The Alchemist Essence
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On an Intriguing Invention Albert Einstein Made Which Has Gone Unnoticed Hitherto
Journal of Modern Physics, 2015, 6, 1478-1491 Published Online September 2015 in SciRes. http://www.scirp.org/journal/jmp http://dx.doi.org/10.4236/jmp.2015.611152 On an Intriguing Invention Albert Einstein Made Which Has Gone Unnoticed Hitherto Jean-Paul Auffray ex: Courant Institute of Mathematical Sciences, New York University, New York, USA Email: [email protected] Received 19 August 2015; accepted 13 September 2015; published 16 September 2015 Copyright © 2015 by author and Scientific Research Publishing Inc. This work is licensed under the Creative Commons Attribution International License (CC BY). http://creativecommons.org/licenses/by/4.0/ Abstract We retrieve three mysterious sentences Albert Einstein wrote in the early years of his wondrous scientific career. We examine their implications and we suggest that they provide a surprising new basis for Quantum Physics as well as some enlightenment concerning the whereabouts of Dark energy. Keywords Einstein, Absolute Measurements, Electromagnetic Energy, m = E/c2, Space Points, Dark Energy, M. S. El Naschie, Quantum Meteorites 1. Introduction Einstein’s name is affixed to stunning discoveries made in the field of theoretical physics in the early years of the twentieth century. Less known is the fact that, even as he worked then as a Technical assistant Third Class in the Swiss Patent Office in Bern, Einstein also made a genuine great invention (i.e. discovered a hidden treasury, as in archeology) which has remained unnoticed hitherto. We retrieve this invention in the present note and we examine what it entails. Three mysterious sentences that Einstein wrote at that time will help us in this endeavor. -
CURREN$Y Verde Terrace 8.23.11 Jetlife Recordings / Warner Bros
CURREN$Y Verde Terrace 8.23.11 JetLife Recordings / Warner Bros. Records Hip-hop artists who need help figuring out their live show, talk to Spitta. Philadelphia Weekly New Orleans weed-rapper Curren$y has built a large following over the past few years for his mellowed-out rhymes and spacey instrumentals, releasing a string of solid albums and mixtapes at a nearly inhuman rate. Riverfront Times "You also can't argue against the fact that Curren$y's both prolific and consistent, a rare quality if there ever was one." PrefixMag.com "There is not a week that goes by, where his name isn’t either buzzing or trending online, something new drops on the radio, or there is new material available on iTunes." stupidDOPE.com Verde Terrace doesn't break any new territory for Curren$y, but "new territory" isn't really part of his M.O.-- he is digging a groove, one into which he settles more comfortably each year…Curren$y is refining the contours of his tiny universe so that it resembles no one else's. Pitchfork.com, Verde Terrace review (7.3 of 10) Curren$y understands the formula to creating a cult following: consistent, high quality music delivered frequently…Spitta offers an album full of his standard weed, women and clothes that made him the cult icon and fan favorite he is now. Off Beat Magazine, album review Curren$y’s the paradox in the microwave rap argument. Ology.com, mixtape review (3 of 5) With that, Curren$y and his Jets crew add to his ever-growing discography of mixtapes. -
Preparing for the Spring Semester
THE HARBINGER HARPER COMMUNITY COLLEGE TUESDAY, JANUARY 20, 2015 48TH YEAR » ISSUE SIX WELCOME BACK STUDENTS! A warm welcome from the Harbinger! done now, so that you can be successful five Another semester has begun and believe it years from now! or not, it will go by faster than you know! It’s Some of us might feel as though time no different than any other semester. management is a super stressful thing and of The start of the semester is always a course it is, but if your life is hard now, it will little rough, getting used to your schedule, only get harder from here on out. getting to know your professors, making it to Your education is key, especially if class on time, but more importantly getting you plan on transferring over to a university back on track! and or try and get a job after you graduate Some of us are still in the midst of from Harper. recovering from Winter Break, while others of Harper offers many resources for us are glad to be back! It’s a different story students and offers them with passion and for each of us, but the one thing we can all willingness. There are many on campus sites make a promise to, is to make this semester that you can visit during that hour break in a great one! If you were a student who fell between classes to better yourself. It just takes behind last semester, now is your time to get some motivation and dedication. Harper back up and recover. -
Get 51327 Prodigy H.N.I.C. Lp
When it comes to authentic, ride-or-die hip-hop, few crews have as much A1. BARS & HOOKS (INTRO) resonance as Mobb Deep. Featuring two double-threat MCs who also produced – Havoc and the sadly-departed Prodigy – the crew changed the A2. GENESIS hardcore rap game in 1995 with their sophomore classic The Infamous, A3. DRIVE THRU (SKIT) and went on to rule the dark corners of hip-hop for the second half of the 90s and well into the 2000s. A4. ROCK DAT SHIT After multiple Mobb Deep platters in the ‘90s, Prodigy entered the 2000s A5. WHAT U REP (FEAT. NOREAGA) as a solo artist with force, rolling over a stomping, piano-freaked backdrop A6. KEEP IT THORO laced by producer The Alchemist, with “Keep It Thoro.” It has held up over time, proving itself as an anthemic classic that the streets and clubs still B1. CAN'T COMPLAIN (FEAT. CHINKY & TWIN GAMBINO) respect. B2. INFAMOUS MINDED (FEAT. BIG NOYD) Flaunting a smooth-but-menacing flow, Prodigy’s no-nonsense lyricism B3. WANNA BE THUGS (FEAT. HAVOC) on “Keep It Thoro” is prototypical modern age brag rap. Countless MCs have followed his flow, from Fabolous to Joey Bada$$. The song is short B4. THREE (FEAT. CORMEGA) and sweet, clocking in at just over 3 minutes. There are no wasted verses, B5. DELT W/ THE BULLSH*T (FEAT. HAVOC) just hardcore rhymes that stay with you. C1. TRIALS OF LOVE (FEAT. B.K.) But “Thoro” was the tip of the iceberg on what proved to be one of the more coveted rap full-lengths of the era. -
Streetsweepers Presents DJ Kay Slay & the Alchemist
StreetSweepers The Mixmasters mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Mixmasters Country: US Released: 2004 MP3 version RAR size: 1745 mb FLAC version RAR size: 1624 mb WMA version RAR size: 1684 mb Rating: 4.8 Votes: 685 Other Formats: RA AIFF MMF MPC DTS WMA FLAC Tracklist Hide Credits 1 –Shaquille O'Neal Intro Freestyle 2 –Papoose Featuring – Canibus The Essence 3 –The Alchemist* Featuring – Jadakiss, Sheek*, Styles P Family Ties 4 –Camron* Featuring – 40 Cal, Hell Rell 5 –Fat Joe Victim Back In The Air 6 –Ol' Dirty Bastard Featuring – Ghostface* D Block To Queensbridge 7 –The Alchemist* Featuring – Big Noyd, Havoc , J Hood, Styles P Freestyle (Tim Westwood) 8 –Lloyd Banks Featuring – Young Buck Trouble 9 –Fat Joe Featuring – Dirtybag* Jamaican Joint 10 –Jim Jones Featuring – Camron*, Juelz* Freestyle 11 –The Diplomats Featuring – J.R. Writer Dead Bodies 12 –The Alchemist* Featuring – Prodigy, The Game Lean On Me 13 –Papoose Featuring – Rahzah Tryin To Make It Through 14 –Benzino Featuring – 2Pac, Freddie Foxxx 15 –Jae Millz Why (New Version) Why (Remix) 16 –Jadakiss Featuring – Common, Nas, Styles P Boost The Crime Rate 17 –The Alchemist* Featuring – J Hood, Sheek* 18 –Cashmere , Steve O, K.Y Freestyle Give Me That 19 –Webbie Featuring – Bun B 20 –Wicked I'm On "E" 21 –Pharoah Jean Blitz Credits DJ Mix – DJ Kay Slay Notes FOR PROMOTIONAL USE ONLY NOT FOR SALE Related Music albums to The Mixmasters by StreetSweepers Alchemist, The - Techno Breaks DJ L - Who Want A Problem Pt. 3 Big Mike , Supa Mario - D-Block Street Music 2 The Kid Big Mike - Dead or alive. -
The Presidency (Page 2)
MTFEB. 10-17, 2019 MAYS MASSEY FRANKLIN WILSON THOMAS MOREHOUSE PRESENTS THE PRESIDENCY (PAGE 2) Campus the Black Ink How to own Your Candle in the dark Opinions Features Sports Battle of AUC NEWS Project Second Semester comes back to light WEEK OF COVER STORY FOUNDER’S EDITION 2 FEB 10, 2018 THE MAROON TIGER THE PRESIDENCY: STUDENTS REFLECT ON THOMAS’ FIRST YEAR BY ISAIAH JOHNSON, MANAGING EDITOR his Founder’s Day, Morehouse College will inaugurate and junior Donavan Pinner believes that it shouldn’t matter to David A. Thomas as its 12th president of the school. people that he’s not. However, what makes this presidency special is that he “I’m glad that President Thomas is not a Morehouse grad- isT the first non-Morehouse graduate to be president in 52 years. uate” Pinner said. “He has a different perspective of the college The last president to do this was Benjamin E. Mays, who served than a graduate would have.” as president for 27 years (1940-1967). Since Mays’ presidency, the formally inaugurated presi- With a new president comes new ideas and policies that dents have all been Morehouse graduates. During their time are meant to not only improve the school itself, but student life they built and enhanced the school in their own way, giving on campus. With a new president also comes a various amount back to their beloved alma mater. However, there’s always room of opinions coming from both students for change and it seems as though More- and faculty members, but primarily from ‘I think he has our best house is open to it. -
Rap Luminary Freddie Gibbs Partners with Warner Records
RAP LUMINARY FREDDIE GIBBS PARTNERS WITH WARNER RECORDS NEW MUSIC COMING SOON DOWNLOAD PRESS PHOTO HERE [CREDIT: NICK WALKER] June 18, 2020 (Los Angeles, CA) – History in the making as Warner Records announces that one of the most influential and exalted rappers of this era, Freddie Gibbs, partners with its renowned label. The critically acclaimed storyteller will unveil his first release under the newly minted deal very soon. Billboard exclusively broke the news today, check it out HERE. About his signing, Warner Records SVP of A&R, Norva Denton, commented, “Freddie’s lyricism is unmatched. He operates at an unparalleled prolific pace by consistently dropping quality projects with intensity and intention. He has indisputably become one of the most talked-about and respected artists of his generation. Our team, Aaron Bay-Schuck, and I have the utmost respect for Freddie and his artistry. We’re honored to partner with him for this next chapter and provide a platform for the incredible music to come.” Freddie shared, “I’m really looking forward to partnering with Warner and working with Aaron. He’s a young progressive label head I can openly share ideas with. It was love and respect from the first meeting and always felt right. We’re working together to take everything to another level for my day one fans as well as the people just now discovering me.” His manager, Ben "Lambo" Lambert, also adds, “Teaming up with Aaron, Tom Corson, Norva Denton, Julian Petty, Chris Atlas, and the rest of the Warner staff puts us in a strong position to build upon the work we’ve been putting in independently over the past decade or so. -
Self-Portrait with Magic Scene Ca
Self-Portrait with Magic Scene ca. 1635–37 oil on canvas Pieter van Laer 80 x 114.9 cm (Haarlem 1599 – 1642 Italy?) signed on the music sheet, lower left center: “P.V. Laer” PvL-100 © 2021 The Leiden Collection Self-Portrait with Magic Scene Page 2 of 15 How to cite Liedtke, Walter A. and Arthur K. Wheelock Jr. “Self-Portrait with Magic Scene” (2017). Revised by Alexa J. McCarthy (2019). In The Leiden Collection Catalogue, 3rd ed. Edited by Arthur K. Wheelock Jr. and Lara Yeager-Crasselt. New York, 2020–. https://theleidencollection.com/artwork/self-portrait-with-magic-scene/ (accessed September 26, 2021). A PDF of every version of this entry is available in this Online Catalogue's Archive, and the Archive is managed by a permanent URL. New versions are added only when a substantive change to the narrative occurs. © 2021 The Leiden Collection Powered by TCPDF (www.tcpdf.org) Self-Portrait with Magic Scene Page 3 of 15 In one of the most remarkable self-portraits ever created, Pieter van Laer Comparative Figures reacts with horror to the frightening claws of the devil that have suddenly come to claim him. Dressed in the black cloak and cap of a magician, the artist, with bulging eyes and open mouth, has witnessed this apparition while standing behind a table filled with books, some with alchemical notations, a variety of vessels, a snuffed-out candle, and a skull resting on hot coals. To emphasize the personal character of this dramatic image, Van Laer prominently signed this work on the musical score lying in the foreground, its lyrics warning that “the devil doesn’t jest.” Clearly, in his conjuring up a world of occult forces, the magician has unleashed realms far beyond his control, and he is about to suffer the consequences of his audacity. -
Elections BC Taps Emily Carr Students to Get More Young People to the Polls
WHO WE ARE NEWS The Other Press has been Douglas College’s student semester at registration, and from local and national newspaper since 1976. Since 1978 we have been advertising revenue. The Other Press is a member an autonomous publication, independent of the of the Canadian University Press (CUP), a syndicate student union. We are a registered society under of student newspapers that includes papers from all the Society Act of British Columbia, governed by an across Canada. eight-person board of directors appointed by and The Other Press reserves the right to choose Fasting for funds: Douglas’ 30-Hour Famine from our staff. Our head office is located in the New what we will publish, and we will not publish Westminster campus. material that is hateful, obscene, or condones The Other Press is published weekly during or promotes illegal activities. Submissions may Dylan Hackett, page 04 the fall and winter semesters, and monthly during be edited for clarity and brevity if necessary. All the summer. We receive our funding from a images used are copyright to their respective student levy collectedTHE DOUGLAS through COLLEGE NEWSPAPER tutition SINCE 1978 fees every owners. ARTS e The Douglas College OtherPress. student newspaper since 1978 Room 1020 – 700 Royal Ave. TELEPHONE: 604.525.3542 Douglas College WEBSITE: www.theotherpress.ca New Westminster, BC V3L 5B2 EMAIL: [email protected] Is there a Silver Lining to this story? EDITOR IN CHIEF ASSISTANT EDITOR BUSINESS MANAGER Parker Thompson, page 09 LIFE&STYLE Sharon Miki Jacey Gibb -
Terror Since the Public School Error: Reconciling Hip Hop and Education 2
Terror Since the Public School Error: Reconciling Hip Hop and Education Randy Ojeda & Eduardo Roman Loyola University Chicago School of Law Education Law and Policy, 2013 Terror Since the Public School Error: Reconciling Hip Hop and Education 2 Introduction Hip Hop and Education have been presented as oppositional spheres of influence in youth culture. Since its inception, Hip Hop has promoted values that conflict with the aim of the Public Education System. This division was created by the educational budget cuts which led to the rise of Hip Hop instrumentation and ethic. These budgetary cuts, along with the Hip Hop movement it birthed, enforced a culture of destabilization and anti-education in inner-city schools. However, these two spheres of influence can in fact overlap successfully to the benefit of educating urban youth. A possible solution to ending this ceiling of stagnation is using hip hop culture as a tool for education. While Hip Hop has created an urban youth culture of destabilization and anti-education, an embracing of hip hop by the educational system could lead to the development of social consciousness and critical skills both in and out of the classroom. Part One – Education Births Hip Hop You got the music in your body and you can't comprehend When your mind won't wiggle and your knees will bend Music ain't nothin but a people's jam It's DJ Run-D.M.C. rockin without a band Run-D.M.C.1 In the 1970s, educational budget cuts were made throughout the nation.2 In New York City, the epicentre of American commerce and industry, these cuts 1 Simmons, Joseph "Run", and Darryl "D.M.C." McDaniels. -
The Good 5 Cent Cigar (9/14/2012) University of Rhode Island
University of Rhode Island DigitalCommons@URI The Good 5 eC nt Cigar (Student Newspaper) University Archives 9-14-2012 The Good 5 Cent Cigar (9/14/2012) University of Rhode Island Follow this and additional works at: http://digitalcommons.uri.edu/cigar Recommended Citation University of Rhode Island, "The Good 5 eC nt Cigar (9/14/2012)" (2012). The Good 5 Cent Cigar (Student Newspaper). Book 22. http://digitalcommons.uri.edu/cigar/22http://digitalcommons.uri.edu/cigar/22 This Book is brought to you for free and open access by the University Archives at DigitalCommons@URI. It has been accepted for inclusion in The Good 5 Cent Cigar (Student Newspaper) by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. THE UNIVERSITY OF RHODE ISLAND STUDENT NEWSPAPER SINCE 1971 Volume 62 'Just what this country needs ' Friday Issue 5 www.ramcigar.com Se tember 14, 2012 URI lacrosse player·hopes to Library holds tour for soon start slam poetry club faculty and students BY AUDREY O'NEIL senting with fellow classc News Reporter ALLISON FARRELLY mates. ' poetry," a form of free verse officially apply to be a club, " Contribu.ting News Reporter Senior ' communications writing intended to be pre- · and I only have four or five Faculty members and .. sented out loud. He finds right now." students at the University of' major, Steve Durkin, has A University of Rhode worked for the Circulation· poetry to be a release, a way Gemmell explained why Rhode Island joined together Island student hopes to share of dealing with things that are he would like to start a slam Thursday to celebrat¢ the Desk at the library for three his unconventional way of bothering him and letting poetry club. -
The Intertextuality and Translations of Fine Art and Class in Hip-Hop Culture
arts Article The Intertextuality and Translations of Fine Art and Class in Hip-Hop Culture Adam de Paor-Evans Faculty of Culture and the Creative Industries, University of Central Lancashire, Lancashire PR1 2HE, UK; [email protected] Received: 24 October 2018; Accepted: 12 November 2018; Published: 16 November 2018 Abstract: Hip-hop culture is structured around key representational elements, each of which is underpinned by the holistic element of knowledge. Hip-hop emerged as a cultural counter position to the socio-politics of the urban condition in 1970s New York City, fuelled by destitution, contextual displacement, and the cultural values of non-white diaspora. Graffiti—as the primary form of hip-hop expression—began as a political act before morphing into an artform which visually supported the music and dance elements of hip-hop. The emerging synergies graffiti shared with the practices of DJing, rap, and B-boying (breakdancing) forged a new form of art which challenged the cultural capital of music and visual and sonic arts. This article explores moments of intertextuality between visual and sonic metaphors in hip-hop culture and the canon of fine art. The tropes of Michelangelo, Warhol, Monet, and O’Keefe are interrogated through the lyrics of Melle Mel, LL Cool J, Rakim, Felt, Action Bronson, Homeboy Sandman and Aesop Rock to reveal hip-hop’s multifarious intertextuality. In conclusion, the article contests the fallacy of hip-hop as mainstream and lowbrow culture and affirms that the use of fine art tropes in hip-hop narratives builds a critical relationship between the previously disparate cultural values of hip-hop and fine art, and challenges conventions of the class system.