Made in Italy General Catalogue 20072011

Total Page:16

File Type:pdf, Size:1020Kb

Made in Italy General Catalogue 20072011 made in italy general catalogue 20072011 “For the painter, no longer existing are colored objects but outcomes of compositions of pastes. What for you is a delightful flower (as notion or a part of sentiment) for me is a chord based on pink lake, pale blue on white and sallow yellow slightly cooled by emerald. Yet not ceasing to remain a flower”. Gianni Maimeri, Treatise on Painting, 1933 We thank all of our employees who, with their professionalism, commitment and dedication, have contributed to the excellent reputation that Maimeri products have worldwide. in cover, Gianni Maimeri, Self-portrait (detail), 1916, oil on canvas, cm 50x41 Fabio Pietrantonio, Guerriero di pace (detail), mixed technique on canvas “Keep Superior Oil Colours everything Oil and pure pigment, nothing else. that is not The product of a dream and of outstanding technical necessary out achievement, Maimeri Puro superior oil colours are of the painting, the most advanced and yet the most traditional of oil everything colours. that is not felt” Restoring the outstanding simplicity and quality of original oil colours to paint formulas: that was the Gianni Maimeri, The diary dream of painter and paint manufacturer Gianni October 31 1905 Maimeri, though his dream which did not take Maimeri Puro on concrete form as paste in a tube until three generations down the line. Striving for simplicity and purity, putting years of technical experience to work, Maimeri’s company came up with the formulas for the 80 colours in this range one by one. Using the best quality safflowerpoppy seed oils that will not yellow and stable pigments which require no additives to produce a perfect impasto, Puro offers top quality, the perfect manufacturing process and the correct balance between binder and pigment. Squeeze a tube of Maimeri Puro, and you’re squeezing the very idea of oil colours. Maimeri Puro Maimeri Puro 00 = superior oil colours,complete range 80 colours in 6 price groups All colours Whites 12 = 40 ml tube 22 = 150 ml tube Sales unit 3 pieces Sales unit 3 pieces 018 HHH gr. 1 106 HHH gr. 1 181 HHH gr. 3 278 HHH gr. 1 Titanium White Naples Yellow Reddish Garnet Lake Burnt Sienna Titanium Dioxide PW6 Zinc Oxide PW4 Quinacridone PV19 Original Natural Earth Anthraquinone PO43 Dioxazine PV23 calcinata PBr7 020 HHH gr. 1 107 HHH gr. 1 182 HHH gr. 3 296 HHH gr. 1 Zinc White Naples Yellow Deep Rose Lake Green Earth Zinc Oxide PW4 Zinc Oxide PW4 Quinacridone PV19 Natural Earth PG23 Synthetic Iron Oxide PY42 053 HHH gr. 3 109 HHH gr. 3 191 HHH gr. 1 309 HHH gr. 4 Avignon Orange Nickel Titanate Yellow Red Ochre Cadmium Green Light Quinacridone PR 206 Antimony-Nickel-Titanium Oxides PY53 Natural Earth PY43 Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7 054 HHH gr. 4 116 HHH gr. 2 224 HHH gr. 4 310 HHH gr. 4 Cadmium Orange Primary Yellow Cadmium Red Orange Cadmium Green Deep Cadmium Sulphoselenide PO20 Arylide Yellow PY97 Cadmium Sulphoselenide PR108 Cadmium Sulphide PY35 Chlorinated Phthalocyanine PG7 060 HHH gr. 1 125 HHH gr. 3 226 HHH gr. 4 316 HHH gr. 5 Mars Orange Orange Lake Cadmium Red Light Cobalt Green Light 16 Synthetic Iron Oxide PY42+PR101 Anthraquinone PO43 Cadmium Sulphoselenide PR108 Cobalt-Titanium Oxides PG50 081 HHH gr. 4 128 HHH gr. 3 228 HHH gr. 4 317 HHH gr. 5 Cadmium Yellow Light Golden Lake Cadmium Red Medium Cobalt Green Deep Cadmium Sulphide PY35 Synthetic Iron Oxide PY42 Cadmium Sulphoselenide PR108 Cobalt-Titanium Oxides PG50 082 HHH gr. 4 131 HHH gr. 1 232 HHH gr. 4 322 HHH gr. 2 Cadmium Yellow Lemon Yellow Ochre Cadmium Red Deep Cupric Green Light Cadmium Sulphide PY35 Natural Iron Oxide PY43 Cadmium Sulphoselenide PR108 Brominated Phthalocyanine PG36 083 HHH gr. 4 132 HHH gr. 1 248 HHH gr. 1 324 HHH gr. 2 Cadmium Yellow Medium Yellow Ochre Light Mars Red Cupric Green Deep Cadmium Sulphide PY35 Natural Iron Oxide PY43 Synthetic Iron Oxide PR101 Chlorinated Phthalocyanine PG7 084 HHH gr. 4 134 HHH gr. 1 250 HHH gr. 2 325 HH gr. 2 Cadmium Yellow Deep Golden Ochre Transparent Mars Red Hooker’s Green Cadmium Sulphide PY35 Natural Earth PY43 Synthetic Iron Oxide PR101 Diarylide Yellow PY83 Phthalocyanine Beta PB15:3 102 HHH gr. 1 162 HHH gr. 1 256 HHH gr. 2 333 HHH gr. 2 Mars Yellow Raw Sienna Light Primary Red - Magenta Green Gold Synthetic Iron Oxide PY42 Original Natural Earth PBr7 Quinacridone PV19 Arylide Yellow PY97 Brominated Phthalocyanine PG36 103 HHH gr. 2 163 HHH gr. 1 261 HHH gr. 3 336 HHH gr. 2 Transparent Mars Yellow Raw Sienna Deep Tiziano Red Verde Chromium Oxide Synthetic Iron Oxide PY42 Original Natural Earth PBr7 Quinacridone PR209 Chromium Oxide PG17 Calcined Original Natural Earth PBr7 105 HHH gr. 1 174 HHH gr. 3 263 HHH gr. 3 348 HHH gr. 3 Naples Yellow Light Crimson Lake Sandal Red Viridian Zinc Oxide PW4 Quinacridone PR122 Pyrrole-pyrrole PR254 Hydrated Chromíum Oxide PG18 Arylide Yellow PY97 Quinacridone PR 206 Synthetic Iron Oxide PY42 350 HHH gr. 2 392 HHH gr. 2 452 HHH gr. 6 493 HHH gr. 1 Turquoise Green Ultramarine Deep Cobalt Violet Deep Raw Umber Phthalocyanine PB16 Sodium Polysulphide-AluminosilicatePB29 Cobalt Phosphate PV14 Natural Earth PBr7 356 HHH gr. 2 400 HHH gr. 2 459 HHH gr. 1 507 HHH gr. 1 Emerald Green Primary Blue - Cyan Mars Violet Warm Grey Zinc Oxide PW4 Phthalocyanine Beta PB15:3 Synthetic Iron Oxide PR101 Titanium Dioxide PW6 Brominated Phthalocyanine PG36 Zinc Oxide PW4 Synthetic Iron Oxide PBk11 359 HHH gr. 2 405 HHH gr. 2 460 HHH gr. 3 510 HHH gr. 1 Berlin Blue King’s Blue Light Mineral Violet Cool Grey Phthalocyanine alfa PB15:1 Zinc Oxide PW4 Manganese Ammonium Titanium Dioxide PW6 Titanium Dioxide PW6 Pyrophosphate PV16 Zinc Oxide PW4 Cobalt Aluminium-Chromium Oxides PB36 Sodium Polysulphide-Aluminosilicate PB29 368 HHH gr. 6 407 HHH gr. 2 473 HHH gr. 2 513 HHH gr. 1 Cerulean Blue King’s Blue Deep Verzino Violet Neutral Grey Cobalt Aluminium-Chromium Oxides PB36 Zinc Oxide PW4 Quinacridone PR122 Titanium Dioxide PW6 Titanium Dioxide PW6 Zinc Oxide PW4 Cobalt-Aluminium Oxides PB28 Synthetic Iron Oxide PBk11 373 HHH gr. 5 409 HHH gr. 2 476 HHH gr. 1 514 HHH gr. 1 Cobalt Blue Light Green Blue Mars Brown Payne’s Grey Cobalt-Aluminium Oxides PB28 Chlorinated Phthalocyanine PG7 Synthetic Iron Oxide PR101PBk11 Sodium Polysulphide-AluminosilicatePB29 Phthalocyanine Beta PB15:3 Bone Black PBk9 374 HHH gr. 5 436 HHH gr. 2 477 HHH gr. 2 535 HHH gr. 1 Cobalt Blue Deep Violet Lake Transparent Mars Brown Ivory Black Cobalt-Aluminium Oxides PB28 Dioxazine PV23 Synthetic Iron Oxide PR101 Bone Black PBk9 377 HHH gr. 2 440 HHH gr. 2 484 HHH gr. 1 537 HHH gr. 1 Faience Blue Ultramarine Violet Vandyke Brown Carbon Black Anthraquinone PB60 Sodium Polysulphide-AluminosilicatePV15 Calcined Original Natural EarthPBr7 Carbon Black PBk7 Bone Black PBk9 391 HHH gr. 2 451 HHH gr. 6 492 HHH gr. 1 540 HHH gr. 1 Ultramarine Light Cobalt Violet Pale Burnt Umber Mars Black Sodium Polysulphide-AluminosilicatePB29 Cobalt Ammonium Phosphate PV14 Calcined Natural Earth PBr7 Synthetic Iron Oxide PBk11 17 0099101 ARTE BEECHWOOD BOX 25x35 cm Cardboard box Metal dividers Palette 12 assorted 20 ml tubes 2 white bristle brusches 1 safflower oil 75 ml bottle 2 charcoal box 1 palette knife 2 palette bowls “Keep Oil Colours everything This line of oil colours offers the tonalities that is not of the master artists of the Italian Renaissance: necessary out in paint composition, in grinding pigments of the painting, and in the use of rare semi-drying oils, everything non-yellowing and crystal clear. that is not felt” Many pigments in this range correspond to the ancient originals; others replace, Gianni Maimeri, The diary October 31 1905 in calibrated and perfect imitation, compounds of heavy metals that, being toxic, harmful Rinascimento or polluting, should no longer be used. This also provides for safe mixtures of colours, eliminating any risk of alteration. Research into ancient pigments made it possible to select the finest and most stable colours, eliminating problems with incompatible substances once hard to mix. Rinascimento Rinascimento 00 = oil colours, complete range 11 colours at a sole price All colours 00 = 40 ml tube Sales unit 3 pieces in 3 price groups 022 HHH gr. 8 Ceruse Titanium Dioxide PW6 108 HHH gr. 9 Vasari Yellow Antimony-Nickel-Titanium Oxides PY53 169 HHH gr. 9 Kermes Lake Anthraquinone PR83 217 HHH gr. 9 Paris Red Cadmium Sulphoselenide PR108 281 HHH gr. 9 Vermillon Cadmium Sulphoselenide PR108 314 HHH gr. 10 Greek Green Cobalt-Titanium Oxides PG50 349 HHH gr. 10 Malachite Green Hydrated Chromíum Oxide PG18 379 HHH gr. 9 Murano Blue Cobalt-Aluminium Oxides PB28 401 HHH gr. 8 Michelangelo Blue Sodium Polysulphide Aluminosilicate PB29 478 HHH gr. 8 Mummy Gilsonite NAT.Bk6 538 HHH gr. 8 Bistre Carbon Black PBk7 “ There’s Extrafine Oil Colours a strong link Tradition and innovation. The qualities of the between components and workmanship that go into Artisti technique oils combine harmoniously to yield a product that and subject” represents the best of both tradition and innovation. Gianni Maimeri, The diary The impastos offer the average drying rate typical December 29 1905 of oil painting to permit optimum use of blending and allow the artist to take up the paints again and continue work. The line offers a vast palette of 106 colours, including a number of authentic historical Artisti pigments such as Flake White and Zinc White, Aureolin and true Sienna Earth, Prussian Blue, Manganese Violet, and Bitumen.
Recommended publications
  • MSDS for #00686 - HEAVY BODY ACRYLIC Page 1 of 10
    MSDS for #00686 - HEAVY BODY ACRYLIC Page 1 of 10 MATERIAL SAFETY DATA SHEET SECTION 1 – COMPANY AND PRODUCT IDENTIFICATION Golden Artist Colors, Inc. Date Revised: 4/5/2013 188 Bell Road Phone: (607)847-6154 New Berlin, NY 13411 Prepared by: Ben Gavett HAZARDOUS COMPONENTS (See Sec. 3) COLOR LINES GOLDEN Airbrush Colors 1,29 GOLDEN Acrylics 1,29 GOLDEN Fluid Acrylics 1,29 GOLDEN High Flow Acrylics 1,29 GOLDEN High Load Acrylics 1,5,20,29 GOLDEN Glazes 1,5,29 GOLDEN Matte Acrylics 1,5,20,29 GOLDEN Matte Fluid Acrylics 1,5,20,29 GOLDEN OPEN Acrylics 1,29 Individual Colors Alizarin Crimson Hue - Anthraquinone Blue - Anthraquinone Red - Aurolein Yellow Hue 24 Azurite Hue 19,34 Bismuth Vanadate Yellow 8.5 Bone Black 13 Bright Orange - Bright Red Orange - Bright Yellow-Green - Burnt Sienna 20,24 Burnt Sienna Hue - Burnt Umber & Burnt Umber Light 20,24,25 Cadmium Red Medium Hue - Cadmium Yellow Medium Hue 6,28 Carbon Black 13 Cerulean Blue, Chromium 14,18 Cerulean Blue Deep 14,18 Cerulean Blue Hue 3,5,19,33 Chrome Oxide Green (all) 14 C.P. Cadmium Orange 7,9,10 C.P. Cadmium Red (all) 7,9,10 C.P. Cadmium Yellow (Dark, Lt., Med.) 7,9,35 C.P. Cadmium Yellow Primrose 7,9,35 Coarse Alumina 4,33 Cobalt Blue 18 Item Numbers: 00686-2129 Page 1 of 101 MSDS for #00686 - HEAVY BODY ACRYLIC Page 2 of 10 Cobalt Blue Hue 19,33 Cobalt Green 14,18 Cobalt Teal 18 Cobalt Titanate Green 6,18,28 Cobalt Turquoise 14,18 Cobalt Violet Hue 34 Deep Violet - Diarylide Yellow - Dioxazine Purple - Fluorescent (all colors) 22 Graphite Gray 23 Green Gold 8,28 Hansa Yellow (Lt., Med.
    [Show full text]
  • Cool Blondes Shades
    THE NEW BLONDES We broadened It’s color range adding new shades (levels 8 to 10) with cold/slightly cold reflex (take 8.11 as an example), to meet global market’s expectations (trends are looking towards neutral/cold tones). We also worked on the existing range, adding more levels and reflexes (10.00, for example), answering to customers and hairdressers requests. THE NEW SHADES 10.11 10.81 9.81 9.12 9 Mother of pearl 8.11 8.81 THE NEW BLONDES THE EXPANDED SERIES 10 10S 9.16 8.02 COLOR CHART INTENSE ASH FAMILY 8.11/8AA intense ash light blonde 10.11/10AA intense ash lightest blonde These shades add an intense ash reflex and neutralize orange and yellow/orange residual reflexes. Good grey hair coverage SANDY ASH FAMILY 10.81/10SA 9.81/9SA 8.81/8SA lightest sand ash blonde very light sand ash blonde light sand ash blonde These shades add a cold beige reflex and soften golden ones. Good grey hair coverage IRIDESCENT FAMILY 9.12/9AV very light irisè ash blonde This shade adds an irisé ash reflex and neutralizes golden ones. Fair grey hair coverage PURPLE PEARL FAMILY 9 mother of pearl This shade adds an irisè – pearl reflex, and neutralizes golden ones. Good grey hair coverage CHROMA FAMILY IT’S COLOR EXPANDED SERIES 9.16/9AR very light red ash blonde This shade adds a natural red ash reflex. Fair grey hair coverage IRISÉ FAMILY IT’S COLOR EXPANDED SERIES 8.02/8NV light irisè natural blonde This shade adds a natural irisé reflex and neutralizes golden ones.
    [Show full text]
  • Art Spectrum® Dry Ground Pigments
    Art Spectrum® Dry Ground Pigments Art Spectrum® has been collaborating with artists for over 50 We are continuously exploring new and exciting pigment colours to years to make professional artists’ colour with high performance enhance the artist’s modern palette. pigments discovered and developed through the ages. Art Spectrum® Dry Ground Pigments can be used in the Our selection of the highest grade modern and traditional preparation of your own hand-made formulated colours as the pigments are sourced from the world’s finest pigment houses. artist colourmen have done for centuries. All colours are ASTM rated, pure lightfast single pigments and are Art Spectrum® Dry Ground Pigment label’s comply with current included in the formulation to create our Professional Quality Artists’ Australian standards and legislation. Oil Colours, Watercolours, Gouache, Pastels and Primer ranges. NICKEL TITANATE YELLOW CADMIUM YELLOW LIGHT ARYLIDE LEMON S2 ASTM I PY53 S4 ASTM I PY35 S3 ASTM II PY3 DGP10 DGP20 DGP30 AUREOLIN ARYLIDE YELLOW CADMIUM YELLOW S4 ASTM II PY40 S3 ASTM I PY74 S4 ASTM I PY35 DGP510 DGP40 DGP50 DIARYLIDE YELLOW CADMIUM YELLOW DEEP CADMIUM ORANGE S2 ASTM I PY83 S4 ASTM I PY35 S4 ASTM I PO20 DGP60 DGP70 DGP80 Lightfastness: Transparent Colour American Society for Testing and Materials (ASTM), conforming to standard D4302-90. Semi-Transparent Colour ASTM I: Excellent Lightfastness Opaque Colour ASTM II: Very Good Lightfastness ASTM III: Good Lightfastness WARNING! Do not spray apply cadmium colours. If swallowed seek medical advice. Keep
    [Show full text]
  • Tucson Art Academy Online Skip Whitcomb
    TUCSON ART ACADEMY ONLINE SKIP WHITCOMB PAINTS WHITE Any good to professional quality Titanium or Titanium/Zinc White in large tubes(150-200ML) size. Jack Richeson Co., Gamblin, Vasari, Utrecht, Winsor & Newton are all good brands, as are several other European manufacturers. I strongly recommend staying away from student grade paints, they do not mix or handle the same as higher/professional grade paints. YELLOWS Cadmium Yellow Lemon Cadmium Yellow Lt. (warm) Cad. Yellow Medium or Deep Indian Yellow ORANGES Cadmium Yellow Orange (optional) Cadmium Orange REDS Cadmium Red Light/ Pale/ Scarlet (warm) Cadmium Red Deep Permanent Alizarin Crimson Permanent Rose (Quinacridone) BLUES Ultramarine Blue Deep or Dark Cobalt Blue Prussian Blue or Phthalo Blue GREENS Viridian Viridian Hue (Phthalo Green) Chrome Oxide Green Olive Green Sap Green Yellow Green VIOLETS Mauve Blue Shade (Winsor&Newton) Dioxazine Violet or Purple EARTH COLORS Yellow Ochre Raw Sienna Raw Umber Burnt Sienna Terra Rosa Indian Red Venetian Red Burnt Umber Van Dyke Brown BLACKS Ivory Black Mars Black Chromatic Black Blue Black MARS COLORS Mars Yellow Mars Orange Mars Red Mars Violet IMPORTANT TO NOTE!! Please don’t be intimidated by this list! You will not be required to have all ​ ​ ​ ​​ ​ ​ these colors on hand for our class. This is intended to be a recommendation for the studio. Specific colors on this list will come in handy for mixing in certain color plans. I will be happy to make suggestions along the way A good working palette for the studio would be: Cad. Yellow Lemon, Cad. ​​ ​ Yellow Pale(warm), and/or Cad.
    [Show full text]
  • Brochure Colour Chart New Masters Classic Acrylics
    New Master Classic Acryllic Colours NEW MASTERS C L S A I C S S L I C A C R Y Pigment Identification A601 TITANIUM WHITE PW6 B682 INDIGO EXTRA PB15:2 - PR177 - PBL7 B826 IRIDESCENT SILVER MICA - PBL7 - PW6 NEW MASTERS A602 ZINC WHITE PW4 B683 CYAN BLUE PW4 - PB15:2 - PB29 B827 IRIDESCENT PEWTER MICA - PBL7 - PB15:2 - PW6 C A603 TITANIUM WHITE EXTRA OPAQUE PW6 A684 OLD HOLLAND BLUE LIGHT PW6 - PB15:2 B828 IRIDESCENT BRIGHT GOLD MICA - PW6 L S A604 MIXED WHITE PW6-PW4 C685 MANGANESE BLUE EXTRA PB15 - PB35 - PG50 B829 IRIDESCENT ROYAL GOLD MICA - PW6 A C A605 OLD HOLLAND YELLOW LIGHT PW6-PY184 E686 CERULEAN BLUE PB35 B830 IRIDESCENT BRONZE MICA - PW6 S L I A606 TITANIUM BUFF LIGHT PW6-PY42 A687 OLD HOLLAND BLUE MEDIUM PW6 - PB29 - PB15:2 B831 IRIDESCENT LIGHT COPPER MICA - PW6 S Y A607 TITANIUM BUFF DEEP PW6-PY42-PBR7 B688 OLD HOLLAND BLUE-GREY PW6 - PB29 - PBL7 B832 IRIDESCENT DEEP COPPER MICA - PW6 I C C R B608 OLD HOLLAND YELLOW MEDIUM PW6-PY184 F689 CERULEAN BLUE DEEP PB36 A B609 OLD HOLLAND YELLOW DEEP PW6-PY43 B690 PHTHALO BLUE TURQUOISE PB15:6 - PG7 ‘EXTRA’ means: Traditional colour made from lightfast pigment B610 BRILLIANT YELLOW LIGHT PW6-PY53 C691 PHTHALO BLUE GREEN SHADE PB16 B611 BRILLIANT YELLOW PW6-PY53 D692 COBALT BLUE TURQUOISE PB36 Chemical Composition B612 BRILLIANT YELLOW REDDISH PW6-PY53-PR188 E693 COBALT BLUE TURQUOISE LIGHT PG50 B613 NAPLES YELLOW REDDISH EXTRA PW6-PO73-PY53 B694 PHTHALO GREEN TURQUOISE PG7 - PB15:2 PW 4 ZINC OXIDE B614 FLESH TINT PW6-PR122-PR101 B695 PHTHALO GREEN BLUE SHADE PG7 PW 6 TITANIUM DIOXIDE
    [Show full text]
  • Testing Gold Platinum Silver.Qxp
    PROCEDURES FOR TESTING GOLD, PLATINUM AND SILVER To test for the karat value of gold, platinum and silver, you will need the following materials and tools: • Black acid testing stone that is washed thoroughly with water prior to each test. • Acids. • Gold testing needles with gold tips - used for comparison with test pieces. Testing for 10K, 12K, 14K Scratch the gold piece to be tested on the stone. Next to this position, scratch the appropriate needle (10, 12 or 14K). Place a drop of the appropriate acid on the stone where the gold was rubbed off. If the gold is the same karat or higher, the color of the scratch mark for the gold piece will appear the same as the mark from the needle. If that gold piece is a lower karat, the scratched deposit will become fainter and eventually disappear. Testing for 18K Scratch the test piece on the stone and apply 18K acid. Any gold that is less than 18K will disappear in less than 30 seconds. Gold that remains on the stone is 18K or higher. Testing for 20K and 24K Scratch the gold piece on the stone. Next, scratch any item of know karat (coin or needle) on the stone. Apply one drop of acid to area. The material that starts to disappear has the lower karat. Testing for Platinum Scratch the test item on the stone and apply one drop of acid to the application on the stone. If the material is platinum, it should keep its white, bright color. White Gold The same procedure for platinum can be used for 18K white gold.
    [Show full text]
  • Manufacturer of the World's Finest Artists' Paints
    Manufacturer of the World’s Finest Artists’ Paints MADE IN THE USA SINCE 1976 Meet the Owner of DANIEL SMITH John Cogley John Cogley, the owner of DANIEL SMITH Artists’ Materials, joined the company in the Information Technology Department in 1988. With almost three decades of leading the company as President, CEO and Owner, John has been the driving force behind making DANIEL SMITH Watercolors and other products recognized as the world’s best. Because of John’s commitment to innovation and in manufacturing the highest quality paints and other products, artists worldwide can rely on the performance and continuity of DANIEL SMITH products year after year. DANIEL SMITH is the Innovative Sticks, artist-quality Water Soluble Oils Manufacturer of Beautiful Watercolors and inspiring Hand Poured Half Pan sets and Oils for Artists Worldwide. DANIEL SMITH has been the leader in From being the first manufacturer developing creative tools for Artists. to make the high-performance Making beautiful, innovative, and high Quinacridone pigments into artists’ quality artists paints, which perform paints, to the development of the exciting consistently from tube to tube, year after PrimaTek and Luminescent Watercolors year, makes DANIEL SMITH products the and Oils, Watercolor Grounds, Watercolor choice for artists worldwide. Stay connected with DANIEL SMITH online! INSTAGRAM FACEBOOK @danielsmithartistsmaterials @DanielSmithArtSupplies REGIONAL ACCOUNTS REGIONAL ACCOUNTS ASIA ASIA @danielsmithasia @Danielsmithartsupplies_asia EUROPE EUROPE @danielsmitheurope
    [Show full text]
  • RAL COLOR CHART ***** This Chart Is to Be Used As a Guide Only. Colors May Appear Slightly Different ***** Green Beige Purple V
    RAL COLOR CHART ***** This Chart is to be used as a guide only. Colors May Appear Slightly Different ***** RAL 1000 Green Beige RAL 4007 Purple Violet RAL 7008 Khaki Grey RAL 4008 RAL 7009 RAL 1001 Beige Signal Violet Green Grey Tarpaulin RAL 1002 Sand Yellow RAL 4009 Pastel Violet RAL 7010 Grey RAL 1003 Signal Yellow RAL 5000 Violet Blue RAL 7011 Iron Grey RAL 1004 Golden Yellow RAL 5001 Green Blue RAL 7012 Basalt Grey Ultramarine RAL 1005 Honey Yellow RAL 5002 RAL 7013 Brown Grey Blue RAL 1006 Maize Yellow RAL 5003 Saphire Blue RAL 7015 Slate Grey Anthracite RAL 1007 Chrome Yellow RAL 5004 Black Blue RAL 7016 Grey RAL 1011 Brown Beige RAL 5005 Signal Blue RAL 7021 Black Grey RAL 1012 Lemon Yellow RAL 5007 Brillant Blue RAL 7022 Umbra Grey Concrete RAL 1013 Oyster White RAL 5008 Grey Blue RAL 7023 Grey Graphite RAL 1014 Ivory RAL 5009 Azure Blue RAL 7024 Grey Granite RAL 1015 Light Ivory RAL 5010 Gentian Blue RAL 7026 Grey RAL 1016 Sulfer Yellow RAL 5011 Steel Blue RAL 7030 Stone Grey RAL 1017 Saffron Yellow RAL 5012 Light Blue RAL 7031 Blue Grey RAL 1018 Zinc Yellow RAL 5013 Cobolt Blue RAL 7032 Pebble Grey Cement RAL 1019 Grey Beige RAL 5014 Pigieon Blue RAL 7033 Grey RAL 1020 Olive Yellow RAL 5015 Sky Blue RAL 7034 Yellow Grey RAL 1021 Rape Yellow RAL 5017 Traffic Blue RAL 7035 Light Grey Platinum RAL 1023 Traffic Yellow RAL 5018 Turquiose Blue RAL 7036 Grey RAL 1024 Ochre Yellow RAL 5019 Capri Blue RAL 7037 Dusty Grey RAL 1027 Curry RAL 5020 Ocean Blue RAL 7038 Agate Grey RAL 1028 Melon Yellow RAL 5021 Water Blue RAL 7039 Quartz Grey
    [Show full text]
  • MODERN WATERCOLOR III Fair FR Fair G Granulating J Semi-Opaque NA Not Yet Tested H Opaque
    ASTM LF GOLDEN LF STAIN OPACITY I Excellent EX Excellent Semi-Staining k Semi-Transparent II Very Good GD Good Staining i Transparent MODERN WATERCOLOR III Fair FR Fair G Granulating j Semi-Opaque NA Not Yet Tested h Opaque Item # Series Color Color Index Name Pigment Name ASTM Opacity Granulating Staining 1-4 Light-fastness 7000525 1 Ardoise Gray PBk19 Hydrated Aluminum Silicate I i G 7000135 1 Aureolin Modern PW6, PY150 Titanium Dioxide Rutile, Nickel Complex Azo I j 7000126 4 Benzimidazolone Yellow PY154 Benzimidazolone Yellow H3G I k 7000115 3 Bismuth Vanadate Yellow PY184 Bismuth Vanadate EX k 7000415 2 Bohemian Green Earth PBk7, PG7, PR101, PY42 Nearly Pure Amorphous Carbon, Chlorinated Copper I k G Phthalocyanine, Synthetic Iron Oxide, Synthetic Iron Oxide 7000470 1 Burnt Sienna (Natural) Pbr7 Calcined Natural Iron Oxide I j G 7000480 1 Burnt Umber (Natural) Pbr7 Calcined Natural Iron Oxide containing Manganese I j G 7000180 4 Cadmium Orange PO20 Cadmium (Sulfo-Selenide) - (CC) I j 7000220 4 Cadmium Red Deep PR108 Cadmium (Sulfo-Selenide) - (CC) I j G 7000195 4 Cadmium Red Light PR108 Cadmium (Sulfo-Selenide) - (CC) I j G 7000215 4 Cadmium Red Medium PR108 Cadmium (Sulfo-Selenide) - (CC) I j 7000170 4 Cadmium Yellow Deep PY35 Cadmium Zinc Sulfide - (CC) I k 7000120 4 Cadmium Yellow Light PY35 Cadmium Zinc Sulfide - (CC) I k 7000130 4 Cadmium Yellow Medium PY35 Cadmium Zinc Sulfide - (CC) I k 7000105 4 Cadmium Yellow Primrose PY35 Cadmium Zinc Sulfide - (CC) I k 7000500 1 Carbon Black PBk7 Nearly Pure Amorphous Carbon I h 7000330
    [Show full text]
  • 3 Pigments in Powder Form
    PIGMENTS (DRY POWDER FORM) Application: I = Inks, C = Paint, P = Plastics Name C.I. Application Constitution Tricolith Yellow IYP PY 1 I, C arylide yellow Tricolith Yellow 10G PY 3 I, C arylide yellow Tricolith Yellow TWA PY 12 I diarylide (disazo) yellow AAA Tricolith Yellow GRP (transp.) PY 13 I, C, P diarylide yellow (disazo) AAMX Tricolith Yellow GRP (opaque) PY 13 I, C, P diarylide yellow (disazo) AAMX Tricolith Yellow BRM (transp.) PY 14 I, C, P diarylide yellow AACT Tricolith Yellow BRM (opaque) PY 14 I, C, P diarylide yellow AACT Tricolith Yellow VGP PY 17 I, C, P diarylide yellow (disazo) AAOA Tricolith Yellow Y2F PY 55 C, P disazo (diarylide p-toluidine)) Tricolith Yellow SY PY 61 C, P monoazo (calcium salt) Tricolith Yellow ST PY 62 C, P azo (calcium salt) Tricolith Yellow ST-2 PY 62:1 C, P azo (barium salt) Tricolith Yellow LCY PY 65 C, P monoazo Tricolith Yellow OSN PY 73 C monoazo Tricolith Yellow SFY (transp.) PY 74 I, C arylide (monoazo) yellow Tricolith Yellow SFY (opaque) PY 74 I, C arylide (monoazo) yellow Tricolith Yellow RM PY 75 C arylide (monoazo) yellow Tricolith Yellow 3RP (transp.) PY 83 I, C, P diarylide (disazo) yellow Tricolith Yellow 3RP-OP (opaque) PY 83 I, C, P diarylide (disazo) yellow Tricolith Yellow 3G PY 93 P,C,I condensed azo Tricolith Yellow RSY PY 95 P,C,I condensed azo Tricolith Yellow NTS PY 97 C monoazo Tricolith Yellow TWS PY 126 I, P diarylide yellow (disazo) Tricolith Yellow VRF PY 127 I diarylide yellow (disazo Tricolith Yellow ISN PY 139 C, P isoindoline Tricolith Yellow AGR PY 147 P anthraquinone
    [Show full text]
  • Color Chart Includes Those Colors Made from Inorganic Pigments, That Is, Metal Ores Dug from the Earth
    GAMBLIN ARTISTS COLORS GAMBLIN ARTISTS OIL COLORS Artists Oil mineral inorganic colors modern organic colors Colors • All colors made from metals (Cadmium, Cobalt, Iron, etc.) are “inorganic” • Carbon based pigments are “organic” • 19th century colors of the Impressionists and the colors of Classical and Renaissance era painters • 20th century colors • High pigment load, low oil absorption • Most pigments available in a warm and cool version (ex. Phthalo Green, Phthalo Emerald) • Colors easily grey-down in mixtures, excellent for painting natural colors and light • Best choice for high key painting, bright tints • Mostly opaque with a few semi-transparent and transparent colors • Mostly transparent, with some semi-transparent colors Impressionist 20th Century CADMIUM CHARTREUSE CADMIUM LEMON CADMIUM YELLOW LIGHT CADMIUM YELLOW MEDIUM CADMIUM YELLOW DEEP HANSA YELLOW LIGHT HANSA YELLOW MEDIUM HANSA YELLOW DEEP INDIAN YELLOW CADMIUM ORANGE CADMIUM ORANGE DEEP CADMIUM RED LIGHT CADMIUM RED MEDIUM CADMIUM RED DEEP PERMANENT ORANGE TrANSPARENT OrANGE NAPTHOL RED NAPTHOL SCARLET PERYLENE RED white · grey · black ALIZARIN CrIMSON MANGANESE VIOLET COBALT VIOLET ULTRAMARINE VIOLET ALIZARIN PERMANENT QUINACRIDONE RED QUINACRIDONE MAGENTA QUINACRIDONE VIOLET DIOXAZINE PURPLE TITANIUM WHITE RADIANT WHITE TITANIUM ZINC WHITE QUICK DRY WHITE FLAKE WHITE REPLACEMENT ULTRAMARINE BLUE COBALT BLUE PrUSSIAN BLUE CERULEAN BLUE COBALT TEAL INDANTHRONE BLUE PHTHALO BLUE CERULEAN BLUE HUE MANGANESE BLUE HUE PHTHALO TURQUOISE FASTMATTE TITANIUM WHITE ZINC WHITE
    [Show full text]
  • Color Chart See Next Page for Trim-Gard Color Program
    COLOR CHART SEE NEXT PAGE FOR TRIM-GARD COLOR PROGRAM 040–SUPER WHITE 068–POLAR WHITE 070–BLIZZARD PEARL 071–ARCTIC FROST OUG–PLATINUM 1C8–LUNAR MIST 1D4–TITANIUM 1F7–CLASSIC SILVER 700–ALABASTER 017–SWITCHBLADE OUX–INGOT SILVER 1D6–SILVER SKY 1F8–METEOR METAL 1F9–SLATE METAL 1G3–MAGNET GRAY 797–MOD STEEL 0J7–MAGNETIC METAL 8V1–WINTER GRAY 1EO–FLINT MICA 202–BLACK 209–BLACK SAND ORR–RUBY RED 3L5–RADIENT RED 3PO–ABSOLUTE RED 089–CRYSTAL RED 3R3–BARCELONA RED 3Q7–CASSIS PEARL 102–CHAMPAGNE 402–DESERT SAND 4T8–SANDY BEACH 4T3–PYRITE MICA 4U2–GOLDEN UMBER 4U3–SUNSET BRNZ 6T3–BLACK FOREST 6T6–EVERGLADE 6T8–TIMBERLAND 8S6–NAUTICAL BLUE 8T0–BLAZING BLUE 8Q5–COSMIC BLUE 8T5–BLUE RIBBON 8T7–BLUE STREAK 8R3–PACIFIC BLUE ACTUAL COLORS MAY VARY SLIGHTLY COLOR PROGRAM BULLET END TIPS ANGLE END TIPS WHEEL WELL DOOR EDGE COLOR 14XXXBT BTXXX 15XXXAT 75XXXAT 20XXXAT 3XXX NEXXX 000 - CLEAR X X 017 - SWITCHBLADE SILVER X X X X 040 - SUPER WHITE X X X X X X X 068 - POLAR WHITE X X X X X 070 - BLIZZARD PEARL X X X X X X 071 - ARCTIC FROST X X X X 089 - CRYSTAL RED TINTCOAT X X X X 0J7 - MAGNETIC METALLIC X X X X 0RR - RUBY RED METALLIC X X X X X 0UG - WHITE PLATINUM PEARL X X X X 0UX - INGOT SILVER METALLIC X X X X 102 - CHAMPAGNE SILVER X X X X 1C8 - LUNAR MIST X X X 1D4 - TITANIUM METALLIC X X X X X 1D6 - SILVER SKY X X X X X 1E0 - FLINT MICA X X X 1E7 - SILVER STREAK X X X 1F7 - CLASSIC SILVER X X X X X X X 1F8 - METEOR METALLIC X X X 1F9 - SLATE METALLIC X X X 1G3 - MAGNETIC GRAY X X X X X X X 202 - BLACK X X X X X X X 209 - BLACK SAND PEARL X X X X 3L5
    [Show full text]