DOCSLIB.ORG

'Fiesta', Affirming Cultural Identity in a Changing Society: a Study of Filipino Music in C

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

792 ./+$ '&'$ &&* !&*, &'*!" ! '% $%&'$+3228- &%%%'&& ' & !&$#'$ &% ! %&$!$&% '% && ($%&*! &$'$* * ! ,33623457 $ "'"$(%!$, !%! %%%& &'"$(%!$,$! & !# ($%&*! &$'$*+$%&'$+ ) $'$*3229 Table of Contents Item page Acknowledgements i Abstract ii Introduction 1 Research Method and Methodology 5 Outline of Chapters 9 1 Chapter One: Social and Cultural Structure of Filipino 11 1.1. Introduction 11 1.2. Barangay: The Extended Family 12 1.3. Hispanicization, Christianization: An Increasingly Complex Society 13 1.4. Starts and Stripes Forever: Attitudes and Behaviour as a Result of 15 American Colonialism and Globalization 1.5. The Great Divide: The Reality of Poverty in Filipino Society 17 1.6. Migrant Community: Microcosm or Mole-hill? 18 2 Chapter Two: The Hispanic Influence on Filipino Culture 19 2.1. Introduction 19 2.2. Magellan’s Cross: Christianization, Colonization and the Creation of a 20 Nation 2.3. Tower of Babel: Spanish Language in the Philippines 25 2.4. Education 27 2.5. Music and Dance 29 2.6. The Future 32 3 Chapter Three: Music in the Philippines 33 3.1. Introduction 33 3.2. Pre-Hispanic Malaysian Genre 34 3.2.1. Pre-Hispanic Malaysian Genre in Christchurch 2008 41 3.3. Hispanic Genre 44 3.3.1. Introduction - Perla del Mar de Oriente 44 3.3.2. Fiesta 46 3.3.3. The Christian Calendar and Filipino Para-liturgical Musical Genres 47 3.3.4. La Vida Loca: Romance and Music in Filipino Life 52 3.3.5. Hispanic Contribution to Filipino Organology 55 3.3.6. Classical Music and Music Theatre in the Spanish Period 59 3.4. Filipino Folk Dance 62 3.4.1. Introduction 62 3.4.2. North-South Division 63 3.4.3. Spanish Dances 66 3.4.4. Music and Dance 69 3.4.5. Folk Dance Today 69 3.5. Contemporary Popular Filipino Music 71 3.5.1. Introduction 71 3.5.2. Filipino Response to Americana 73 3.5.3. English, Tagalog, and Taglish 84 3.5.4. Ritual and Participation: The Paradox of Karaoke 87 3.5.5. Filipinos and Popular Music in Christchurch 2008 93 3.6. Contemporary Religious Music 98 4 Chapter Four: Patterns of Filipino Migration to New 103 Zealand 1969-2008 4.1. Introduction: The Impulse Driving Filipinos to Work Overseas 103 4.2. Worldwide Patterns of Filipino Migration 104 4.3. New Zealand as a Choice for Filipino Immigrants 105 4.4. Christchurch as a City of Choice for Filipino Immigrants 107 4.5. ‘Nothing to Declare’: Migrant Music 110 5 Chapter Five: The Filipino Community in Christchurch 112 5.1. Introduction 112 5.2. Filipinos Inactive Within the Filipino Community 113 5.3. Passive Participation 116 5.4. Active Participation 117 5.5. Main Filipino Groups in Christchurch 119 5.5.1. The Philippine Society of Canterbury Incorporated 119 5.5.2. Philippine Culture and Sports 124 5.5.3. Couples for Christ Music Ministry 126 5.5.4. Philippine Sports At Iba Pa 129 5.5.5. Sinulog Fiesta 130 5.5.6. Filsoc 131 5.5.7. Philippine Flamingo All Rounders 132 5.6. Constructive Action Between and Beyond the Groups 133 5.7. Fringe Groups 137 5.8. Barriers to Unity and Community Cohesion: The Splinter Group 139 6 Chapter Six: Strategies for Affirming Cultural Identity 142 6.1. Introduction 142 6.2. Strategy One 143 6.3. Strategy Two 146 6.4. Strategy Three 148 6.5. Strategy Four 150 6.6. Strategy Five 153 6.7. Strategy Six 154 6.8 Unrealized Potential: The Future 155 7 Chapter Seven: Fiesta 156 7.1. Introduction 156 7.2. Fiesta in New Zealand 158 7.3. Fiesta One: Santacruzan 161 7.3.1. Procession 171 7.3.2. The Evening Meal 175 7.3.3. Entertainment: Types of Song and Dance 175 7.4 Fiesta Two: Araw ng Kalayaan 182 7.5. The Party Continues: Halloween, Christmas and Beyond 196 7.5.1. Halloween 196 7.5.2. The Christmas Period 198 7.5.2.1. Carolling 198 7.5.2.2. The Philippine Society of Canterbury Christmas Party December 20, 2008 202 7.5.2.3. Simbang Gabi 203 7.5.2.4. New Year, Sinulog Fiesta and Rumours of Kuh Ledesma 204 8 Chapter Eight: Preparation and Performance of the 206 Liturgical Song: 'Panalangin sa Pagiging Bukas-Palad' 8.1. Introduction: Joining the Choir 206 8.2. Attending a Rehearsal 208 8.3 Panalangin Sa Pagiging Bukas-palad 216 9 Chapter Nine: Preparation and Performance of the Hispanic 219 Dance: 'La Jota' at Culture Galore Festival 9.1. Introduction: Celebrating Cultural Diversity at Culture Galore 219 9.2. Preparation and Performance of ‘La Jota’ 229 9.2.1. La Jota Moncadeña 230 9.2.2. Performance 233 10 Chapter Ten: 'Findings Juxtaposed' Linking the Christchurch 235 Situation to Questions about Filipino Music and Identity 10.1. Filipino Music(ality) 235 10.1.1. The Medium: Physically Mediated Musicality 235 10.1.2. An Emphasis on Ensemble 237 10.1.3. The Musical Smile: Masigla! [Lively!] 238 10.1.4. Language and Identity in Filipino Music 239 10.2. The Historical Legacy 243 10.2.1. Americanization and Philippine Music in Christchurch 243 10.2.2. Hispanic Musical Elements in the Christchurch Filipino Community 247 10.2.3. The Integration of Disparate Influences: Searching for a Thread 251 10.3. The Teaching of Filipino Music in Christchurch 254 10.3.1. Identifying Important Cultural Agents 254 10.3.2. Processes of Instruction and Dissemination 256 10.3.3. Beyond Dance: Rondalla and Filipino Language 260 10.4. The Christchurch Filipino Community in Process 262 10.4.1. The Influence of Increased Population on Music Making 267 10.5. Fiesta! 271 10.5.1. The Application of Music in the Fiesta in Christchurch 273 10.5.2. Adaptation to the New Zealand Environment 277 10.6. Affirming Cultural Identity in a Changing Society 285 10.6.1. Us and them: Variations in Musical Behaviour and Performance for Insider and 288 Outsider Audiences 10.6.2. Affirmation of Identity and Integration into New Zealand Society 289 11 Conclusion 292 12 Bibliography, Discography, Filmography 296 12.1. Bibliography 296 12.2. Discography 305 12.3. Filmography 306 13 Appendices 307 13.1. Philippine Choir Guitarists Lyric Sheets 307 13.1.1. Panalanging sa Pagiging Bukas-palad 308 13.1.2. Sa Kabila Ng Lahat 309 13.1.3. Santo 310 13.1.4. Papuri-Luwalhati sa Diyos 311 13.1.5. Pag-aalaala 312 13.1.6. Alleluia 313 13.1.7. Luwalhati sa Diyos 314 13.1.8. Ama Namin 315 13.1.9. Nasaan Kaya Ako 316 13.1.10. Kordero ng Diyos 317 13.2. Newspaper Articles 318 13.2.1. Filipino nurses living eight to flat 318 13.3. Community Correspondence 319 13.3.1. E-mail Message from Arlene Wilkins 319 13.4. Programmes 320 13.4.1. Cultures Galore Stage Performance Schedule 321 13.4.2. Santacruzan 2008 322 13.4.3. Philippine Society of Canterbury Incorporated Independence Day Celebration 324 13.4.4. Philippine Culture and Sports Independence Day Celebration 225 13.4.5. DJ Jupiter Bignotea's Play List 327 13.5. Example DVD Track Information 328 13.6. Example DVD Raw Data 329 13.7. Tabulated Interviews 330 13.8. Glossary 331 13.9 Human Ethics Committee Approval Letter 343 13.1 Information Sheet for Interviewees 344 List of Figures Figure 1 Bamboo instruments from the collection of Sean Linton displayed on his desk at the 42 University of Canterbury April 24, 2008. Photo by Kim Rockell. Figure 2 Delia Bradshaw teaching the use of chopsticks to approximate percussion sticks to 42 adolescents from the Philippine Society in Our Lady of Fatima Church Hall April 22, 2008. Photo by Kim Rockell. Figure 3 Delia Bradshaw and dancers from the Philippine Society of Canterbury perform Pandango 68 sa Ilaw at the 2008 Santacruzan. Photo by Ed and Cel. Figure 4 Fig.4 April Pollock, a member of the Philippine Society of Canterbury, sings at a home 87 karaoke party. Photo by Ed and Cel. Figure 5 Greg and Edna Sancho, important musical agents in the Filipino Community sing karaoke 87 at the Our Lady of Fatima Choir Christmas party. Photo by Ed and Cel. Figure 6 Warm up at post-choir dance practice at Our Lady of Fatima church hall October 3, 2008. 95 Photo by Ed and Cel. Figure 7 Mike, a member of the Philippine Society of Canterbury, teaching Latin dance at post-choir 95 dance practice in October, 2008. Photo by Ed and Cel. Figure 8 Guitarists seated around the organ at Mass in Our Lady of Fatima church. Photo by Ed and 101 Cel. Figure 9 Delia Richards, the founder of Philippine Culture and Sports, modelling a costume from the 124 Southern Philippines at the Global Extravaganza February 10, 2008. Beside her is Chelsea Ruiz. Photo by Ed and Cel. Figure 10 Sergio Ruiz corrects a guitarist’s chord sheet during a choir practice at a private home in St. 133 Albans May 30, 2008. Photo by Ed and Cel. Figure 11 Sergio wears a traditional Filipino barong Tagalog at the Global Extravaganza February 10, 134 2008.On the left is his wife Gene Ruiz. Photo by Ed and Cel. Figure 12 Sergio relaxes during break time at choir practice at a private home on April 21, 2008. Photo 134 by Kim Rockell. Figure 13 Multiple guitarists seated in a rondalla-like row during Mass at St. Teresa’s church January 145 12, 2008. Photo by Ed and Cel. Figure 14 Saint Teresa’s church hall stage decorated for the Santacruzan party May 6, 2008.
Recommended publications
  • Headstart for the Philippines Cultural Notes

    Headstart for the Philippines Cultural Notes

    TA 0001 5 HEADSTART FOR THE PHILIPPINES " ... - .......- = - - . _ _ t' A . , ..... _ -. - . ' ':~"" &'t • :. - - '!:...;..-..... -....~: CULTURAL NOTES DEFENSE LANGUAGE INSTITUTE, FOREIGN LANGUAGE CENTER HEADSTART FOR THE PHILIPPINES CULTURAL NOTES FIRST EDITION FEBRUARY 1985 DEFENSE LANGUAGE INSTITUTE FOREIGN LANGUAGE CENTER ACKNOWLEDGMENT Photographs provided by the Northern California Philippine Ministry of Tourism, San Francisco, CA. ii CONTENTS Geography 1 Climate 2 People 2 History 4 Language 9 Religion 10 Family Life 11 The Filipina 12 Courtesy and Custom 14 Arts 15 Food and Restaurants 18 Alcoholic Beverages 19 Sports 20 Holidays 21 Sightseeing 23 Shopping 26 Transportation 27 Driving 28 Health 29 Currency 30 Telephone Service 30 Household Help 31 Bibliography 31 iii SOUTH SATA N£S PAOV, ; "-~ATANC IS . • • QBA8UYAN IS. CHI NA o P \locos Sur SEA LUZON PACIFIC Sur OCEAN CALAMIAN GROUP SULU SEA MINDANAO SEA Republic of the Philippines GEOGRAPHY A few degrees above the equator and several hundred miles from the Asian mainland, the Phil­ ippines lie scattered north to south for a thou­ sand miles and east to west for seven hundred. Eleven of the more than 7,107 islands and islets, only 700 inhabited, account for 96 per­ cent of the land. The islands of the archipel­ ago fall into three groups. The northernmost includes Mindoro and Luzon. Luzon, where Manila is located, is the center of government and the most heavily populated and industrialized sec­ tion of the country. The eight central islands of the Visayan group--Samar, Leyte, Cebu, Bohol, Negros, Panay, Masbate and Palawan--are second in development. To the south lie Sulu and Min­ danao with vast but relatively unexploited agri­ cultural and mineral potential.
  • BINONDO FOOD TRIP (4 Hours)

    BINONDO FOOD TRIP (4 Hours)

    BINONDO FOOD TRIP (4 hours) Eat your way around Binondo, the Philippines’ Chinatown. Located across the Pasig River from the walled city of Intramuros, Binondo was formally established in 1594, and is believed to be the oldest Chinatown in the world. It is the center of commerce and trade for all types of businesses run by Filipino-Chinese merchants, and given the historic reach of Chinese trading in the Pacific, it has been a hub of Chinese commerce in the Philippines since before the first Spanish colonizers arrived in the Philippines in 1521. Before World War II, Binondo was the center of the banking and financial community in the Philippines, housing insurance companies, commercial banks and other financial institutions from Britain and the United States. These banks were located mostly along Escólta, which used to be called the "Wall Street of the Philippines". Binondo remains a center of commerce and trade for all types of businesses run by Filipino- Chinese merchants and is famous for its diverse offerings of Chinese cuisine. Enjoy walking around the streets of Binondo, taking in Tsinoy (Chinese-Filipino) history through various Chinese specialties from its small and cozy restaurants. Have a taste of fried Chinese Lumpia, Kuchay Empanada and Misua Guisado at Quick Snack located along Carvajal Street; Kiampong Rice and Peanut Balls at Café Mezzanine; Kuchay Dumplings at Dong Bei Dumplings and the growing famous Beef Kan Pan of Lan Zhou La Mien. References: http://en.wikipedia.org/wiki/Binondo,_Manila TIME ITINERARY 0800H Pick-up
  • Sharon's Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema

    Sharon's Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema

    Sharon's Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema Bliss Cua Lim Discourse, Volume 31, Number 3, Fall 2009, pp. 318-358 (Article) Published by Wayne State University Press For additional information about this article http://muse.jhu.edu/journals/dis/summary/v031/31.3.lim01.html Access Provided by University of California @ Irvine at 11/09/10 7:10PM GMT Sharon’s Noranian Turn: Stardom, Embodiment, and Language in Philippine Cinema Bliss Cua Lim Writing in 1965 under the pseudonym Quijano de Manila, National Artist Nick Joaquin vividly describes an era when the decline of the great Philippine film studios spawned an unbridled “star system still in apogee.” In the 1960s, star worship fuels the popular cinema and feeds “the avarice of the independent producer.” The middle- class lament that mainstream Filipino movies are hardly “quality” pictures, Joaquin writes impatiently, misses the point: “The movie fans crowd to a local movie not because they expect a sensible story or expert acting or even good entertainment”; instead, they go to the movies to see the stars they adore—action film kings Fernando Poe Jr. and Joseph Estrada, glamour goddesses Amalia Fuentes and Susan Roces. “Our movie idols remain idolized, whatever the quality of their vehicles, as long as they remain impossibly young, impossibly glamorous, impossibly beautiful”1 (figure 1). This is a form of star worship that, in its emphasis on an unrealizable world, ends by preventing audience identification. The spectatorial plea- sures offered by the star system of the early to mid-1960s, Joaquin argues, are not driven by identification but by wonder, idolatry practiced from afar.
  • Xbox 360 Total Size (GB) 0 # of Items 0

    Xbox 360 Total Size (GB) 0 # of Items 0

    Done In this Category Xbox 360 Total Size (GB) 0 # of items 0 "X" Title Date Added 0 Day Attack on Earth July--2012 0-D Beat Drop July--2012 1942 Joint Strike July--2012 3 on 3 NHL Arcade July--2012 3D Ultra Mini Golf July--2012 3D Ultra Mini Golf Adventures 2 July--2012 50 Cent: Blood on the Sand July--2012 A World of Keflings July--2012 Ace Combat 6: Fires of Liberation July--2012 Ace Combat: Assault Horizon July--2012 Aces of Galaxy Aug--2012 Adidas miCoach (2 Discs) Aug--2012 Adrenaline Misfits Aug--2012 Aegis Wings Aug--2012 Afro Samurai July--2012 After Burner: Climax Aug--2012 Age of Booty Aug--2012 Air Conflicts: Pacific Carriers Oct--2012 Air Conflicts: Secret Wars Dec--2012 Akai Katana July--2012 Alan Wake July--2012 Alan Wake's American Nightmare Aug--2012 Alice Madness Returns July--2012 Alien Breed 1: Evolution Aug--2012 Alien Breed 2: Assault Aug--2012 Alien Breed 3: Descent Aug--2012 Alien Hominid Sept--2012 Alien vs. Predator Aug--2012 Aliens: Colonial Marines Feb--2013 All Zombies Must Die Sept--2012 Alone in the Dark Aug--2012 Alpha Protocol July--2012 Altered Beast Sept--2012 Alvin and the Chipmunks: Chipwrecked July--2012 America's Army: True Soldiers Aug--2012 Amped 3 Oct--2012 Amy Sept--2012 Anarchy Reigns July--2012 Ancients of Ooga Sept--2012 Angry Birds Trilogy Sept--2012 Anomaly Warzone Earth Oct--2012 Apache: Air Assault July--2012 Apples to Apples Oct--2012 Aqua Oct--2012 Arcana Heart 3 July--2012 Arcania Gothica July--2012 Are You Smarter that a 5th Grader July--2012 Arkadian Warriors Oct--2012 Arkanoid Live
  • OPM Vol. 06 300 Songs

    OPM Vol. 06 300 Songs

    OPM Vol. 06 300 Songs Title Artist Number A WISH ON CHRISTMAS NIGHT JOSE MARI CHAN 22835 ADJUST SOAPDISH 28542 AGAC LA MANESIA PANGASINAN SONG 22999 AGAWAN BASE PERYODIKO 22906 AKALA KO AY IKAW NA WILLIE REVILLAME 22742 AKING PAGMAMAHAL REPABLIKAN 35077 AKO AY MAY LOBO CHILDREN 35115 AKO'Y BINAGO NIYA EUNICE SALDANA 35377 ALAB NG PUSO RIVERMAYA 27625 ALL ME TONI GONZAGA 35135 ALWAYS YOU CHARICE 28206 ANG AKING PUSO JANNO GIBBS feat. KYLA 28213 ANG HIMIG NATIN JUAN DELA CRUZ BAND 22690 ANG PANDAY ELY BUENDIA 22893 ANTUKIN RICO BLANCO 22838 ARAW-ARAW NA LANG AEGIS 22968 ASO'T PUSA HALE 28538 AWIT NG PUSO FATIMA SORIANO 22969 AYANG-AYANG BOSTON 22950 AYOKO SA DILIM FRANCIS MAGALONA 22751 AYUZ RICO BLANCO 22949 BABY DON'T YOU BREAK MY HEART SLOW M. Y. M. P. 22839 BACK 2 U CUESHE 28183 BAGONG HENERASYON HYMN JESSA MAE GABON 35052 BAHAY KUBO HALE 28539 BAHOO POKWANG 28182 BAKASYON PERYODIKO 22894 BAKIT GAGONG RAPPER 22729 BAKIT KUNG SINO PA GAGONG RAPPER 22725 BAKIT LABIS KITANG MAHAL GAGONG RAPPER 22744 BALASANG KAS NAN MONTANIOSA APOLLO FAGYAN 22963 BALITA GLOC 9 feat. GABBY ALIPE of URBA 22891 BALIW KISS JANE 35113 BANANA (RIGHT NOW) Tagalog Version BLANKTAPE 22747 BANGON RICO BLANCO 22890 BAR-IMAN TAUSUG 28184 BARKADA HABANG BUHAY CALSADA 35053 BAW WAW WAW FRANCIS MAGALONA 22773 BINIBINI BROWNMAN REVIVAL 22743 BONGGACIOUS POKWANG 22959 BULALAKAW HALE 28540 BUS STOP ELY BUENDIA & FRANCIS M. 35120 CAN'T FIND NO REASON LOUIE HEREDIA 22728 CAN'T HELP FALLING IN LOVE SAM MILBY 22896 CHIKA LANG `YON BLANKTAPE 28202 CHRISTMAS BONUS AEGIS 35201 CHRISTMAS MORNING ERASERHEADS 35134 CHRISTMAS PARTY ERASERHEADS 35167 microky.com | 1 Title Artist Number COULD WE GARY V.
  • Fall 2006 an Incident in Bataan Lt

    Fall 2006 an Incident in Bataan Lt

    Philippine Scouts Heritage Society Preserving the history, heritage, and legacy of the Philippine Scouts for present and future generations Fall 2006 An Incident in Bataan Lt. Col. Frank O. Anders, the S-2 (intelligence) officer, for the 57th Infantry is now deceased. He distinguished himself during the defense of Bataan by frequently infiltrating behind Japanese lines collecting intelligence. For his courage, he received a Bronze Star with Oak Leaf Cluster. Surviving combat and POW incarceration, he wrote “Bataan: An Incident” in 1946 while recovering from injuries that would lead to his retirement shortly thereafter. His family connection to the Philippines stretched over two generations, as Anders’ father served in Manila during the Spanish American War, receiving a Medal of Honor, the nation’s highest military award for valor in combat. In 1961 father and son visited the Philippines together to retrace the paths each had taken in his own war. Because of its length, the Anders article will be serialized over two issues. It also is being published in the current issue of the Bulletin of the American Historical Collection, Ateneo de Manila University in the Philippines. Editor by Lt. Col. Frank O. Anders land—terraced paddies yellow with rip- the China Sea northwest of the Island For 250 years or more the solid ado- ened grain. Beyond were the solid of Luzon in the Philippines. be stone church had withstood the rav- walled fields of cane, higher and more ages of nature and man. Earthquake, fire, rolling. And above, looking out over The Zambales looked down, as they tidal wave and typhoon had battered and cane and rice and church, with its town, had looked down for centuries, while marred the structure, but still it stood, its fringe of fish ponds, and then the first Moro pirates, then Chinese adven- lofty and secure, with its stone terraces bay—looking down on this and the turers, then Spanish Conquistadores and and latticed, stone-walled courtyard.
  • O. Van Den Muijzenberg Philippine-Dutch Social Relations, 1600-2000 In: Bijdragen Tot De Taal-, Land- En Volkenkunde, the Philip

    O. Van Den Muijzenberg Philippine-Dutch Social Relations, 1600-2000 In: Bijdragen Tot De Taal-, Land- En Volkenkunde, the Philip

    O. van den Muijzenberg Philippine-Dutch social relations, 1600-2000 In: Bijdragen tot de Taal-, Land- en Volkenkunde, The PhilippinesHistorical and social studies 157 (2001), no: 3, Leiden, 471-509 This PDF-file was downloaded from http://www.kitlv-journals.nl Downloaded from Brill.com10/04/2021 12:31:34PM via free access OTTO VAN DEN MUIJZENBERG Philippine-Dutch Social Relations 1600-2000 Few historians have focused their research on Dutch-Philippine, relations, and the few important exceptions - like N.A. Bootsma, Ruurdje Laarhoven, M.P.H. Roessingh and Fr. P. Schreurs, MSC - have confined themselves to small regions or periods. The recent commemoration of the first Dutch cir- cumnavigation of the globe by Olivier van Noort demonstrated the lack of an up-to-date overview of the ups and downs in Dutch-Philippine relations in the course of the past four centuries. This may not seem surprising, consider- ing the absence of a history of intense, continuous contact. The two sides started with a drawn-out contest, followed by nearly three centuries of little connection, and only fifty years of significant flows of trade, people, trans- port and information. The year 1600 was a remarkable one for the emerging Dutch nation, which had been fighting for its independence from Spain since 1568. A major battle was won at Nieuwpoort, while in Asia two small fleets ventured beyond Java, then newly 'discovered' by Cornelis de Houtman (1595-96). The expedition of the Liefde (Love) resulted in long-lasting trade relations with Japan, with the Dutch obtaining an import and export monopoly through their factory at Deshima.
  • 13 AUG -6 Am :31

    13 AUG -6 Am :31

    SIXTEENTH CONGRESS OF THE REPUBLIC OF THE PHILIPPINES First Regular Session 13 AUG -6 Am :31 SENATE S.B. No. 1215 Introduced by Senator Poe Explanatory Note This bill seeks to create the National Seafarers Administration to look into and protect the interests and welfare of Filipino seafarers. A National Seamen Board was created in 1974 to develop and maintain a comprehensive program for Filipino Seafarers employed overseas. However, the Board was abolished in 1982 with the creation of the Philippine Overseas Employment Administration under Executive Order No. 797 which has been empowered to formulate and undertake a systematic program for promoting and monitoring the overseas' employment of Filipino workers. The body is likewise mandated to protect the rights of migrant workers including seamen so that they can have fair and enjoy equitable employment practices. An Advisory Board for Seamen was also created which was composed of private sector to advise the Philippine Overseas Employment Administration on its overseas operations. While many commend the performance of the Philippine Overseas Employment Administration in protecting the rights and promoting the welfare of Filipino overseas workers, the overseas seamen continually claim that they have been overlooked by the government. The agency concerned may not be aware but the seafarers feel that they are not fully protected and their valid claims, not fully attended. The problems of these workers are so complicated that a government mechanism fully concentrating on the sea-based workers is necessary. This legislation is highlighted with the following good points: 1. The creation of a special body on Filipino seafarers.
  • Chua / Hamon at Tugon / Bersyong 13 Abril 2013 1 HAMON at TUGON Conquista at Reaksyon Ng Bayan Tungo Sa Pambansang Himagsikan* (

    Chua / Hamon at Tugon / Bersyong 13 Abril 2013 1 HAMON at TUGON Conquista at Reaksyon Ng Bayan Tungo Sa Pambansang Himagsikan* (

    Chua / Hamon at Tugon / Bersyong 13 Abril 2013 1 HAMON AT TUGON Conquista at Reaksyon ng Bayan Tungo sa Pambansang Himagsikan * (1571-1913) Michael Charleston “Xiao” B. Chua Pamantasang De La Salle Maynila Maikling Paglalarawan ng Paksa ng Modyul-Gabay: Nakaugalian nang ilahad ang kasaysayan ng kolonyalismo sa pananaw ng mga opisyal na dokumento ng mga dayuhan at mga kolonyalistang sanaysay na nagpatibay ng kolonyal na mentalidad ng Pilipino na ang Kanluran ay laging daluyan ng ginhawa. Liban pa sa nawalan na ng saysay ang nakaraang ito sa maraming Pilipino dahil hindi nito talaga nasalamin ang kanilang kamalayan. Ang Nasyunalistang Kasaysayan ni Agoncillo, na lalong pinaunlad at pinagpapatuloy ng Pantayong Pananaw, ang nagbukas ng daan na lalong maintindihan ang kasaysayan sa pananaw ng mga Pilipino sa nakalipas na mga taon. Ayon kay Zeus A. Salazar at sa iba pang tagapagtaguyod ng Pantayog Pananaw, ang Kasaysayan ay “salaysay na may saysay para sa sinasalaysayang grupo ng tao.” Sa paglalahad ng kwento mula sa pananaw ng mga lider tungo sa pananaw ng mga namumuhay ng kalinangan—ang mga mamamayan, nais ng module na ito na ipakita ang pag-unlad ng kapuluan mula sa iba’t ibang bayan tungo sa pagiging isang bansa. Ang karanasan ng Conquista at pakikibaka ang nagbuo sa bayan tungo sa kamalayang pambansa, na ang magiging katuparan ay ang Himagsikang Pilipino ng 1896. Sa kasamaang palad, dahil sa Dambuhalang Pagkakahating Pangkalinangan, nagkaroon din ng tunggalian sa loob ng bansa, kaya naman hindi pa rin natatapos ang gawain ng pagbubuo nito tungo sa tunay na kaginhawaan ng mga Pilipino. Mga Layunin: 1.
  • VAGRANT RECORDS the Lndie to Watch

    VAGRANT RECORDS the Lndie to Watch

    VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen.
  • National City / 619-477-7071

    National City / 619-477-7071

    Appete National City / 619-477-7071 Crispy Chicken Wings - Marinated and seasoned, crispy fried chicken wings. Available in Plain, Spicy, Garlic, or Sweet & Spicy. Siomai - Juicy pork dumplings steamed to perfection and served with soy sauce and lemon. Siomai Lumpiang Shanghai - Crispy mini springrolls filled with diced pork, shrimp and spices. Complemented with our signature sweet and sour sauce. Tokwa’t Baboy - Fried tofu mixed with cirspy lechon bits and served with a garlic vingar sauce. Appetizer Sampler - Delicious combination of lumpia shanghai, Lumpia Shanghai chicken empanaditas, and siomai. Calamari - Crispy-friend squid, served with our garlic and vinegar sauce. Soups Bulalo Soup - A hearty beef shank soup with green beans, napa cabbage, potatoes, and sliced carrots. Appetizer Sampler Tinolang Manok - Chicken, chayote, and bok choy simmered in a savory ginger broth. Pork Sinigang - Sour soup made with pork spare ribs and tamarind. Bangus Sinigang - Sour soup made with boneless milkfish and tamarind. Shrimp Sinigang - Sour soup made with shrimp and tamarind. Bulalo Extra shrimp available. Veggie Sinigang - Pork broth with assorted vegetables. Rce Steamed Rice Tinolang Manok Sinangang - Garlic friend rice, a Filipino favorite. Adobo Fried Rice - Fried rice with scrambled egg and diced chicken adobo. Binagoongan Fried Rice - Egg ans rice wok friend with bagoong (shrimp paste). Rice Medley * - Rice topped with mangoes, tomatoes, diced lechon kawali, egg, and drizzled with a special spicy sauce. Rice Medley Adobo or Bagoong fried rice available. Arroz Caldo - Steaming rice porridge with chicken strips topped with green onions and friend garlic. Garlic Fried Rice *We serve Rice Medley with raw eggs on top.

  • 1 Song Title

    Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist Hillary Lindsey, Liz Rose, FEARLESS 344 TAYLOR SWIFT Taylor Swift Christina Aguilera; FIGHTER 345 CHRISTINA AGUILERA Scott Storch I. Dench/ A. Ghost/ E. Rogers/ GYPSY 346 SHAKIRA Shakira/ C. Sturken HEARTBREAK WARFARE 347 JOHN MAYER Mayer, John LAST OF THE AMERICAN GIRLS 351 GREENDAY Billie Joe Armstrong OPPOSITES ATTRACT 348 JURIS Jungee Marcelo SAMPIP 349 PAROKYA NI EDGAR SOMEDAY 352 MICHAEL LEARNS TO ROCK Jascha Richter SUNBURN 353 OWL CITY Adam Young Nasri Atweh, Justin Bieber, Luke THAT SHOULD BE ME 354 JUSTIN BIEBER Gottwald, Adam Messinger THE ONLY EXCEPTION 350 PARAMORE Farro, Hayley Williams Max Martin, Alicia WHAT DO YOU WANT FROM ME 355 ADAM LAMBERT Moore, Jonathan Karl Joseph Elliott, Rick WHEN LOVE AND HATE COLLIDE 356 DEF LEPPARD Savage Jason Michael Wade, YOU AND ME 357 LIFEHOUSE Jude Anthony Cole YOUR SMILING FACE 358 JAMES TAYLOR James Taylor www.wowvideoke.com 1 Music Video Pack Vol. 6 Song Title No. Popularized By Composer/Lyricist AFTER ALL THESE YEARS 9057 JOURNEY Jonathan Cain Michael Masser / Je!rey ALL AT ONCE 9064 WHITNEY HOUSTON L Osborne ALL MY LIFE 9058 AMERICA Foo Fighters ALL THIS TIME 9059 SIX PART INVENTION COULD'VE BEEN 9063 SARAH GERONIMO Richard Kerr (music) I'LL NEVER LOVE THIS WAY AGAIN 9065 DIONNE WARWICK and Will Jennings (lyrics) NOT LIKE THE MOVIES 9062 KC CONCEPCION Jaye Muller/Ben Patton THE ART OF LETTING GO 9061 MIKAILA Linda Creed, Michael UNPRETTY 9066 TLC Masser YOU WIN THE GAME 9060 MARK BAUTISTA 2 www.wowvideoke.com Music Video Pack Vol.