The Cuban Refugee Program by WILLIAM 1
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Areas and Periods of Culture in the Greater Antilles Irving Rouse
AREAS AND PERIODS OF CULTURE IN THE GREATER ANTILLES IRVING ROUSE IN PREHISTORIC TIME, the Greater Antilles were culturally distinct, differingnot only from Florida to the north and Yucatan to the west but also, less markedly,from the Lesser Antilles to the east and south (Fig. 1).1 Within this major provinceof culture,it has been customaryto treat each island or group FIG.1. Map of the Caribbeanarea. of islands as a separatearchaeological area, on the assumptionthat each contains its own variant of the Greater Antillean pattern of culture. J. Walter Fewkes proposedsuch an approachin 19152 and worked it out seven years later.3 It has since been adopted, in the case of specific islands, by Harrington,4Rainey,5 and the writer.6 1 Fewkes, 1922, p. 59. 2 Fewkes, 1915, pp. 442-443. 3 Fewkes, 1922, pp. 166-258. 4 Harrington, 1921. 5 Rainey, 1940. 6 Rouse, 1939, 1941. 248 VOL. 7, 1951 CULTURE IN THE GREATERANTILLES 249 Recent work in connectionwith the CaribbeanAnthropological Program of Yale University indicates that this approach is too limited. As the distinction between the two major groups of Indians in the Greater Antilles-the Ciboney and Arawak-has sharpened, it has become apparent that the areas of their respectivecultures differ fundamentally,with only the Ciboney areas correspond- ing to Fewkes'conception of distributionby islands.The Arawak areascut across the islands instead of enclosing them and, moreover,are sharply distinct during only the second of the three periods of Arawak occupation.It is the purpose of the presentarticle to illustratethese points and to suggest explanationsfor them. -
Artists, Aesthetics, and Migrations: Contemporary Visual Arts and Caribbean Diaspora in Miami, Florida by Lara C. Stein Pardo A
Artists, Aesthetics, and Migrations: Contemporary Visual Arts and Caribbean Diaspora in Miami, Florida by Lara C. Stein Pardo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Anthropology) in the University of Michigan 2013 Doctoral Committee: Professor Ruth Behar, Chair Assistant Professor Nathan Daniel Beau Connolly, Johns Hopkins University Professor Tom Fricke Emeritus Professor Conrad P. Kottak Associate Professor Damani James Partridge © Lara Stein Pardo __________________________________ All Rights Reserved 2013 Acknowledgements I would like to begin by acknowledging the institutional support that made it possible for me to research and write for extended periods of time over several years, and also confirmed the necessity of this research. Thank you. This research was supported through funding from the CIC/Smithsonian Institution Fellowship, the Cuban Heritage Collection Graduate Fellowship funded by the Goizueta Foundation, Rackham Merit Fellowship, Rackham Graduate School, Anthropology Department at the University of Michigan, Arts of Citizenship at the University of Michigan, Center for the Education of Women, Institute for Research on Women and Gender, and the Susan Lipschutz Fund for Women Graduate Students. I also thank the Center for Latin American Studies at the University of Miami for hosting me as a Visiting Researcher during my fieldwork. There are many people I would like to acknowledge for their support of my work in general and this project in particular. Elisa Facio at the University of Colorado was the first person to suggest that I should consider working toward a PhD. Thank you. Her dedication to students goes above and beyond the role of a professor; you will always be Profesora to me. -
Artist's Work Lets Cubans Speak out in Havana for Freedom
Artist's work lets Cubans speak out in Havana for freedom By FABIOLA SANTIAGO A packed performance art show at the 10th Havana Biennial, a prestigious international festival, turned into a clamor of ''Libertad!'' as Cubans and others took to a podium to protest the lack of freedom of expression on the island. The provocative performance Sunday night, recorded and posted Monday on YouTube, was staged by acclaimed Cuban artist Tania Bruguera, a frequent visitor to Art Basel Miami Beach who lives in Havana. Bruguera set up a podium with a microphone in front of a red curtain at the Wifredo Lam Center, an official art exhibition space and biennial venue. Two actors clad in the military fatigue uniforms of the Ministry of the Interior, the agency charged with spying on Cubans' activities, flanked the podium and carried a white dove. Bruguera let people from the standing-room only audience come to the microphone for no more than one minute. As people spoke, the white dove was placed on their shoulders by the actors. ''Let's stop waiting for permission to use the Internet,'' urged Yoani Sánchez, who has written a controversial award-winning ''Generación Y'' blog chronicling Cuban life under constant threats from the government. ''Libertad! Libertad!'' shouted one man. ''Too many years of covering the sun with one finger,'' said another. To every call for freedom, the audience responded with shouts of ``Bravo!'' The performance appeared to mock a historic Jan. 8, 1959, victory speech by Fidel Castro at which a white dove landed on his shoulder, viewed by many as a sign of divine recognition. -
UNIVERSITY of CALIFORNIA Los Angeles Cubans
UNIVERSITY OF CALIFORNIA Los Angeles Cubans and the Caribbean South: Race, Labor, and Cuban Identity in Southern Florida, 1868-1928 A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in History by Andrew Gomez 2015 © Copyright by Andrew Gomez 2015 ABSTRACT OF THE DISSERTATION Cubans and the Caribbean South: Race, Labor, and Cuban Identity in Southern Florida, 1868- 1928 by Andrew Gomez Doctor of Philosophy in History University of California, Los Angeles, 2015 Professor Frank Tobias Higbie, Chair This dissertation looks at the Cuban cigar making communities of Key West and Ybor City (in present-day Tampa) from 1868 to 1928. During this period, both cities represented two of largest Cuban exile centers and played critical roles in the Cuban independence movement and the Clear Havana cigar industry. I am charting how these communities wrestled with race, labor politics, and their own Cuban identity. Broadly speaking, my project makes contributions to the literature on Cuban history, Latino history, and transnational studies. My narrative is broken into two chronological periods. The earlier period (1868-1898) looks at Southern Florida and Cuba as a permeable region where ideas, people, and goods flowed freely. I am showing how Southern Florida was constructed as an extension of Cuba and that workers were part of broader networks tied to Cuban nationalism and Caribbean radicalism. Borne out of Cuba’s independence struggles, both communities created a political and literary atmosphere that argued for an egalitarian view of a new republic. Concurrently, workers began to ii experiment with labor organizing. Cigar workers at first tried to reconcile the concepts of nationalism and working-class institutions, but there was considerable friction between the two ideas. -
Latino Louisiana Laź Aro Lima University of Richmond, [email protected]
University of Richmond UR Scholarship Repository Latin American, Latino and Iberian Studies Faculty Latin American, Latino and Iberian Studies Publications 2008 Latino Louisiana Laź aro Lima University of Richmond, [email protected] Follow this and additional works at: http://scholarship.richmond.edu/lalis-faculty-publications Part of the Cultural History Commons, and the Latin American Languages and Societies Commons Recommended Citation Lima, Lazá ro. "Latino Louisiana." In Latino America: A State-by-State Encyclopedia, Volume 1: Alabama-Missouri, edited by Mark Overmyer-Velázquez, 347-61. Santa Barbara, CA: ABC-CLIO, LLC., 2008. This Article is brought to you for free and open access by the Latin American, Latino and Iberian Studies at UR Scholarship Repository. It has been accepted for inclusion in Latin American, Latino and Iberian Studies Faculty Publications by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. 19 LOUISIANA Lazaro Lima CHRONOLOGY 1814 After the British invade Louisiana, residents of the state from the Canary Islands, called Islenos, organize and establish three regiments. The Is/enos had very few weapons, and some served unarmed as the state provided no firearms. By the time the British were defeated, the Islenos had sustained the brunt of life and property loss resulting from the British invasion of Louisiana. 1838 The first. Mardi Gras parade takes place in New Orleans on Shrove Tuesday with the help and participation of native-born Latin Americans and Islenos. 1840s The Spanish-language press in New Orleans supersedes the state's French-language press in reach and distribution. 1846-1848 Louisiana-born Eusebio Juan Gomez, editor of the eminent Spanish language press newspaper La Patria, is nominated as General Winfield Scott's field interpreter during the Mexican-American War. -
The Spanish- American War
346-351-Chapter 10 10/21/02 5:10 PM Page 346 The Spanish- American War MAIN IDEA WHY IT MATTERS NOW Terms & Names In 1898, the United States U.S. involvement in Latin •José Martí •George Dewey went to war to help Cuba win America and Asia increased •Valeriano Weyler •Rough Riders its independence from Spain. greatly as a result of the war •yellow journalism •San Juan Hill and continues today. •U.S.S. Maine •Treaty of Paris One American's Story Early in 1896, James Creelman traveled to Cuba as a New York World reporter, covering the second Cuban war for independ- ence from Spain. While in Havana, he wrote columns about his observations of the war. His descriptions of Spanish atrocities aroused American sympathy for Cubans. A PERSONAL VOICE JAMES CREELMAN “ No man’s life, no man’s property is safe [in Cuba]. American citizens are imprisoned or slain without cause. American prop- erty is destroyed on all sides. Wounded soldiers can be found begging in the streets of Havana. The horrors of a barbarous struggle for the extermination of the native popula- tion are witnessed in all parts of the country. Blood on the roadsides, blood in the fields, blood on the doorsteps, blood, blood, blood! . Is there no nation wise enough, brave enough to aid this blood-smitten land?” —New York World, May 17, 1896 Newspapers during that period often exaggerated stories like Creelman’s to boost their sales as well as to provoke American intervention in Cuba. M Cuban rebels burn the town of Jaruco Cubans Rebel Against Spain in March 1896. -
African-Americans and Cuba in the Time(S) of Race Lisa Brock Art Institute of Chicago
Contributions in Black Studies A Journal of African and Afro-American Studies Volume 12 Ethnicity, Gender, Culture, & Cuba Article 3 (Special Section) 1994 Back to the Future: African-Americans and Cuba in the Time(s) of Race Lisa Brock Art Institute of Chicago Follow this and additional works at: https://scholarworks.umass.edu/cibs Recommended Citation Brock, Lisa (1994) "Back to the Future: African-Americans and Cuba in the Time(s) of Race," Contributions in Black Studies: Vol. 12 , Article 3. Available at: https://scholarworks.umass.edu/cibs/vol12/iss1/3 This Article is brought to you for free and open access by the Afro-American Studies at ScholarWorks@UMass Amherst. It has been accepted for inclusion in Contributions in Black Studies by an authorized editor of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. Brock: Back to the Future Lisa Brock BACK TO THE FUTURE: AFRICAN AMERICANS AND CUBA IN THE TIME(S) OF RACE* UBA HAS, AT LEAST SINCE the American revolution, occupied the imagination of North Americans. For nineteenth-century capital, Cuba's close proximity, its C Black slaves, and its warm but diverse climate invited economic penetration. By 1900, capital desired in Cuba "a docile working class, a passive peasantry, a compliant bourgeoisie, and a subservient political elite.'" Not surprisingly, Cuba's African heritage stirred an opposite imagination amongBlacksto the North. The island's rebellious captives, its anti-colonial struggle, and its resistance to U.S. hegemony beckoned solidarity. Like Haiti, Ethiopia, and South Africa, Cuba occupied a special place in the hearts and minds of African-Americans. -
Ever Faithful
Ever Faithful Ever Faithful Race, Loyalty, and the Ends of Empire in Spanish Cuba David Sartorius Duke University Press • Durham and London • 2013 © 2013 Duke University Press. All rights reserved Printed in the United States of America on acid-free paper ∞ Tyeset in Minion Pro by Westchester Publishing Services. Library of Congress Cataloging- in- Publication Data Sartorius, David A. Ever faithful : race, loyalty, and the ends of empire in Spanish Cuba / David Sartorius. pages cm Includes bibliographical references and index. ISBN 978- 0- 8223- 5579- 3 (cloth : alk. paper) ISBN 978- 0- 8223- 5593- 9 (pbk. : alk. paper) 1. Blacks— Race identity— Cuba—History—19th century. 2. Cuba— Race relations— History—19th century. 3. Spain— Colonies—America— Administration—History—19th century. I. Title. F1789.N3S27 2013 305.80097291—dc23 2013025534 contents Preface • vii A c k n o w l e d g m e n t s • xv Introduction A Faithful Account of Colonial Racial Politics • 1 one Belonging to an Empire • 21 Race and Rights two Suspicious Affi nities • 52 Loyal Subjectivity and the Paternalist Public three Th e Will to Freedom • 94 Spanish Allegiances in the Ten Years’ War four Publicizing Loyalty • 128 Race and the Post- Zanjón Public Sphere five “Long Live Spain! Death to Autonomy!” • 158 Liberalism and Slave Emancipation six Th e Price of Integrity • 187 Limited Loyalties in Revolution Conclusion Subject Citizens and the Tragedy of Loyalty • 217 Notes • 227 Bibliography • 271 Index • 305 preface To visit the Palace of the Captain General on Havana’s Plaza de Armas today is to witness the most prominent stone- and mortar monument to the endur- ing history of Spanish colonial rule in Cuba. -
Latinos in Massachusetts: Cubans
University of Massachusetts Boston ScholarWorks at UMass Boston Gastón Institute for Latino Community Gastón Institute Publications Development and Public Policy Publications 7-2020 Latinos in Massachusetts: Cubans Gaston Institute, University of Massachusetts Boston Phillip Granberry University of Massachusetts Boston, [email protected] Krizia Valentino University of Massachusetts Boston Follow this and additional works at: https://scholarworks.umb.edu/gaston_pubs Part of the Latina/o Studies Commons, Migration Studies Commons, Public Policy Commons, and the Race and Ethnicity Commons Recommended Citation Gaston Institute, University of Massachusetts Boston; Granberry, Phillip; and Valentino, Krizia, "Latinos in Massachusetts: Cubans" (2020). Gastón Institute Publications. 256. https://scholarworks.umb.edu/gaston_pubs/256 This Research Report is brought to you for free and open access by the Gastón Institute for Latino Community Development and Public Policy Publications at ScholarWorks at UMass Boston. It has been accepted for inclusion in Gastón Institute Publications by an authorized administrator of ScholarWorks at UMass Boston. For more information, please contact [email protected]. Latinos in Massachusetts: Cubans By Phillip Granberry, PH.D., and Krizia Valentino July 2020 THE MAURICIO GASTÓN INSTITUTE FOR LATINO COMMUNITY DEVELOPMENT AND PUBLIC POLICY Foreword The Mauricio Gastón Institute’s description of the Cuban population of Massachusetts mirrors that of other states where Cubans have settled – from its large concentrations -
Parramore and the Interstate 4: a World Torn Asunder (1880-1980) Yuri K
Rollins College Rollins Scholarship Online Master of Liberal Studies Theses Summer 2015 Parramore and the Interstate 4: A World Torn Asunder (1880-1980) Yuri K. Gama Rollins College, [email protected] Follow this and additional works at: http://scholarship.rollins.edu/mls Part of the African American Studies Commons, Social History Commons, and the Urban, Community and Regional Planning Commons Recommended Citation Gama, Yuri K., "Parramore and the Interstate 4: A World Torn Asunder (1880-1980)" (2015). Master of Liberal Studies Theses. 71. http://scholarship.rollins.edu/mls/71 This Open Access is brought to you for free and open access by Rollins Scholarship Online. It has been accepted for inclusion in Master of Liberal Studies Theses by an authorized administrator of Rollins Scholarship Online. For more information, please contact [email protected]. 1 Table of Contents Acknowledgments 04 Abstract 06 Introduction 07 Chapter I: Social Black History and Racial Segregation 14 1865 to 1920 14 1920 to 1945 21 1945 to 1970 30 Chapter II: History of American Urban Sprawl 38 Transportation Development 42 Housing Development 49 Chapter III: Racial Segregation in Florida 60 1860 - 1920 60 1920 – 1950 67 2 1950 – 1980 71 Chapter IV: The Highway System and the I-4 Construction 78 United States’ Roads and Highways 78 Wartime and Postwar Defense Expenditures in a Growing Florida 86 Florida’s Roads and Highways 89 Orlando and Interstate 4 91 Chapter V: Parramore and the I-4 98 Racial Segregation and Parramore’s Foundation 98 Uneven Development and Parramore’s Decline 108 Parramore and the Social Impact of I-4 (1957-1980) 113 Conclusion 122 Bibliography 134 Appendix A 162 Appendix B 163 3 Dedicated to all those who struggle against any form of racial oppression and social inequality. -
Annotated Bibliography
Annotated Bibliography Primary Sources Books Castro, Fidel, 1926-2016. Fidel Castro: My Life: A Spoken Autobiography. New York: Scribner, 2008. Fidel Castro discusses in his autobiography how the Pedro Pan children, as were the parents, were always free to leave the country. He describes the delay in parent’s reuniting with their children was due to logistical issues, primarily caused by interference and antagonism from the United States government. Grau, Polita. “Polita Grau: A Woman in Rebellion.” Cuba – The Unfinished Revolution, edited by Enrique Encinoso, Eakin Press, 1988. Polita Grau is the niece of the former president of Cuba, Ramon Grau San Martin (1944-1948). This chapter is a first-hand account of her involvement in Operation Pedro Pan. Polita and her brother established the underground network which disbursed Msgr. Walsh’s visas to the children. She falsified thousands more visa waivers and made arrangements for the plane flights. She was jailed for 20 years for allegedly attempting to overthrow the government. She has been referred to as the “Godmother” of Operation Pedro Pan. Films The Lost Apple. Directed by David Susskind. Paramount, 1963. The United States Information Agency created this documentary to document the mission and legacy of Operation Pedro Pan. The 28-minute film follows the journey of Roberto, a six-year old Pedro Pan child, as he adjusts to his new life at the Florida City Camp. The intent was to show the film at various dioceses throughout the U.S. in hopes of getting more foster families to help relieve the overcrowded conditions at the camps. -
Fidel Castro
History in the Making Volume 10 Article 10 January 2017 In Memoriam: Fidel Castro Andria Preciado CSUSB Follow this and additional works at: https://scholarworks.lib.csusb.edu/history-in-the-making Part of the Latin American History Commons Recommended Citation Preciado, Andria (2017) "In Memoriam: Fidel Castro," History in the Making: Vol. 10 , Article 10. Available at: https://scholarworks.lib.csusb.edu/history-in-the-making/vol10/iss1/10 This In Memoriam is brought to you for free and open access by the History at CSUSB ScholarWorks. It has been accepted for inclusion in History in the Making by an authorized editor of CSUSB ScholarWorks. For more information, please contact [email protected]. In Memoriam In Memoriam: Fidel Castro By Andria Preciado “A revolution is a struggle to the death between the future and the past.” – Fidel Castro Fidel Castro died on November 25, 2016 at 90 years old in Havana, Cuba, after a dictatorship that lasted nearly five decades. Castro was a staple of the 20th century and an emblem of the Cold War. He was either loved or hated by those he encountered – national leaders and civilians alike – some were swayed by his charm and others fled from his brutal leadership. The Russians praised him; the Americans feared him; the world was perplexed by him; and his impact changed Cuba forever. Even after Castro’s death, people were still drawn to him; crowds mourned his passing in Havana, while others celebrated his death in the United States. The radically different reactions to his death across the globe stands as a testament to the revolutionary legacy he left behind.