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Mapping Robert Storr
Mapping Robert Storr Author Storr, Robert Date 1994 Publisher The Museum of Modern Art: Distributed by H.N. Abrams ISBN 0870701215, 0810961407 Exhibition URL www.moma.org/calendar/exhibitions/436 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art bk 99 £ 05?'^ £ t***>rij tuin .' tTTTTl.l-H7—1 gm*: \KN^ ( Ciji rsjn rr &n^ u *Trr» 4 ^ 4 figS w A £ MoMA Mapping Robert Storr THE MUSEUM OF MODERN ART, NEW YORK DISTRIBUTED BY HARRY N. ABRAMS, INC., NEW YORK (4 refuse Published in conjunction with the exhibition Mappingat The Museum of Modern Art, New York, October 6— tfoti h December 20, 1994, organized by Robert Storr, Curator, Department of Painting and Sculpture The exhibition is supported by AT&TNEW ART/NEW VISIONS. Additional funding is provided by the Contemporary Exhibition Fund of The Museum of Modern Art, established with gifts from Lily Auchincloss, Agnes Gund and Daniel Shapiro, and Mr. and Mrs. Ronald S. Lauder. This publication is supported in part by a grant from The Junior Associates of The Museum of Modern Art. Produced by the Department of Publications The Museum of Modern Art, New York Osa Brown, Director of Publications Edited by Alexandra Bonfante-Warren Designed by Jean Garrett Production by Marc Sapir Printed by Hull Printing Bound by Mueller Trade Bindery Copyright © 1994 by The Museum of Modern Art, New York Certain illustrations are covered by claims to copyright cited in the Photograph Credits. -
Key: * Organized by the Wexner Center + New Work Commissions/Residencies ♦ Catalogue Published by WCA ● Gallery Guide
1 Wexner Center for the Arts Exhibition History Key: * Organized by the Wexner Center + New Work Commissions/Residencies ♦ Catalogue published by WCA ● Gallery Guide ●LaToya Ruby Frazier: The Last Cruze February 1 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●Sadie Benning: Pain Thing February 1 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●Stanya Kahn: No Go Backs January 22 – August 16, 2020 (END DATE TO BE MODIFIED DUE TO COVID-19) *+●HERE: Ann Hamilton, Jenny Holzer, Maya Lin September 21 – December 29, 2019 *+●Barbara Hammer: In This Body (F/V Residency Award) June 1 – August 11, 2019 *Cecilia Vicuña: Lo Precario/The Precarious June 1 – August 11, 2019 Jason Moran June 1 – August 11, 2019 *+●Alicia McCarthy: No Straight Lines February 2 – August 1, 2019 John Waters: Indecent Exposure February 2 – April 28, 2019 Peter Hujar: Speed of Life February 2 – April 28, 2019 *+♦Mickalene Thomas: I Can’t See You Without Me (Visual Arts Residency Award) September 14 –December 30, 2018 *● Inherent Structure May 19 – August 12, 2018 Richard Aldrich Zachary Armstrong Key: * Organized by the Wexner Center ♦ Catalogue published by WCA + New Work Commissions/Residencies ● Gallery Guide Updated July 2, 2020 2 Kevin Beasley Sam Moyer Sam Gilliam Angel Otero Channing Hansen Laura Owens Arturo Herrera Ruth Root Eric N. Mack Thomas Scheibitz Rebecca Morris Amy Sillman Carrie Moyer Stanley Whitney *+●Anita Witek: Clip February 3-May 6, 2018 *●William Kentridge: The Refusal of Time February 3-April 15, 2018 All of Everything: Todd Oldham Fashion February 3-April 15, 2018 Cindy Sherman: Imitation of Life September 16-December 31, 2017 *+●Gray Matters May 20, 2017–July 30 2017 Tauba Auerbach Cristina Iglesias Erin Shirreff Carol Bove Jennie C. -
William Gropper's
US $25 The Global Journal of Prints and Ideas March – April 2014 Volume 3, Number 6 Artists Against Racism and the War, 1968 • Blacklisted: William Gropper • AIDS Activism and the Geldzahler Portfolio Zarina: Paper and Partition • Social Paper • Hieronymus Cock • Prix de Print • Directory 2014 • ≤100 • News New lithographs by Charles Arnoldi Jesse (2013). Five-color lithograph, 13 ¾ x 12 inches, edition of 20. see more new lithographs by Arnoldi at tamarind.unm.edu March – April 2014 In This Issue Volume 3, Number 6 Editor-in-Chief Susan Tallman 2 Susan Tallman On Fierce Barbarians Associate Publisher Miguel de Baca 4 Julie Bernatz The Geldzahler Portfoio as AIDS Activism Managing Editor John Murphy 10 Dana Johnson Blacklisted: William Gropper’s Capriccios Makeda Best 15 News Editor Twenty-Five Artists Against Racism Isabella Kendrick and the War, 1968 Manuscript Editor Prudence Crowther Shaurya Kumar 20 Zarina: Paper and Partition Online Columnist Jessica Cochran & Melissa Potter 25 Sarah Kirk Hanley Papermaking and Social Action Design Director Prix de Print, No. 4 26 Skip Langer Richard H. Axsom Annu Vertanen: Breathing Touch Editorial Associate Michael Ferut Treasures from the Vault 28 Rowan Bain Ester Hernandez, Sun Mad Reviews Britany Salsbury 30 Programs for the Théâtre de l’Oeuvre Kate McCrickard 33 Hieronymus Cock Aux Quatre Vents Alexandra Onuf 36 Hieronymus Cock: The Renaissance Reconceived Jill Bugajski 40 The Art of Influence: Asian Propaganda Sarah Andress 42 Nicola López: Big Eye Susan Tallman 43 Jane Hammond: Snapshot Odyssey On the Cover: Annu Vertanen, detail of Breathing Touch (2012–13), woodcut on Maru Rojas 44 multiple sheets of machine-made Kozo papers, Peter Blake: Found Art: Eggs Unique image. -
Winter 1982 CAA Newsletter
newsletter Volume7, Number 4 Winter 1982 annual members announcements business meeting Art Journal Back Issues Summer Seminars for College Teachers We have available a limited stock of back This NEH program will offer 84 eight-week issues of the Art Journal dating from the in seminars during the summer of 1983. Those The 7Ist Annual Members Business Meeting ception of the thematic issues. Single issue selected to attend will receive a stipend of will be held on Thursday, February 17,1983 price: $3.50 (plus postage and handling: for $2,700 to cover travel expenses, books and at 1:00 P.M. in the Provincial Ballroom (Mez 1-3 copies, 75¢ each U.S., $1.50 each other research expenses, and living expenses. zanine Level) of the Franklin Plaza Hotel. In foreign; 4-9 copies, 50¢ each U.S., $1.00 The purpose of the program is to provide op accordance with a short-standing (two-year each foreign). Special offer for 10 or more portunities for faculty at undergraduate and old) tradition, the business meeting will take copies of the same issue: $2.50 each, postage two-year colleges to work with distinguished place in the ceremonious setting of an Official and handling included. All orders must be scholars in their fields at institutions with Opening Session, which will include high accompanied by a covering check drawn on a library collections suitable for advanced lights of the coming program as well as a U.S. bank. All sales are final. Make checks research. The 1983 Summer Seminars for review of the Association's activities over the payable to College Art Association and send College Teachers brochure, which lists sem past year. -
An Exhibition of Works by Recipients of the Annual Awards in the Visual Arts
AWARDS IN THE VISUAL ARTS AWARDS I N THE VISUAL ARTS 1)1 :he AEiXiQiiOiQd ib^i^ttatOi/iln-tlpcPtr^dQt AlilQlTJiX^los Alfonzo. in 2015 https://archive.org/details/awardsinvisualar10sout AWARDS IN THE VISUAL ARTS lO CARLOS ALFONZO STEVE BARRY PETAH COYNE T"^' 11 LABAT C/ ' :^>. LEfl^.^ AITZ ADRIAN PAPER A. _ . _.HE-F.^ ^„^^LL JESSICA S EXHIBITION TOUR 12 June through 2 September, 1991 Hirshhorn Museum and Sculpture Garden Smithsonian Institution Washington, DC 14 September through 1 December, 1991 Albuquerque Museum of Art, History and Science Albuquerque, New Mexico 15 December, 1991 through 26 January, 1992 The Toledo Museum of Art Toledo, Ohio Spring of 1992 The BMW Gallery New York, New York Selections of AVA 10 Exhibition FUNDERS The Awards in the Visual Arts program is funded by BMW of North America, Inc. Woodcliff Lake, New Jersey The Rockefeller Foundation New York, New York AVA is funded in part by a grant from the National Endowment for the Arts, a federal agency, Washington, D.C. The program was founded and is administered by the Southeastern Center for Contemporary Art Winston-Salem, North Carolina I I I I I"- CONTENTS FOREWORD 8 by Ted Potter CATALOG ESSAY 9 by Kathryn Hixson CARLOS ALFONZO 24 STEVE BARRY 32 PETAH COYNE 40 JAMES HAYWARD 50 TONY LABAT 56 CARY S. LEIBOWITZ 66 ADRIAN PIPER 74 ARNALDO ROCHE-RABELL 86 KAY ROSEN 92 JESSICA STOCKHOLDER 102 EXHIBITION CHECKLIST no AVA GUIDELINES/PROCEDURES 114 AVA RECIPIENTS 1981 90 116 AVA lO JURY 118 AVA EXECUTIVE COMMITTEE 119 AVA NATIONAL PROFESSIONAL COUNCIL 120 ACKNOWLEDGMENTS 122 FOREWORD The Awards in the Visual Arts tenth annual exhibition will open at the Hirshhorn Museum and Sculpture Garden. -
Curriculum Vitae.Pdf
HEIDE FASNACHT (b. 1951, Cleveland, Ohio) SOLO EXHIBITIONS 2019-20 Past Imperfect, Martin Art Gallery, Muhlenberg Collage, PA (catalogue, Essay by Nancy Princenthal) 2015 Suspect Terrain, Socrates Sculpture Park, L.I.C., NY (catalogue) 2013 Little Murders, Q Box Gallery, Athens, Greece 2012 Loot. Kent Fine Art, New York 2009 The ERR Project, Kent Gallery, New York Impermanent Collection, QBox Gallery, Athens 2007 In Transit, Bernard Toale Gallery, Boston New City, Kent Gallery, New York 2006 Wild Blue 2001-2004, Pan American Gallery, Dallas 2005 Jump Zone, Bernard Toale Gallery, Boston Drawn to Sublime, Kent Gallery, New York 2004 Strange Attractors, Anderson Galleries, Virginia Commonwealth University, Richmond. 2003 Galeria Trama, Barcelona Precipitation, Kent Gallery, New York 2000 New Sculptures and Drawings, Bill Maynes Gallery, New York Bernard Toale Gallery, Boston Blowup: Recent Sculpture and Drawings by Heide Fasnacht, Worcester Art Museum, Worcester, Mass. 1999 Drawings, Hiestand Gallery, Miami University, Oxford, Ohio These Things Happen, Bill Maynes Gallery, New York Involuntary Actions, Southeastern Center for Contemporary Art, Winston-Salem, N.C. 1997 Fuzzy Logic, Bill Maynes Gallery, New York 1996 Atlantic Center for the Arts, New Smyrna Beach, Fla. Bernard Toale Gallery, Boston 1994 Ohio, Gallery 210, University of Missouri, St. Louis 1993 Atelier Liechtenstein, Triesen RAM Galerie, Rotterdam 1992 Cleveland Center for Contemporary Art, Cleveland, Ohio. Curated by David Rubin 1991 Eugene Binder Gallery, Dallas 1990 Germans van Eck Gallery, New York Dorothy Goldeen Gallery, Los Angeles 1989 Germans van Eck Gallery, New York Hill Gallery, Birmingham, Mich. 1988 Germans van Eck Gallery, New York 1987 Saxon-Lee Gallery, Los Angeles 1986 Hill Gallery, Birmingham, Mich. -
Jean-Noel Archive.Qxp.Qxp
THE JEAN-NOËL HERLIN ARCHIVE PROJECT Jean-Noël Herlin New York City 2005 Table of Contents Introduction i Individual artists and performers, collaborators, and groups 1 Individual artists and performers, collaborators, and groups. Selections A-D 77 Group events and clippings by title 109 Group events without title / Organizations 129 Periodicals 149 Introduction In the context of my activity as an antiquarian bookseller I began in 1973 to acquire exhibition invitations/announcements and poster/mailers on painting, sculpture, drawing and prints, performance, and video. I was motivated by the quasi-neglect in which these ephemeral primary sources in art history were held by American commercial channels, and the project to create a database towards the bibliographic recording of largely ignored material. Documentary value and thinness were my only criteria of inclusion. Sources of material were random. Material was acquired as funds could be diverted from my bookshop. With the rapid increase in number and diversity of sources, my initial concept evolved from a documentary to a study archive project on international visual and performing arts, reflecting the appearance of new media and art making/producing practices, globalization, the blurring of lines between high and low, and the challenges to originality and quality as authoritative criteria of classification and appreciation. In addition to painting, sculpture, drawing and prints, performance and video, the Jean-Noël Herlin Archive Project includes material on architecture, design, caricature, comics, animation, mail art, music, dance, theater, photography, film, textiles and the arts of fire. It also contains material on galleries, collectors, museums, foundations, alternative spaces, and clubs. -
Francisco Sierra, the New God, 2013
Heide Fasnacht Biography 1951 Born in Cleveland, Ohio BFA Rhose Island School of Design MA New York University Heide Fasnacht lives and works in New York Selected Solo Exhibitions 2013 “Little Murders”, Qbox Gallery, Athens, Greece 2012 “Loot”, Kent Fine Art, NYC 2009 “The ERR Project”, Kent Gallery, NYC “Impermanent Collection”, Qbox Gallery, Athens, Greece 2007 “In Transit”, Bernard Toale Gallery, Boston “New City”, Kent Gallery, New York 2006 “Wild Blue 2001-2004”, Pan American Gallery, Dallas 2005 “Jump Zone”, Bernard Toale Gallery, Boston “Drawn to Sublime”, Kent Gallery, New York 2004 “Strange Attractors”, Anderson Galleries, Virginia Commonwealth University, Richmond 2003 Galeria Trama, Barcelona, SP “Precipitation”, Kent Gallery, New York 2000 “New Sculptures and Drawings”, Bill Maynes Gallery, NY Bernard Toale Gallery, Boston “Blowup: Recent Sculpture and Drawings by Heide Fasnacht”, Worchester Art Museum, Worchester, Mass. 1999 “Drawings”, Hiestand Gallery, Miami Univ, Oxford, Ohio “These Things Happen”, Bill Maynes Gallery, New York “Involuntary Actions”, Southeastern Center for Contemporary Art, Winston-Salem, N.C. 1997 “Fuzzy Logic”, Bill Maynes Gallery, NY 1996 Atlantic Center for the Arts, New Smyrna Beach, Fla. Bernard Toale Gallery, Boston 1994 “Ohio”, Gallery 210, University of Missouri, St. Louis 1993 Atelier Liechtenstein, Triesen RAM Galerie, Rotterdam 1992 Cleveland Center for Contemporary Art, Cleveland, OH 1991 Eugene Binder Gallery, Dallas 1990 - Germans van Eck Gallery, New York Dorothy Golden Gallery, Los Angeles 1989 Germans van Eck Gallery, New York Hill Gallery, Birmingham, Mich. 1988 Germans van Eck Gallery, New York 1987 Saxon-Lee Gallery, Los Angeles 1986 Hill Gallery, Birmingham, Mich. Heide Fasnacht, Biography - Anthea Contemporary Art Investment Fund - March 2014 1985 Vanderwoude-Tananbaum Gallery, New York 1984 Hill Gallery, Birmingham, Mich 1983 Vanderwoude-Tananbaum Gallery, New York 1982 80 Washington Sq East Gallery, New York University 1981 Cleveland Center for Contemporary Art, Cleveland, OH 1979 P.S. -
Carolheppertheskinofthings.Pdf
Carol Hepper: The Skin of Things FOREWORD BY ESSAY BY INTERVIEW BY Sally Wright Oliver Shultz Patterson Sims Published on the occasion of the exhibition Artwork © 2018 Carol Hepper BOARD OF DIRECTORS ACKNOWLEDGMENTS Text © 2018 Oliver Shultz, Patterson Sims, and Carol Hepper: The Skin of Things Sally Wright David Barnes, President My gratitude goes to Sally Wright, who CAS Arts Center Biography Photo © O N E E V E R Y O N E Carol, Catherine DeNatale, Vice President envisioned, coordinated, and ushered this June 30–August 25, 2018 2014, pigment print on gampi. From Leanne Stuhlmiller, Treasurer exhibition into being. Her intelligence, poise, O N E E V E R Y O N E at the ADAA Art Show, Robyn Almquist, Secretary and professionalism made the process an First edition published in 2018 Park Avenue Armory, New York, NY. Thurman Barker absolute pleasure. I would like to thank Patterson Courtesy Ann Hamilton Studio and Alessandra Gouldner Sims, who not only introduced me to Sally, but Edition of 600 Carl Solway Gallery. Ultan Guilfoyle also conducted a wide-ranging interview and James Karpowicz painstakingly edited it into a cohesive read. Oliver CAS ARTS CENTER Publisher: Catskill Art Society Tony Lance Shultz, with his deep knowledge and astute 48 Main Street Copyeditor: Katherine Atkins Simone Nicole McGurl perception, has contributed an invaluable essay Livingston Manor, NY 12758 Photoeditor: Natasha Otrakji Joni Wehrli to this catalogue. This beautifully designed book Design: Ninze Chen-Benchev would not have been possible without Ninze ARTISTS COUNCIL Chen-Benchev. I would also like to acknowledge my studio manager, the photographer Natasha Mac Adams Otrakji, for her spot-on color corrections and Ellen Brooks photo-editing assistance. -
Visual Arts Center of New Jersey Exhibition Timeline
VISUAL ARTS CENTER OF NEW JERSEY EXHIBITION TIMELINE 1935 Exhibition Committee Chairperson: Junius Allen (Fall 1935 – Spring 1936) Oil and Watercolor Paintings by Carl Sprinchorn October 27 – November 9, 1935 3rd Annual Exhibition and Auction December 2 – 14, 1935 1936 Exhibition Committee Chairperson: Junius Allen (Fall 1935 – Spring 1936) Unknown (Fall 1936 – Spring 1937) Paintings by New York Artists: George Elmer Browne, John F. Carlson, George Pearse Ennis, Andrew Winter, Ernest Roth, and Ferdinand E. Warren January 20 – February 1, 1936 Offsite Exhibition: Summit Artists at the Summit Public Library February 16 – 29, 1936 Contemporary Prints October 18 – unknown date, 1936 Recent Paintings by Junius Allen November 8 – unknown date, 1936 1937 Paintings by Modern Artists of New Jersey January 3 – unknown date, 1937 Paintings, Drawings, and Prints by Fiske Boyd January 24 – unknown date, 1937 Antique Pictures and Early American Art from Private Collections March 14 – unknown date, 1937 Contemporary Prints October 18 – unknown date, 1937 Etchings and Dry Point Prints from Collections of Summit Residents November 7 – 24, 1937 1938 Oil and Pastel Paintings by Mary Bayne Bugbird January 9 – 26, 1938 Paintings from the Collection of the Whitney Museum of American Art January 30 – February 16, 1938 Photography by Summit Residents February 20 – March 9, 1938 Oil and Watercolor Paintings by Lesley Crawford March 13 – 30, 1938 Work of the Life Class April 24 – May 11, 1938 1939 Martha Berry, Art Director at Summit Public Schools Unknown date, 1939 Claire Boyd, Art Instructor at Kent Place School Unknown date, 1939 Collection of Bound Books Unknown date, 1939 New Jersey Painters: Junius Allen, T. -
Oral History Interview with Franz Schulze, 2015 October 19-21
Oral history interview with Franz Schulze, 2015 October 19-21 Funding for this interview was provided by the Terra Foundation for American Art. Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Preface The following oral history transcript is the result of a recorded interview with Franz Schulze on 2015 October 19 and 21. The interview took place at Schulze's home in Lake Forrest, IL, and was conducted by Lanny Silverman for the Archives of American Art, Smithsonian Institution. This interview is part of the Chicago Art and Artists: An Oral History Project. Franz Schulze and Luke Schulze, his son, have reviewed the transcript. Their corrections and emendations appear below in brackets with initials. This transcript has been lightly edited for readability by the Archives of American Art. The reader should bear in mind that they are reading a transcript of spoken, rather than written, prose. Interview LANNY SILVERMAN: This is Lanny Silverman on behalf of the Smithsonian Institute's Archives of American Art. It's October 19th, and I'm here in the Lake Forest home of Franz Schulze, and we're doing part one of an interview. [END OF schulz15_1of2_sd_track01_r.] LANNY SILVERMAN: So, I guess the first question for me is where and when were you born? I assume you're a lifelong Chicagoan, but I— FRANZ SCHULZE: No. LANNY SILVERMAN: You're not? FRANZ SCHULZE: Pennsylvania. LANNY SILVERMAN: I'm from Pennsylvania, too. FRANZ SCHULZE: Uniontown, southwestern. LANNY SILVERMAN: Oh, that's a different part. -
HEIDE FASNACHT (B
HEIDE FASNACHT (b. 1951, Cleveland, Ohio) EDUCATION B.F.A Rhode Island School of Design M.A. New York University HONORS AND AWARDS 2012/2013 Lower East Side Printshop. Publishing Residency 2010 Pollock-Krasner Foundation Fellowship 2007 New York Foundation for the Arts, Sculpture Fellowship 2006 Montalvo Arts Center Fellowship 2005 MacDowell Colony Fellowship 2004 Artist in Residence, Pilchuck Glass School Virginia Commonwealth University Artist in Residence 2003 Rockefeller Fellowship, Bellagio Study Center 2001 Adolph and Esther Gottlieb Foundation Grant 1999 Pollock-Krasner Foundation Fellowship 1998 Artist in Residence, Isabella Stewart Gardiner Museum 1994 National Endowment for the Arts Sculpture Fellowship 1993 Atelier Liechtenstein Foundation Grant 1990 John Simon Guggenheim Fellowship National Endowment for the Arts Sculpture Fellowship 1989 Yaddo Fellowship 1986 MacDowell Colony Fellowship Award in the Visual Arts, Southeastern Center for Contemporary Art Louis Comfort Tiffany Foundation Grant 1985 Yaddo Fellowship 1984 Edward Albee Foundation Grant 1983 Athena Foundation Grant 1981 MacDowell Colony Fellowship 1980 Yaddo Fellowship 1979 National Endowment for the Arts Planning Grant 1973 Superstudio Internship, Florence, Italy SOLO EXHIBITIONS 2015 Suspect Terrain, Socrates Sculpture Park, L.I.C., NY (catalogue) 2013 Little Murders, Q Box Gallery, Athens, Greece 2012 Loot. Kent Fine Art, New York 2009 The ERR Project. Kent Gallery, New York Impermanent Collection, QBox Gallery, Athens 2007 In Transit. Bernard Toale Gallery, Boston New City. Kent Gallery, New York 2006 Wild Blue 2001-2004. Pan American Gallery, Dallas 2005 Jump Zone. Bernard Toale Gallery, Boston Drawn to Sublime. Kent Gallery, New York 2004 Strange Attractors. Anderson Galleries, Virginia Commonwealth University, Richmond. 2003 Galeria Trama, Barcelona Precipitation.