PROVINCIAL MUSEUM of NATURAL HISTORY and ANTHROPOLOGY
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MEDIA IMAGES High-res images of 81 works in the Royal BC Museum Google Art Project available on request. All images and content at: http://www.google.com/culturalinstitute/project/art-project Media contact: Royal BC Museum Media Inquiries, 250-387-3207 or [email protected] Raven and Whale Photograph © Royal BC Museum, BC Archives. Chief Nakaṕankam, Mungo Martin, Raven and Whale, 1960. Watercolour on paper. RBCM14429 Chief Nakaṕankam, Mungo Martin, was born about 1881 in the Kwagu’ł village of Tsaxis (Fort Rupert) on the east coast of Vancouver Island. He was raised in the traditional culture of his people and was an expert carver and singer. In 1947, he was hired by the University of British Columbia Museum of Anthropology in Vancouver to restore and replicate totem poles in their collection. In 1952, when he was about 72 years old, he moved to Victoria on Vancouver Island to be Chief Carver on staff at the British Columbia Provincial Museum (now the Royal BC Museum), where he created more than two dozen poles and built Wawadiťła, a version of a traditional Kwakwaka’wakw bighouse, in Thunderbird Park. For the opening of Wawadiťła in 1953, Martin gave the first legal potlatch after the law against potlatching was dropped from the Indian Act in 1951. Wawadiťła continues to be used for First Nations events with the permission of Martin’s grandson. Poles carved by Mungo Martin at the Royal BC Museum are now in Athens, Mexico City, London and many other world cities. Martin died on August 16, 1962. Hundreds of people came to pay their respects when the Chief lay in state in Wawadiťła. -
Johnston, Derek Lukin, 1913- , Collector
DEREK LUKIN JOHNSTON, 1913 - A list of his collection of letters in the Library of the University of British Columbia Special Collections Prepared by: Wayne Murdoch June, 1992 Derek Robert Lukin Johnston . Biographical Note D.R. Lukin Johnston was born in Duncan B.C. on February 8, 1913, and was educated in B .C. and England . Mr. Johnston began his career in chartered accountancy in England in 1931 ; he returned to Canada in 1938 and joined the firm of Price Waterhouse in Vancouver, where he remained until his retirement in 1973 (save for service in th e Canadian Navy 1941-1945) . Mr. Johnston has been a member of the Vancouver Public Library Board (1954-1967; chairman 1962-1967) as well as Governor of the Vancouve r Public Library Trust (1981-1989; Governor Emeritus since 1989) . Since 1979 Mr. Johnston has been Hon. Secretary and then Hon . Archivist of the Sir Winston Churchill Society o f Vancouver. Derek Robert Lukin Johnston. File list of letters . BOX & FOLDER NO. LETTER/DATE 1- 1 Duke of Wellington to Captain Chas. May 31, 1824 (letter in French) . 1-2 Duke of Wellington to Captain Chas. June 11, 1824 (letter in French). 1-3 Duke of Wellington to Mr.Dunn / Mr. Lushington. November 17 / 24, 1835 (includes transcription as well as letter from Nevill Thompson to L. Johnston concerning letters) . 1-4 William Pitt to Lord Lorne. August 18, 1805 (letter concerns arrangement of appointment) . 1-5 Sir Robert Peel to Wm. Mare. June 29, 184 1 (letter written during election of Summer 1841) . 1-6 Benjamin Disraeli to Mr . -
Tlingit/Haida Material Resources Library Media Services Fairbanks North Star Borough School District
Tlingit/Haida Material Resources Library Media Services Fairbanks North Star Borough School District Media/Call Number Title Author [ Audiobook ] Touching Spirit Bear Mikaelsen, Ben, 1952- [ Book ] A Tlingit uncle and his nephews Partnow, Patricia H. [ Book ] Chilkoot trail : heritage route to the Klondike Neufeld, David. [ Book ] Illustrated Tlingit legends drawings by Tresham Gregg. [ Book ] Indian primitive Andrews, Ralph W. (Ralph Warren), 1897- 1988. [ Book ] Remembering the past : Haida history and culture Cogo, Robert. [ Book ] Songs of the dream people : chants and images from the Indians Houston, James A., 1921- and Eskimos of North America [ Book ] Songs of the totem Davis, Carol Beery. [ Book ] The native people of Alaska : traditional living in a northern land Langdon, Steve, 1948- [ Book ] The raven and the totem : [traditional Alaska native myths and Smelcer, John E., 1963- tales] [ Book ] The Tlingit way : how to make a canoe Partnow, Patricia H. [ Book ] The Tlingit way : how to treat salmon. Partnow, Patricia H. [ Book ] The Tlingit world Partnow, Patricia H. [ Book ] Three brothers Partnow, Patricia H. [ Book ] Tlingit Indians of Southeastern Alaska : teacher's guide Partnow, Patricia H. [ Book ] Tlingit Indians of Southeastern Alaska : teacher's guide. Partnow, Patricia H. [ Book ] Tlingit Indians of Southeastern Alaska, teacher's guide Partnow, Patricia H. [ Book ] Totem poles to color & cut out Brown, Steven. [ Book ] Touching Spirit Bear Mikaelsen, Ben, 1952- [ Book ] 078.5 LYO Pacific coast Indians of North America Lyons, Grant. [ Book ] 390 CHA Alaska's native peoples Chandonnet, Ann. [ Book ] 398.2 AME 1998 American Indian trickster tales selected and edited by Richard Erdoes and Alfonso Ortiz. -
JACK DAVY Worked for the British and Horniman Museums Before
DOI BIO: JACK DAVY worked for the British and Horniman museums before earning a PhD from University College London, where he studied miniature artifacts from the Northwest Coast of the United States and Canada. He is currently a senior research assistant at the University of East Anglia for Beyond the Spectacle: Native North American Presence in Britain, a three- year project funded by the United Kingdom Arts and Humanities Research Council. The “Idiot Sticks”: Kwakwaka’wakw Carving and Cultural Resistance in Commercial Art Production on the Northwest Coast Jack Davy Between 1884 and 1951 a ban on potlatching prohibited Indigenous communities of British Columbia from practicing traditional economic, ceremonial, and political activities, restricting them to state-sanctioned gatherings and celebrations. Unable to perform traditional dances and wear the associated regalia, Native artistic practices, in particular carving, began to fall into disuse as demand dried up. Restricted to only a few artistic forms permitted by local authorities, carvers turned to the growing tourist market, a field dominated by non- Native dealers but also disdained by government as inauthentic and thus, ostensibly non- threatening. Among art forms most popular with the Kwakwaka’wakw people of Vancouver Island and the corresponding British Columbia coast were model totem poles, which have often been overlooked as facile souvenir art and even sometimes derided as “idiot sticks.” In reality, however, drawing from both historical accounts and contemporary interviews with Kwakwaka’wakw carvers, this article demonstrates that these model totem poles were a subversive method of Indigenous defiance of Canadian authority. Carvers satirically enacted resistance through these model poles, not only mocking those who would presume to judge without knowledge, but in preserving information for future generations, could ensure the survival of traditional designs and techniques and register protest at their treatment by non-Native government and society. -
A Review of Ethnographic and Historically Recorded Dentaliurn Source Locations
FISHINGFOR IVORYWORMS: A REVIEWOF ETHNOGRAPHICAND HISTORICALLY RECORDEDDENTALIUM SOURCE LOCATIONS Andrew John Barton B.A., Simon Fraser University, 1979 THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN THE DEPARTMENT OF ARCHAEOLOGY Q Andrew John Barton 1994 SIMON FRASER UNIVERSITY Burnaby October, 1994 All rights reserved. This work may not be reproduced in whole or in part, by photocopy or other means without permission of the author. Name: Andrew John Barton Degree: Master of Arts (Archaeology) Title of Thesis: Fishing for Ivory Worms: A Review of Ethnographic and Historically Recorded Dentaliurn Source Locations Examining Committee: Chairperson: Jack D. Nance - -, David V. Burley Senior Supervisor Associate Professor Richard Inglis External Examiner Department of Aboriginal Affairs Government of British Columbia PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis or dissertation (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this thesis for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this thesis for financial gain shall not be allowed without my written permission. Title of ThesisIDissertation: Fishing for Ivory Worms: A Review of Ethnographic and Historically Recorded Dentalium Source Locations Author: Andrew John Barton Name October 14, 1994 Date This study reviews and examines historic and ethnographic written documents that identify locations where Dentaliurn shells were procured by west coast Native North Americans. -
Staying the Course, Staying Alive – Coastal First Nations Fundamental Truths: Biodiversity, Stewardship and Sustainability
Staying the Course, Staying Alive coastal first nations fundamental truths: biodiversity, stewardship and sustainability december 2009 Compiled by Frank Brown and Y. Kathy Brown Staying the Course, Staying Alive coastal first nations fundamental truths: biodiversity, stewardship and sustainability december 2009 Compiled by Frank Brown and Y. Kathy Brown Published by Biodiversity BC 2009 ISBN 978-0-9809745-5-3 This report is available both in printed form and online at www.biodiversitybc.org Suggested Citation: Brown, F. and Y.K. Brown (compilers). 2009. Staying the Course, Staying Alive – Coastal First Nations Fundamental Truths: Biodiversity, Stewardship and Sustainability. Biodiversity BC. Victoria, BC. 82 pp. Available at www.biodiversitybc.org cover photos: Ian McAllister (kelp beds); Frank Brown (Frank Brown); Ian McAllister (petroglyph); Ian McAllister (fishers); Candace Curr (canoe); Ian McAllister (kermode); Nancy Atleo (screened photo of canoers). title and copyright page photo: Shirl Hall section banner photos: Shirl Hall (pages iii, v, 1, 5, 11, 73); Nancy Atleo (page vii); Candace Curr (page xiii). design: Arifin Graham, Alaris Design printing: Bluefire Creative The stories and cultural practices among the Coastal First Nations are proprietary, as they belong to distinct families and tribes; therefore what is shared is done through direct family and tribal connections. T f able o Contents Foreword v Preface vii Acknowledgements xi Executive Summary xiii 1. Introduction: Why and How We Prepared This Book 1 2. The Origins of Coastal First Nations Truths 5 3. Fundamental Truths 11 Fundamental Truth 1: Creation 12 Fundamental Truth 2: Connection to Nature 22 Fundamental Truth 3: Respect 30 Fundamental Truth 4: Knowledge 36 Fundamental Truth 5: Stewardship 42 Fundamental Truth 6: Sharing 52 Fundamental Truth 7: Adapting to Change 66 4. -
THE KWAKIUTL TOTEM POLE and ITS SYMBOLIC VALUE Redacted for Privacy Abstract Approved: (John A
AN ABSTRACT OF THE THESIS OF Marie Mauzefor the degree of Master of Arts Interdisciplinary Studies: in Anthropology, History, Education, Art presented on August 18, 1975 Title: THE KWAKIUTL TOTEM POLE AND ITS SYMBOLIC VALUE Redacted for Privacy Abstract approved: (John A. Dunn) The antiquity of the Northwest Coast Indian pole is the subject of a great deal of controversy. A few viewpoints referring to that topic are given. The symbolic value of the Kwakiutl totem pole is examined with respect to art, style and culture; more generally "primitive" art is considered as being completely integrated with the major aspects of human existence. Theories concerning totemism are described here and totemism among the Kwakiutl is examined with re- spect to the social structure, mythology, the poles, and their inter- relationships. The Kwakiutl Totem Pole and Its Symbolic Value by Marie - France Mauze A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts in Interdisciplinary Studies Completed August 18, 1975 Commencement June 1976 APPROVED: Redacted for Privacy Associate( ofessor of Anthropology for Privacy (Redacted Chairman and Professor History Redacted for Privacy Professor of Education Redacted for Privacy Dean ;t College of Liberal Ar s Redacted for Privacy Chairman of Orrisciplinary Studies Redacted for Privacy Dian of 13raduate5Xchoot Date thesis is presented August 18, 1975 Typed by Secretarial Services for Marie Mauze TABLE OF CONTENTS Introduction 1 I. Northwest Coast Pole Antiquity 5 II. Iconography 11 Social Analysis 11 Art and Material Symbolism 13 Toward a Definition 15 Technique 17 Organization of Spaces and Forms 19 Material Symbolism 22 III. -
Totem Poles of Alert Bay Located Near BC Ferry Terminal Was Carved by Chief Doug Cranmer in the What Is a Totem Pole? 19 Early 1970’S
19 Pole-Eagle, Killer Whale located at current ‘Namgis Burial Grounds carved by Don Svanvik Bert Svanvik, Sean Whonnock, Johnathan Henderson in 2005. Memorial for Grandparents 25 Gideon and Edith Whonnock 20 Sisiyutl ‘Namgis Welcome Archway Totem Poles of Alert Bay located near BC Ferry Terminal was by Chief Doug Cranmer in the What is a Totem Pole? carved 19 early 1970’s. Relocated summer 2000 Totem poles are primarily visual statements about the ceremonial privileges and from Port Hardy when gifted by Finning identity of those who erected them. The figures represented on totem poles are Tractor to the ‘Namgis First Nation. those beings from mythical times who became, or were encountered by, the ancestors of the group that later took them as crests. For instance, some Kwakwaka'wakw families claim as a crest the Thunderbird, who descended 20 from the sky and took off his regalia and became their human ancestor. Others claim crests on the basis of encounters their ancestors had with supernatural 21 Pole-Thunderbird, Man holding beings. The erection of a totem pole would usually be celebrated by a potlatch. At this time, the stories pertaining to the crests they displayed were shown, and Copper, ‘Namxxelagiyu located near the rights of the family to claim the privileges were publicly witnessed. ‘Namgis First Nation Office carved Especially important totem poles were those raised in honour of Chiefs by their by Stephen Bruce in 2000 21 successors. When a totem pole was commissioned, the artist was told which 22 23 crest it was to show, but there is considerable evidence that he was given some degree of freedom as to how he chose to portray them. -
Haida Gwaii Canada’S Galapagos June 7 – 16, 2019
ROMTravel – World Cultures Tour Let our experts be your guides Haida Gwaii Canada’s Galapagos June 7 – 16, 2019 Haida Gwaii (formerly the Queen Charlotte reading library. On deck, the wheelhouse Islands) is one of the richest biological and provides comfortable seating, and protection cultural areas in North America. Cruise the for any weather. The yacht carries two large waters of this remote archipelago seeing zodiacs for frequent access to shore, two ancient Haida villages, an abundance of double kayaks, and three single kayaks for use wildlife and outstanding wilderness scenery. in protected waters. All meals on board the Explore the Gwaii Haanas National Park Tour Itinerary and Highlights yacht are included. Meals, cooked fresh each Reserve and Haida Heritage Site, an June 7 Sandspit day in a wilderness setting, enhance incredible area of 100 plus islands, beautiful Individual arrivals at Sandspit Airport. Plan to everyone’s enjoyment. No smoking is forested creek walks, rugged headlands and fly early afternoon with Air Canada from permitted aboard the yacht. Soft-sided protected passageways. The number of Vancouver. Overnight at Sandspit Inn, located luggage only please! visitors is limited to protect the fragile across the street from the airport. Welcome Resource Person ecological and cultural sites. Only one group reception with wine. Dinner on your own. As the former Director is allowed ashore at any time, and just a select June 8 Sandspit group of companies are permitted to bring Breakfast at the hotel before our departure by of the Haida Gwaii visitors to Gwaii Haanas. Bluewater shuttle bus, and ferry across to Graham Island. -
When the Spirit of the Place Becomes a Symbol
When the Spirit of the Place Becomes a Symbol MARÍA INÉS SUBERCASEAUX, Senior Conservation Architect 102 des marronniers, Gatineau, J9J 1T9 Tel: 819-997-4982 Fax: 819-953-7482 Email: [email protected] Abstract. Canada is home to a myriad of cultural expressions of spirit of the place. From Haida totems to northern Inuksuit, native forms can be appreciated for their meaning in time, in space, and in their relation to the land. Even when removed from their context, these forms continue to express that spirit. While used to inspire artists, these forms are observed in different ways by others. Can this ‘spirit’ be transferred from one culture to another? Is it universal? The author will discuss the dual ideas of permanent- temporary, self-identity, and how the intangible embodies the recognition by others, ultimately to create a sense of belonging. The presentation will conclude discussion of how these forms have become symbols of Canadian identity and part of its collective memory. The author will present examples from within Canada, and those abroad, ending with Québec and Ottawa to observe various ‘migrated forms’ in vernacular contexts. Spirit of place refers to the unique, distinctive and cherished aspects of a place; often those celebrated by artists and writers but also cherished in folk tales, festivals and celebrations. It is thus as much in the invisible weave of culture as it is the tangible physical aspects of place or its interpersonal aspects. (Wikipedia: http://en.wikipedia.org/wiki/Spirit_of_place) From this, one of many possible definitions, we can deduce that there are three main ideas linked with the spirit of place: the intangible, the tangible and their relationship with a cultural group. -
Surveyors at Work Upon Proposed High-Level Road Summerland To
,lPr °v Libra," •Ma«^ DEVOTED TO THE INTERESTS OF SUM M ERL AND; PEACHLAND AN D' N ARAM ATA SUMMERLAND, B.C. FRIDAY, AUGUST 3, 1928 $2.60, payable in advance. VOL XIX.—No. 31. Nelson's Unlucky Love Adventure. opened an inn to whichvthe soldiers the amorous captain on board his Finding of Human Bones ^riting in the London "Evening : Surveyors At Work Upon and sailors resorted,. and among vessel," : News," Max Pemberton; well- This seems somewhat drastic known English writer, says:—• them in the year 1782 came the treatment, hardly likely to be pop• "I read in an American journal Captain Nelson, then commanding ular, i in our time, when captains a discussion as to which is the H.M.S. Albemarle, of 26 guns. ; In Burned Shack Adds to ashore to marry maids are.u'sually most beautiful. city in the world; Proposed High-level Road welcome and other people has' ;n and I am not surprised that a "Miles Prentice," says a writer, • to buy confetti. But Quebec writer names Quebec, and ever was and ever will be a names it with emphasis. city of the strictest pro• Mystery of James Grant Summerland to Peachland , We cannot wonder at the prieties. literary enthusiasm Quebec- I would, add that my first Auto Traveller Held Veteran Rancher and Pros• Iron Mask Mine, has provoked. ' visit: to this incomparable - Highway Would Run from "The. majestic appearance Up and Robbed By pector Has Apparently Kamloops, Back Into height was made .during the Jones Flat to Deep of Cape Diamond," says one first considerable snowfall of Thugs on Blewett Disappeared List of Shippers writer .. -
National Historic Sites of Canada System Plan Will Provide Even Greater Opportunities for Canadians to Understand and Celebrate Our National Heritage
PROUDLY BRINGING YOU CANADA AT ITS BEST National Historic Sites of Canada S YSTEM P LAN Parks Parcs Canada Canada 2 6 5 Identification of images on the front cover photo montage: 1 1. Lower Fort Garry 4 2. Inuksuk 3. Portia White 3 4. John McCrae 5. Jeanne Mance 6. Old Town Lunenburg © Her Majesty the Queen in Right of Canada, (2000) ISBN: 0-662-29189-1 Cat: R64-234/2000E Cette publication est aussi disponible en français www.parkscanada.pch.gc.ca National Historic Sites of Canada S YSTEM P LAN Foreword Canadians take great pride in the people, places and events that shape our history and identify our country. We are inspired by the bravery of our soldiers at Normandy and moved by the words of John McCrae’s "In Flanders Fields." We are amazed at the vision of Louis-Joseph Papineau and Sir Wilfrid Laurier. We are enchanted by the paintings of Emily Carr and the writings of Lucy Maud Montgomery. We look back in awe at the wisdom of Sir John A. Macdonald and Sir George-Étienne Cartier. We are moved to tears of joy by the humour of Stephen Leacock and tears of gratitude for the courage of Tecumseh. We hold in high regard the determination of Emily Murphy and Rev. Josiah Henson to overcome obstacles which stood in the way of their dreams. We give thanks for the work of the Victorian Order of Nurses and those who organ- ized the Underground Railroad. We think of those who suffered and died at Grosse Île in the dream of reaching a new home.