seashells, gold, silver and bronze December 30, 1908. in paste, coarse-grain quartz, stainless steel, bitumen as black and dense as asphalt and a super-light white paste to amplify thickness. Use pure. Polycolor Body Polycolor Body 59 = Acrylic Modelling Paste, complete range 8 products at a sole price

All colours 20 = 140 ml jar Sales unit 6 pieces

801 HHH 804 HHH 810 HHH 813 HHH Pearl White Paste Silver Paste Bitumen Paste Quartz Paste Titanium Dioxide+Mica Titanium Oxide+Mica Gilsonite NAT.Bk6 Silica Carbon Black PBK7

803 HHH 806 HHH 811 HHH 816 HHH Steel Paste Gold Paste Bronze Paste Super Light Paste Steel Powder Titanium Dioxide+Mica+ Titanium Dioxide+Mica+Synth. Iron Oxide Hollow glass micro-spheres Synthetic Iron Oxide Mica+Synthetic Iron Oxide Carbon Black PBK7

Polycolor Film 51 6332025 SATIN PICTURE VARNISH Colourless varnish applied to create a highly resistant satin film. areosol spray 400 ml

6332669 GLOSS PICTURE VARNISH Colourless varnish applied to create a highly resistant gloss film. areosol spray 400 ml

6332673 MAT PICTURE VARNISH Colourless varnish applied to creates a highly resistant matt film. areosol spray 400 ml Polycolor Gesso 58 = acrylic gesso, complete range 5 products at a sole price

All products Reduced range marked by ▼ 34 = 500 ml bottle 40 = 1000 ml bottle Sales unit 2 pieces Sales unit 1 pieces

694 696 698 Coarse Black Ivory

695 ▼ 697 White Ice White “Refinement acrylic colours in art is often Is an acrylic colour of a new generation, a sign of a new acrylic language, strong, rapid, adaptable weakness to the heart and spirit of those who use it. and New generation acrylic polymer in microemulsion with superficiality” good binding and adhesion characteristics, uv resistance, colour retention and good, Gianni Maimeri, The diary May 17 1908. resistance to external conditions. 72 vivid bright and clean colours, good adhesion to all supports paper, cardboard, wood, canvas, wall, Maimeri Acrilico glass, ceramics, textiles, all kinds of metal. Good pigment concentration can be diluted with water in any proportion mixable with all water-based media, very flexible also when applied in thick layers. Easy to work the brushstroke spreads easily and complements artistic expression even with high- viscosity colour paste. Satinated finish translucid, in between gloss and mat. High density paste (buttery consistence). ording to the chemical class of the single pigment.

Good resistance to dirt. Maimeri Acrilico Maimeri Acrilico 09 = Acrylic Colours, complete range 72 colours at a sole price

All colours All colours Reduced range ▲ Reduced range ▼ 16 = 75 ml tube 24 = 200 ml tube 34 = 500 ml l jar 40 =1000 ml l jar Sales unit 3 pieces Sales unit 3 pieces Sales unit 1 piece Sales unit 1 piece

018 ### LM 116 ## LM 248 ### 323 ## Titanium Blanc Primaire Yellow Mars Red Yellowish Green Titanium Dioxide PW6 Hansa Yellow 10 G PY3 Synthetic Iron Oxide PR101 Hansa Yellow 10 G PY3 Hansa Yellow G PY1 Chlorinated Phthalocyanine PG7

020 ### L 117 ## 251 ## LM 331 ### Zinc Blanc Golden yellow Permanent Red Light Olive Green Zinc Suphide PW7 Naphtol AS PR112 Hansa Yellow G PY1 Synthetic Iron Oxide PY42 Hansa Yellow 10 G PY1 Naphthol AS PR112 Chromium Oxide PG17

021 ### L 120 ## L 253 ## L 339 ## LM Ivory Blanc Yellow Greenish Permanent Red Deep Permanent Green Light Titanium Dioxide PW6 Hansa Yellow 10 G PY3 Naphthol AS PR146 Hansa Yellow 10 G PY3 Synthetic Iron Oxide PY42 Chlorinated Phthalocyanine PG7 Dioxazine PV23 Chlorinated Phthalocyanine PG7

060 ### L 131 ### LM 256 ### LM 340 ## L Mars Orange Yellow Ochre Primaire Red - Magenta Permanent Green Deep Synthetic Iron Oxide PY42+PR101 Synthetic Iron Oxide PY42 Quinacridone PV 19 Hansa Yellow 10 G PY3 Chlorinated Phthalocyanine PG7

062 ## 134 ### L 259 ## LM 350 ### L Permanent Orange Golden Ochre Permanente Red Medium Turquoise Green Hansa Yellow G PY1 Synthetic Iron Oxide PY42 Naphthol AS PR112 Titanium Dioxide PW6 Naphthol AS PR112 Synthetic Iron Oxide PR101 Phthalocyanine Beta PB15:3 Chlorinated Phthalocyanine PG7 102 ### 161 ### LM 266 ### 356 ## L Mars Yellow Raw Sienna Transparent Red Emerald Green Synthetic Iron Oxide PY42+PR101+PY42 Synthetic Iron Oxide PY42 Pyrrole-pyrrole PR254 Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PR101 Hansa Yellow G PY1

105 ## LM 165 ## 274 ## 358 ## LM Naples Yellow Light Bordeaux Scarlet Sap Green Titanium Dioxide PW6 Naphthol AS PR146 Monoazoic PR4 Ferrous Nitrous Beta Naphthol PG8 Hansa Yellow G PY1

106 ### L 166 ## L 278 ### LM 362 ### L Naples Yellow Reddish Carmine Burnt Sienna Sky Blue Light Titanium Dioxide PW6 Naphthol AS PR146 Synthetic Iron Oxide PR101 Titanium Dioxide PW6 Synthetic Iron Oxide PR101 Phthalocyanine Beta PB15:3

107 ### L 191 ### 280 ## L 370 ### LM Naples Yellow Deep Red Ochre Vermilion (Hue) Cobalt Blue Light (Hue) Titanium Dioxide PW6 Synthetic Iron Oxide PR101 Naphthol AS PR112 Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Naphthol AS PR146 Phthalocyanine Beta PB15:3 Sodium Polysulphide-Aluminosilicate PB29 112 ## L 210 ### 298 ### L 371 ### L Permanent Yellow Lemon Venetian Rose Verdaccio Cobalt Blue Deep (Hue) Hansa Yellow 10G PY3 Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Titanium Dioxide PW6 Synthetic Iron Oxide PR101 Chromium Oxide PG17 Phthalocyanine Alpha PB15:1 Carbon Black PBk7 Sodium Polysulphide-Aluminosilicate PB29 113 ## L 212 ### 303 ## 385 ### Permanent Yellow Medium Quinacridone Rose Brilliant Green Light Manganese Blue (Hue) Diarylide Yellow PY83 Quinacridone PR122 Hansa Yellow 10 G PY3 Chlorinated Phthalocyanine PG7 Hansa Yellow G PY1 Phthalocyanine Beta PB15:3 Phthalocyanine Beta PB15:3

114 ## LM 214 ### L 321 ### LM 388 ### L Permanent Yellow Deep Quinacridone Rose Light Phthalo Green Navy Blue Diarylide Yellow PY83 Titanium Dioxide PW6 Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3 Quinacridone PR122 Dioxazine PV23 Carbon Black PBk7 0998190 0998190 CARDBOARD BOXCARDBOARD BOX 5 x 75 ml 5 x 75 ml (primaire - blanc - (primaireblack) - blanc - black)

0998192 0998192 CARDBOARD BOXCARDBOARD BOX 5 x 200 ml 5 x 200 ml (primaire - blanc - (primaireblack) - blanc - black)

390 390HHH ▲▼HHH ▲▼ 507 507HHH HHH Ultramarine Ultramarine Warm Grey Warm Grey Sodium Polysulphide-AluminosilicateSodium Polysulphide-Aluminosilicate PB29 PB29 Titanium Dioxide PW6 Titanium Dioxide PW6 Synthetic Iron Oxide PY42+PBK11Synthetic Iron Oxide PY42+PBK11

400 400HHH ▲▼HHH ▲▼ 510 510HHH HHH Primaire Blue - CyanPrimaire Blue - Cyan Cool Grey Cool Grey Phthalocyanine Beta PB15:3Phthalocyanine Beta PB15:3 Titanium Dioxide PW6 Titanium Dioxide PW6 Sodium Polysulphide-AluminosilicateSodium Polysulphide-Aluminosilicate PB29-Synthetic Iron OxidePB29-Synthetic PBK11 Iron Oxide PBK11 402 402HHH HHH 514 514HHH HHH Prussian Blue Prussian Blue Payne’s Grey Payne’s Grey Phthalocyanine Alfa PB15:1Phthalocyanine Alfa PB15:1 Phthalocyanine Beta PB15:3Phthalocyanine Beta PB15:3 Carbon Black PBk7 Carbon Black PBk7 Carbon Black PBK7 Carbon Black PBK7

HHH HHH HHH HHH 405 405 537 537 ▲▼ ▲▼ 5843693 5843693 King’s Blue Light King’s Blue Light Carbon Black Carbon Black GESSO MAIMERI ACRILICOGESSO MAIMERI ACRILICO Titanium Dioxide PW6 Titanium Dioxide PW6 Carbon Black PBk7 Carbon Black PBk7 Phthalocyanine Beta PB15:3Phthalocyanine Beta PB15:3 500 ml jar 500 ml jar Sales unit 2 piecesSales unit 2 pieces HHH HHH 540 540HHH ▲HHH ▲ 409 409 5840693 5840693 Mars Black Mars Black Green Blue Green Blue GESSO MAIMERI ACRILICOGESSO MAIMERI ACRILICO Chlorinated PhthalocyanineChlorinated PG7 Phthalocyanine PG7 Synthetic Iron Oxide PBk11Synthetic Iron Oxide PBk11 Phthalocyanine Beta PB15:3Phthalocyanine Beta PB15:3 1000 ml jar 1000 ml jar Sales unit 1 piece Sales unit 1 piece 430 430HHH HHH 003 003HHH ▲HHH ▲ Turquoise Turquoise Silver Silver 5844693 5844693 Titanium Dioxide PW6 Titanium Dioxide PW6 Titanium Dioxide+Mica Titanium Dioxide+Mica GESSO MAIMERI ACRILICOGESSO MAIMERI ACRILICO Chlorinated PhthalocyanineChlorinated PG7 Phthalocyanine PG7 Titanium Dioxide+Mica+Titanium Dioxide+Mica+ 2500 ml jar 2500 ml jar Phthalocyanine Beta PB15:3Phthalocyanine Beta PB15:3 Synthetic Iron Oxide Synthetic Iron Oxide Sales unit 1 piece Sales unit 1 piece 440 440HHH ▲▼HHH ▲▼ 017 017HHH ▲HHH ▲ Ultramarine Violet Ultramarine Violet Platinum Blanc Platinum Blanc Titanium Dioxide PW6 Titanium Dioxide PW6 Titanium Dioxide+Mica Titanium Dioxide+Mica Dioxazine PV23 Dioxazine PV23

462 462HHH ▲HHH ▲ 137 137HHH ▲HHH ▲ Permanent Violet ReddishPermanent Light Violet Reddish Light Light Gold Light Gold Titanium Dioxide PW6 Titanium Dioxide PW6 Titanium Dioxide+Mica+Titanium Dioxide+Mica+ Dioxazine PV23 Dioxazine PV23 Synthetic Iron Oxide Synthetic Iron Oxide Quinacridone PR122 Quinacridone PR122 465 465HHH ▲HHH ▲ 151 151HHH ▲HHH ▲ Permanent Violet ReddishPermanent Violet Reddish Deep Gold Deep Gold Dioxazine PV23 Dioxazine PV23 Titanium Dioxide+Mica+Titanium Dioxide+Mica+ Synthetic Iron Oxide Synthetic Iron Oxide

476 476HHH HHH 200 200HHH ▲HHH ▲ Mars Brown Mars Brown Copper Copper Synthethic Iron Oxide PR101+PBK11Synthethic Iron Oxide PR101+PBK11 Titanium Dioxide+Mica Titanium Dioxide+Mica

492 492HHH ▲▼HHH ▲▼ 475 475HHH HHH Burnt Umber Burnt Umber Bronze Bronze Synthetic Iron Oxide PPR101Synthetic PBk11 Iron Oxide PPR101 PBk11 Mica+Synthethic Iron OxideMica+Synthethic PW20 Iron Oxide PW20 Titanium Dioxide+Mica+SynthethicTitanium Dioxide+Mica+Synthethic Iron Oxide PW20 Iron Oxide PW20 Carbon Bl.PBK7 Carbon Bl.PBK7 493 493HHH ▲▼HHH ▲▼ 562 562HHH HHH Raw Umber Raw Umber Silver antique Silver antique Synthetic Iron Oxide PY42Synthetic Iron Oxide PY42 Titanium Dioxide+Mica PW20Titanium Dioxide+Mica PW20 Synthetic Iron Oxide PR101Synthetic Iron Oxide PR101 Carbon Black PBk7 Carbon Black PBk7 Carbon Black PBk7 Carbon Black PBk7 “Drawing superior watercolours is an MaimeriBlu pans are still made by hand. invention In order to ensure that the product is not adulterated of the spirit, with additives or artificial processes which would a way of alter its genuine quality, Maimeri still performs a fixing number of stages in preparation of individual pans thought” by traditional manual methods. Thus the purity of formula and composition that is the true quality of Gianni Maimeri, The diary Maimeri, May 28 1908 these watercolours is preserved. In designing the palette of 72 colours, preference MaimeriBlu was given to the pigments offering the greatest transparency, without prejudice, attempting to achieve top colour quality and lightfastness in the simplest possible way. 52 colours are pure, consisting of a single pigment bound with authentic top quality gum-arabic from Sudan and distilled water. The clear, fresh tone of watercolour painting is the result of the exceptional clarity of the colours. Pure. Simple. Extraordinarily transparent. Like all MaimeriBlu colours. MaimeriBlu MaimeriBlu 16 = Superior Watercolours, complete range 72 colours in 4 price groups

All colours All colours 04 = 15 ml tube 08 = 1,5 ml pan Sales unit 6 pieces Sales unit 6 pieces

013 HHH gr. 1 114 HHH gr. 1 251 HHH gr. 2 324 HHH gr. 1 Chinese White Permanent Yellow Deep Permanent Red Light Cupric Green Deep Zinc Oxide PW4 Isoindoline PY139 Anthraquinone PR168 Chlorinated Phthalocyanine PG7

053 HHH gr. 2 116 HHH gr. 2 253 HHH gr. 2 325 HHH gr. 1 Avignon Orange Primary Yellow Permanent Red Deep Hooker’s Greenr Quinacridone PR206 Arylide Yellow PY97 Anthraquinone PR177 Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PY42 Isoindoline PY139 054 HHH gr. 3 125 HHH gr. 2 256 HHH gr. 1 331 HHH gr. 1 Cadmium Orange Orange Lake Primary Red - Magenta Olive Green Cadmium Sulphoselenide PO20 Anthraquinone PO43 Quinacridone PV19 Chromium Oxide PG17

081 HHH gr. 3 128 HHH gr. 3 261 HHH gr. 2 338 HHH gr. 2 Cadmium Yellow Light Golden Lake Tiziano Red Permanent Green Yellowish Cadmium Sulphide PY35 Quinacridone PO49 Quinacridone PR209 Arylide Yellow PY97 Brominated Phthalocyanine PG36

082 HHH gr. 3 131 HHH gr. 1 262 HHH gr. 1 339 HHH gr. 1 Cadmium Yellow Lemon Yellow Ochre Venetian Red Permanent Green Light 60 Cadmium Sulphide PY35 Synthetic Iron Oxide PY42 Synthetic Iron Oxide PR101 Benzimidazolone PY175 Brominated Phthalocyanine PG36

084 HHH gr. 3 161 HHH gr. 1 263 HHH gr. 2 340 HHH gr. 1 Cadmium Yellow Deep Raw Sienna Sandal Red Permanent Green Deep Cadmium Sulphide PY35 Original Natural Earth PBr7 Pyrrole-pyrrole PR254 Benzimidazolone PY175 Chlorinated Phthalocyanine PG7

098 HHH gr. 1 174 HHH gr. 2 270 HHH gr. 1 348 HHH gr. 2 Indian Yellow Crimson Lake Dragon’s Blood Viridian Isoindoline PY139 Quinacridone PR206 Calcined Original Natural Earth PBr7 Hydrated Chromíum Oxideo PG18 Synthetic Iron Oxide PY42 Pyrrole-pyrrole PR254 Quinacridone PR209

105 HHH gr. 1 181 HHH gr. 2 278 HHH gr. 1 350 HHH gr. 1 Naples Yellow Light Garnet Lake Burnt Siennaa Turquoise Green Zinc Oxide PW4 Quinacridone PV19 Calcined Original Natural Earth PBr7 Phthalocyanine PB16 Arylide Yellow PY97 Dioxazine PV23 Synthetic Iron Oxide PY42 106 HHH gr. 1 182 HHH gr. 3 296 HHH gr. 1 358 HHH gr. 1 Naples Yellow Reddish Rose Lake Green Earth Sap Green Titanium Dioxide PW6 Quinacridone PV19 Natural Earth PG23 Isoindoline PY139 Synthetic Iron Oxide Chromium Oxide PG17 Chlorinated Phthalocyanine PG7 PY42+PR101 Anthraquinone P043 109 HHH gr. 2 226 HHH gr. 3 316 HHH gr. 2 359 HHH gr. 1 Nickel Titanate Yellow Cadmium Red Light Cobalt Green Light Blu di Berlino Antimony-Nickel-Titanium Oxides PY53 Cadmium Sulphoselenide PR108 Cobalt-Titanium Oxides PG50 Phthalocyanine Alpha PB15:1

110 HHH gr. 2 232 HHH gr. 3 317 HHH gr. 4 368 HHH gr. 4 Permanent Orange Cadmium Red Deep Cobalt Green Deep Cerulean Blue Benzimidazolone PO62 Cadmium Sulphoselenide PR108 Cobalt-Titanium Oxides PG50 Cobalt Aluminium-Chromium Oxides PB36

112 HHH gr. 1 250 HHH gr. 1 322 HHH gr. 1 373 HHH gr. 4 Permanent Yellow Lemon Transparent Mars Red Cupric Green Light Cobalt Blue Light Benzimidazolone PY175 Synthetic Iron Oxide PR101 Brominated Phthalocyanine PG36 Cobalt-Aluminium Oxides PB28 374 HHH gr. 4 409 HHH gr. 1 465 HHH gr. 1 492 HHH gr. 1 Cobalt Blue Deep Green Blue Permanent Violet Reddish Burnt Umber Cobalt-Aluminium Oxides PB28 Chlorinated Phthalocyanine PG7 Quinacridone PR122 Calcined Natural Earth PBr7 Phthalocyanine Beta PB15:3 Dioxazine PV23

377 HHH gr. 2 422 HHH gr. 1 473 HHH gr. 1 493 HHH gr. 1 Faience Blue Indigo Verzino Violet Raw Umber Anthraquinone PB60 Ferric Ferrocyanide PB27 Quinacridone PR122 Natural Earth PBr7 Carbon Black PBk7

391 HHH gr. 1 440 HHH gr. 1 477 HHH gr. 1 514 HHH gr. 1 Blu oltremare chiaro Ultramarine Violet Transparent Mars Brown Payne’s Grey Sodium Polysulphide-Aluminosilicate PB29 Sodium Polysulphide-Aluminosilicate PV15 Synthetic Iron Oxide PR101 Sodium Polysulphide-Aluminosilicate PB29 Bone Black PBk9

392 HHH gr. 1 449 HHH gr. 4 484 HHH gr. 1 535 HHH gr. 1 Ultramarine Deep Cobalt Violet Vandyke Brown Ivory Black Sodium Polysulphide-Aluminosilicate PB29 Cobalt-Aluminium Oxides PB28 Calcined Original Natural Earth PBr7 Bone Black PBk9 Quinacridone PV19 Bone Black PBk9

400 HHH gr. 1 460 HHH gr. 4 486 HHH gr. 1 537 HHH gr. 1 Primary Blue - Cyan Mineral Violete Sepia Carbon Black Phthalocyanine Beta PB15:3 Manganese Ammonium Pyrophosphate Bone Black PBk9 Carbon Black PBk7 PV16 Natural Earth PBr7

402 HHH gr. 1 463 HHH gr. 1 488 HHH gr. 1 560 HHH gr. 1 Prussian Blue Permanent Violet Blueish Brown Stil de Grain Neutral Tint Ferric Ferrocyanide PB27 Dioxazine PV23 Synthetic Iron Oxide PR101 Sodium Polysulphide-Aluminosilicate PB29 Brominated Phthalocyanine PG36 Carbon Black PBk7

1698202 1698201 MOULDED METAL BOX MOULDED MET Cardboard box Cardboard box 24 assorted 1.5 ml pans 12 assorted 1.5 ml pans “The aim extrafine watercolours of art is The initiate’s portal to watercolour painting. knowledge: When we renewed our Maimeri watercolours, we but art, decided to maintain one line offering the best quality in order to price ratio in a range of colours all offered at one to be art, single price. The result is Venezia: a range of 36 must be colours which are all maximum lightfast and can all done” be intermixed together. In coming up with the new palette and choosing pigments, Maimeri removed Gianni Maimeri, The diary Maimeri, December 3 1908 all cadmium and cobalt based colours and reduced Venezia chrome content to a minimum in order to eliminate toxins and heavy metals, offering a final answer to the problem of environmental impact, both in the usage and in the production of this product. Research continues all over the world, and the relationship between paint and the environment continues to improve, on the basis of a new awareness that Maimeri has made more than a goal, but an ongoing commitment. In Venezia watercolours pigment concentrations are determined in each individual colour in order to obtain a highly harmonious palette of soft shades reminiscent of the colours of the city they are named after. extrafine watercolours Venezia 18 = Extrafine Watercolours, complete range 36 colours at a sole price

All colours All colours 04 = 15 ml tube 08 = 1,5 ml pan Sales unit 6 pieces Sales unit 6 pieces

013 HHH 251 HHH 400 HHH Chinese White Permanent Red Light Primary Blue - Cyan Zinc Oxide PW4 Anthraquinone PR168 Phthalocyanine Beta PB15:3

062 HHH 253 HHH 402 HHH Permanent Orange Permanent Red Deep Prussian Blue Benzimidazolone PO36 Anthraquinone PR177 Ferric Ferrocyanide PB27

068 HHH 256 HHH 416 HHH Flesh Tint Primary Red - Magenta Cerulean Zinc Oxide PW4 Quinacridone PV19 Zinc Oxide PW4 Synthetic Iron Oxide PY42+PR101 Phthalocyanine Alpha PB15:1

098 HHH 274 HHH 428 HHH Indian Yellow Scarlet Sky Blue Ultramarine Isoindoline PY139 Pyrrole-pyrrole PR254 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PY42

112 HHH 278 HHH 463 HHH Permanent Yellow Lemon Burnt Sienna Permanent Violet Blueish Benzimidazolone PY175 Calcined Original Natural Earth PBr7 Dioxazine PV23 *

114 HHH 296 HHH 465 HHH Permanent Yellow Deep Green Earth Permanent Violet Reddish Isoindoline PY139 Natural Earth PG23 Quinacridone PR122 Chromium Oxide PG17 Dioxazine PV23

116 HHH 321 HHH 484 HHH Primary Yellow Phthalo Green Vandyke Brown Arylide Yellow PY97 Chlorinated Phthalocyanine PG7 Calcined Original Natural Earth PBr7 Bone Black PBk9

131 HHH 323 HHH 486 HHH Yellow Ochre Yellowish Green Sepia Synthetic Iron Oxide PY42 Arylide Yellow PY97 Natural Earth PBr7 Brominated Phthalocyanine PG36 Bone Black PBk9

161 HHH 339 HHH 492 HHH Raw Sienna Permanent Green Light Burnt Umber Original Natural Earth PBr7 Benzimidazolone PY175 Calcined Natural Earth PBr7 Brominated Phthalocyanine PG36

174 HHH 340 HHH 493 HHH Crimson Lake Permanent Green Deep Raw Umber Pyrrole-pyrrole PR254 Benzimidazolone PY175 Natural Earth PBr7 Quinacridone PR206 Chlorinated Phthalocyanine PG7

182 HHH 358 HHH 514 HHH Rose Lake Sap Green Payne’s Grey Quinacridone PV19 Chlorinated Phthalocyanine PG7 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PY42 Bone Black PBk9

244 HHH 392 HHH 535 HHH English Red Ultramarine Deep Ivory Black Synthetic Iron Oxide PR101 Sodium Polysulphide-Aluminosilicate PB29 Bone Black PBk9 “There are extrafine gouache colours no great and Smooth, mat and opaque painting. minor artists: A new range of extrafine gouache colours makes the most there are of the potential of gouaches to preserve the original properties and artists, and qualities of this ancient method of applying colour. non-artists” Completely water-soluble pastes now offer total coverage in combination with brilliance in all shades. Gouache colours Gianni Maimeri, The diary 27 febbraio 1909. are perfect for use on all bases: prepared cardboard and canvases, porous surfaces and paper. Their top quality binder and high pigment concentration make Maimeri Gouache these paints perfect for air-brushing and for all types of graphics work, after appropriate dilution. The colours in the palette have been chosen with a new use in painting in mind: a complete set of bright, lively colours permitting even the most demanding painters to obtain all the shades they require. Two whites and two blacks, ten reds, eight blues, nine greens and four metallic colours: a glance at the colour chart will give you an idea of the thought that went into selection of the colour palette. All this to maintain the prestige and quality of a unique product. Not watercolours, not acrylic colours: those who paint with Maimeri gouache colours are well acquainted with the spirit of gouache painting.

Maimeri Gouache 20 = Extrafine Gouache Colours, complete range 54 colours in 2 price groups

All colours Bianco 02 = 20 ml tube 06 = 60 ml tube Sales unit 3 pieces Sales unit 3 pieces

018 HHH gr. 1 161 HH gr. 1 288 HH gr. 1 400 HHH gr. 1 Titanium White Raw Sienna Cinnabar Green Deep Primary Blue - Cyan Titanium Dioxide PW6 Synthetic Iron Oxide PY42 Hansa Yellow GPY1 Phthalocyanine Beta PB15:3 Sodium Polysulphide-Aluminosilicate PB29 Diarylide Yellow PY83 Phthalocyanine Beta PB15:3

020 HHH gr. 1 165 HH gr. 1 304 HH gr. 1 402 HHH gr. 1 Zinc White Bordeaux Brilliant Green Light Prussian Blue Zinc Oxide PW4 Naphthol AS PR146 + Hansa Yellow 10GPY3 Ferric Ferrocyanide PB27 Phthalocyanine Alpha PB15:1 Chlorinated Phthalocyanine PG7

050 HHH gr. 1 166 HH gr. 1 305 HH gr. 1 414 HHH gr. 1 Orange Carmine Brilliant Green Deep Sky Blue Benzimidazolone PO62 Naphthol AS PR146 Hansa Yellow 10GPY3 Phthalocyanine Beta PB15:3 Phthalocyanine Alpha PB15:1 Phthalocyanine Beta PB15:3

052 HH gr. 1 184 HHH gr. 1 331 HHH gr. 1 415 HHH gr. 1 Brilliant Orange Solferino Lake Olive Green Cerulean (Hue) Diarylide Yellow PY83 Dioxazine PV23 Chromium Oxide PG17 Phthalocyanine Alpha PB15:1 Naphthol AS PR112 Quinacridone PR122 Synthetic Iron Oxide PY42

068 HH gr. 1 191 HHH gr. 1 342 HH gr. 1 438 HHH gr. 1 Flesh Tint Red Ochre Pine Green Lilac 72 Titanium Dioxide PW6 Synthetic Iron Oxide PR101 Phthalocyanine Alpha PB15:1 Sodium Polysulphide-Aluminosilicate PV15 Diarylide Yellow PY83 Hansa Yellow GPY1 Titanium Dioxide PW6 Anthraquinone PO43 Sodium Polysulphide-Aluminosilicate PB29

086 HH gr. 1 223 HH gr. 1 347 HHH gr. 1 445 HHH gr. 1 Light Yellow Cadmium Red (Hue) Viridian (Hue) Blueish Violet Hansa Yellow 10GPY3 Naphthol AS PR122 Chlorinated Phthalocyanine PG7 Sodium Polysulphide-Aluminosilicate PB29 Hansa Yellow GPY1 Naphthol AS PR146 Dioxazine PV23

100 HH gr. 1 256 HHH gr. 1 356 HH gr. 1 468 HHH gr. 1 Lemon Yellow Primary Red - Magenta Emerald Green Violet Reddish Hansa Yellow 10GPY3 Quinacridone PR122 Chlorinated Phthalocyanine PG7 Dioxazine PV23 Hansa Yellow 10GPY3 Quinacridone PR122

104 HH gr. 1 274 HH gr. 1 358 HH gr. 1 484 HHH gr. 1 Naples Yellowi Scarlet Sap Green Vandyke Brown Titanium Dioxide PW6 Naphthol AS PR112 Ferrous Nitrous Beta Naphthol PG8 Synthetic Iron Oxide PR101PBK11 Hansa Yellow 10GPY3 Synthetic Iron Oxide PY42 Synthetic Iron Oxide PY42 Carbon Black PBK7 116 HH gr. 1 278 HHH gr. 1 375 HHH gr. 1 486 HHH gr. 1 Primary Yellow Burnt Sienna Cobalt Blue (Hue) Sepia Hansa Yellow GPY1 Synthetic Iron Oxide PR101PBk11 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PY42+PR101 Hansa Yellow 10GPY3 Synthetic Iron Oxide PR101 Phthalocyanine Beta PB15:3 Carbon Black PBK7 Synthetic Iron Oxide PR101 118 HH gr. 1 284 HH gr. 1 391 HHH gr. 1 492 HHH gr. 1 Deep Yellow Vermilion Light (Hue) Ultramarine Light Burnt Umber Diarylide Yellow PY83 Hansa Yellow GPY1 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PR101PBk11 Benzimidazolone PO62 Naphthol AS PR112 Carbon Black PBK7

131 HHH gr. 1 285 HH gr. 1 392 HHH gr. 1 493 HHH gr. 1 Yellow Ochre Vermilion Deep (Hue) Ultramarine Deep Raw Umber Synthetic Iron Oxide PY42 Naphthol AS PR112 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PY42 Hansa Yellow G PY1 Synthetic Iron Oxide PR101PBk11 Carbon Black PBK7 135 HHH gr. 1 286 HH gr. 1 398 HHH gr. 1 514 HHH gr. 1 Deep Ochre Cinnabar Green Light Paris Blue Payne’s Grey Synthetic Iron Oxide PY42 Hansa Yellow GPY1 Sodium Polysulphide-Aluminosilicate PB29 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PR101PBk11 Chlorinated Phthalocyanine PG7 Ferric Ferrocyanide PB27 Carbon Black PBK7 Synthetic Iron Oxide PR101 525 HHH gr. 1 003 HHH gr. 2 151 HHH gr. 2 Black Lake Silver Deep Gold Bone Black PBk9 Titanium Dioxide+Mica+Graphite Titanium Dioxide+Mica+Synthetic Iron Oxide Aniline Black PBk1

530 HHH gr. 1 137 HHH gr. 2 200 HHH gr. 2 Black Light Gold Copper Bone Black PBk9 Titanium Dioxide+Mica+Synthetic Iron Oxide Mica+Synthetic Iron Oxide Aniline Black PBk1

2098058 INTRO SET CARDBOARD BOX 8 assorted 20 ml tubes 1 Pencil and Charcoal Fixative 75 ml bottle 1 White bristle brush

2098335 2098330 PLASTIC BOX CARDBOARD BOX Plastic dividers 6 assorted 20 ml tube 12 assorted 20 ml tube (primary – 2 white – black) “The sketch Metallic powder colours is a study, A discrete, toned-down glimmer of gold is often an attempt” what gives an ornament its secret fascination. Water- Gianni Maimeri, The diary soluble metallic powder colours, used individually June 1910. or mixed with gouaches or watercolours to obtain an infinite variety of hues, are also recommended for small-scale restoration work and for touching up frames and gilding. Metallic powder is kept dry and diluted only at the time of use to prevent oxidation and preserve its full brightness and splendour. Gold Powder Simply dip a damp brush into the powder jar to obtain a colour which is easily applied to the surface to produce a perfectly smooth, covering coat.

All colours 14 = 60 ml bottle 23 = Metallic powder colours, complete Sales unit 6 pieces range 6 colours at a sole price

003 H 148 H Silver Rich Gold Aluminium powder pMeTAL1 Bronze powder pMeTAL2

140 H 152 H Ducat Gold Sequin Gold Bronze powder pMeTAL2 Bronze powder pMeTAL2

144 H 200 H Pale Gold Copper Bronze powder pMeTAL2 Bronze powder pMeTAL2 metallic powder colours “ When you fine gouache colours draw houses, Very few people know how much Maimeri owes remember students the world over. that people Comparing notes with the young, with people who are live in them” just learning about art, is a demanding and difficult Gianni Maimeri, The diary task, but the payback in terms of imagination and January 21 1912. innovation has well exceeded our expectations. A range of gouache colours dedicated to them must meet a number of basic requirements. Tempera fine gouache colours are just the thing: simple, Tempera Fine convenient, versatile; not too many colours, but well positioned over the colour spectrum to permit easy creation of all combinations. The paints can be diluted to any degree, used pure or thinned like watercolours. They are fully compatible and can be freely intermixed with one another and with other waterbased colours. They are sold in small packages with an excellent price to quality ratio, without any misleading manufacturer claims of “hype”. Very few people know how happy we are at Maimeri to see our colours in the hands of children and students. Tempera Fine Tempera Fine 25 = Fine Gouache Colours, complete range 27 colours at a sole price

All colours Bianco 02 = 20 ml tube 06 = 60 ml tube Sales unit 6 pieces Sales unit 3 pieces

010 HHH 304 HH 003 HHH White Brilliant Green Light Silver Titanium Dioxide PW6 Hansa Yellow 10GPY3 Titanium Dioxide+Mica Sodium Polysulphide-Aluminosilicate PB29 Hansa Yellow GPY1 Titanium Dioxide+Mica+Synthetic Iron Chlorinated Phthalocyanine PG7 Oxide 072 HH 305 HH 137 HHH Orange Yellow Brilliant Green Deep Light Goldo Diarylide Yellow PY83 Hansa Yellow 10GPY3 Titanium Dioxide+Mica+Synthetic Iron Naphthol AS PR112 Phthalocyanine Beta PB15:3 Oxide

100 HH 347 HHH 151 HHH Giallo limone Viridian (Hue) Deep Gold Hansa Yellow 10GPY3 Chlorinated Phthalocyanine PG7 Titanium Dioxide+Mica+Synthetic Iron Oxide

116 HH 356 HH Primary Yellow Emerald Green Hansa Yellow GPY1 Titanium Dioxide PW6 Hansa Yellow 10GPY3 Chlorinated Phthalocyanine PG7 Hansa Yellow 10GPY3 118 HH 358 HH Deep Yellow Sap Green 78 Diarylide Yellow PY83 Ferrous Nitrous Beta Naphthol PG8

131 HHH 375 HHH Yellow Ochre Cobalt Blue (Hue) Synthetic Iron Oxide PY42 Phthalocyanine Alpha PB15:1 Titanium Dioxide PW6

161 HH 390 HHH Raw Sienna Ultramarine Synthetic Iron Oxide PY42 Sodium Polysulphide-Aluminosilicate PB29 Synthetic Iron Oxide PR101 Ferrous Nitrous Beta Naphthol PG8 166 HH 400 HHH Carmine Primary Blue - Cyan Naphthol AS PR146 Phthalocyanine Beta PB15:3 Naphthol AS PR9

256 HH 402 HH Primary Red - Magenta Prussian Blue Naphthol AS PR146 Phthalocyanine Beta PB15:3 Dioxazine PV23 Carbon Black PBK7 274 HH 443 HHH Scarlet Violet Naphthol AS PR112 Dioxazine PV23

278 HHH 492 HHH Burnt Sienna Burnt Umber Synthetic Iron Oxide PR101 Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PR101PBk11 Synthetic Iron Oxide PY42 Carbon Black PBK7 284 HH 530 HHH Vermilion Light (Hue) Black Naphthol AS PR112 Carbon Black PBK7 Hansa Yellow GPY1 “Drawing is varnish colours the product Pure, authentic, lightfast pigments mixed with of thought, mastic resin and refined hydrocarbon solvents are of poetry, the ingredients that go into this line of colours that of the spirit” has proven popular with restoration and conservation Gianni Maimeri, The diary workers the world over. Restoration is a severe test, December 16 1912 pitting half a century of Maimeri quality against the great masterworks of western art. This line makes use of a number of earths, which Maimeri still obtains from the best sources: authentic Sienna Earth, Restauro often replaced by imitations using artificial oxides in today’s colours, various shades of Green Earths, authentic Umber Earths and Cassel Earths. Ocres, natural iron oxides, are still obtained by grinding the mineral; Maimeri does not use artificial precipitates prepared by industrial processes. Only the Lakes have been replaced by new products of organic synthesis, which maintain the same tone as the traditional pigment but with better lightfastness. Naples Yellow is lead antimoniate, as required by medieval recipes, and of course the mastic resin used is from the Island of Chios, whose name has always been linked with the best-known varnish resin.

Restauro 33 = Varnish Colours, complete range 33 colours in 4 price groups

All colours 02 = 20 ml tube Sales unit 6 pieces

018 HHH gr. 1 178 HH gr. 2 390 HHH gr. 2 Titanium White Permanent Madder Deep Ultramarine Titanium Dioxide PW6 Anthraquinone PR83 Sodium Polysulphide-Aluminosilicate PB29 Zinc White PW4 Sodium Polysulphide-Aluminosilicate PV15

020 HHH gr. 1 224 HHH gr. 4 416 HHH gr. 4 White di zinco Cadmium Red Orange Cerulean Zinc White PW4 Cadmium Sulphoselenide PR108 Cobalt Aluminium-Chromium Oxides PB36

081 HHH gr. 3 228 HHH gr. 4 474 HH gr. 2 Cadmium Yellow Light Cadmium Red Medium Brown Madder (Alizarin) Cadmium Sulphide PY35 Cadmium Sulphoselenide PR108 Hydrated Chromíum Oxide PG18 Diarylide Yellow PY83 Anthraquinone PR83 082 HHH gr. 3 242 HHH gr. 1 482 HHH gr. 1 Cadmium Yellow Lemon Indian Red Transparent Brown Cadmium Sulphide PY35 Synthetic Iron Oxide PR101 Natural Earth PG23 Original Natural Earth PBr7 Original Calcined Natural Earth PBr7 083 HHH gr. 3 276 HHH gr. 1 484 HHH gr. 1 Cadmium Yellow Medium Pozzuoli Earth Vandyke Brown 88 Cadmium Sulphide PY35 Synthetic Iron Oxide PR101 Original Calcined Natural Earth PBr7 Cadmium Sulphide PY35 Natural Earth PBr7 Bone Black PBk9

084 HHH gr. 3 278 HHH gr. 1 490 HHH gr. 1 Cadmium Yellow Deep Burnt Sienna Cassel Earth Cadmium Sulphide PY35 Calcined Original Natural Earth PBr7 Natural Earth PBr7

104 HHH gr. 2 290 HH gr. 2 492 HHH gr. 1 Naples Yellow Green Lake Burnt Umber Zinc White PW4 Chlorinated Phthalocyanine PG7 Calcined Natural Earth PBr7 Arylide Yellow PY97 Benzidine Yellow PY17 Synthetic Iron Oxide PY42 Diarylide Yellow PY83 131 HHH gr. 1 296 HHH gr. 1 493 HHH gr. 1 Yellow Ochre Green Earth Raw Umber Natural Iron Oxide PY43 Natural Earth PG23 Natural Earth PBr7

133 HHH gr. 1 297 HHH gr. 1 535 HHH gr. 1 Yellow Ochre Pale Antique Green Earth Ivory Black Natural Iron Oxide PY43 Natural Earth PG23 Bone Black PBk9 Zinc White PW4 Original Natural Earth PBr7

134 HHH gr. 1 336 HHH gr. 2 Golden Ochre Chrome Oxide Green Natural Iron Oxide PY43 Chromium Oxide PG17 Natural Iron Oxide PY43

161 HHH gr. 1 348 HHH gr. 2 Raw Sienna Viridian Original Natural Earth PBr7 Hydrated Chromíum Oxide PG18

167 HH gr. 2 372 HHH gr. 4 Permanent Carmine Cobalt Blue Anthraquinone PR83 Cobalt-Aluminium Oxides PB28 “ Colour ketonic resin colours is matter, Ketonic resin colours for restoration are the outcome sense, of a study intended to complete the range of colours reality” for retouching which Maimeri offers for conservation Gianni Maimeri, The diary and restoration work of all kinds the world over. December 16 1912. The new range of colours, produced by binding lightfast tested pigments with ketonic resin and selected hydrocarbon solvents only, now offers the greatest reversibility and resistance to yellowing. Ketonic resin colours are offered alongside the Restauro traditional line of mastic resin based colours for restoration in response to the most recent demands of scientific research into the conservation of works of art. While the proven line of mastic resin colours is ideal for touching up works which have been varnished or finished with traditional natural resins, this new line is better suited for use with modern synthetic varnishes, now used in restoration and conservation even of older paintings, adding the value of unbeatable lightfastness in the binder. The two lines may be mixed together and thinned using the same thinners. ketonic resin colours Restauro con resina chetonica 34 = Ketonic Resin Colours, complete range 20 colours in 3 price groups

All colours 12 = 40 ml tube Sales unit 3 pieces

018 HHH gr. 1 161 HHH gr. 1 278 HHH gr. 1 400 HHH gr. 1 Titanium White Raw Sienna Burnt Sienna Primary - Cyan Titanium Dioxide PW6 Original Natural Earth PBr7 Calcined Original Natural Earth PBr7 Phthalocyanine Beta PB15:3 Zinc White PW4

054 HHH gr. 2 167 HHH gr. 2 336 HHH gr. 1 492 HHH gr. 1 Cadmium Orange Alizarine Carmine Chrome Oxide Green Burnt Umber Cadmium Sulphoselenide PO20 Quinacridone PR122 Chromium Oxide PG17 Calcined Natural Earth PBr7 Quinacridone PR206

082 HHH gr. 2 228 HHH gr. 2 347 HHH gr. 1 493 HHH gr. 1 Cadmium Yellow Light Cadmium Red Medium Emerald Green (Hue) Raw Umber Cadmium Sulphide PY35 Cadmium Sulphoselenide PR108 Chlorinated Phthalocyanine PG7 Natural Earth PBr7

116 HHH gr. 1 242 HHH gr. 1 372 HHH gr. 3 514 HHH gr. 1 Primary Yellow Indian Red Cobalt Blue Payne Grey Arylide Yellow PY97 Synthetic Iron Oxide PR101 Cobalt-Aluminium Oxides PB28 Sodium Polysulphide-Aluminosilicate PB29 Bone Black PBk9

131 HHH gr. 1 256 HHH gr. 1 390 HHH gr. 1 535 HHH gr. 1 Yellow Ochre Primary Red - Magenta Ultramarine Ivory Black Natural Iron Oxide PY43 Quinacridone PV19 Sodium Polysulphide-Aluminosilicate PB29 Bone Black PBk9 89

3399495 MAHOGANY CHEST 30 x 40 cm interior Wooden dividers Palette 32 Assorted 20 ml tubes 34 Assorted MaimeriBlu Superior Watercolours 1.5 ml pans 1 Fixative Varnish 250 ml bottle 1 Mastic Varnish 250 ml bottle 1 Turpentine Essence 250 ml bottle 1 Petroleum Essence 250 ml bottle 4 Ceramic bowls 1 Ceramic palette 1 Brush washer 12 Kolinsky sable brushes 3 Painting knives 3 Palette knives “ The great pure artists’ pigments question in When we demand something more, something painting is different from a painting technique, we have to go how to back to the pigments. As always, pure finely-ground combine pigment is the starting point for every special paste, drawing with for every new undertaking and for every new colour, colour” in art, decoration and restoration. For artists wishing to work with such rare ancient techniques as fresco, Gianni Maimeri, The diary December 16 1912 egg tempera or encaustic painting, or give free rein to the wildest experiments, a genuine, dependable Pigments pigment provides a dependable point of departure. This is why Maimeri offers not only ready-made colours but pure pigments packaged and sold in powder form, quality tested and guaranteed with the Maimeri name, in recognition of the fact that painting is a never-ending work in progress. This range of pigments is designed to meet all artists’ needs: from the ancient harmonious palette to the most vivacious tones of contemporary art. All colours are sold in precious glass jars like those once used in apothecaries or in the paint workshops where powders like these used to be kept.

Pigmenti 35 = Pure Artist’s Pigments, complete range 60 colours in 6 price groups Every color has different a specific weight, the weight is expressed in grams on the label in relation to the capacity of the jar.

All colours 17 = 100 ml ampoule Sales unit 3 pieces

018 HHH lllll gr. 1 111 HH lllll gr. 1 226 HHH lllll gr. 4 348 HHH lllll gr. 5 Titanium White Permanent Yellow Light Cadmium Red Light Viridian Titanium Dioxide PW6 Hansa Yellow G PY1 Cadmium Sulphoselenide PR108 Hydrated Chromíum Oxide PG18

020 HHH lll gr. 2 112 HH lllll gr. 1 228 HHH lllll gr. 4 368 HHH lllll gr. 5 Bianco di zinco Permanent Yellow Lemon Cadmium Red Medium Cerulean Blue Zinc White PW4 Hansa Yellow 10 G PY3 Cadmium Sulphoselenide PR108 Cobalt Aluminium-Chromium Oxides PB36

054 HHH llll gr. 3 114 HH lllll gr. 2 230 HHH lllll gr. 4 373 HHH lllll gr. 5 Cadmium Orange Permanent Yellow Deep Cadmium Red Purple Cobalt Blue Light Cadmium Sulphoselenide PO20 Diarylide Yellow PY83 Cadmium Sulphoselenide PR108 Cobalt-Aluminium PB28

060 HHH lllll gr. 1 130 HHH lllll gr. 1 232 HHH lllll gr. 4 374 HHH lllll gr. 5 Mars Orange Italian Ochre Cadmium Red Deep Cobalt Blue Deep Synthetic Iron Oxide PR101 Natural Iron Oxide PY43 Cadmium Sulphoselenide PR108 Cobalt-Aluminium PB28

062 HHH lllll gr. 6 131 HHH lllll gr. 1 244 HHH lllll gr. 1 378 HHH lllll gr. 2 Permanent Orange Yellow Ochre English Red Phthalo Blue 92 Anthraquinone PO43 Natural Iron Oxide PY43 Synthetic Iron Oxide PR101 Phthalocyanine Alpha PB15:1

081 HHH llll gr. 3 132 HHH lllll gr. 1 248 HHH lllll gr. 2 391 HHH lllll gr. 1 Cadmium Yellow Light Yellow Ochre Light Mars Red Ultramarine Light Cadmium Sulphide PY35 Natural Iron Oxide PY43 Synthetic Iron Oxide PR101 Sodium Polysulphide-Aluminosilicate PB29

082 HHH llll gr. 3 134 HHH lllll gr. 1 252 HH lllll gr. 3 392 HHH lllll gr. 1 Cadmium Yellow Lemon Golden Ochre Permanent Red Ultramarine Deep Cadmium Sulphide PY35 Natural Iron Oxide PY43 Naphthol AS PR9 Sodium Polysulphide-Aluminosilicate PB29

083 HHH llll gr. 3 162 HHH lllll gr. 1 278 HHH lllll gr. 1 402 HHH l gr. 1 Cadmium Yellow Medium Raw Sienna Light Burnt Sienna Prussian Blue Cadmium Sulphide PY35 Original Natural Earth PBr7 Calcined Original Natural Earth PBr7 Ferric Ferrocyanide PB27

084 HHH llll gr. 3 167 HH l gr. 3 296 HHH lllll gr. 1 428 HHH lllll gr. 1 Cadmium Yellow Deep Permanent Carmine Green Earth Sky Blue Ultramarine Cadmium Sulphide PY35 Anthraquinone PR83 Natural Earth PG23 Sodium Polysulphide-Aluminosilicate PB29

102 HHH lllll gr. 1 186 HHH lllll gr. 4 321 HHH lllll gr. 2 431 HHH lllll gr. 5 Mars Yellow Magenta Quinacridone Phthalo Green Phthalocyanine Turquoise Synthetic Iron Oxide PY42 Quinacridone PR122 Chlorinated Phthalocyanine PG7 Phthalocyanine Beta PB15:3

104 HHH lllll gr. 4 193 HHH lll gr. 3 335 HHH lllll gr. 5 440 HHH lllll gr. 2 Naples Yellow Ultramarine Rose Light Green Oxide Ultramarine Violet Antimony-Nickel-Titanium Oxides PY53 Sodium Polysulphide-Aluminosilicate PV15 Cobalt-Titanium Oxides PG50 Sodium Polysulphide-Aluminosilicate PV15

109 HHH lllll gr. 3 212 HHH lllll gr. 4 336 HHH lllll gr. 3 451 HHH l gr. 6 Nickel Titanate Yellowo Quinacridone Rose Chrome Oxide Green Cobalt Violet Pale Antimony-Nickel-Titanium Oxides PY53 Quinacridone PV19 Chromium Oxide PG17 Cobalt Ammonium Phosphate PV14 452 HHH lllll gr. 6 Lime resistance Cobalt Violet Deep lllll Hight Cobalt Phosphate PV14 lllll Hight -Medium lllll Medium 459 HHH lllll gr. 2 lllll Medium - Low Mars Violet lllll Scarce Synthetic Iron Oxide PR101

460 HHH l gr. 3 Mineral Violet Manganese Ammonium Pyrophosphate PV16

464 HHH lllll gr. 4 Permanent Violet Dioxazine PV23

476 HHH lllll gr. 2 Mars Brown Synthetic Iron Oxide PR101PBk11

485 HHH lllll gr. 1 Caput Mortuum Synthetic Iron Oxide PR101

490 HHH lllll gr. 1 Cassel Earth Natural Earth PBr7

492 HHH lllll gr. 1 Burnt Umber Calcined Natural Earth PBr7

493 HHH lllll gr. 1 Raw Umber Natural Earth PBr7

535 HHH lllll gr. 1 Ivory Black Bone Black PBk9

537 HHH lllll gr. 1 Carbon Black Carbon Black PBk7

540 HHH lllll gr. 2 Mars Black Synthetic Iron Oxide PBk11 “ Painting charcoals and gum eraser must taint Charcoals, the ideal instrument for tracing compact, the painter’s smooth black lines, are now produced from particular entire life. kinds of wood burned in a vacuum to ensure that they Gianni Maimeri, The diary are completely charred. January 23 1917. Traditionally charcoals were manufactured exclusively from the wood of the spindle-tree, but now willow wood is preferred, as it offers the same quality and is more widely available. Lines drawn with charcoal are strong and full of Charcoals character, and enclose the full content of many works. Gianni Maimeri himself demonstrated the power and emotional content of the line obtainable with the product in his collection I Musicisti. (The Musicians)

6255000 6263100 GUM ERASERS SCENOGRAPHY CHARCOALS pack 20 each, variable diameters size 25 gr. lenght 13 cm approximately

WILLOW CHARCOALS N°1 WILLOW CHARCOALS N°2 diameters 5 mm diameters 10 mm lenght 14 cm lenght 14 cm

6261005 contains 5 each 6262005 contains 5 each 6261010 contains 10 each 6262010 contains 10 each 6261025 contains 25 each 6262025 contains 25 each 6261050 contains 50 each 6262050 contains 50 each

Auxiliary products for oil painting code description composition features and use notes sizes

600 ODOURLESS THINNER Refined petroleum Almost completely odourless and colourless fluid. 75 ml = 16 For oil painting distillate, aromatic-free It has a moderate solvent power. 250 ml = 26 Flammable Suitable for indoor use or for people 500 ml = 34 Harmful sensitive to the odour of normal solvents. 1000 ml = 40 XN

604 PETROLEUM ESSENCE Refined petroleum distillate Light thinner, fast evaporation. 75 ml = 16 For oil painting Good solvent power. 250 ml = 26 Highly flammable Ideal for cleaning brushes. 500 ml = 34 F Harmful 1000 ml = 40 XN Dangerous for the environment

606 ESSENZA DI TREMENTINA RETTIFICATA Essential oil extracted Vegetable solvent of antique origins. Medium-slow evaporation. 75 ml = 16 For oil painting from conifer buds Sensitive to light and air, when mixed with colours it tends 250 ml = 26 Flammable to give a mat effect. 500 ml = 34 Harmful Suitable also for cleaning brushes. 1000 ml = 40 XN Dangerous for the environment

616 OIL PAINTING PRIMER Thixotropic alkyd resin Oil based primer, with little absorbency. 500 ml = 34 For oil painting White spirit It does not need thinning. More coats are to be applied Flammable Excipients 24 hours apart, for a smoother surface. Ideal base for oil colours, but suitable Titanium dioxide for other mediums as well.

626 DRYING MEDIUM Linseed oil Medium to reduce the drying time of oil colours, decreasing their 75 ml = 16 For oil painting Petroleum essence consistency. 250 ml = 26 Flammable White spirit Use sparingly, checking the drying time reduction. 500 ml = 34 Harmful Drying agents 1000 ml = 40 XN * Dangerous for the environment 628 DRYING GEL MEDIUM Thixotropic alkyd resin Gel to reduce the drying time of oil colours, leaving their viscosity 75 ml = 16 For oil painting White spirit unchanged. 250 ml = 26 Flammable Drying agents Use sparingly, checking the drying time reduction. 500 ml = 34 Dangerous for the environment Shake the bottle well before using. 1000 ml = 40

632 IMPASTO MEDIUM Safflower oil Pigment-free oil colour: its consistency and body make it suitable for painting 60 ml = 06 For oil painting Drying agents heavy coats. Mixed with colours very rich in pigments, it reduces costs Fillers without altering their consistency. It dries quickly and does not yellow.

645 OILYN Tixotropic Acrylic resin (15%). This is a semi-shiny amber-colored medium that improves fluidity and 75 ml = 16 For oil painting White spirit transparency and softens brushstrokes. It is easy to mix, using brush or 250 ml = 26 Highly flammable Thickeners palette-knife and can be used instead of oil. When coating or overlapping 500 ml = 34 F Dangerous for the environment colors nothing else is needed to increase the flexibility of subsequent layers: 1000 ml = 40 just increase the amount of Oilyn, gradually adding it as work proceeds.

646 OILY THINNER White spirit Medium to reduce the oil colours consistency, without loosing their 75 ml = 16 For oil painting Linseed oil richness, as solvents do. 250 ml = 26 Flammable It tends to yellow. 500 ml = 34 Harmful 1000 ml = 40 XN

648 SAFFLOWER OIL Safflower seed extract (saffranon) Drying oil recently introduced, with similar features 75 ml = 16 For oil painting to poppy seed oil. It does not yellow and dries quickly. 250 ml = 26 It helps to soften and make more fluid oil colours. 500 ml = 34 Particularly suitable for white and light colours.

650 LINSEED OIL Refined linen seed extract Drying oil, it has the tendency to yellow. 75 ml = 16 For oil painting Good drying quality. Used as medium, increases the brightness and 250 ml = 26 glossiness of the colour, spreads the brush stroke, so reducing its marks. 500 ml = 34 1000 ml = 40 5000 ml = 48

Auxiliary products for oil painting code description composition features and use notes sizes

652 STAND LINSEED OIL Refined linseed oil, High viscosity oil, with tendency to yellow. It imparts a very glossy 75 ml = 16 For oil painting polymerised through heating texture and spreads the brush stroke. It is advisable to wait about 1 250 ml = 26 month before varnishing the painting with a finish product.

654 WALNUT OIL Refined walnut kernel extract. Similar properties to linseed oil, but it does not yellow. 75 ml = 16 For oil painting Good drying power, increases the brightness of colours. 250 ml = 26 500 ml = 34

656 POPPY OIL Refined poppy seed extract Valuable oil of extreme purity and lightfastness. 75 ml = 16 For oil painting It does not yellow and dries slowly. Similar to safflower oil, it is particularly 250 ml = 26 suited for white and very light colours. 500 ml = 34

660 WHITE SPIRIT Refined petroleum distillate Thinner with good solvent power for oil colours and varnishes. 75 ml = 16 For oil painting Aromatic content lower than 20% Very slow evaporation. Suitable also for cleaning brushes and palettes. 250 ml = 26 Flammable Harmful XN Dangerous for the environment

664 DAMMAR VARNISH Dammar resin (40%) Traditional final natural varnish. 75 ml = 16 For oil painting Turpentine essence It tends to yellow. Its normal amber colour and any sediment do not 250 ml = 26 Flammable Alcohols compromise the final result. 500 ml = 34 Harmful It imparts greater brightness and shine to colours. 1000 ml = 40 XN Dangerous for the environment 5000 ml = 48

666 PAINTING VARNISH Ketonic and acrylic resin (25%) Fatty varnish that, mixed with oil colours, prevents uneven drying, and 75 ml = 16 For oil painting White spirit produces bright tones. Increases the adhesion to the surface and the * Flammable Poppy seed oil flexibility of colours. Use sparingly. Harmful XN Dangerous for the environment

670 GLOSS PICTURE VARNISH Ketonic and acrylic resin (45%) Glossy, non yellowing varnish.Wait till the painting is fully dry before 75 ml = 16 For oil painting White spirit varnishing. 250 ml = 26 Highly flammable UV filter Particularly protective thanks to its UV filter. Reversible product. 500 ml = 34 F Harmful 1000 ml = 40 XN Dangerous for the environment

674 MAT PICTURE VARNISH Acrylic resin (30%) Iridescent solution that produces a mat, very resistant film. Shake well before 75 ml = 16 For oil painting White spirit using.Do not apply on very absorbent surfaces, if not previously treated with 250 ml = 26 Flammable Silica insulating varnish. 500 ml = 34 Harmful It can be mixed with Gloss picture varmish to obtain different degrees of glossy XN Dangerous for the environment or mat effects. Reversible product.

682 MASTIC VARNISH Natural mastic resin from Chios (31%) Very valuable natural varnish of antique tradition. It is very flexible and 75 ml = 16 For oil painting Turpentine essence elastic, giving to the painting a particular brightness. 250 ml = 26 Flammable It tends to yellow in time. Reversible product. 500 ml = 34 Harmful XN Dangerous for the environment

684 PICTURE VARNISH Acrylic and ketonic resin (35%) Final varnish combining the flexibility and hardness qualities of its 75 ml = 16 For oil painting White spirit components. 250 ml = 26 Flammable It can also be used for other mediums. Harmful XN Dangerous for the environment

686 RETOUCHING VARNISH Ketonic resin (25%) Light final varnish. Suitable to remove mat areas formed on unfinished areas, 75 ml = 16 For oil painting White spirit while painting.Medium drying time. 250 ml = 26 Highly flammable Petroleum essence It is also used as final varnish, when little gloss is required. 500 ml = 34 F Harmful XN Dangerous for the environment Auxiliary products for water-based painting code description composition features and use notes sizes

608 OX GALL Clarified and refined ox gall Unpleasantly scented fluid with tensioactive properties that improve the 75 ml = 16 For watercolour adhesion on paper and power of watercolours and gouaches. It prevents 250 ml = 26 and gouache colour changes and blotches.

614 GESSO Acrylic resin in water emulsion Ideal primer for acrylic colours. It can also be used for any other type of paint. 500 ml = 34 Acrylic colours primer Titanium dioxide It dries in about 30 minutes. It is, however, better to wait 24 hr before 5000 ml = 48 Fillers painting over. Stabilisers Basically, it insulates the painting from the surface, so ensuring its better adhesion and durability. Adheres to all surfaces.

615 BLACK GESSO Acrylic resin in water emulsion Ideal primer for acrylics, it provides the same coverage as White gesso. 500 ml = 34 Acrylic colours primer Carbon black It dries in 30 minutes. It can be used with any other type of paint. 5000 ml = 48 Fillers Adheres to all surfaces. Stabilisers

617 FINE GESSO Acrylic resin in a water emulsion Ideal primer for acrylic based colours.Adheres to all surfaces.Mat finish 500 ml = 34 Acrylic primer Titanium dioxide improves colour adhesion. 1000 ml = 40 Fillers Dries in 30 minutes.May be used with all types of painting techniques. Stabilisers

620 WATERCOLOUR MEDIUM Gum arabic Opalescent solution that increases watercolour transparency and colour 75 ml = 16 For watercolour painting Glycerine brightness. It improves the adhesion to the surface and spreads the brush Water stroke. 622 GLOSS MEDIUM Acrylic resin in water emulsion Milky fluid that increases the brightness of acrylic colours, improving 75 ml = 16 * For acrylic painting Stabilisers their film resistance. It may also be used as finish, applying it only when 250 ml = 26 the paining is absolutely dry.

627 MAT GEL MEDIUM Acrylic resin in water emulsion Colourless acrylic base, added to the colour increases its colouring 250 ml = 26 For acrylic painting Silica power and brightness, letting unchanged its viscosity. Thickeners and stabilisers Useful in thick painting techniques. Once dry, it is irreversible.

629 DENSE GEL MEDIUM (GLOSS) Acrylic resin in water emulsion Colourless acrylic medium, useful for thick painting techniques. 250 ml = 26 For acrylic painting Thickeners and stabilisers It increases slightly the brightness of the colour and the drying time, leaving their viscosity unchanged. Particularly recommended for diluting colours for glazing.

630 GEL MEDIUM (GLOSS) Acrylic resin in water emulsion Colore acrilico non pigmentato. Conveniente per tecniche a spessore. 250 ml = 26 For acrylic painting Thickeners and stabilisers Aumenta moderatamente la brillantezza dei colori mantenendone inalterata la viscosità e prolungando leggermente i tempi di essiccazione. Particolarmente indicato per la diluizione dei colori nella tecnica delle velature.

631 DENSE GEL MEDIUM (MAT) Acrylic resin in water emulsion Colourless acrylic glazing with high viscosity. 250 ml = 26 For acrylic painting Silica Added to colours it improves their viscosity and gives a smooth, velvety Thickeners and stabilisers texture. Useful for thick painting. It makes possible to obtain strong glossy/mat contrasts.

636 MAT MEDIUM Acrylic resin in water emulsion Milky fluid that reduces the shine of acrylic colours. 75 ml = 16 For acrylic painting Silica It can be used also as mat finish. 250 ml = 26 Mixed with Gloss medium makes possible to produce numberless degrees of shiny or mat effects. Shake well before using.

Other auxiliary products code description composition features and use notes sizes

602 LAVENDER ESSENCE Rectified lavender essence Pleasantly scented thinner. It dries less fast than Turpentine essence. It 75 ml = 16 For oil and ceramic painting is also used as medium in oil painting.

610 PENCIL AND CHARCOAL FIXATIVE Chios mastic resin and ketonic (10%) Clear fluid to protect drawings and increasing the medium adhesion 75 ml = 16 Highly flammable Plasticiser to the surface. Spray with quick movements. F Alcohols Keep the container well closed. Ethyl acetate

612 PASTEL FIXATIVE Chios mastic resin and ketonic (11%) Fixative from a conventional formula, with very valuable resin. 75 ml = 16 Highly flammable Alcohols Spray application. Keep the container well closed. F

618 ARTISTS’ MASKING LATEX Natural rubber latex Milky fluid to apply with brush to mask out surfaces not to be painted. 75 ml = 16 Ammonia Drying the latex makes a flexible and water resistant film, easy to remove. Water Clean the brush immediately after use.

624 BRONZING MEDIUM Ketonic resin (45%) Clear solution, completely neutral, it is the perfect mastic for bronze, 75 ml = 16 Flammable White spirit aluminium powder or any other pigment. Harmful XN Dangerous for the environment

644 OPERATION FOR GOLD LEAF Linseed stand oil Cement. Apply the gold leaf 12 hour after coating with the product. 75 ml = 16 Flammable Wood stand oil Once dry, rub forcefully the gold leaf with a wool rug. 250 ml = 26 Harmful White spirit 500 ml = 34 XN * Dangerous for the environment Drying agents 662 VENETIAN TURPENTINE Venetian turpentine (91%) Golden solution, called also “Fatty essence”, it is used as medium for Terzo 75 ml = 16 For oil and ceramic painting White spirit Fuoco ceramic pigments. 250 ml = 26 Flammable It is used as medium in oil painting, to increase the shine and flexibility of the colour surface.

667 ACRYLIC PICTURE VARNISH Acrylic resin (30%) Finishing varnish based on non yellowing solvent, easy to apply. 75 ml = 16 For oil and acrylic painting White spirit The UV filter makes this finish very suitable for outdoor painting. 250 ml = 26 Flammable UV filter 500 ml = 34 Harmful XN Dangerous for the environment

668 WATER-BASED PICTURE VARNISH Acrylic resin An alternative to traditional solvent varnish. 75 ml = 16 For oil and acrylic painting in water emulsion (80%) Easy to apply, it enhances the colour brightness. 250 ml = 26 Stabilisers It does not yellow with time. 500 ml = 34 1000 ml = 40

671 MAT WATER-BASED PICTURE VARNISH Acrylic resin in water emulsion (72%) Alternative product to conventional solvent varnishes. 75 ml = 16 For oil and acrylic painting Silica Easy to apply, it imparts a mat finish. 250 ml = 26 Stabilisers It does not yellow in time. 500 ml = 34

672 WAX-PICTURE VARNISH Ketonic resin (45%) Universal finish. 75 ml = 16 Flammable Beewax Warm and shake before using. Dangerous for the environment White spirit Its cloudy look does not affect the final appearance of the painting, which in fact acquires a soft and silky texture.

676 FIXATIVE VARNISH Acrylic resin (18%) Clear and transparent solution, it does not yellow. It fixes and protects 75 ml = 16 Flammable White spirit the painting or any other object. Suitable for any application. 1000 ml = 40 Harmful Clear and colourless, it is slightly mat if applied in a thin coat, while it XN Dangerous for the environment acquires a glossy look in thicker coats.

Other auxiliary products code description composition features and use notes sizes

678 PATINA VARNISH Urethane oil Fatty amber finish, giving the painting an antique look. 75 ml = 16 Flammable and Alkyd resin (56%) It is used as undercoat for the 250 ml = 26 Dangerous for the environment White spirit Picture cracking finish. It yellows in time. 500 ml = 34 Drying agents 1000 ml = 40

680 INSULATING VARNISH Vinyl resin (12%) A clear, colourless varnish for application over mat colours prior to 250 ml = 26 Highly flammable Alcohols application of Final mat varnish. F Irritant Acetates Acts as insulation to prevent sedimentation of matifying components contained in products to rise to the surface, resulting in white spots.

688 PICTURE CRACKING VARNISH Starch Amber solution, ready to use. Brush over the surface treated with the Patina 75 ml = 16 Dextrin varnish. Once the cracks are formed and blackened, apply another coat of 250 ml = 26 Water Patina varnish.Temperature and humidity of the environment affect the size 500 ml = 34 Antifermentation agents of the cracks. 1000 ml = 40

Auxiliary products for restoration code description composition features and use notes sizes 601 THINNER FOR RESTORATION Isoparaffin hydrocarbons aromatic Odourless thinner, scent-free. It is used to dilute the Final varnish for 75 ml = 16 250 ml = 26 Flammable restauration. * Harmful Particularly indicated for an even application of varnish coats. XN

607 BI-RECTIFIED TURPENTINE ESSENCE Essential oil extracted from Vegetable solvents of old tradition. 75 ml = 16 For oil painting conifer buds Medium-slow evaporation. Sensitive to the light and the air, mixed Flammable with the colors it stretches to opacify. Harmful Suitable also for cleaning brushes. XN Dangerous for the environment

661 STRONG SOLVENT FOR RESTORATION Amyl acetate Similar to aromatic solvents, this powerful solvent is definitely less 75 ml = 16 Highly flammable Aromatic hydrocarbons toxic. F Ethyl acetate Particularly indicated for removing natural resin varnishes. Isopropyl alcohol

75 ml = 16 677 FINAL VARNISH FOR RESTORATION Ketonic resin (50%) Delicately applied, this varnish avoids the removal Harmful Isoparaffin hydrocarbons of Varnish colours for restoration. XN Thin with the Thinner for restoration.

683 CONCENTRATED MASTIC VARNISH Natural mastic resin (40%) Highly priced natural varnish of traditional use. 75 ml = 16 Flammable Turpentine essence Very flexible. Harmful To use as addition to restoration colours. XN Dangerous for the environment

687 RETOUCHING VARNISH FOR RESTORATION Ketonic resin (22%) Very fast drying, light varnish for retouching and restoration. 75 ml = 16 Flammable White spirit Moderately shiny, it does not yellow. Harmful XN Dangerous for the environment

Aerosol code description composition features and use notes sizes

603 SICCATIF VARNISH Acrylic resin 3% Varnish based on desiccative additives. It reduces notably the drying time bombola Extremely flammable and it doesn’t modify the shades. Suitable exclusively for oil colors. 400 ml = 32 F Mixture of solvents 71% Mixture of siccatives from 0,5% to 1% Butan, Isobutan, Propan 25% UV filter

609 FIXATIVE Ketonic resin 6% Colourless varnish to use sparingly to fix and protect drawings, paste bombola Extremely flammable Petroleum distillates 58% gouaches. Keep the can in a vertical position, spraying in quick 400 ml = 32 F Irritant Castor oil 1% movements, at a distance of about 30 cm from the drawing. LPG propellant 35% UV filter

665 VERNICE DAMAR Dammar resin 22,4%, Tradition final natural varnish. It tends to yellow. Its normal amber bombola Extremely flammable Turpentine oil 25,24%, colour and any sediment do not compromise the final result. It imparts 400 ml = 32 F Harmful N-butyl alcohol 8,44%, greater brightness and shine to colours. Spray on with a rapid movement, Dangerous for the environment Solvent naphtha (petroleum) hydro holding can upright at a distance of about 30 cm from the work. treated heavy Note P Benzene 9,91%, Dimethyl ether 15%, Liquefied Petroleum Gas Note K 1,3- Butadiene 19%

669 FINAL VARNISH Ketonic resin 16% Colourless varnish producing a very resistant film. It is used to varnish bombola Extremely flammable Petroleum distillates 49% thoroughly dry oil paintings, acrylics, etc. Shake before using. 400 ml = 32 F Irritant LPG propellant 35% Keep the can in a vertical position, when spraying, at a distance of UV filter about 30 cm from the painting. It dries fast.

673 FINAL MAT VARNISH Acrylic resin 10% Colourless varnish, producing a very resistant mat film. bombola Extremely flammable Petroleum distillates 54% It contains an opaque texturing agent, which tends to settle at the bottom, it is 400 ml = 32 F Irritant Silica 1% therefore advisable to shake the can well before using. Keep the can in a XN * Dangerous for the environment LPG propellant 35% vertical position, when spraying, at a distance of about 30 cm from the UV filter painting. It dries fast.

675 FIXATIVE VARNISH Acrylic resin 9% Universal, colourless protective varnish.Invisible when sprayed in a thin bombola Highly flammable Petroleum distillates 41% coat.It is used to fix and protect documents, drawings,watercolours, 400 ml = 32 F LPG propellant 50% prints, gouache and oil paintings.It dries fast. UV filter Keep the can in a vertical position, when spraying, at a distance of about 30 cm from the painting.

685 RETOUCHING VARNISH Ketonic resin 10% Colourless light varnish, to be used also while painting, to eliminate opaque bombola Extremely flammable Petroleum distillates 55% spots that may appear on unfinished areas. It dries fast and is moderately 400 ml = 32 F LPG propellant 35% glossy. Keep the can in a vertical position, when spraying, at a distance of UV filter about 30 cm from the painting.