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Tourism with Tradition
TOURISM WITH TRADITION INTERPRETING THE CULTURAL QUALITIES OF COLORADO SCENIC AND HISTORIC BYWAYS November 2004 Prepared by Colorado Council on the Arts Folk Arts Program Funded by Federal Highway Administration/Colorado Department of Transportation Scenic Byways Program Contents Section 1: About this Project Background The Colorado Council on the Arts Identifying and Presenting Traditional Artists Definitions Differences between presenting traditional and professional artists Public program ideas A few options to consider Section 2: Scenic Byways and Traditions Introduction Byway-by-Byway Projects and Activities Involving Traditional Culture (Listed alphabetically by byway) Section 3: Case Studies and Great Ideas A Brief Explanation Los Caminos Antiguos: Anatomy of a Community Cultural Event Any Byway: Oral History Project Idea Cache la Poudre—North Park: Oral History Interview Gathers Vivid Recollections of Human Experiences on Byway Any Byway: Letter of Agreement/Contract for Artist and Organization Lariat Loop: Oral History and Folklore Interview: Topic Suggestions Cache la Poudre—North Park: The Iron Family Native American Music and Dance Unaweep/Tabeguache: Audio Tour Contents and Introductory Material Any Byway: Interpreting the Relationship between Intrinsic Cultural Qualities and other Intrinsic Qualities of Colorado’s Scenic and Historic Byways Following Up CCA Folk Arts Program Contact Information Section 1: About this Project Background In 2002 The Colorado Council on the Arts (CCA) was awarded funding from the Federal Highway Administration through the Colorado Department of Transportation’s Scenic Byways Program. The primary focus of the project was to interpret the relationship between regional cultural traditions and the intrinsic scenic and historic qualities of Colorado's twenty-four Byways. -
Smithsonian Folklife and Oral History Interviewing Guide the Smithsonian Folklife and Oral History Interviewing Guide
The Smithsonian Folklife and Oral History Interviewing Guide The Smithsonian Folklife and Oral History Interviewing Guide by Marjorie Hunt Smithsonian Institution Center for Folkife and Cultural Heritage 750 9th Street, NW, Suite 4100 Washington, DC 20560-0953 © 2003 by the Smithsonian Institution ISBN 0-9665520-2-4 www.folklife.si.edu Introduction 7 The Interview 11 Some Possible Questions 21 Presenting Your Findings 29 A Glossary of Key Terms 41 To Learn More Selected Bibliography and Internet Resources 45 Sample Forms Interview Release Form Interview Information Form Tape Log Photo Log Cultural Marker Exercise 49 Credits and Acknowledgements 65 Introduction PRECIOUS LEGACIES: DOCUMENTING FAMILY FOLKLORE AND COMMUNITY TRADITIONS “Out of shared telling and remembering grow identity, connection, and pride, binding people to a place and to one another.” — Tom Rankin, Folklorist “[Tradition-bearers] are e hope that the Smithsonian Folklife and Oral History living links in the historical Interviewing Guide inspires you to turn to members chain, eye witnesses to of your own family and community as key sources history, shapers of a vital Wof history, culture, and tradition. But where does one start? and indigenous way of life. They are unparalleled This booklet presents some guidelines Smithsonian folk- in the vividness and lorists have developed over the years for collecting folklife authenticity they can and oral history from family and community members. bring to the study of local It features a general guide to conducting an interview, history and culture.” as well as a sample list of questions that may be adapted to — Barbara your own needs and circumstances. -
A Bibliography for Teachers, Art Administrators, and Fieldworkers
DOCUMENT RESUME ED 388 597 SO 025 561 AUTHOR Holtzberg, Maggie TITLE Georgia Folklife: A Bibliography for Teachers, Art Administrators, and Fieldworkers. INSTITUTION Georgia Council for the Arts, Atlanta. PUB DATE May 95 NOTE 23p. AVAILABLE FROMGeorgia Council for the Arts, Folklife Program, 530 Means St., N.W., Suite 115, Atlanta, GA 30318-5793. PUB TYPE Reference Materials Bibliographies (131) EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Community Characteristics; *Cultural Background; Elementary Secondary Education; Ethnography; Field Interviews; *Folk Culture; Higher Education; *Local History; Material Culture; Oral Tradition IDENTIFIERS *Georgia ABSTRACT This bibliography lists books, articles, and journals as well as a selection of sound recordings and videotapes to assist individuals and teachers researching the folklife of Georgia. Print resources are organized under 10 major categories including:(1) "General Folklife Studies";(2) "Fieldwork Methodology"; (3) "Regional Folklife Studies";(4) "Georgia Folklife and History"; (5) "Folk Art and Folk Craft";(6) "Folk Narrative";(7) "Folk Belief and Folk Medicine";(8) "Foodways";(9) "TraditiOnal Music"; and (10) "Multicultural Communities." Local public and university libraries are listed as resource facilities. A listing of major national research centers housing Georgia folklife information is included. Finally, relevant journals and periodicals are cited. (MM) Reproductions supplied by EDRS are the best that can be made from the original document. GEORGIA FOLKLIFE: A BIBLIOGRAPHY FOR TEACHERS, ART ADMINISTRATORS, AND FIELDWORKERS 11 U $ DEPARTMENT OF EDUCATION r E du. ata.ra- Elesea --"ra ,erer E "IONA sFIE SOuFICES .NFORMAT,C/N cr:NTFR ERIC /1,-IA.,- E L') sfu.a "as C..re,- ery-Ndur erl as I , Pr 4. -
National Support Systems for Folklife, Traditional Arts, and Cultural Heritage
National Support Systems for Folklife, Traditional Arts, and Cultural Heritage Summary Report of Field Convening organized by the Alliance for California Traditional Arts and the American Folklife Center September 27-28, 2018 The American Folklife Center, Library of Congress, Washington, D.C. _____________________________________________________________________ Report prepared by: Amy Kitchener, Executive Director, Alliance for California Traditional Arts and Elizabeth Peterson, Executive Director, American Folklife Center Published: September 2019 1 National Support Systems for Folklife, Traditional Arts, and Cultural Heritage Summary Report Prepared by Amy Kitchener and Elizabeth Peterson On September 27-28, 2018, the American Folklife Center (AFC) and the Alliance for California Traditional Arts (ACTA) co-convened a meeting at the American Folklife Center, Library of Congress in Washington, DC, bringing together a group of folklorists and others in related fields to explore the topic of existing infrastructure for the folk and arts and cultural heritage in the United States and opportunities and challenges for future collaborative strategies. The directors of both organizations, Betsy Peterson (AFC) and Amy Kitchener (ACTA) served as co-conveners and both organizations contributed funding to subsidize out-of-town travel for participants. This convening was loosely connected to and helped inform a larger gathering planned by the National Endowment for the Arts (NEA) Folk and Traditional Arts Program which was held in conjunction with the National Assembly of State Arts Agencies meeting in November 2018. A dozen or so people attended both meetings. MEETING BACKGROUND AND FOCUS: The field of folk arts and traditional culture is decentralized with no national service organizations providing comprehensive services, advocacy or support. -
The Challenge of American Folklore to the Humanities
humanities Article The Challenge of American Folklore to the Humanities Simon J. Bronner School of Humanities, American Studies Program, The Pennsylvania State University, Middletown, PA 17057-4898, USA; [email protected] Received: 16 November 2017; Accepted: 16 February 2018; Published: 17 February 2018 Abstract: American Folklore consists of traditional knowledge and cultural practices engaged by inhabitants of the United States below Canada and above Mexico. American folklorists were influenced by nineteenth-century European humanistic scholarship that identified in traditional stories, songs, and speech among lower class peasants an artistic quality and claim to cultural nationalism. The United States, however, appeared to lack a peasant class and shared racial and ethnic stock associated in European perceptions with the production of folklore. The United States was a relatively young nation, compared to the ancient legacies of European kingdoms, and geographically the country’s boundaries had moved since its inception to include an assortment of landscapes and peoples. Popularly, folklore in the United States is rhetorically used to refer to the veracity, and significance, of cultural knowledge in an uncertain, rapidly changing, individualistic society. It frequently refers to the expressions of this knowledge in story, song, speech, custom, and craft as meaningful for what it conveys and enacts about tradition in a future-oriented country. The essay provides the argument that folklore studies in the United States challenge Euro-centered humanistic legacies by emphasizing patterns associated with the American experience that are (1) democratic, (2) vernacular, and (3) incipient. Keywords: folklore; folklorist; folkloristics; tradition; folktale; folksong; legend; joke; narrative; performance; practice theory; speech; ritual; rites of passage; internet; romantic nationalism; United States 1. -
The Meaning of Folklore
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2007 The Meaning of Folklore Simon J. Bronner Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Folklore Commons Recommended Citation Dundes, A., & Bronner, S. J. (2007). The meaning of folklore: The analytical essays of Alan Dundes. Logan: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. !e Meaning of Folklore Photo by Simon Bronner Alan Dundes. !e Meaning of Folklore !e Analytical Essays of Alan Dundes Edited and Introduced by Simon J. Bronner Utah State University Press Logan, Utah Copyright ©2007 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7200 www.usu.edu/usupress Manufactured in the United States of America Printed on recycled, acid-free paper ISBN: 978-0-87421-683-7 (cloth) ISBN: 978-0-87421-684-4 (e-book) Library of Congress Cataloging-in-Publication Data Dundes, Alan. !e meaning of folklore : the analytical essays of Alan Dundes / edited and introduced by Simon J. Bronner. p. cm. Includes bibliographical references and index. ISBN 978-0-87421-683-7 (cloth : alk. paper) 1. Folklore. 2. Dundes, Alan. I. Bronner, Simon J. II. Title. GR71.D88 2007 398.2--dc22 2007033333 C"#$%#$& Preface and Acknowledgments vii Introduction: !e Analytics of Alan Dundes 1 References 36 Part I: Structure and Analysis 1. -
Folklore and the Internet: Vernacular Expression in a Digital World
Utah State University DigitalCommons@USU All USU Press Publications USU Press 2009 Folklore and the Internet: Vernacular Expression in a Digital World Trevor J. Blank [email protected] Follow this and additional works at: https://digitalcommons.usu.edu/usupress_pubs Part of the Computer Sciences Commons, and the Folklore Commons Recommended Citation Blank, T. J. (2009). Folklore and the Internet: Vernacular expression in a digital world. Logan, Utah: Utah State University Press. This Book is brought to you for free and open access by the USU Press at DigitalCommons@USU. It has been accepted for inclusion in All USU Press Publications by an authorized administrator of DigitalCommons@USU. For more information, please contact [email protected]. Folklore and the Internet Vernacular Expression in a Digital World Folklore and the Internet Vernacular Expression in a Digital World Edited by Trevor J. Blank Utah State University Press Logan, Utah Copyright © 2009 Utah State University Press All rights reserved Utah State University Press Logan, Utah 84322-7800 USUPress.org ISBN: 978-0-87421-750-6 (paper) ISBN: 978-0-87421-751-3 (e-book) Manufactured in the United States of America Printed on acid-free, recycled paper Library of Congress Cataloging-in-Publication Data Folklore and the internet : vernacular expression in a digital world / edited by Trevor J. Blank. p. cm. Includes bibliographical references and index. ISBN 978-0-87421-750-6 (pbk. : alk. paper) -- ISBN 978-0-87421-751-3 (e-book) 1. Folklore and the Internet. 2. Folklore--Computer network resources. 3. Digital communications. I. Blank, Trevor J. GR44.E43F65 2009 398.02854678--dc22 2009026813 To Charley Camp, friend and mentor Contents Acknowledgments ix Introduction Toward a Conceptual Framework for the Study of Folklore and the Internet 1 Trevor J. -
Appalachian Culture: *Cultural Contributionsthnic Heritage Studies Program Act: Folklcre Collection; *Ohio
` SOCONENT PESOS!! SD 182 102 NC 011 862 AUTHOR Mullen*, Patrick B.: Place, Linna Funk TITLE . Collecting Folklore and Folklife in Obio. INSTITUT/OW Ohio State Otiv., Columbus. :AKINS AGENCY Office of Education (DREW), Washington, D.C. Ethnic Heritage Studies Brar.ch, ?BB DATE 78 NOTE 197p.; For a related document, see RC 011 863. EDRS PRICE MFOI1PCOS Plus Postage. DESCRIPTORS *Blacky; Cultural Awareness: *Cultural Background; Cultural Environment; Cultural Factors: Data Collectitt; 'Descriptive Writing: Ethnic Groups; Family Environment: *Folk Culture; Folklore Books; Humor; Language Arts: *Mexican Americans; Minority. Groups; Narration: Proverbs: Rural Population: *Social History: Teacher Education: Teaching Methods IDENTIFIERS Appalachian Culture: *Cultural Contributionsthnic Heritage Studies Program Act: Folklcre CollectiOn; *ohio ABSTRACT While many people think of folklore as part of the culture of rural, isolated, uneducated people,folklore has a such broader definition -nd can encompass all areas andbe found among all people. Folklore tradition cam include school fight songs,ghost storiesv cialdrents games, ethnic jokes, jump rope rhymesand family recipes, as well as quiltitg techniques, ballads, or tales.All of these types of folklore are discussed andillustrated in this lengthy 4manual. Although designed specifically forcollecting folklorl and 4folklife in Oh5o, the manual would be of interest tc anyone interested in American folklore. The first portion isdevoted to folklore collection and discusses the equipment needed, waysto approach people, kinds of folklore that mightbe collected, and interview techniques. A chapter on how to set up acollection project describes field techniques, release forms, notations t circumstances surrounding each interview, transcription methods andanalysis. Two _ chapters suggest the family and children asgood places to begin collection because of the rich quantity of materialavailable. -
LFP Technical Assistance Resource List REV LMG0506
Resource List of Public Folklife & Documentation Materials Compiled initially by Laura Marcus Green in 2013, in consultation with Maida Owens, Director, Louisiana Folklife Program, through the American Folklore Society Consultancy and Professional Development Program, with support from the National Endowment for the Arts. Below is an annotated list of selected resources for folklorists working in diverse contexts. Here you will find publications and websites that encompass issues of general interest in folklife work, including models of projects and programs to provide inspiration and reflections on various aspects of the field. You will also find resources providing how-to assistance for conducting folklife fieldwork documentation and oral historical research. Additionally, there are resources relating to some areas in which folklorists collaborate with allied professionals, including education, health care, and immigration. There are also materials specifically relating to marketing and presenting folk arts. The list includes tried and true classics, some of which have been updated, as well as more recent resources. Most of the resources below contain abundant bibliographies. This list is organized by topic to facilitate usage, but there is overlap among the categories. This list is by no means exhaustive! Rather, it is meant as a springboard for further exploration and an invitation to add other materials. Note: The American Folklore Society Wiki page, Folklore Publications and Communications, contains references to books (including -
Smithsonian Folklife and Oral History Interview Guide
SMITHSONIAN FOLKLIFE AND ORAL HISTORY INTERVIEW GUIDE by Marjorie Hunt Special edition, revised by Museum on Main Street, a part of the Smithsonian Institution Traveling Exhibition Service Smithsonian ............................................. Smithsonian Center for Folklife and Cultural Heritage in collaboration with the Smithsonian Institution Traveling Exhibition Service In conjunction with the Stories from Main Street project, an initiative of Museum on Main Street, a partnership of the Smithsonian Institution and State Humanities Councils nationwide in service to America ©2012 from the “Smithsonian Folklife and Oral History Interview Guide” by Marjorie Hunt, Smithsonian Center for Folklife and Cultural Heritage, Smithsonian Institution ISBN 0-9665520-2-4 Smithsonian Institution Traveling Exhibition Service 470 L’Enfant Plaza, SW Suite 7103, Washington, DC 20024 COVER: Top left and middle right photos by James Kegley. Town photo by Steve Minor. Bottom photo from the Contemporary Jewish Museum. Courtesy Flickr Creative Commons Attribution-NonCommercial 2.0 Generic SMITHSONIAN FOLKLIFE AND ORAL HISTORY PB SMITHSONIAN FOLKLIFE AND ORAL HISTORY INTERVIEW GUIDE WHY IS THE SMITHSONIAN INTERESTED IN ORAL HISTORIES ANYWAY? The Smithsonian Institution has been collecting objects, photographs, and books for more than 150 years. We are experts in the “American experience”... and so are you! Real people, sharing their own American experiences, can help the Smithsonian add to the ever-evolving story of life in America. Your oral histories help us document what life is like across the United States, whether in a small town in Colorado or a suburb in Alabama. The way we see it, everybody has a story to tell. “Stories from Main Street” is the Smithsonian’s latest project for collecting stories from America’s small towns and rural communities.