© in This Web Service Cambridge University

Total Page:16

File Type:pdf, Size:1020Kb

© in This Web Service Cambridge University Cambridge University Press 978-0-521-88702-1 - John Clare and Community John Goodridge Index More information I n d e x A d a m s , Th e r e s a , 1 9 4 1 6 2 , 1 6 4 , 1 6 9 , 1 7 0 – 7 , 1 8 1 , 1 8 5 – 9 , 1 9 0 , A d c o c k , A n n a , 8 5 1 9 1 , 1 9 2 A e s o p , 1 6 3 Th e Banks of Wye , 8 6 A l l n a t t , J u d i t h ‘ Th e Blind Boy’, 39 Th e Poet’s Wife , 4 ‘ Th e B r o k e n C r u t c h ’ , 8 6 , 9 2 , 1 6 2 , 1 6 4 , 1 7 1 – 3 , A n g l e t o n , J a m e s , 4 8 1 7 7 , 1 8 5 – 7 A r t i s , E d m u n d , 5 , 2 2 , 1 9 1 ‘ Th e Drunken Father’, 92 , 171 A s h b y , J o s e p h , 9 3 Th e Farmer’s Boy , 9 2 – 6 , 9 9 , 1 5 4 , 1 5 6 A t k i n , J o h n , 7 2 Good Tidings , 173 Atwood, Margaret ‘ Th e H o r k e y ’ , 9 2 , 1 6 9 , 1 7 4 – 7 , 1 8 1 ‘ B l u e b e a r d ’ s E g g ’ , 1 6 0 May Day with the Muses , 9 1 – 2 , 1 1 0 , 1 7 1 , 1 8 8 Th e Remains of Robert Bloomfi eld , 9 7 Bains, Mary (Granny Bains), 161 , 163–4 , 169 , ‘ R i c h a r d a n d K a t e ’ , 8 6 , 1 6 2 , 1 6 4 , 1 9 0 1 7 6 , 1 8 3 , 1 9 0 ‘Rosamund’s Song of Hope’, 171 B a r r e l l , J o h n , 4 5 , 4 7 ‘ R o s y H a n n a h ’ , 1 0 0 – 1 Th e Idea of Landscape and the Sense of Place, Rural Tales, Ballads and Songs , 100 1730–1840: An Approach to the Poetry ‘To a Spindle’, 173 , 181 of John Clare , 216 ‘To My Old Oak Table’, 88 , 91 Barrell, John and John Bull ‘ Th e Widow to her Hour-glass’, 92 , 173 , Th e Penguin Book of English Pastoral Verse , 1 1 8 1 8 1 , 1 8 3 B a t e , J o n a t h a n , 3 6 , 1 2 1 , 1 4 8 Wild Flowers , 8 6 John Clare, A Biography , 164 B l o o m fi e l d , R o b e r t H e n r y , 8 7 B e a t t i e , J a m e s , 1 9 Bluebeard , 160–1 Th e Minstrel , 1 9 , 4 5 , 7 0 Blunden, Edmund, 5 B e c k f o r d , W i l l i a m , 1 8 B l y t h e , R o n a l d , 8 5 , 1 3 4 , 1 7 4 B e h n e s , H e n r y , 8 5 B o d e n , H e l e n , 2 2 7 Bennion, Th o m a s , 5 , 8 9 B o n a p a r t e , N a p o l e o n , 6 0 , 1 3 2 B e v a n , A n e u r i n , 1 2 1 Boustead, Christopher Bible , 4 4 , 8 6 , 1 0 6 , 1 0 8 , 1 0 9 , 1 1 2 , 1 1 7 , 1 3 1 , 1 4 2 , ‘A Wild, Wet Martinmas Saturday Night’, 1 8 2 , 1 8 3 , 1 8 4 , 2 1 7 , 2 2 9 1 5 2 – 3 Blackwoods , 7 6 Bowles, William Lisle, 1 B l a k e , W i l l i a m , 4 5 , 1 2 1 B r a i n , R u s s e l l , 2 0 1 ‘ Th e Ecchoing Green’, 115 Brand, John, 150 ‘London’, 121 B r a w n e f a m i l y , 7 6 B l a m i r e s , D a v i d , 1 6 0 – 1 Brewer, E. Cobham, 150 B l o o m , H a r o l d , 4 3 B r o n t ë , E m i l y , 8 2 B l o o m fi e l d , C h a r l e s , 8 7 B r o w n , C h a r l e s A r m i t a g e , 7 6 , 8 4 B l o o m fi eld, Hannah, 87 , 100 B u l l i m o r e , M r s , 5 6 , 5 7 B l o o m fi e l d , N a t h a n i e l , 1 , 9 8 B u n y a n , J o h n B l o o m fi e l d , R o b e r t , 1 , 5 , 7 , 1 3 , 1 4 , 2 2 , 3 9 , 4 4 , 5 8 , Th e Pilgrim’s Progress , 119 5 9 , 6 7 , 7 6 , 8 4 , 8 6 – 1 0 1 , 1 1 0 , 1 2 4 , 1 5 6 , B u r n s , R o b e r t , 1 1 , 1 4 , 2 5 , 3 5 , 3 9 , 8 4 , 8 5 245 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-88702-1 - John Clare and Community John Goodridge Index More information 246 Index ‘ Th e Cotter’s Saturday Night’, 172 a n d S h a k e s p e a r e , 7 , 2 0 , 2 1 , 4 2 , 1 3 9 ‘ Th e Humble Petition of Bruar Water to the and the London Magazine , 5 , 2 8 , 2 9 , 6 1 , 8 9 , Noble Duke of Athol’, 218 191 ‘ T a m o ’ S h a n t e r ’ , 8 5 a n d t h e R a n t e r s , 9 6 , 9 7 ‘To a Mountain Daisy, on Turning one a s o u t s i d e r , 5 – 7 , 8 , 1 9 1 , 1 9 3 Down with the Plough, in April, a s s o c i a b l e p o e t , 3 , 5 – 7 , 8 , 5 8 , 1 9 1 , 1 9 3 1 7 8 6 ’ , 2 5 a s y l u m p e r i o d , 3 , 5 , 8 , 1 1 , 2 7 , 3 3 – 4 , 8 4 – 5 , 9 0 , B y r o n , L o r d , 3 , 2 2 , 3 3 , 6 0 , 8 2 , 9 8 , 1 2 3 1 2 3 , 1 2 8 , 1 9 1 , 2 2 2 Childe Harold , 3 3 combination of popular and literary forms, Don Juan , 2 1 , 8 2 , 1 6 2 3 , 6 , 4 0 , 4 4 , 1 0 1 , 1 0 5 , 1 0 8 – 9 , 1 1 2 , English Bards and Scotch Reviewers , 9 8 1 4 9 – 5 0 , 1 8 9 c o m p a r e d t o B l o o m fi eld by contemporaries, C a r t e r , A n g e l a 8 7 ‘ Th e Bloody Chamber’, 160 c o r r e s p o n d e n c e , 6 1 , 1 2 8 C a r y , H e n r y F r a n c i s , 2 0 , 2 1 – 2 , 6 1 , 9 7 , 9 8 w i t h J o h n A t k i n , 7 2 C a t c o t t , A l e x a n d e r , 2 2 w i t h Th omas Bennion, 195 C a u n t , B e n , 3 3 w i t h H a n n a h B l o o m fi e l d , 1 0 0 Chartist poets, 131 with Robert Bloomfi e l d , 8 7 – 8 , 9 0 – 1 Chatterton, Th o m a s , 6 , 1 1 – 2 7 , 3 0 – 3 , 3 4 – 5 , 3 6 , with Henry Behnes, 85 4 1 , 4 2 , 5 9 , 6 9 , 8 3 – 4 , 1 9 0 , 1 9 1 , 1 9 2 w i t h H e n r y F r a n c i s C a r y , 2 1 – 2 , 9 7 , 9 8 ‘ A e l l a ’ , 2 1 , 2 4 , 2 6 w i t h A l l a n C u n n i n g h a m , 8 6 , 9 8 , 1 2 4 , 1 6 2 ‘ Th e Battle of Hastings [no. 1]’, 23 w i t h E d w a r d D r u r y , 8 6 ‘ Th e B a t t l e o f H a s t i n g s [ n o .
Recommended publications
  • The Order of Authors: Degrees of 'Popularity' and 'Fame' in John Clare's Writing
    The Order of Authors: Degrees of ‘Popularity’ and ‘Fame’ in John Clare’s Writing ADAM WHITE Abstract: This essay analyses Clare’s essay ‘Popularity in Authorship’, arguing that the work can be seen as a central statement in Clare’s recurrent concern with poetic fame and authorial reputation. By connecting ‘Popularity in Authorship’ with Clare’s sonnets on his Romantic contemporaries (Robert Bloomfield and Lord Byron), the essay contends that Clare’s complex understanding of ‘popular’ and ‘common’ notions of fame helps to bring into focus a distinctive contribution to debates about how authors were received by different audiences in the period. Contributor: Adam White currently teaches in English and American Studies at the University of Manchester, where he obtained his PhD. He has published a number of essays on Romantic poetry, most recently on Robert Burns and John Clare. In 2012 his essay on Leigh Hunt, John Keats, John Hamilton Reynolds, and John Clare was awarded second prize in the Keats-Shelley Memorial Association competition. For The Literary Encyclopedia he has written entries on Lord Byron, John Keats, the Brontë sisters, Charles Dickens, and Thomas Hardy. In a letter of 29 August 1828 to Thomas Pringle,1 John Clare states that ‘I would sooner be the Author of Tam o shanter then of the Iliad & Odyssey of Homer’ (Storey 437).2 It is intriguing that Clare should voice a bold preference for being the author of ‘Tam o’ Shanter’ given that earlier in his career he had in fact been called ‘a second [Robert] Burns’ (Storey 105) after the instant success of his first volume, Poems Descriptive of Rural Life and Scenery (1820).
    [Show full text]
  • ROBERT BURNS and PASTORAL This Page Intentionally Left Blank Robert Burns and Pastoral
    ROBERT BURNS AND PASTORAL This page intentionally left blank Robert Burns and Pastoral Poetry and Improvement in Late Eighteenth-Century Scotland NIGEL LEASK 1 3 Great Clarendon Street, Oxford OX26DP Oxford University Press is a department of the University of Oxford. It furthers the University’s objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offices in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York # Nigel Leask 2010 The moral rights of the author have been asserted Database right Oxford University Press (maker) First published 2010 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, without the prior permission in writing of Oxford University Press, or as expressly permitted by law, or under terms agreed with the appropriate reprographics rights organization. Enquiries concerning reproduction outside the scope of the above should be sent to the Rights Department, Oxford University Press, at the address above You must not circulate this book in any other binding or cover and you must impose the same condition on any acquirer British Library Cataloguing in Publication Data Data available Library of Congress Cataloging in Publication Data Data available Typeset by SPI Publisher Services, Pondicherry, India Printed in Great Britain on acid-free paper by MPG Books Group, Bodmin and King’s Lynn ISBN 978–0–19–957261–8 13579108642 In Memory of Joseph Macleod (1903–84), poet and broadcaster This page intentionally left blank Acknowledgements This book has been of long gestation.
    [Show full text]
  • Robert Bloomfield: the Inestimable Blessing of Letters - Praxis Series - Romantic Circl
    Denney - The Talk of the Tap-Room: Bloomfield, Politics, and Popular Culture - Robert Bloomfield: The Inestimable Blessing of Letters - Praxis Series - Romantic Circl... Robert Bloomfield: The Inestimable Blessing of Letters "The Talk of the Tap-Room: Bloomfield, Politics, and Popular Culture" Peter Denney Griffith University article abstract | about the author | search volume [print full essay] 1. The tendency to associate the value of a particular literary work with the personal probity of its author had characterized the polite reception of laboring-class poetry ever since Oxford professor Joseph Spence wrote his influential account of Stephen Duck in the early eighteenth century. Emphasizing his industriousness, contentment, and piety, Spence praised the way that Duck displayed “so many Merits, and so much Humility join’d together,” evincing, for example, a preference for the religious and moral writings of Addison rather than the low burlesques of street literature (27). From Stephen Duck to John Clare, the laboring-class poet was expected by the polite to conform to a model of exemplary private virtue, diligent, dutiful, and suitably distanced from what were perceived to be the vulgar elements of collective plebeian life. [1] But this image acquired a new urgency with the growth of popular radicalism in the late eighteenth century, and especially amidst the counter-revolutionary climate that witnessed, with the publication of The Farmer’s Boy in 1800, the transformation of Robert Bloomfield from anonymous shoemaker to literary celebrity. 2. Indeed, shortly after Bloomfield’s death in 1823, the editor of his Remains, his friend Joseph Weston, sought to establish the poet’s posthumous reputation by commending not only the excellence of his verse, but also the spotlessness of his character.
    [Show full text]
  • Memoirs of the Life and Writings of James Montgomery : Including
    FROM THE LIBRARY OF REV. LOUIS FITZGERALD BENSON. D. D. BEQUEATHED BY HIM TO THE LIBRARY OF PRINCETONSCOTHEOLOGICAL SEMINARY "^ m - i OF (S-^ #>?ia/t Q/am&t & - 'jztxytite/? L OTSTDON : LONGMAN, BROWN. GREEN 8c LONGW I RJSTOSTER ROW. MEMOIKS U/ 31 THE LIFE AND WRITINGS JAMES MONTGOMERY, INCLUDING SELECTIONS FROM HIS CORRESPONDENCE, REMAINS IN PROSE AND VERSE, AND CONVERSATIONS ON VARIOUS SUBJECTS. BY JOHN HOLLAND AND JAMES EVERETT. VOL. II. ' There is a living spirit in the lyre, A breath of music and a soul of fire ; It speaks a language to the world unknown ; It speaks that language to the bard alone." World before the Flood. LONDON: LONGMAN, BROWN, GREEN, AND LONGMANS. 1855. London . A. and G. A. Spottiswoode, New-street- Square. — CONTENTS. CHAPTER XXIII. 1800—1801. Page State of English Poetry at the Close of the Eighteenth Cen- tury. — Montgomery writes an Address for the Theatre. — Mrs. Siddons. — New Feature of the " Iris." — Series of Paragraphs on the Affairs of Switzerland. — Epitaph " on Edwin and Emma," and " on a Youth." — The " Suffering Peasant," by Ignatius Montgomery. — Local Distress. — " - - - - A Fragment " - I CHAP. XXIV. 1801—1803. " Hannah." — Montgomery extends his poetical Claims. — Adopts the Signature of " Alcajus." — The " Lyre." — Blank Verse. — The " Poetical Register," and the " An- nual Review." — Dr. Aikin. — The Peace of Amiens. Letters to Aston and to Montgomery. — The " Pillow," the " Thunder Storm," and the " Joy of Grief." — Chat- terton. — Political Paragraphs. — Origin of the " Wan- derer of Switzerland" - - - - 13 CHAP. XXV. 1803—1804. Threatened French Invasion of Great Britain. — Volunteer Corps. — Firing of a Yorkshire Beacon, and consecpient Alarm.
    [Show full text]
  • The Writing Life of Robert Story, 1795-1860: 'The Conservative Bard'
    THE WRITING LIFE OF ROBERT STORY, 1795-1860: ‘THE CONSERVATIVE BARD’ PHILIP JOSEPH CROWN A thesis submitted in partial fulfilment of the requirements of Liverpool John Moores University for the degree of Doctor of Philosophy February 2018 Table of Contents Acknowledgements 5 Abstract 6 Introduction 8 The Writing Life of Robert Story, 1795-1860: ‘The Conservative Bard’ Part One Chapter 1 29 Sketching the Life of Robert Story (1795-1860) Chapter 2 69 Awakening ‘the dormant chords’: Robert Story’s Reading Experiences Imitation and Innate Genius 70 Critical Voice 79 Types of Literature 83 Religious Verse 87 Ownership 89 Reading Labouring-Class Authors 90 Part Two Chapter 3 102 ‘My brother authors’: Identity and Class Provincial Poets 106 2 Democratic Vision 113 Tam O’Glanton 118 Aesthetics 120 Wordsworth 125 Burns 126 John Nicholson 129 Chapter 4 135 ‘Words which were seared into my brain as if by characters of fire!’: Critics and Scribblers of the Day Craven Blossoms (1826): Provincial Press 140 Metropolitan Response 146 ‘The Mind a Barometer; or the Moods of a Day’ (1826) 149 Critics and Scribblers of the Day (1827) 154 Chapter 5 171 ‘The Conservative Bard’: Robert Story’s Political Songs and Poems Context 172 Early Radicalism 179 Conservative Ballads (1834-1836) 183 ‘Public Questions’ and ‘Ale House Meetings’ 189 Speech to the Conservative Association (1835) 191 Tory Radicalism 196 Response to Story’s Political Writing 199 3 Part Three Chapter 6 206 ‘I am now, at its conclusion, MYSELF AGAIN’: Formal Experimentation in Story’s Poetry and Prose Love and Literature 207 ‘The Queen of the North’ 218 Chronicles of the Swan 225 Chapter 7 239 The Outlaw: Balladry and Romantic Melodrama Ballad, Song, and Popular Culture 242 The Outlaw in Context 253 Romantic Melodrama 256 The Labouring-Class Ophelia 260 Melodrama, Political Satire and Story’s Social Conscience 266 Conclusion 275 Bibliography 281 Appendix Transcript of Critics and Scribblers of the Day: A Satire by a Scribbler 307 Illustration: Figure 1.
    [Show full text]
  • Oriental Diction and Theme in English Verse, 1740-1840
    BULLETIN OF THE UNIVERSITY OF KANSAS HUMANISTIC STUDIES Vol. 2 May 1, 1916 No. 1 ORIENTAL DICTION AND THEME IN ENGLISH VERSE, 1740-1840 BY EDNA OSBORNE, A. M. Fellow-elect in English, The University of Kansas LAWRENCE, MAY, 1916 PUBLISHED BY THE UNIVERSITY PREFACE The writer's interest in Orientalism in English literature began at the University of Illinois in 1911, when Professor H. G. Paul, in a lecture on the Romantic poets, emphasized Byron's Oriental coloring and suggested that its study would make a good thesis. A little later this interest took form in a master's thesis on The Orientalism of Byron, which was accepted by the English Depart• ment of the University of Kansas in 1914. This preliminary study opened up a field which seemed boundless, and which offered very attractive appeals to the student of foreign influences on English literature. One does not need to be acquainted with Oriental languages or Oriental literature to trace with some profit the effects of Oriental interests on English verse and prose. It has been impossible to examine all the English verse from 1740 to 1840; but the chief poets have been reviewed with a good deal of care, and many of the minor ones. The Oriental drama offers a field by itself, and only a few dramas have been included in the present survey. It is hoped that all the main characteristics of Oriental diction and theme in the period have been recognized and given some attention in this paper. There has been no effort at a microscopic examina• tion, at inclusion of every possible poet, passage, or term.
    [Show full text]
  • Robert Bloomfield the Farmer's
    1 The Farmer’s Boy By Robert Bloomfield, introduced and edited by Peter Cochran Robert Bloomfield’s The Farmer’s Boy was the poem most frequently printed in the “romantic” period. William St Clair credits it with having sold over 100,000 copies between 1800 and 1826. 1 Crabbe, Bloomfield’s rival Suffolk poet, enjoyed much smaller sales. 2 Joseph Weston, the editor of Bloomfield’s Remains (1824) writes, … I have been informed by persons who travel into every quarter of the country, that almost the only books they are frequently able to find, are the Bible and the poems of Bloomfield. 3 Bloomfield was born at Honington, south-east of Thetford in Suffolk, on December 3rd 1766. Bloomfield’s birthplace, Honington A distant cousin, called Blomfield, was Bishop of London. His father died of smallpox when he was a year old, and he was taught to read and write by his mother. He had five siblings, and when he was seven his mother married again, and had another family. At the age of eleven he was sent to his mother’s brother-in-law at the nearby village of Sapiston. He is said to have been too small to be helpful at farmwork (though there is no agreement about his height); 4 and so he was sent to two of his brothers in London to train as a shoemaker. There he ran errands and read the newspapers aloud. I am grateful to the Carl H. Pforzheimer Foundation and to the Keats-Shelley Association of America for the grant which facilitated the research which led to the enlargement and improvement both of this essay, and of my edition of The Farmer’s Boy .
    [Show full text]
  • Highly Important Library of the Late George Daniel, Esq
    -. CATALOGUE OF ‘rm MOST VALUABLE,INTERESTING AND c HIGHLY IMPORTANT LIBRARY OF THE LATE GEORGE DANIEL, ESQ. OF CANONBURY, TOOETIIEB WITH HIS COLLECTION OF ORIGINAL DRAWINGS AKD ENGRAVED PORTRAITS OF OF TEE FIRST QUALITY, BY BABRETT, CATTERMOLE, COOPER, COS, DEWINT, HARDING, PROUT, PYNE, STANFIELD, STOTHARD, WILKIE, AND OTHER EMINENT ARTISTS. NISCELLANEOU8 OBJECTS OF ART, INTEREST & CURIOSITY, BEAUTIFUL ASD OTHER FINE EXAMPLES OF ART AND VERTU. WHICH WILL BE SOLD BY AUCTION, BY XESSBS. SOTHEBY, W1,LKINSON & HODGE, auctioneers of Eiterarg wroprrte t titRorks iIIoalratibe of @e fine arts, -4T THEIRHOUSE. NO. 13, (late 3), WELLINGTON STREET, STRAND, W.C. On WEDNESDAY, the 20th of JULY, 1864, and Niue following Dags, AT ONE O’CLOCK PRECIRRTaY. -- May be Viewed Two Days previous, and Cataloguee had. I. Thehighest bidder to be tho buyer,and if disputo mk? bd-ffeen bidders, the lot 80 dis uted sball be immediately put up again, Provided the seller cannotdeci Be the said dispute. 11. No person to advance less than GJ. ; above ten shilliop, 18. ; above five pounds, 2r.6d. ; and so on. 111. The purchaaera to give in their names and plnces of abode, adto pay down 108. in the pound, if required, in part payment of the puxhaee- money ; in default of which the lot or lots purchased to be immediately put up again and re-sold. IT. The lots to be taken away at the buyer’s ex nse, immediately after the conclusion of the sale ; in default ofwhich essrs. SOTIIEBS,WJLKISSOX & HODQEwill not hold themselves responsibleaK”if lost, stolen, damaged, or otherwise destroyed,but they will be left at the derisk of the purchaser.
    [Show full text]
  • The Writing Life of Robert Story, 1795-1860: ‘The Conservative Bard’
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by LJMU Research Online THE WRITING LIFE OF ROBERT STORY, 1795-1860: ‘THE CONSERVATIVE BARD’ PHILIP JOSEPH CROWN A thesis submitted in partial fulfilment of the requirements of Liverpool John Moores University for the degree of Doctor of Philosophy February 2018 Table of Contents Acknowledgements 5 Abstract 6 Introduction 8 The Writing Life of Robert Story, 1795-1860: ‘The Conservative Bard’ Part One Chapter 1 29 Sketching the Life of Robert Story (1795-1860) Chapter 2 69 Awakening ‘the dormant chords’: Robert Story’s Reading Experiences Imitation and Innate Genius 70 Critical Voice 79 Types of Literature 83 Religious Verse 87 Ownership 89 Reading Labouring-Class Authors 90 Part Two Chapter 3 102 ‘My brother authors’: Identity and Class Provincial Poets 106 2 Democratic Vision 113 Tam O’Glanton 118 Aesthetics 120 Wordsworth 125 Burns 126 John Nicholson 129 Chapter 4 135 ‘Words which were seared into my brain as if by characters of fire!’: Critics and Scribblers of the Day Craven Blossoms (1826): Provincial Press 140 Metropolitan Response 146 ‘The Mind a Barometer; or the Moods of a Day’ (1826) 149 Critics and Scribblers of the Day (1827) 154 Chapter 5 171 ‘The Conservative Bard’: Robert Story’s Political Songs and Poems Context 172 Early Radicalism 179 Conservative Ballads (1834-1836) 183 ‘Public Questions’ and ‘Ale House Meetings’ 189 Speech to the Conservative Association (1835) 191 Tory Radicalism 196 Response to Story’s Political Writing 199 3
    [Show full text]
  • The Poetical Works of Henry Kirke White - with a Memoir by Sir Harris Nicolas
    The Poetical Works of Henry Kirke White - With a Memoir by Sir Harris Nicolas Henry Kirke White The Project Gutenberg EBook of The Poetical Works of Henry Kirke White by Henry Kirke White Copyright laws are changing all over the world. Be sure to check the copyright laws for your country before downloading or redistributing this or any other Project Gutenberg eBook. This header should be the first thing seen when viewing this Project Gutenberg file. Please do not remove it. Do not change or edit the header without written permission. Please read the "legal small print," and other information about the eBook and Project Gutenberg at the bottom of this file. Included is important information about your specific rights and restrictions in how the file may be used. You can also find out about how to make a donation to Project Gutenberg, and how to get involved. **Welcome To The World of Free Plain Vanilla Electronic Texts** **eBooks Readable By Both Humans and By Computers, Since 1971** *****These eBooks Were Prepared By Thousands of Volunteers!***** Title: The Poetical Works of Henry Kirke White With a Memoir by Sir Harris Nicolas Author: Henry Kirke White Release Date: December, 2004 [EBook #7149] [Yes, we are more than one year ahead of schedule] [This file was first posted on March 17, 2003] Edition: 10 Language: English Character set encoding: ASCII *** START OF THE PROJECT GUTENBERG EBOOK POETICAL WORKS *** Produced by Stan Goodman, Tiffany Vergon, Charles Aldarondo, Charles Franks and the Online Distributed Proofreading Team. Livros Grátis http://www.livrosgratis.com.br Milhares de livros grátis para download.
    [Show full text]
  • The Poetical Works of Henry Kirk White
    The Poetical Works of Henry Kirk White Henry Kirk White The Poetical Works of Henry Kirk White Table of Contents The Poetical Works of Henry Kirk White..............................................................................................................1 Henry Kirk White...........................................................................................................................................1 MEMOIR OF HENRY KIRKE WHITE.......................................................................................................4 MISCELLANEOUS POEMS...................................................................................................................................21 CLIFTON GROVE......................................................................................................................................21 TIME,...........................................................................................................................................................32 CHILDHOOD.[1]........................................................................................................................................47 THE CHRISTIAD........................................................................................................................................58 LINES WRITTEN ON A SURVEY OF THE HEAVENS,........................................................................69 LINES SUPPOSED TO BE SPOKEN BY A LOVER AT THE GRAVE OF HIS MISTRESS................71 MY STUDY.................................................................................................................................................72
    [Show full text]
  • Bibliography
    BIbLIOGRAPHY MANUSCRIPT SOURCES Edinburgh, National Library of Scotland (NLS), Blackwood Archive. Edinburgh, National Library of Scotland (NLS), John Murray Archive. London, British Library (BL), Archive of the Royal Literary Fund, Loan 96 RLF. London, British Library (BL), Papers of William Windham, Additional Manuscript 37914. New York Public Library (NYPL), Henry W. and Albert A. Berg Collection of English and American Literature. New York Public Library (NYPL), Carl H. Pforzheimer Collection of Shelley and His Circle. Reading, University of Reading, Special Collections (URSC), Longman Archive, URSC 1393. PERIODICAL SOURCES Anti-Jacobin Anti-Jacobin Review Analytical Review Athenaeum Blackwood’s Edinburgh Magazine British Critic Champion Cobbett’s Weekly Political Register © The Author(s) 2021 335 M. Sangster, Living as an Author in the Romantic Period, Palgrave Studies in the Enlightenment, Romanticism and Cultures of Print, https://doi.org/10.1007/978-3-030-37047-3 336 BIBLIOGRAPHY Critical Review Eclectic Review Edinburgh Annual Register Edinburgh Monthly Review Edinburgh Review English Review Gentleman’s Magazine Literary Gazette Monthly Magazine Monthly Review Morning Chronicle Morning Post New Monthly Magazine Penny Magazine Poetical Register Quarterly Review Spectator St James’s Chronicle, or the British Evening Post Tait’s Edinburgh Magazine The World PRImARY WORKS Annual Biography and Obituary, 1830, Vol. 14 (London: Longman, Rees, Orme, Brown, and Green, 1830). Austen, Jane, Jane Austen’s Letters, ed. Deirdre Le Faye, 3rd edn (Oxford: Oxford University Press, 1995). Austen, Jane, Northanger Abbey, ed. Barbara M. Benedict and Deirdre Le Faye (Cambridge: Cambridge University Press, 2006). Austen, Jane, Later Manuscripts, ed. Janet Todd and Linda Bree (Cambridge: Cambridge University Press, 2008).
    [Show full text]