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Movie Museum NOVEMBER 2011 COMING ATTRACTIONS
Movie Museum NOVEMBER 2011 COMING ATTRACTIONS THURSDAY FRIDAY SATURDAY SUNDAY MONDAY Hawaii Premiere! THE LIGHTHORSEMEN THE EEL aka Unagi MY LIFE AS A DOG WATER FOR EYE OF THE EAGLE (1987-Australia) (1997-Japan) ELEPHANTS (1997-Denmark) (1985-Sweden) uncut version in widescreen in Japanese with English (2011) Danish w/Eng subtitles & w.s. in Swedish with English subtitles & in widescreen in widescreen 12:00 & 1:30pm only subtitles & in widescreen Directed by Lasse Halström. with Anthony Andrews, with Koji Yakusho. with Robert Pattinson, Reese ------------------------------ Peter Phelps, John Walton, 12:00, 1:45 & 3:30pm 12:15, 2:15, 4:15 & 6:15pm Witherspoon, Christoph TURTLES ARE Tim McKenzie, Jon Blake, ------------------------------ Waltz, Hal Holbrook. SURPRISINGLY FAST ------------------------------ Bill Kerr, Sigrid Thornton. CHICKEN AND DUCK SWIMMERS (2005-Japan) TORA! TORA! TORA! (1970-US/Japan) TALK (1988-HongKong) Directed by Japanese w/Eng subtitles, ws Directed by Francis Lawrence. 3:15 & 5:00pm only English/Japanese w/English Simon Wincer. Cantonese w/English subtitles -------------------------------- subtitles & in widescreen with Michael Hui, Ricky Hui. 12:15, 2:30, 4:45, 7:00 & THE EEL aka Unagi Martin Balsam, Sô Yamamura. 12:30, 3, 5:30 & 8pm 8:30pm ONLY 9:15pm 7:00pm only 5:30 & 8:00pm ONLY 3 4 5 6 7 Movie Museum Movie Museum TELL NO ONE TAMPOPO aka Ne le dis à personne (1985-Japan) Movie Museum Closed Closed (2006-France) in Japanese with English Closed French w/Eng subtitles & w.s. subtitles & in widescreen with François Cluzet. 4:00pm only 4:00pm only ------------------------------------ ------------------------------------ THAT MAN FROM RIO TAMPOPO (1964-Italy/France) (1985-Japan) in French/English/Portuguese in Japanese with English with English subtitles subtitles & in widescreen & in widescreen Directed by Juzo Itami. -
Kinotayo-2010
PROGRAMME - PROGRAMME - PROGRAMME - PROGRAMME - 20 Nov 11 Déc 2010 5eme FESTIVAL DU FILM JAPONAIS CONTEMPORAIN Mascotte de Kinotayo 2010 140 projectionsAvec la participation d'Écrans - d'asie 25 villes Kinotayo2010 Yoshi OIDA, l’Acteur flottant, président du Festival Kinotayo 2010 Pour le festival Kinotayo, c’est un immense honneur que d’avoir pour président ce comédien, acteur, metteur en scène et écrivain insaisissable, animé par l’omniprésente énergie de la vie, sur scène et en dehors. Yoshi Oida est un acteur hors du commun. Né à Kobe en 1933, il a dédié sa vie aux théâtres du monde entier, en ayant pour seule ligne de conduite de renoncer à la facilité. Son apprentissage commence au Japon : il est initié au théâtre Nô par les plus grands maîtres de l’école Okura. De cette expérience, il retirera l’importance de l’harmonie entre tous les éléments qui constituent l’outil principal du comédien : son corps. Puis en 1968 Yoshi Oida est invité à Paris par Jean-Louis Barrault pour travailler avec Peter Brook. Il fonde avec ce dernier le Centre International de Recherche Théâtrale (CIRT). Au contact du « magicien du théâtre européen », il apprend que le comédien doit être « un vent léger, qui devenant de plus en plus fort, doit allumer une flamme et la faire grandir ». Aux côtés du maître, il apprend également la mise en scène, métier qui l’occupe énormément aujourd’hui. Il sillonne alors le monde à la recherche de la maîtrise théâtrale la plus complète, apprenant les jeux Africains, Indien, Persan. Il s’interroge sur la frontière entre la scène et la vie de tous les jours : « Qu’ai-je appris sur la scène qui pourrait m’aider à vivre ma vie d’homme ordinaire ? ». -
Main Screen: 1100 Seats (To Run Only 35Mm Film Prints)
Location: Chandan Cinema, Juhu Main Screen: 1100 Seats (to run only 35mm film prints) Show Time 1st Show 2nd Show 3rd Show 4th Show 5th Show Date/Day 10.00 am 12.30 Noon 3.30 pm 5.30 pm 8.00 pm 21-10-.2010 No shows No shows No shows At: 7.00 p.m. Opening Function followed by the Inaugural Film Thursday THE SOCIAL NETWORK Dir.: David Fincher (USA / 2010 /35mm / Col. / 120’) 22-10-2010 10:30 am Inauguration of To start show by 1:30 p.m. POETRY ON THE PATH (NA PUTU) UNITED RED ARMY Friday Japanese Cinema followed by SUBMARINO Dir.: Lee Chang-dong Dir.: Jasmila Zbanic (Bosnia and Dir.: Kôji Wakamatsu ABOUT HER BROTHER (OTÔTO) Dir.: Thomas Vinterberg (South Korea / 2010 / 35mm / Col. / 139’) Herzegovina-Austria-Germany- (Japan / 2007 / 35mm / Col. / 190') Dir.: Yôji Yamada (Denmark-Sweden / 2010 / 35mm / Col. / Croatia / 2010 / 100’) (Japan / 2010 / 35mm / 35mm / 105') 126’) WC WC WC CJC CJC 23-10-2010 HOLD ME TIGHT (HOLD OM UNDERTOW (CONTRACORRIENTE) HONEY (BAL) R SANDCASTLE Saturday MIG) Dir.: Javier Fuentes-León Dir.: Semih Kaplanoglu Dir.: Michael Noer & Tobias Lindholm Dir.: Boo Junfeng Dir.: Kaspar Munk (Peru-Colombia/ 2009 / 35mm / Col. / (Turkey-Germany / 2010 / 35mm / Col. / 103') (Denmark / 2010 / 35mm / Col. / 90’) (Singapore / 2010 / 35mm / Col. / 92') (Denmark / 2010 / 35mm / Col. / 80') 100’) ATC WC WC IC-Presentation IC-Presentation 24-10-2010 ON TOUR (TOURNÉE) BUNRAKU MUNDANE HISTORY OUTRAGE CATERPILLAR Sunday Dir.: Mathieu Amalric Dir.: Guy Moshe Dir.: Anocha Suwichakornpong Dir.: Takeshi Kitano Dir.: Kôji Wakamatsu (France / 2010 / 35mm / Col. -
Regard Sur Le Cinéma Japonais : La Jalousie Féminine… Au Féminin]
Document generated on 09/29/2021 7:02 p.m. Séquences La revue de cinéma Regard sur le cinéma japonais La jalousie féminine… au féminin Pascal Grenier Number 222, November–December 2002 URI: https://id.erudit.org/iderudit/48430ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this review Grenier, P. (2002). Review of [Regard sur le cinéma japonais : la jalousie féminine… au féminin]. Séquences, (222), 22–23. Tous droits réservés © La revue Séquences Inc., 2002 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ a dernière édition du Festival des films du monde rendait quittera femme et fille pour la retrouver. Non seulement veut-elle hommage au cinéma japonais avec la section Regard sur le passer beaucoup de temps avec lui mais aspire à leur union. L cinéma japonais. Il s'agissait de la troisième fois depuis les Lorsque que Hijiri s'immisce dans sa vie, elle se rend compte de la débuts du festival que le Japon était à l'honneur. Dès l'annonce de jalousie injustifiée éprouvée et renonce à sa relation avec Kouhei cette nouvelle, mon enthousiasme était sans borne compte tenu car ce dernier ne quittera jamais sa femme. -
Reviewing Distinctive DVD Experiences: NEO Magazine and the Critical Reception of Asian Media Distributors
. Volume 12, Issue 1 May 2015 Reviewing distinctive DVD experiences: NEO Magazine and the critical reception of Asian media distributors Jonathan Wroot, University of Worcester, UK Abstract: This article closely analyses the reviews for Asian films from the longest-running UK magazine that specialises in Asian media – NEO. The critical reception of Asian films has been investigated before, but what has not been realised is the significance of the DVD distributors in shaping these reviews. As a result of examining how influential the discs’ labels are on the review content, it becomes clear that the critics in NEO are assessing more than the film itself. The reviewers are evaluating the entire viewing experience that a home media format, such as DVD, can offer. This is important for Asian media as the NEO reviews illustrate how the discs are the primary means of accessing such films for UK audiences. The reviews also suggest that viewers are becoming aware, and have a substantial interest in, how distributors shape their viewing experience. Key words: Asian media, critical reception, distributors, DVD, Japanese films. DVDs are integral to how Asian media texts, such as Japanese films, are made available to UK consumers. Cinema releases and online outlets (via streaming or downloading) have not been consistently profitable practices for distributors that specialise in Asian films and media. Ever since the popularity of Japanese horror films from 2000 onwards, a steady stream of Asian cinema titles have made their way to the UK via DVD. The importance of this format has also been realised by other distributors of other media exports from Japan, such as anime (animation) and manga (comics). -
Aikido XXXIX
Anno XXXIX(gennaio 2008) Ente Morale D.P.R. 526 del 08/07/1978 Periodico dell’Aikikai d’Italia Associazione di Cultura Tradizionale Giapponese Via Appia Nuova 37 - 00183 Roma ASSOCIAZIONE DI CULTURA TRADIZIONALE GIAPPONESE AIKIKAI D’ITALIA 30 ANNI DI ENTE2008 MORALE 3NOVEMBRE0 Sommario 02 - Editoriale 03 - Comunicati del fondo Hosokawa 04 - Nava, estate 2007... 05 - Ricordi:Giorgio Veneri - Cesare Abis 07 - ..a proposito di Ente Morale 10 - Lezione agli insegnanti dell’Aikikai d’Italia del maestro Hiroshi Tada Composizione dell’Aikikai d’Italia 14 - Le due vie del Budo: Shingaku no michi e Shinpo no michi Presidente 15 - Premessa allo studio dei principi Franco Zoppi - Dojo Nippon La Spezia di base di aikido 23 - La Spezia, Luglio 2007 Vice Presidente 25 - Roma, Novembre 2007 Marino Genovesi - Dojo Fujiyama Pietrasanta 26 - I giardini del Maestro Tada Consiglieri 28 - Nihonshoki Piergiorgio Cocco - Dojo Musubi No Kai Cagliari 29 - Come trasformarsi in un enorme macigno Roberto Foglietta - Aikido Dojo Pesaro Michele Frizzera - Dojo Aikikai Verona 38 - Jikishinkage ryu kenjutsu Cesare Marulli - Dojo Nozomi Roma 39 - Jikishinkageryu: Maestro Terayama Katsujo Alessandro Pistorello - Aikikai Milano 40 - Nuove frontiere: il cinema giapponese Direttore Didattico 52 - Cinema: Harakiri Hiroshi Tada 55 - Cinema: Tatsuya Nakadai Vice Direttori Didattici 58 - Convegno a Salerno “Samurai del terzo millennio” Yoji Fujimoto Hideki Hosokawa 59 - Salute: Qi gong Direzione Didattica 61 - Salute: Tai ji quan- Wu Shu - Aikido Pasquale Aiello - Dojo Jikishinkai -
100 Ans De Cinéma Japonais Cinéma Ans De 100 Programmation
100 ANS DE CINÉMA JAPONAIS CINÉMA ANS DE 100 PROGRAMMATION 100 ANS DE CINÉMA JAPONAIS (2E PARTIE) UNE HISTOIRE INSOLITE DU CINÉMA JAPONAIS RÉTROSPECTIVE 23 JANVIER – 17 FÉVRIER Dans le cadre de Japonismes 2018 Avec le soutien de l’Alliance Renault-Nissan-Mitsubishi Pistol Opera 79 Matango PERLES RARES DU JAPON Une histoire insolite du cinéma japonais, suite… Plus d’une trentaine de titres rares de l’immense production nippone (du cinéma de studio aux productions indépendantes), de la fin des années 1940 jusqu’aux années 2000. L’évènement « Japonismes 2018 », non content de marquer d’une pierre blanche plus de 100 ans de cinéma japonais, à sa manière mettra aussi à l’honneur un siècle de cinéphilie française ; depuis les années 1910, quand Louis Delluc ne cachait pas son émotion devant la modernité du jeu de Sessue Hayakawa dans le Forfaiture de Cecil B. DeMille, la production du Soleil levant est devenue le fantasme inta- rissable d’un certain public qui, déjà au XIXe siècle, s’extasiait devant le nouveau vocabulaire plastique que proposaient les estampes orientales. PETITE HISTOIRE D’UNE PERCEPTION FRANÇAISE Il a fallu attendre les années 1920 pour que cette production commence à s’expor- ter épisodiquement. Si l’on excepte quelques pantomimes filmées anonymement, c’est pour la première fois en mars 1926 qu’est présenté au public un film japo- nais dans le mythique Studio des Ursulines, vieux théâtre de quartier reconverti depuis peu en salle d’art et d’essai. Musume (Ai no Himitsu) de Frank Tokunaga fut donc projeté entre un court métrage de René Clair et un autre de Louis Feuillade lors d’une de ces matinées réservées aux membres. -
JAPAN CUTS: Festival of New Japanese Film (August 20 - September 2, 2021)
H-Japan JAPAN CUTS: Festival of New Japanese Film (August 20 - September 2, 2021) Discussion published by Joel Neville Anderson on Friday, August 13, 2021 Dear H-Japan subscribers, The programming team behind JAPAN CUTS: Festival of New Japanese Film is proud to share the full lineup for the hybrid 15th edition of the festival, slated for August 20 - September 2, 2021: https://www.japansociety.org/arts-and-culture/films/japan-cuts-festival-of-new-japanese-film Films will again be available to rent via video streaming (across the U.S., with some titles accessible worldwide), in addition to select in-person screenings at Japan Society in NYC following health and safety policies. Expanding the festival’s reach beyond New York, the lineup includes 27 features and 12 short films. The exclusive selection will be supplemented with recorded introductions from filmmakers and live video discussions via social media channels to maintain the festival’s sense of community and dedication to intercultural communication. The Centerpiece Presentation is WIFE OF A SPY (dir. Kiyoshi Kurosawa), awarding the 2021 CUT ABOVE Award for Outstanding Achievement in Film to Yu Aoi. Along with the Feature Slate, Classics, Documentary Focus, Experimental Spotlight, and Shorts Showcase, the second edition of the Next Generation section highlighting independently produced narrative feature films by emerging directors will be juried by film scholar Kyoko Hirano; Brian Hu, Artistic Director of Pacific Arts Movement; and Japanese film subtitler and translator Don Brown, awarding the Obayashi Prize. Please browse the entire dynamic lineup on the website, listed below by program section: FEATURE SLATE - Aristocrats (dir. -
Masaki Kobayashi: KWAIDAN (1965, 183M) the Version of This Goldenrod Handout Sent out in Our Monday Mailing, and the One Online, Has Hot Links
March 10, 2020 (XL:10) Masaki Kobayashi: KWAIDAN (1965, 183m) The version of this Goldenrod Handout sent out in our Monday mailing, and the one online, has hot links. Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Directed by Masaki Kobayashi Writing Credits Yôko Mizuki (screenplay), Lafcadio Hearn (novel) (as Yakumo Koizumi) Produced by Takeshi Aikawa, Shigeru Wakatsuki Music by Tôru Takemitsu Cinematography by Yoshio Miyajima Film Editing by Hisashi Sagara The film won the Jury Special Prize and was nominated for the Palme d’Or at the 1965 Cannes Film Festival and was nominated for an Oscar for Best Foreign Language Film at the 1966 Academy Awards. CAST for the Palme d'Or at Cannes, and Samurai Rebellion “The Black Hair” (1967), and Kwaidan (1964), for which he, once again, Michiyo Aratama…First wife both won the Jury Special Prize and was nominated for the Misako Watanabe…Second Wife Palme d’Or. He was also nominated for the Palm d’Or for Rentarō Mikuni…Husband Nihon no seishun (1968). He also directed: Youth of the Son (1952), Sincerity (1953), Three Loves* (1954), “The Woman of the Snow” Somewhere Under the Broad Sky (1954), Beautiful Days Tatsuya Nakadai…Minokichi (1955), Fountainhead (1956), The Thick-Walled Room Jun Hamamura…Minokichi’s friend (1956), I Will Buy You (1956), Black River (1957), The *Keiko Kishi…the Yuki-Onna Inheritance (1962), Inn of Evil (1971), The Fossil (1974), Moeru aki (1979), Tokyo Trial* (Documentary) (1983), “Hoichi” and Shokutaku no nai ie* (1985). -
Tony Takitani
tony_8p_245x170_OK 29/07/04 2:06 Page 1 Director: Jun Ichikawa Music: Ryuichi Sakamoto Author: Haruki Murakami Born in 1948, Jun Ichikawa graduated from Harajuku School and then Award-winning composer and musician Ryuichi Sakamoto has made Born in Kyoto in 1949, Haruki Murakami grew up in Kobe, and graduated Art School. He started work for an advertising company gradually a career of crossing musical and technological boundaries. Sakamoto from Waseda University in Tokyo. His first novel, Hear the Wind Sing working up to become a director. Making a name for himself by has experimented with, and excelled in, many different musical styles, (1979) won him the Gunzou Literature Prize for budding writers. This directing distinguished and well known commercials culminating in making a name for himself in popular, orchestral and film music. novel, together with Pinball 1973 (1980) and The Wild Sheep Chase the Grand Prize at the Cannes International Advertising festival in 1985. Yellow Magic Orchestra (YMO) (1982), which got him the Noma Literary Prize for New Writers, form A founding member of , Sakamoto The Trilogy of the Rat Hard-boiled A prize which he went on to win for 3 successive years in a row. has composed original scores for 18 major and independent films, . He is also the author of Very soon after this he directed his first feature film "Bu Su" in 1987. Merry Christmas Mr. Lawrence The Last Emperor Wonderland and the End of the World (1985), Norwegian Wood including: , , Dance, Dance, Dance South of the Border, West of Selected Filmography The Sheltering Sky, and most recently, Brian DePalma’s Femme (1987), (1988), Tsugumi (Tsugumi) Fatale the Sun (1992), Sputnik Sweetheart (1999), and After the Quake 1990 . -
Kihachi Okamoto Nace En 1924 En Yonago, Totori
Kihachi Okamoto Nace en 1924 en Yonago, Totori. Se traslada a Tokio en 1941 para ingresar en la Universidad Meiji. Allí se convierte en un ávido cinéfago, aficionado a las películas estadounidenses de acción y a las comedias francesas. Se gradúa en 1943 y entra en la Toho como ayudante de producción. Poco después es reclutado y llevado a la escuela del ejército para oficiales en la reserva, desde donde vio el final de la guerra. En 1945 vuelve a Tokio y trabaja como ayudante de dirección para Taniguchi, Makino o Naruse. En 1957 la Toho anuncia un proceso de selección para ascender a los ayudantes de dirección que presentaran el mejor guión. La sinopsis de ¡Oh, mi bomba! y el guión de El forajido solitario le hicieron ganar el ascenso y para su debut se le asignó la comedia Todo sobre el matrimonio, en 1958. El forajido solitario, su quinta película, basada en su propio guión, fue un enorme éxito en 1959. Su reputación se construyó en paralelo a la de otros cineastas jóvenes del momento: Suzuki, Masumura, Imamura y Oshima. Se convirtió en el director habitual de las películas de acción de la Toho. En 1974 creó la productora Kihachi y se despidió de Toho. Aunque es un director relativamente desconocido en Occidente, sus historias llenas de humor y ritmo son muy populares en Japón. Murió el 19 de febrero de 2005 cuando estaba a punto de comenzar su película número 40. Una reescritura del cine de género “Si Kurosawa es el John Ford de las películas de samuráis, Okamoto es el Samuel Fuller del género” dijo en una ocasión el crítico estadounidense Bruce Eder. -
(Revised0507)JAPAN BOOTH 2013 Cannes FIX
CONTENTS INTRODUCTION Contents Introduction 1 Introduction Japan Booth is organized by JETRO/UNIJAPAN with the support from Agency for Cultural Affairs (Government of Japan). 2 Geneon Universal Entertainment Japan, LLC 3 Gold View Co., Ltd. 4 Happening Star Project JETRO, or the Japan External Trade Organization, is UNIJAPAN is a non-profit organization established 5 MODE FILMS INC. a government-related organization that works to pro- in 1957 by the Japanese film industry under the mote mutual trade and investment between Japan and auspice of the Government of Japan for the purpose 6 Nikkatsu Co. the rest of the world. of promoting Japanese cinema abroad. Initially named 7 Office Walker Inc. Originally established in 1958 to promote Japanese ex- ‘Association for the Diffusion of Japanese Film Abroad’ 8 Omgact Entertainment LLC ports abroad, JETRO’s core focus in the 21st century (UniJapan Film), in 2005 it joined hands with the has shifted toward promoting foreign direct investment organizer of Tokyo International Film Festival (TIFF), to 9 Open Sesame Co., Ltd. into Japan and helping small to medium-sized Japa- form a combined, new organization. 10 Production I.G nese firms maximize their global business potential. 11 SDP Inc. 12 Sedic International Inc. 13 Showgate Inc. 14 Tsuburaya Productions Co., Ltd. Category Action Drama Comedy Horror / Suspense Documentary Animation Screening schedule Day Starting Time Length of the Film Title Place 1 Geneon Universal Entertainment Japan, LLC Gold View Co., Ltd. The Chasing World: The Origin Belladonna Of Sadness AD 3000. 1 in 20 has the family name "SATO" in Japan. The A story about a young and beautiful woman, who has lived a life 150th king implements a horrific policy to reduce the number of of hardships.