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Literatura Y Otras Artes: Hip Hop, Eminem and His Multiple Identities »
TRABAJO DE FIN DE GRADO « Literatura y otras artes: Hip Hop, Eminem and his multiple identities » Autor: Juan Muñoz De Palacio Tutor: Rafael Vélez Núñez GRADO EN ESTUDIOS INGLESES Curso Académico 2014-2015 Fecha de presentación 9/09/2015 FACULTAD DE FILOSOFÍA Y LETRAS UNIVERSIDAD DE CÁDIZ INDEX INDEX ................................................................................................................................ 3 SUMMARIES AND KEY WORDS ........................................................................................... 4 INTRODUCTION ................................................................................................................. 5 1. HIP HOP ................................................................................................................... 8 1.1. THE 4 ELEMENTS ................................................................................................................ 8 1.2. HISTORICAL BACKGROUND ................................................................................................. 10 1.3. WORLDWIDE RAP ............................................................................................................. 21 2. EMINEM ................................................................................................................. 25 2.1. BIOGRAPHICAL KEY FEATURES ............................................................................................. 25 2.2 RACE AND GENDER CONFLICTS ........................................................................................... -
On an Intriguing Invention Albert Einstein Made Which Has Gone Unnoticed Hitherto
Journal of Modern Physics, 2015, 6, 1478-1491 Published Online September 2015 in SciRes. http://www.scirp.org/journal/jmp http://dx.doi.org/10.4236/jmp.2015.611152 On an Intriguing Invention Albert Einstein Made Which Has Gone Unnoticed Hitherto Jean-Paul Auffray ex: Courant Institute of Mathematical Sciences, New York University, New York, USA Email: [email protected] Received 19 August 2015; accepted 13 September 2015; published 16 September 2015 Copyright © 2015 by author and Scientific Research Publishing Inc. This work is licensed under the Creative Commons Attribution International License (CC BY). http://creativecommons.org/licenses/by/4.0/ Abstract We retrieve three mysterious sentences Albert Einstein wrote in the early years of his wondrous scientific career. We examine their implications and we suggest that they provide a surprising new basis for Quantum Physics as well as some enlightenment concerning the whereabouts of Dark energy. Keywords Einstein, Absolute Measurements, Electromagnetic Energy, m = E/c2, Space Points, Dark Energy, M. S. El Naschie, Quantum Meteorites 1. Introduction Einstein’s name is affixed to stunning discoveries made in the field of theoretical physics in the early years of the twentieth century. Less known is the fact that, even as he worked then as a Technical assistant Third Class in the Swiss Patent Office in Bern, Einstein also made a genuine great invention (i.e. discovered a hidden treasury, as in archeology) which has remained unnoticed hitherto. We retrieve this invention in the present note and we examine what it entails. Three mysterious sentences that Einstein wrote at that time will help us in this endeavor. -
CURREN$Y Verde Terrace 8.23.11 Jetlife Recordings / Warner Bros
CURREN$Y Verde Terrace 8.23.11 JetLife Recordings / Warner Bros. Records Hip-hop artists who need help figuring out their live show, talk to Spitta. Philadelphia Weekly New Orleans weed-rapper Curren$y has built a large following over the past few years for his mellowed-out rhymes and spacey instrumentals, releasing a string of solid albums and mixtapes at a nearly inhuman rate. Riverfront Times "You also can't argue against the fact that Curren$y's both prolific and consistent, a rare quality if there ever was one." PrefixMag.com "There is not a week that goes by, where his name isn’t either buzzing or trending online, something new drops on the radio, or there is new material available on iTunes." stupidDOPE.com Verde Terrace doesn't break any new territory for Curren$y, but "new territory" isn't really part of his M.O.-- he is digging a groove, one into which he settles more comfortably each year…Curren$y is refining the contours of his tiny universe so that it resembles no one else's. Pitchfork.com, Verde Terrace review (7.3 of 10) Curren$y understands the formula to creating a cult following: consistent, high quality music delivered frequently…Spitta offers an album full of his standard weed, women and clothes that made him the cult icon and fan favorite he is now. Off Beat Magazine, album review Curren$y’s the paradox in the microwave rap argument. Ology.com, mixtape review (3 of 5) With that, Curren$y and his Jets crew add to his ever-growing discography of mixtapes. -
The Darkest Hour Mp3, Flac, Wma
Madchild The Darkest Hour mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Darkest Hour Country: US Released: 2017 Style: Hardcore Hip-Hop MP3 version RAR size: 1421 mb FLAC version RAR size: 1750 mb WMA version RAR size: 1579 mb Rating: 4.6 Votes: 551 Other Formats: ADX XM FLAC MPC APE WAV AIFF Tracklist Hide Credits A1 Write It Down 4:35 A2 Imaginary Tears 3:24 Body Bag A3 3:17 Featuring – Domo Genesis, Oh No A4 Broken Record 3:27 Green Light A5 2:57 Featuring – Evidence Double Tap A6 3:48 Featuring – A$ton Matthews*, Fashawn A7 Badchild 2:41 Corleone B1 3:23 Featuring – Evidence B2 Cold Crush 3:20 Club 33 B3 3:44 Featuring – Alchemist, Evidence Land B4 3:07 Featuring – iLLmacuLate B5 Black And White 3:28 B6 Drama 2:43 All I Know B7 3:02 Featuring – Evidence , Krondon Companies, etc. Copyright (c) – Battle Axe Records Produced At – Enzo's Garage Studios Mixed At – The Drug Lab Mastered At – Baker Mastering Credits Booking – Zack Johnson Design – Matt Bone, Teen Executive-Producer – Ivory Daniel, Kevin Zinger, Shane Ralph Layout – Jake Stevens Management – Barney Cronen, Derek Gordon Mastered By – Tom Baker Mixed By – Federico "c sik" Lopez Photography By – Jana Taylor, Punit Dhesi Producer – Evidence Product Manager – Ken Seaton Public Relations – Harriet Duncan, James Wright Notes This was supposed to be a green/black splatter vinyl release, but due to complications during manufacturing, they turned out blue/white splatter instead. Only 100 were made. All of them opened, signed, and numbered. -
Get 51327 Prodigy H.N.I.C. Lp
When it comes to authentic, ride-or-die hip-hop, few crews have as much A1. BARS & HOOKS (INTRO) resonance as Mobb Deep. Featuring two double-threat MCs who also produced – Havoc and the sadly-departed Prodigy – the crew changed the A2. GENESIS hardcore rap game in 1995 with their sophomore classic The Infamous, A3. DRIVE THRU (SKIT) and went on to rule the dark corners of hip-hop for the second half of the 90s and well into the 2000s. A4. ROCK DAT SHIT After multiple Mobb Deep platters in the ‘90s, Prodigy entered the 2000s A5. WHAT U REP (FEAT. NOREAGA) as a solo artist with force, rolling over a stomping, piano-freaked backdrop A6. KEEP IT THORO laced by producer The Alchemist, with “Keep It Thoro.” It has held up over time, proving itself as an anthemic classic that the streets and clubs still B1. CAN'T COMPLAIN (FEAT. CHINKY & TWIN GAMBINO) respect. B2. INFAMOUS MINDED (FEAT. BIG NOYD) Flaunting a smooth-but-menacing flow, Prodigy’s no-nonsense lyricism B3. WANNA BE THUGS (FEAT. HAVOC) on “Keep It Thoro” is prototypical modern age brag rap. Countless MCs have followed his flow, from Fabolous to Joey Bada$$. The song is short B4. THREE (FEAT. CORMEGA) and sweet, clocking in at just over 3 minutes. There are no wasted verses, B5. DELT W/ THE BULLSH*T (FEAT. HAVOC) just hardcore rhymes that stay with you. C1. TRIALS OF LOVE (FEAT. B.K.) But “Thoro” was the tip of the iceberg on what proved to be one of the more coveted rap full-lengths of the era. -
Streetsweepers Presents DJ Kay Slay & the Alchemist
StreetSweepers The Mixmasters mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Hip hop Album: The Mixmasters Country: US Released: 2004 MP3 version RAR size: 1745 mb FLAC version RAR size: 1624 mb WMA version RAR size: 1684 mb Rating: 4.8 Votes: 685 Other Formats: RA AIFF MMF MPC DTS WMA FLAC Tracklist Hide Credits 1 –Shaquille O'Neal Intro Freestyle 2 –Papoose Featuring – Canibus The Essence 3 –The Alchemist* Featuring – Jadakiss, Sheek*, Styles P Family Ties 4 –Camron* Featuring – 40 Cal, Hell Rell 5 –Fat Joe Victim Back In The Air 6 –Ol' Dirty Bastard Featuring – Ghostface* D Block To Queensbridge 7 –The Alchemist* Featuring – Big Noyd, Havoc , J Hood, Styles P Freestyle (Tim Westwood) 8 –Lloyd Banks Featuring – Young Buck Trouble 9 –Fat Joe Featuring – Dirtybag* Jamaican Joint 10 –Jim Jones Featuring – Camron*, Juelz* Freestyle 11 –The Diplomats Featuring – J.R. Writer Dead Bodies 12 –The Alchemist* Featuring – Prodigy, The Game Lean On Me 13 –Papoose Featuring – Rahzah Tryin To Make It Through 14 –Benzino Featuring – 2Pac, Freddie Foxxx 15 –Jae Millz Why (New Version) Why (Remix) 16 –Jadakiss Featuring – Common, Nas, Styles P Boost The Crime Rate 17 –The Alchemist* Featuring – J Hood, Sheek* 18 –Cashmere , Steve O, K.Y Freestyle Give Me That 19 –Webbie Featuring – Bun B 20 –Wicked I'm On "E" 21 –Pharoah Jean Blitz Credits DJ Mix – DJ Kay Slay Notes FOR PROMOTIONAL USE ONLY NOT FOR SALE Related Music albums to The Mixmasters by StreetSweepers Alchemist, The - Techno Breaks DJ L - Who Want A Problem Pt. 3 Big Mike , Supa Mario - D-Block Street Music 2 The Kid Big Mike - Dead or alive. -
The Presidency (Page 2)
MTFEB. 10-17, 2019 MAYS MASSEY FRANKLIN WILSON THOMAS MOREHOUSE PRESENTS THE PRESIDENCY (PAGE 2) Campus the Black Ink How to own Your Candle in the dark Opinions Features Sports Battle of AUC NEWS Project Second Semester comes back to light WEEK OF COVER STORY FOUNDER’S EDITION 2 FEB 10, 2018 THE MAROON TIGER THE PRESIDENCY: STUDENTS REFLECT ON THOMAS’ FIRST YEAR BY ISAIAH JOHNSON, MANAGING EDITOR his Founder’s Day, Morehouse College will inaugurate and junior Donavan Pinner believes that it shouldn’t matter to David A. Thomas as its 12th president of the school. people that he’s not. However, what makes this presidency special is that he “I’m glad that President Thomas is not a Morehouse grad- isT the first non-Morehouse graduate to be president in 52 years. uate” Pinner said. “He has a different perspective of the college The last president to do this was Benjamin E. Mays, who served than a graduate would have.” as president for 27 years (1940-1967). Since Mays’ presidency, the formally inaugurated presi- With a new president comes new ideas and policies that dents have all been Morehouse graduates. During their time are meant to not only improve the school itself, but student life they built and enhanced the school in their own way, giving on campus. With a new president also comes a various amount back to their beloved alma mater. However, there’s always room of opinions coming from both students for change and it seems as though More- and faculty members, but primarily from ‘I think he has our best house is open to it. -
Journal of Hip Hop Studies
et al.: Journal of Hip Hop Studies Published by VCU Scholars Compass, 2014 1 Journal of Hip Hop Studies, Vol. 1 [2014], Iss. 1, Art. 1 Editor in Chief: Daniel White Hodge, North Park University Book Review Editor: Gabriel B. Tait, Arkansas State University Associate Editors: Cassandra Chaney, Louisiana State University Jeffrey L. Coleman, St. Mary’s College of Maryland Monica Miller, Lehigh University Editorial Board: Dr. Rachelle Ankney, North Park University Dr. Jason J. Campbell, Nova Southeastern University Dr. Jim Dekker, Cornerstone University Ms. Martha Diaz, New York University Mr. Earle Fisher, Rhodes College/Abyssinian Baptist Church, United States Dr. Daymond Glenn, Warner Pacific College Dr. Deshonna Collier-Goubil, Biola University Dr. Kamasi Hill, Interdenominational Theological Center Dr. Andre Johnson, Memphis Theological Seminary Dr. David Leonard, Washington State University Dr. Terry Lindsay, North Park University Ms. Velda Love, North Park University Dr. Anthony J. Nocella II, Hamline University Dr. Priya Parmar, SUNY Brooklyn, New York Dr. Soong-Chan Rah, North Park University Dr. Rupert Simms, North Park University Dr. Darron Smith, University of Tennessee Health Science Center Dr. Jules Thompson, University Minnesota, Twin Cities Dr. Mary Trujillo, North Park University Dr. Edgar Tyson, Fordham University Dr. Ebony A. Utley, California State University Long Beach, United States Dr. Don C. Sawyer III, Quinnipiac University Media & Print Manager: Travis Harris https://scholarscompass.vcu.edu/jhhs/vol1/iss1/1 2 et al.: Journal of Hip Hop Studies Sponsored By: North Park Universities Center for Youth Ministry Studies (http://www.northpark.edu/Centers/Center-for-Youth-Ministry-Studies) . FO I ITH M I ,I T R T IDIE .ORT ~ PAru<.UN~V RSllY Save The Kids Foundation (http://savethekidsgroup.org/) 511<, a f't.dly volunteer 3raSS-roots or3an:za6on rooted :n h;,P ho,P and transf'orMat:ve j us6c.e, advocates f'or alternat:ves to, and the end d, the :nc..arc.eration of' al I youth . -
Rap Luminary Freddie Gibbs Partners with Warner Records
RAP LUMINARY FREDDIE GIBBS PARTNERS WITH WARNER RECORDS NEW MUSIC COMING SOON DOWNLOAD PRESS PHOTO HERE [CREDIT: NICK WALKER] June 18, 2020 (Los Angeles, CA) – History in the making as Warner Records announces that one of the most influential and exalted rappers of this era, Freddie Gibbs, partners with its renowned label. The critically acclaimed storyteller will unveil his first release under the newly minted deal very soon. Billboard exclusively broke the news today, check it out HERE. About his signing, Warner Records SVP of A&R, Norva Denton, commented, “Freddie’s lyricism is unmatched. He operates at an unparalleled prolific pace by consistently dropping quality projects with intensity and intention. He has indisputably become one of the most talked-about and respected artists of his generation. Our team, Aaron Bay-Schuck, and I have the utmost respect for Freddie and his artistry. We’re honored to partner with him for this next chapter and provide a platform for the incredible music to come.” Freddie shared, “I’m really looking forward to partnering with Warner and working with Aaron. He’s a young progressive label head I can openly share ideas with. It was love and respect from the first meeting and always felt right. We’re working together to take everything to another level for my day one fans as well as the people just now discovering me.” His manager, Ben "Lambo" Lambert, also adds, “Teaming up with Aaron, Tom Corson, Norva Denton, Julian Petty, Chris Atlas, and the rest of the Warner staff puts us in a strong position to build upon the work we’ve been putting in independently over the past decade or so. -
Self-Portrait with Magic Scene Ca
Self-Portrait with Magic Scene ca. 1635–37 oil on canvas Pieter van Laer 80 x 114.9 cm (Haarlem 1599 – 1642 Italy?) signed on the music sheet, lower left center: “P.V. Laer” PvL-100 © 2021 The Leiden Collection Self-Portrait with Magic Scene Page 2 of 15 How to cite Liedtke, Walter A. and Arthur K. Wheelock Jr. “Self-Portrait with Magic Scene” (2017). Revised by Alexa J. McCarthy (2019). In The Leiden Collection Catalogue, 3rd ed. Edited by Arthur K. Wheelock Jr. and Lara Yeager-Crasselt. New York, 2020–. https://theleidencollection.com/artwork/self-portrait-with-magic-scene/ (accessed September 26, 2021). A PDF of every version of this entry is available in this Online Catalogue's Archive, and the Archive is managed by a permanent URL. New versions are added only when a substantive change to the narrative occurs. © 2021 The Leiden Collection Powered by TCPDF (www.tcpdf.org) Self-Portrait with Magic Scene Page 3 of 15 In one of the most remarkable self-portraits ever created, Pieter van Laer Comparative Figures reacts with horror to the frightening claws of the devil that have suddenly come to claim him. Dressed in the black cloak and cap of a magician, the artist, with bulging eyes and open mouth, has witnessed this apparition while standing behind a table filled with books, some with alchemical notations, a variety of vessels, a snuffed-out candle, and a skull resting on hot coals. To emphasize the personal character of this dramatic image, Van Laer prominently signed this work on the musical score lying in the foreground, its lyrics warning that “the devil doesn’t jest.” Clearly, in his conjuring up a world of occult forces, the magician has unleashed realms far beyond his control, and he is about to suffer the consequences of his audacity. -
Elections BC Taps Emily Carr Students to Get More Young People to the Polls
WHO WE ARE NEWS The Other Press has been Douglas College’s student semester at registration, and from local and national newspaper since 1976. Since 1978 we have been advertising revenue. The Other Press is a member an autonomous publication, independent of the of the Canadian University Press (CUP), a syndicate student union. We are a registered society under of student newspapers that includes papers from all the Society Act of British Columbia, governed by an across Canada. eight-person board of directors appointed by and The Other Press reserves the right to choose Fasting for funds: Douglas’ 30-Hour Famine from our staff. Our head office is located in the New what we will publish, and we will not publish Westminster campus. material that is hateful, obscene, or condones The Other Press is published weekly during or promotes illegal activities. Submissions may Dylan Hackett, page 04 the fall and winter semesters, and monthly during be edited for clarity and brevity if necessary. All the summer. We receive our funding from a images used are copyright to their respective student levy collectedTHE DOUGLAS through COLLEGE NEWSPAPER tutition SINCE 1978 fees every owners. ARTS e The Douglas College OtherPress. student newspaper since 1978 Room 1020 – 700 Royal Ave. TELEPHONE: 604.525.3542 Douglas College WEBSITE: www.theotherpress.ca New Westminster, BC V3L 5B2 EMAIL: [email protected] Is there a Silver Lining to this story? EDITOR IN CHIEF ASSISTANT EDITOR BUSINESS MANAGER Parker Thompson, page 09 LIFE&STYLE Sharon Miki Jacey Gibb -
“We Ain't Terrorists, but We Droppin' Bombs”: Language
“WE AIN’T TERRORISTS, BUT WE DROPPIN’ BOMBS”: LANGUAGE USE AND LOCALIZATION OF HIP HOP IN EGYPT BY ANGELA SELENA WILLIAMS THESIS Submitted in partial fulfillment of the requirements for the degree of Master of Arts in Linguistics in the Graduate College of the University of Illinois at Urbana-Champaign, 2009 Urbana, Illinois Adviser: Assistant Professor Marina Terkourafi ABSTRACT In this thesis I explore the localization of hip hop in the context of Egypt. I examine the process of localization in terms of the content (issues and topics), forms (language forms) and musical styles that are used in the cases of four Egyptian groups, MTM, Arabian Knightz, Y-Crew and Asfalt. I argue that despite one group’s (Arabian Knightz) frequent use of English, all the groups have become localized in terms of exploiting local themes and language conventions, as well as creating new language practices. I explore how the groups resist established usage conventions and redefine language ideologies. In demonstrating that language choices in hip hop lyrics do not merely reflect the existing social norms and language ideology, it will be seen that English, which usually functions as an ‘elite code’ in Egypt, is actually used in the lyrics to resist the English-speaking world. Through the production of rap music, the groups also change local traditions (i.e. meanings of local language), as well as create a space (via the Internet and media) for these traditions to spread (Pennycook 2007:139). I demonstrate that in regards to hip hop culture, localization is a process that involves local topics and the use of language conventions that authenticate the artists as being legitimate participants of hip hop culture while constructing their own hip hop identities.