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Hudson Rising on View March 1 – August 4, 2019
Hudson Rising On view March 1 – August 4, 2019 Selected PR Images The New-York Historical Society explores 200 years of ecological change, artistic inspiration, and environmental activism along the Hudson River in Hudson Rising. The exhibition features celebrated Hudson River School paintings, artifacts, and stories that evoke a journey through Hudson River landscapes and weave together 200 years of history from the industrial era to today. Much more than a body of water, the Hudson River and its environs have provided habitat for humans and hundreds of species of fish, birds, and plants; offered an escape for city-dwellers; and became a battleground between industrialists and environmental activists. Writers and artists have captured the river in paintings, drawings, literature, and photographs, and surveyors and scientists have mapped and measured every aspect of it. Thomas Cole, The Course of Empire: Desolation, 1833-1836, New-York Historical Society, Gift of the New-York Gallery of the Fine Arts, 1858.5 Course of Empire is a panoramic series of five paintings intended to inspire reflection on the meaning of “progress.” Shown in a prelude to the exhibition, the first three paintings depict the transformation of a pristine landscape into a new and thriving city. The final two— including — Desolation chart its dramatic decline, leading to the fall of an entire civilization. Model of the Mary Powell, 1947. New-York Historical Society, Gift of Mr. Edward Hungerford Wood- and coal-fired steamboats made Hudson journeys easy, cheap, and reliable, carrying upriver New York City’s burgeoning population and manufactured goods. They brought back ice, bricks, iron, coal, and lumber. -
Proquest Dissertations
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to loe removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6” x 9” black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI* Bell & Howell Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 WASHINGTON IRVING CHAMBERS: INNOVATION, PROFESSIONALIZATION, AND THE NEW NAVY, 1872-1919 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctorof Philosophy in the Graduate School of The Ohio State University By Stephen Kenneth Stein, B.A., M.A. -
Nimitz (Chester W.) Collection, 1885-1962
http://oac.cdlib.org/findaid/ark:/13030/tf78700873 No online items Register of the Nimitz (Chester W.) Collection, 1885-1962 Processed by Don Walker; machine-readable finding aid created by Don Walker Holt-Atherton Department of Special Collections University Library, University of the Pacific Stockton, CA 95211 Phone: (209) 946-2404 Fax: (209) 946-2810 URL: http://www.pacific.edu/Library/Find/Holt-Atherton-Special-Collections.html © 1998 University of the Pacific. All rights reserved. Register of the Nimitz (Chester Mss144 1 W.) Collection, 1885-1962 Register of the Nimitz (Chester W.) Collection, 1885-1962 Collection number: Mss144 Holt-Atherton Department of Special Collections University Library University of the Pacific Contact Information Holt-Atherton Department of Special Collections University Library, University of the Pacific Stockton, CA 95211 Phone: (209) 946-2404 Fax: (209) 946-2810 URL: http://www.pacific.edu/Library/Find/Holt-Atherton-Special-Collections.html Processed by: Don Walker Date Completed: August 1998 Encoded by: Don Walker © 1998 University of the Pacific. All rights reserved. Descriptive Summary Title: Nimitz (Chester W.) Collection, Date (inclusive): 1885-1962 Collection number: Mss144 Creator: Extent: 0.5 linear ft. Repository: University of the Pacific. Library. Holt-Atherton Department of Special Collections Stockton, CA 95211 Shelf location: For current information on the location of these materials, please consult the library's online catalog. Language: English. Access Collection is open for research. Preferred Citation [Identification of item], Nimitz (Chester W.) Collection, Mss144, Holt-Atherton Department of Special Collections, University of the Pacific Library Biography Chester William Nimitz (1885-1966) was Commander-in-Chief of the U.S. -
A Moor Propre: Charles Albert Fechter's Othello
A MOOR PROPRE: CHARLES ALBERT FECHTER'S OTHELLO A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts in the Graduate School of The Ohio State University By Matthew Scott Phillips, B.A. * * * * * The Ohio State University •· 1992 Thesis Committee: Approved by Alan Woods Joy Reilly Adviser Department of Theatre swift, light-footed, and strange, with his own dark face in a rage,/ Scorning the time-honoured rules Of the actor's conventional schools,/ Tenderly, thoughtfully, earnestly, FECHTER comes on to the stage. (From "The Three Othellos," Fun 9 Nov. 1861: 76.} Copyright by Matthew Scott Phillips ©1992 J • To My Wife Margaret Freehling Phillips ii ACKNOWLEDGEMENTS I express heartfelt appreciation to the members of my thesis committee: to my adviser, Dr. Alan Woods, whose guidance and insight made possible the completion of this thesis, and Dr. Joy Reilly, for whose unflagging encouragement I will be eternally grateful. I would also like to acknowledge the invaluable services of the British Library, the Jerome Lawrence and Robert E. Lee Theatre Research Institute and its curator, Nena Couch. The support and encouragement given me by my family has been outstanding. I thank my father for raising my spirits when I needed it and my mother, whose selflessness has made the fulfillment of so many of my goals possible, for putting up with me. Finally, I would like to thank my wife, Maggie, for her courage, sacrifice and unwavering faith in me. Without her I would not have come this far, and without her I could go no further. -
The Light-Houses, Beacons, and Floating Lights, of the United
£& @EC I TUE L I G H 'r -H O U S E S , BEACONS, .AND FLOATING LIGHTS, OF THE UNI'rED ST ATES, FOR 1838. PREPARED BY ORDER OF S TEPHEN PLEASONTON, FIFTH AUDITOR AND ACTING COMMISSIONER OF THE REVENUE, WASHINGTON : PRINTEa BY BLAlR AND RlVES. 1838. INDEX. l' No. Page. No. Page. V A. E. ssalea~ue Island . 145 8 Edgartown - 63 4 htabu a.Beacon . 172 10 Eaton's Neck 85 6 B. F. Baker's Island, ~aine) 16 2 Franklin Island - 4 2 Baker's island, ( ass.) - 32 2 Faulkner Island - 76 4 Boston - 30 2 Five Mil« Point - 80 6 Billingsgate Island 41 2 Fayerweather Island 82 6 Brown's Head - 21 2 Fire Island Inlet - 88 6 Burnt Island - 9 2 Fort Tompkins - 91 6 Boon Island - 26 2 Four Mile P oint 93 6 Bird Island . 59 4 Franks Island - 174 10 Block IR.land - 72 4 Fort Gratiot - - 192 12 Bu.ffalo - - 100 6 Federal Point . 147 8 Bombay Hook - 121 8 Fort P oint 25 2 Bodkin Island - 126 8 Back River Point. - 144 8 G. Bald Head . - 146 8 Be~s on Wolf's Island - 160 10 Goat Island, (Maine) . 23 2 Ba ou St. John's - • - 173 10 Gloucester P oint - - 44 4 Bois Blanc - - • - 195 12 Gayhead - - • 48 4 Barnegat Shoals - 115 6 Goat Island, (R. I.(: • 68 4 - Great Captains' Is and - 84 6 C. Grand River - - • . 163 10 Galloo Island . 103 6 Cape Elizabeth 17 2 Genesee - 105 6 Cape Cod • 34 2 Clark's Point 49 4 H. -
MSDC River Cover Weblinks.Qx
1 Useful web links www.suffolklearning.org The Suffolk County Hub Learning Platform. From the Humanities Homepage locate details of your local SGN (Suffolk Geography Network), which can provide 'Source to mouth' aerial photos of Suffolk rivers, including the River Gipping and Waveney, on CD Rom. www.halton.gov.uk/schools/weblinks/geoglinks_pupils_investigatingrivers.htm Many useful links to other websites about rivers. www.geographyalltheway.com Resources for 11 – 18 year olds, including river processes, the water cycle, drainage basins, flooding, use and management of water and fieldwork skills. www.4learning.co.uk/apps26/learning/microsites/E/essentials/geography/units/rivers_bi.shtml Site based on the QCA Unit 14 Investigating Rivers. www.geograph.org.uk An online community that aims to collect photographs and information for every grid square in Britain. Access images of your local area and add to the image bank. www.naturegrid.org.uk Canterbury Environmental Education Centre web pages. ncil is not responsible Information for teachers and online children’s activities, including: Investigating Rivers (with photos, maps and links), Pond, Grassland, Woodland and Plant Explorer. www.environment-agency.gov.uk Under “At home and leisure” / “What’s in your backyard” - view maps of river systems and obtain data on water quality, flood risks, etc., for all river systems. www.bbc.co.uk/schools/riversandcoasts BBC Schools website with plenty of interactive pages and useful glossary of terms, including information about the water cycle. www.learnanywhere.co.uk/la/geography/14.ppt Simple PowerPoint slide show including water cycle and meanders. Aimed at KS2 Unit 14 – Investigating Rivers. -
Hudson Rising on View March 1 – August 4, 2019
Hudson Rising On view March 1 – August 4, 2019 Selected PR Images The New-York Historical Society explores 200 years of ecological change, artistic inspiration, and environmental activism along the Hudson River in Hudson Rising. The exhibition features celebrated Hudson River School paintings, artifacts, and stories that evoke a journey through Hudson River landscapes and weave together 200 years of history from the industrial era to today. Much more than a body of water, the Hudson River and its environs have provided habitat for humans and hundreds of species of fish, birds, and plants; offered an escape for city-dwellers; and became a battleground between industrialists and environmental activists. Writers and artists have captured the river in paintings, drawings, literature, and photographs, and surveyors and scientists have mapped and measured every aspect of it. Thomas Cole, The Course of Empire: Desolation, 1833-1836, New-York Historical Society, Gift of the New-York Gallery of the Fine Arts, 1858.5 Course of Empire is a panoramic series of five paintings intended to inspire reflection on the meaning of “progress.” Shown in a prelude to the exhibition, the first three paintings depict the transformation of a pristine landscape into a new and thriving city. The final two— including Desolation— chart its dramatic decline, leading to the fall of an entire civilization. Model of the Mary Powell, 1947. New-York Historical Society, Gift of Mr. Edward Hungerford Wood- and coal-fired steamboats made Hudson journeys easy, cheap, and reliable, carrying upriver New York City’s burgeoning population and manufactured goods. They brought back ice, bricks, iron, coal, and lumber. -
Cambridge University Rambling Club Easter 2019
Cambridge University Rambling Club Easter 2019 You should bring a packed lunch (unless stated otherwise) and a bottle of water. Strong boots, waterproofs, and warm clothing are also recommended. Your only expense will be the bus or train fare (given below) and our annual £1 membership fee. There is no need to sign up in advance to join any of this term’s walks – just turn up at the time and place given (with the exception of the Varsity March, see the description below). For more information, please explore our website and Facebook page at: www.srcf.ucam.org/curac & www.facebook.com/cambridgerambling If you have any questions, feel free to email the Club’s President, Benjamin Marschall, at: [email protected] Hills in Bedfordshire Saturday 27th April 23 km / 14 miles Benjamin Marschall: bm515 We will visit some hills in southern Bedfordshire, which are part of the Chilterns. From Stopsley, on the edge of Luton, we climb to the summits of Warden Hill and Galley Hill, with fine views of the area. Along the John Bunyan Trail we will continue to the Barton Hills and the Pegsdon Hills Nature Reserve, before descending to Great Offley for our bus and train home. Meet: 9:05 at the railway station for the 9:24 train to Hitchin Return: 18:06 bus from Great Offley, back in Cambridge by 19:44 Cost: £5.60 with Railcard/GroupSave (£8.50 otherwise) for the train + £6.50 for the bus Orwell river walk: Freston to Shotley Point Saturday 4th May 10 miles / 16 km Pete Jackson: [email protected] An easy 10 mile walk along the scenic and wooded banks of the wide river Orwell to Shotley point from where you get a great view if Harwich and Felixstowe ports. -
~ Coal Mining in Canada: a Historical and Comparative Overview
~ Coal Mining in Canada: A Historical and Comparative Overview Delphin A. Muise Robert G. McIntosh Transformation Series Collection Transformation "Transformation," an occasional paper series pub- La collection Transformation, publication en st~~rie du lished by the Collection and Research Branch of the Musee national des sciences et de la technologic parais- National Museum of Science and Technology, is intended sant irregulierement, a pour but de faire connaitre, le to make current research available as quickly and inex- plus vite possible et au moindre cout, les recherches en pensively as possible. The series presents original cours dans certains secteurs. Elle prend la forme de research on science and technology history and issues monographies ou de recueils de courtes etudes accep- in Canada through refereed monographs or collections tes par un comite d'experts et s'alignant sur le thenne cen- of shorter studies, consistent with the Corporate frame- tral de la Societe, v La transformation du CanadaLo . Elle work, "The Transformation of Canada," and curatorial presente les travaux de recherche originaux en histoire subject priorities in agricultural and forestry, communi- des sciences et de la technologic au Canada et, ques- cations and space, transportation, industry, physical tions connexes realises en fonction des priorites de la sciences and energy. Division de la conservation, dans les secteurs de: l'agri- The Transformation series provides access to research culture et des forets, des communications et de 1'cspace, undertaken by staff curators and researchers for develop- des transports, de 1'industrie, des sciences physiques ment of collections, exhibits and programs. Submissions et de 1'energie . -
Project Aneurin
The Aneurin Great War Project: Timeline Part 8 - The War Machines, 1870-1894 Copyright Notice: This material was written and published in Wales by Derek J. Smith (Chartered Engineer). It forms part of a multifile e-learning resource, and subject only to acknowledging Derek J. Smith's rights under international copyright law to be identified as author may be freely downloaded and printed off in single complete copies solely for the purposes of private study and/or review. Commercial exploitation rights are reserved. The remote hyperlinks have been selected for the academic appropriacy of their contents; they were free of offensive and litigious content when selected, and will be periodically checked to have remained so. Copyright © 2013-2021, Derek J. Smith. First published 09:00 BST 5th July 2014. This version 09:00 GMT 20th January 2021 [BUT UNDER CONSTANT EXTENSION AND CORRECTION, SO CHECK AGAIN SOON] This timeline supports the Aneurin series of interdisciplinary scientific reflections on why the Great War failed so singularly in its bid to be The War to End all Wars. It presents actual or best-guess historical event and introduces theoretical issues of cognitive science as they become relevant. UPWARD Author's Home Page Project Aneurin, Scope and Aims Master References List FORWARD IN TIME Part 1 - (Ape)men at War, Prehistory to 730 Part 2 - Royal Wars (Without Gunpowder), 731 to 1272 Part 3 - Royal Wars (With Gunpowder), 1273-1602 Part 4 - The Religious Civil Wars, 1603-1661 Part 5 - Imperial Wars, 1662-1763 Part 6 - The Georgian Wars, 1764-1815 Part 7 - Economic Wars, 1816-1869 FORWARD IN TIME Part 9 - Insults at the Weigh-In, 1895-1914 Part 10 - The War Itself, 1914 Part 10 - The War Itself, 1915 Part 10 - The War Itself, 1916 Part 10 - The War Itself, 1917 Part 10 - The War Itself, 1918 Part 11 - Deception as a Profession, 1919 to date The Timeline Items 1870 Charles A. -
REDISCOVER the WORLD of ANALOG PHOTOGRAPHY Rollei Cinestill Revolog Cinestill Rollei
CHOICES We carry the world’S LARGEST SELECTION of black & white and color film in almost every format that you can imagine! Take a sneak peek at some cool choices inside or check out our huge selection online. Check it out! www.FreestylePhoto.Biz Rollei CineStill Revolog PRSRT STD U.S. POSTAGE PAID PHOTO & IMAGING SUPPLIES FREESTYLE 5124 Sunset Boulevard Hollywood, CA 90027 800.292.6137 FreestylePhoto.Biz REDISCOVER THE WORLD OF WORLD THE REDISCOVER ANALOG PHOTOGRAPHY ANALOG NEW AGAIN! NEW 800.292.6137 PHOTO & IMAGING & PHOTO | FreestylePhoto.Biz SUPPLIES © Trevor Masid Trevor © What a unique time period to be a photographer ! Everyone is taking pictures. We document every event, and even non-events, T? in an instant. Our cell phones have more photographs taken with them than WHA calls made. The amount of photography produced is the greatest it has ever … From a Paintcan been in any time period. Social media has opened up an entire new world with LegacyPro Paintcan and a whole new generation of photographers. Pinhole Camera (page 7) THE JOURNEY IS ANALOG! So, what are we doing producing an Analog Catalog? … With a box with Ars Imago Lab Box (page 22) Thanks to all of the above, the interest in photography has increased as a whole. So why not go back to our roots! Living in this online world has not only created a new generation interested in experimentation, but also a renewed passion for the arts in its many facets…old and new! This has led to a boom in new and one-of-a-kind film stocks, a resurgence in all formats, and a desire for alternative processes and hand-made images. -
Alternative Process Photography: Beyond Digital and Film Laura Michaud University of Rhode Island, Laura [email protected]
University of Rhode Island DigitalCommons@URI Senior Honors Projects Honors Program at the University of Rhode Island 2017 Alternative Process Photography: Beyond Digital and Film Laura Michaud University of Rhode Island, [email protected] Follow this and additional works at: http://digitalcommons.uri.edu/srhonorsprog Part of the Art and Design Commons, Chemistry Commons, Fine Arts Commons, History of Art, Architecture, and Archaeology Commons, Nonfiction Commons, and the Photography Commons Recommended Citation Michaud, Laura, "Alternative Process Photography: Beyond Digital and Film" (2017). Senior Honors Projects. Paper 545. http://digitalcommons.uri.edu/srhonorsprog/545http://digitalcommons.uri.edu/srhonorsprog/545 This Article is brought to you for free and open access by the Honors Program at the University of Rhode Island at DigitalCommons@URI. It has been accepted for inclusion in Senior Honors Projects by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. Laura Michaud THE ALT PROCESS COOKBOOK A simplified way to making beautiful non-traditional photographic prints. THE ALT PROCESS COOKBOOK Laura Michaud Special Thanks to: Zoey Stites Ron Onorato Annu Matthew Jill Enfield Laurie Sherman Steve Michaud Brian Podgurski Casey Miller Alex Murdock Porter Dolan Kim Manjuck Corey Favino Heidi Allen Anna Sherman Thank you all so much for all your help and support. Table of Contents 1. A Brief Overview of Photography…………………………….………..1 2. Making The Negative…………………………………...……....….…..5