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Équinoxe Screenwriters' Workshop / Palais Schwarzenberg, Vienna 31
25. éQuinoxe Screenwriters’ Workshop / 31. October – 06. November 2005 Palais Schwarzenberg, Vienna ADVISORS THE SELECTED WRITERS THE SELECTED SCRIPTS DIE AUSGEWÄHLTEN DIE AUSGEWÄHLTEN AUTOREN DREHBÜCHER Dev BENEGAL (India) Lois AINSLIE (Great Britain) A Far Better Thing Yves DESCHAMPS (France) Andrea Maria DUSL (Austria) Channel 8 Florian FLICKER (Austria) Peter HOWEY (Great Britain) Czech Made James V. HART (USA) Oliver KEIDEL (Germany) Dr. Alemán Hannah HOLLINGER (Germany) Paul KIEFFER (Luxembourg) Arabian Nights David KEATING (Ireland) Jean-Louis LAVAL (France) Reclaimed Justice Danny KRAUSZ (Austria) Piotrek MULARUK (Poland) Yuma Susan B. LANDAU (USA) Gabriele NEUDECKER (Austria) ...Then I Started Killing God Marcia NASATIR (USA) Dominique STANDAERT (Belgium) Wonderful Eric PLESKOW (Austria / USA) Hans WEINGARTNER (Austria) Code 82 Lorenzo SEMPLE (USA) Martin SHERMAN (Great Britain) 2 25. éQuinoxe Screenwriters‘ Workshop / 31. October - 06. November 2005 Palais Schwarzenberg, Vienna: TABLE OF CONTENTS / INHALT Foreword 4 The Selected Writers 30 - 31 Lois AINSLIE (Great Britain) – A FAR BETTER THING 32 The Story of éQuinoxe / To Be Continued 5 Andrea Maria DUSL (Austria) – CHANNEL 8 33 Peter HOWEY (Great Britain) – CZECH MADE 34 Interview with Noëlle Deschamps 8 Oliver KEIDEL (Germany) – DR. ALEMÁN 35 Paul KIEFFER (Luxembourg) – ARABIAN NIGHTS 36 From Script to Screen: 1993 – 2005 12 Jean Louis LAVAL (France) – RECLAIMED JUSTICE 37 Piotrek MULARUK (Poland) – YUMA 38 25. éQuinoxe Screenwriters‘ Workshop Gabriele NEUDECKER (Austria) – ... TEHN I STARTED KILLING GOD 39 The Advisors 16 Dominique STANDAERT (Belgium) – WONDERFUL 40 Dev BENEGAL (India) 17 Hans WEINGARTNER (Austria) – CODE 82 41 Yves DESCHAMPS (France) 18 Florian FLICKER (Austria) 19 Special Sessions / Media Lawyer Dr. Stefan Rüll 42 Jim HART (USA) 20 Master Classes / Documentary Filmmakers 44 Hannah HOLLINGER (Germany) 21 David KEATING (Ireland) 22 The Global éQuinoxe Network: The Correspondents 46 Danny KRAUSZ (Austria) 23 Susan B. -
The Oxford Democrat
The Oxford Democrat. NUMBER 33. VOLUME 73. SOUTH PARIS, MAINE, TUESDAY, AUGUST 14, 1906. wail waa a rouna noie. No Knew nis man. Γη· tigntening arouou tue corner οι ΐοβ οο- against tue c. JON ES, Oxford County Observations. Billy ateanug AMONG THE FAKMERS. of Black Hank's close knit brews tel She put ber baud to her heart one was touched. ^ It waa s privilege for the editor of the smoke and Machinist* meant but one One does not gain and listened. Her understanding of ▲ silence fell. The lightened Smith Firmer to see s section of Maine not be- thing. t'A RIS, MAINE. "SfKCU THE PLOW.·· in the west motives was but and blew slowly through the window jgotl fore visited—Oxford chieftainship of any kind the et ranker'a vague, of uenera: machinery, ste*n> en county—last week, that her door. The horses, long since H*nufaeturer and needless to to who have without ascendency with ebe had caught his confession and open Housekeepers ana tools say those propping ..ne», ulll work, spool machinery 9 STEWAKT favor of dies and drill* made ant Correspondence un practical agricultural By decision. kiss had meant much to him and even deserted their guardian in «et screw·, tape. topic» looked upon the hills, lakes and f I acts of ruthless Billy leaped by Vu ma ta solicited. Addreea all communication* In- valleys, ! Sewlag, mowing and threehln* streams with the sudden· auxletv sbe felt an inclination the excitement within, whinnied. The have been vexed when C .aire tended for this to IlKNRT D. -
BEAT, 60S/70S DEE-JAY DOO WOP SERIES SEIRESPOWOODYAJ
DEE-JAY DOO WOP SERIES 183 TEEN SCENE CD BB 55113 € 15.34 WINCHELL : Don’t Make Small Talk Baby RICKY SHAW : The Riddle TOMMY BIENER & WENDY &...: The Top 40 DOVERS: Alice My SEVEN TEENS: Steady Guy AUGIE RIOS : Augie Stay Home CURT Love PAUL GRIF FIN : Ragdoll Baby LEE PARKER : Sand Dance JENSEN : Bobbie CHARLES DELL : I’m Here To Tell You (What MELLODEERS: The Letter DOVERS: A Lonely Heart RALPH DE Ronnie Couldn ’t..) RONI POWERS : Any Friend Of Henry’s RICKY MARCO : Donna MELODEERS: Born To Be Mine GINO: I’m A Boy SHAW : I Got A Girl GINO & THE DELLS: Baby Don’t Go Now In Love ANDY & GINO: Love Is Love (All Around The World) DONNY LEE MOORE : You Left Me Standing There AUGIE RIOS : DANNY WINCHELL : Sugar Baby RICKY & ROBBY: Suzzanne No One CHARLES DELL : Let’s Tell Him Now BIG BOB AUGIE ROSE : Lullaby ANDY ROSE & THE THORNS: Just For Fun DOUGHERTY : Bang Bang RICKY & ROBBY: Purple Pedal Pushers MONTELLS: My Prince Will Come (And He Will Be The One) DICK HEARTHERTON : Hey! Travelin’ Man ANGELA MARTIN : Two Pairs Of Shoes JAN TOBER : Just Married ANDY ROSE : Hey Scooter AUGIE RIOS & NOTA TIONS: There’s A Girl Down The Way CHESS MEN: Prayer Of Love DANNY BEAT, 60s/70s 13TH FLOOR ELEVATORS Willow Weep For Me- Yours Until Tomor row- Simon Smith And The Amaz ing Dancing Bear- Tickle Me 8 PARA DISE LOST 2-CD CD LSR 19630 € 24.90 CD-1:- Gloria- You’re Gonna Miss Me- Tried To Hide- Splash One- ALLMAN BROS You Can’t Hurt Me Anymore- Make That Girl Your Own- Before You UNIVER SAL MASTER Accuse Me- Fire In My Bones- Monkey Island- Thru The Rhythm- -
10Th Édition Body and Soul
presents The Europe by Europe Festival of films of Greater Europe 10th édition Body and Soul From March 16 to April 15 www.evropafilmakt.com “Nothing is so dangerous in diplomacy as loose talk about peace! Every time the demand for peace has reached a certain pitch and was no longer to be contained, it’s led straight to war!” Robert Musil, The Man Without Qualities, 1933 Dear friends, spectators and partners, This is the 10th edition of the festival Europe by Europe (L’Europe autour de l’Europe). The The newly restored version of Serguei Parajanov’s Sayat Nova (The Color of the Pomegranate) festival began in 2006, in Normandy, as a screening of 12 films. It was born out of a passion will open the festival, and announce our collaboration with the Golden Apricot Yerevan Interna- for cinema and the desire to bring peripheral Europe – the Europe “by” Europe, that Central tional Film Festival that will present the Harutyan Khachatryan retrospective and engage us in European countries tend to disregard – closer to official Europe. commemorating the tragic events in Armenia in 1915. I believe the audacity to launch the festival came to me from my admiration for the work and personality of Henri Langlois, after I read his words “Show the whole world the wonderful The Competition section for The Prix Sauvage (the Dancing Wolf) and the Prix Luna will present films that no one has ever seen”. At first, the festival was basically a family initiative, supported 9 films that have not been distributed in France by directors coming from Germany, Armenia, by the volunteer work of some friends, film directors, and linguists, and the first important Austria, Belgium, Norway, Switzerland, Turkey and Ukraine. -
Introduction
Introduction New Austrian Film: Th e Non-exceptional Exception Robert von Dassanowsky and Oliver C. Speck In an article in 2006, the New York Times introduced a series of screenings of Austrian productions with the following statement: “In recent years this tiny country with a population the size of New York City’s has become something like the world capital of feel-bad cinema” (Lim 2006). As the critic portrays the major directors, a picture emerges that probably sums up a common sentiment regarding New Austrian Film: not unlike other cinematic new waves, Austria’s artists are engaged in a bitter fi ght against the prevailing petit-bourgeois mindset of their fellow citizens. From this perspective, however, it must appear that New Austrian Film is caught in a deadlock, a fi ght against its nation’s very image, be it the postwar self-stylization as neutral Austria, Nazi Germany’s fi rst victim, or even the ironic self-perception as a leftover of Kakania, Robert Musil’s famous satirical moniker for the k.und k. (imperial and royal) Austro-Hungarian dual monarchy. In an eff ort to break the illusions of the “offi cial” Austria and its long avoidance of dealing with its fascist past, New Austrian Film is not only highly critical and counter-traditionalist (albeit using traditional genres) but it takes on the very mechanisms of spectatorial trust in cinema. And with a strong female participation that is signifi cantly prominent, we can see how gender aff ects cinematic style and mood in dealing with contemporary dystopias. Despite the challenges to the audience, the reductionist “feel-bad cinema” label is itself only another totalizing concept that current Austrian fi lmmakers would smash. -
Quarterly 1 · 2009
German Films Quarterly 1 · 2009 AT THE BERLINALE EVERYONE ELSE (In Competition) STORM (In Competition) GERMANY 09 (Out of Competition) PORTRAITS Emily Atef, Hans Steinbichler, Flying Moon Film, Heike Makatsch German Films Quarterly 1 · 2009 directors’ portraits 4 THE STRANGER IN HER A portrait of Emily Atef 6 INITIATION IN THE “EXECUTIONERS’ CINEMA” A portrait of Hans Steinbichler producers’ portrait 8 FLYING HIGH FOR 10 YEARS A portrait of Flying Moon Filmproduktion actress’ portrait 10 AS TIMES CHANGE A portrait of Heike Makatsch 12 news in production 18 AYLA Su Turhan 19 DIE FRAU MIT DER GEBROCHENEN NASE Srdjan Koljevic 20 FRIENDSHIP! Markus Goller 21 GANGS Rainer Matsutani 21 HANGTIME Wolfgang Groos 22 HENRI VIER Jo Baier 23 MARIA, IHM SCHMECKT’S NICHT! Neele Leana Vollmar 24 THE OTHER CHELSEA: THE DONETSK STORY Jakob Preuss 25 DIE PAEPSTIN Soenke Wortmann 26 POLL Chris Kraus 27 POSTKARTEN NACH COPACABANA Thomas Kronthaler 28 RÉSISTE – AUFSTAND DER PRAKTIKANTEN Jonas Grosch 29 SOUL KITCHEN Fatih Akin 30 TANNOED Bettina Oberli 31 WAFFENSTILLSTAND Lancelot von Naso 32 ZARTE PARASITEN Christian Becker, Oliver Schwabe 33 ZIMMER Michael Dreher 34 ZWOELF METER OHNE KOPF Sven Taddicken new german films 36 24h BERLIN – EIN TAG IM LEBEN 24H BERLIN – A DAY IN THE LIFE 70 different directors 37 ALLE ANDEREN EVERYONE ELSE Maren Ade 38 DER ARCHITEKT THE ARCHITECT Ina Weisse 39 DEUTSCHLAND 09 GERMANY 09 13 different directors 40 DEUTSCHLAND NERVT MADE IN DEUTSCHLAND Hans-Erich Viet 41 DISTANZ DISTANCE Thomas Sieben 42 DORFPUNKS Lars Jessen 43 EFFI